Upload
phungnga
View
215
Download
0
Embed Size (px)
Citation preview
BALL AND CHAIN BAD GUY GOOD GUY AND REKON PRESENT
T I L TRunning time ......................... 100 min
Genre ..................................... Phychological Thriller / Drama
Year ........................................ 2017
Language ............................... English
Country of Origin .................. United States
Format ................................... 1920x1080, 24fps, 2.40:1, Sound 5.1
Public Relations .................... DDA - Dana Archer and Nastasya Morauw
Sales / Distribution .............. CAA - Tristen Tuckfield and Nick Ogiony
Representation ..................... Jason Burns : UTA
Peter Dodd : UTA
Matt Rosen : Grandview
Links ...................................... Director IMDB: www.imdb.me/kasrafarahani
SYNOPSISAll seems normal with Joseph and Joanne. Joanne is pregnant with their first child. Life in their little
urban house is cozy and familiar. But something is off about Joseph. He doesn’t seem excited about the
baby. Work on his documentary is becoming increasingly untethered. As Joseph struggles to maintain
the routines of his domestic life, his mask begins to slip. Late at night, while Joanne thinks he is working,
Joseph prowls the streets of Los Angeles, deliberately courting danger. Joanne is growing worried about
Joseph’s odd behavior. But not as worried as she should be.
Tilt explores how quickly the most familiar person in your life can become the most terrifying. How quickly
we can become terrifying to ourselves.
DIRECTOR’S STATEMENT
Certainly, making a movie about a frustrated filmmaker living in Silverlake will invite some comparisons.
The seed for TILT came from my co-writer Jason O’Leary. He became struck by the mental image of a
man in a dark room standing silently over his sleeping wife. After a few chats, this man became Joe Burns.
The character became a vehicle to explore some personally familiar ideas about the fear of commitment,
ambivalence about having children, and exceptionalism. In TILT, the plan was to use these common
contemporary urban struggles to explore how a few bad turns could set a vulnerable person onto a very dark
path from which he could not return.
I was not interested in making a tawdry film. For me, TILT is a deep character exploration of a modern
narcissist. Take your run of the mill (third wave) coffee shop intellectual, loosen a few screws, add a heap
of humiliation and voila, you have Joe Burns. He has convinced himself that his vision is iconoclastic; that
his art is a “cultural disruption.” Joe would rather destroy everything than fade away into the sunset of an
enviable if ordinary life, having compromised all the lofty ambitions to which he has felt entitled his entire
privileged, middle-class life. Just as TAXI DRIVER’S Travis Bickle struggled to re-enter society after fighting
in Vietnam, Joe Burns in TILT struggles with alienation from a modern society that seems to be blind to
his genius and happily whirring along without him. Joe fancies himself a brilliant crusader of liberal views,
but for all his liberal grandstanding and artsy affectation, Joe might secretly prefer to live in the 1950s, the
“mythic golden age of American life” that he is making a rambling documentary about. More and more, he
exhibits glimpses of the white male rage and entitlement that have become disturbingly vocal in the past
year of American political life. Being an Iranian-born American, as half the country seeks to “make America
great again” via the exclusion of “others,” I cannot help being affected by these voices.
Ultimately, in TILT, I wanted to explore how tenuous our senses of safety and control really are. How quickly
the most familiar person in your life can become the most terrifying. How quickly we can become terrifying
to ourselves.
FILMSOURCING - ELECTRONIC PRESS KIT
KASRA FARAHANIWriter, Director, Producer
A life long lover of images and story,
Kasra Farahani was born in Iran, and
raised in Los Angeles, California after
his family fled the Islamic revolution
of 1979. Always a visual artist and a
builder of things, Kasra studied industrial
design before landing in the film world.
After nearly a decade as a well regarded
concept artist and art director in the art
departments of master filmmakers such
as JJ Abrams, Steven Spielberg, Michael
Mann, Tim Burton, James Cameron,
and David Fincher, and inspired by the
mastery of these filmmakers, Kasra
hopes to tell stories that combine the
power and scope of visual worlds with
the substantive drama that comes from
the conflict of well realized characters.
JOSEPH CROSSJoseph Burns
Joseph Cross is an American-born film
and theater actor who has appeared in
over a dozen films including: Stephen
Spielberg’s LINCOLN; Gus Van Sant’s
MILK; Clint Eastwood’s FLAGS OF OUR
FATHERS; Arnaud Desplechin’s JIMMY
P.; and Ryan Murphy’s RUNNING WITH
SCISSORS, which won him the 2006
Satellite Award for Best Actor in a Motion
Picture, Comedy or Musical. His theater
credits include “Breakfast at Tiffany’s”
at the Theatre Royal Haymarket; Eugene
O’Neil’s “Mourning Becomes Electra”
at the New Group; and John Guare’s
“Landscape of the Body” directed by
Michael Grief at the Williamstown
Theater Festival. He can currently be see
in HBO’s, “Big Little Lies”, and upcoming
in David Fincher’s “Mindhunter” for
Netflix.
