25
Back to the Basics Elements of Art Principles of Design October 2013

Back to the Basics Elements of Art Principles of Design October 2013

Embed Size (px)

Citation preview

Page 1: Back to the Basics Elements of Art Principles of Design October 2013

Back to the BasicsElements of Art

Principles of Design

October 2013

Page 2: Back to the Basics Elements of Art Principles of Design October 2013

Elements of Art The Building Blocks

LineShapeColorValueFormTextureSpace

Page 3: Back to the Basics Elements of Art Principles of Design October 2013

Elements of Art The Building Blocks

LineColorShapeFormSpaceTextureValue

Page 4: Back to the Basics Elements of Art Principles of Design October 2013

LineLine is the path of a point moving through space.

How Can Lines be Described?

Page 5: Back to the Basics Elements of Art Principles of Design October 2013

LineLine is the path of a point moving through space.

How Can Lines be Described?

Thick Thin Straight Dotted Diagonal Rough Horizontal

Zig-zag

Page 6: Back to the Basics Elements of Art Principles of Design October 2013

The ObviousActual Lines

Dionysius, 1944, Barnett Newman

67x49in

Yellow Painting, 1949

Barnett Newman

Untitled (The Cry),

Barnett Newman 36x24in.,

ink on paper

Page 7: Back to the Basics Elements of Art Principles of Design October 2013

Lines can be implied . . .

Not actually drawn, but guide one’s eye around the artwork – can be found in …

Line of sight,

Posture of people or animals

By areas of shadow and light

In folds of fabric, curtains or clothing

In streams of light and

In the organization of items in artwork….

Page 8: Back to the Basics Elements of Art Principles of Design October 2013

Lines can be implied . . .

The Flower Carrier, 1935, Diego Rivera, 48x48 in.

Where are the Implied Lines?

Page 9: Back to the Basics Elements of Art Principles of Design October 2013

Lines can be implied . . .

Note: lines

implied by directional

gazes

The Flower Carrier, 1935, Diego Rivera, 48x48 in.

Page 10: Back to the Basics Elements of Art Principles of Design October 2013

Lines can be implied . . .

Still Life (The Blue Vase), 1920Giorgio Morandi

Oil on canvas

Where are the Implied Lines?

Page 11: Back to the Basics Elements of Art Principles of Design October 2013

Lines can be implied . . .

Still Life (The Blue Vase), 1920Giorgio Morandi

Oil on canvas

Where are the Implied Lines?

Page 12: Back to the Basics Elements of Art Principles of Design October 2013

A VENETIAN WOMAN,1882John Singer Sargent

oil on canvas93 3/4 x 52 1/2 in

Which are the actual lines?

Where are the implied lines?

Page 13: Back to the Basics Elements of Art Principles of Design October 2013

A VENETIAN WOMAN,1882John Singer Sargent

oil on canvas93 3/4 x 52 1/2 in

Lines used to create emphasis

Page 14: Back to the Basics Elements of Art Principles of Design October 2013

Lines can curve . . .The Great Wave Off Kanagawa, 1823-29

Katsushika HokusaiColor woodcut, 10 x 15 in.

Page 15: Back to the Basics Elements of Art Principles of Design October 2013

Johann KoerbeckeThe Ascension, 1456/1457

tempera on panel (36 1/2 x 25 1/2 in.)

What kinds of lines can you find?

Page 16: Back to the Basics Elements of Art Principles of Design October 2013

Curved, smooth

Jagged

Jagged, zig-zag

straight

Johann KoerbeckeThe Ascension, 1456/1457

tempera on panel (36 1/2 x 25 1/2 in.)

Page 17: Back to the Basics Elements of Art Principles of Design October 2013

Le déjeuner des canotiers, 1880–1881Pierre-Auguste Renoir

Oil on canvas, 129.5 × 172.7 cm

Page 18: Back to the Basics Elements of Art Principles of Design October 2013

Shape Shape has length and width, but is flat. It is perceived as two-dimensional.

(Form has depth, length, and width. It is perceived as three-dimensional.)

There are two TYPES of shapes:Geometric shapes -- circles, rectangles, squares,

triangles and so on -- have the clear edges one achieves when using tools in order to create them.

Organic shapes have natural, less well-defined edges (think: leaves, seashells, flowers, an amoeba, or a cloud – things found in nature). Also known as “free form”.

These are Shapes These are Forms

Page 19: Back to the Basics Elements of Art Principles of Design October 2013

Shape Shape has length and width, but is flat. It is perceived as two-dimensional.

(Form has depth, length, and width. It is perceived as three-dimensional.)

There are two PARTS of a shapes:

Positive shapes – the solid parts. The objects in a painting

Negative shapes – the space in between the objects/people in the painting.

Which is which

Page 20: Back to the Basics Elements of Art Principles of Design October 2013

Shape Shape has length and width, but is flat. It is perceived as two-dimensional.

(Form has depth, length, and width. It is perceived as three-dimensional.)

Confusion sometimes arises from the terms “shape” and “form.”  A “shape” is an area which stands out because of a defined boundary (a line) or change in color, value or texture. A shape implies a flat, two-dimensional surface.

Here we see come circular shapes combined with curving and diagonal lines. By applying charcoal in varying degrees of value (chiaroscuro), an artist can create the illusion o a three-dimensional form (the baseball) where none actually exists (a two-dimensional canvas).

Page 21: Back to the Basics Elements of Art Principles of Design October 2013

Shapes are simple. Shapes are flat.

Shapes are easy to recognize.

The Parakeet and the MermaidHenri Matisse

Page 22: Back to the Basics Elements of Art Principles of Design October 2013

Doves by Pablo Picasso

Child with a Dove (1901)Pablo Picasso

The Dove of Peace (1949)Pablo Picasso

Page 23: Back to the Basics Elements of Art Principles of Design October 2013

BalancementWassily Kandinsky

The Singing FishJoan Miro

Page 24: Back to the Basics Elements of Art Principles of Design October 2013

Cubism – The Art of ShapesCubist 9Thomas Fedro

The GuitarJuan Gris

Woman with Mandolin Pablo Picasso

Three MusiciansPablo Picasso

Page 25: Back to the Basics Elements of Art Principles of Design October 2013

Having fun with Shapes

Geometric Mouse Scale A, 1969/1971Claes Oldenberg

Metamorphosis II 1 939-1940

M. C. Escher  woodcut 7.6 in × 153.3

in