ALEXIA RASMUSSENJoanne Burns
Alexia Rasmussen grew up in Los Angeles. After high school she moved to New York to attend NYU’s Tisch School of the Arts. During her time there she studied at the Experimental Theater Wing, the Classical Studio and the International Theater Wing in Amsterdam. Since graduating in 2006, she has been very proud to appear in such films as THE COMEDY, PROXY and most recently LITTLE ACCIDENTS, LAST WEEKEND and CREATIVE CONTROL. After 13 years of living in New York, she recently relocated to Los Angeles with her husband and dog.
FILMSOURCING - ELECTRONIC PRESS KIT
JASON O’LEARYWriter
Jason O’Leary received a B.F.A. in Drama
from the Tisch School of the Arts at New
York University. He is the author of four
novels: A Single Bound, Goners, The
Litter Kincaid, and Zero. He co-wrote
(with Kasra Farahani) the screenplay
of the film TILT, which will premiere at
the 2017 Tribeca Film Festival. He also
co-wrote (with Farahani) the screenplays
Garden and The Peculiar Aptitude of
Owen Barnaby. He lives in Portland,
Oregon with his wife Tracey.
GIRI THARANProducer
Giri Tharan founded Ball and Chain
Productions in 2013 shortly after
graduating from NYU’s Tisch School
of Arts. With a focus on developing,
financing and producing independent
content for Television and Film, he went
on to finance and produce THE GOOD
NEIGHBOR (originally THE WAITING),
also directed by Kasra Farahani and
starring James Caan. The film premiered
at SXSW in 2016 and was released later
that year. More recently, in addition to
teaming up again with Kasra to produce
TILT, he also financed and produced
PERMISSION starring Rebecca Hall and
Dan Stevens, which will be premiering
along with TILT at the 2017 Tribeca Film
Festival.
KRISTINA KONDRATHProducer
Being a Southern California native, Kristina Marie Kondrath cultivated a strong interest in the entertainment industry from an early age. Although Kristina went on to graduate from the University of Southern California with a BS in Business Administration, she did not give up on her passion and also minored in Cinema-Television. While attending USC, Kristina worked at Trojan Vision (the university television station) and also was involved in their Production Group.
After graduation, Kristina began her industry training by working regular background on the television series “Scrubs” as well as “CSI:NY.” Knowing the acting scene wasn’t quite for her, she started gaining production experience as a production assistant. It was only natural she would team up with her brother Jon at ReKon Productions and start producing and coordinating a variety of projects, varying from commercials, shorts, web series, music videos, and most recently feature films. She has worked on projects for Doritos, Nokia, EA Games, Ariana Grande, Epson, Will.I.Am, CoverGirl and Comcast among others. Kristina was happy to team up with director Kasra Farahani and producer Giri Tharan for a second time to produce TILT.
TILT
CREDITS
C R E W
Director .................................................................Kasra Farahani
Producers ..............................................................Giri Tharan, Kasra Farahani, Kristina Kondrath
Executive Producer ...............................................Farhad Amid
Associate Producer ..............................................Billy Levin
Writers ...................................................................Jason O’Leary & Kasra Farahani
Director Of Photography ......................................Alexander Alexandrov
Editor .....................................................................Kyle Traynor
Original Music .......................................................Lucas James Putnam
Production Designer .............................................Margaret Box
Costume Designer ................................................Skye Stewart-Short
Key Make-Up Artist ..............................................Doniella Davy
Prop Masters ........................................................Carina Berlin
Assistant Camera .................................................Adam Gould
Assistant Editor ....................................................Casey Curtiss
Colourist................................................................ Ian Vertovec
C A S T
Joseph Burns ...............Joseph Cross
Joanne Burns ...............Alexia Rasmussen
Kendra ..........................Jessy Hodges
Andy .............................Kelvin Yu
Doug Park ....................C.S. Lee
Allison ..........................Jade Sealey
Chusuke Hasegawa .....Brian Leng
Tourist ..........................Ron Marasco
Man on Cellphone ........Junes Zahdi
Woodworker .................Billy Khoury
Porsche Driver .............Kyle Kormaldi
Porsche Passenger......Rya Meyers
Cheryl ...........................Shelley Mitchell
Baby .............................Brielle Trani
Charlie ..........................Charlie