8
Accent/Tap FOCUS -Only 2 heights unless told otherwise. 9" & 3" -Do not pound or force accents -Consistent inner beats -Smooth motion o f upstrokes before accents -No rhythmic change from hand to hand -No tempo change afler and before accents

Battery Exercises 2011

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Accent/Tap

FOCUS

-Only 2 heights unless t o ld otherwise. 9" & 3"

-Do not pound or force accents

-Consistent inner beats

-Smooth motion o f upstrokes before accents

-No rhythmic change f r om hand to hand

-No tempo change afler and before accents

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Double BeatCarr

Snares

Tenors

Bass Drums

= = •

j i _ 4

R R R

I I 4

R R

*

R R R R L L L L L

• J

L L L L L R R R R R L L L L L

- U - 4 — • <

t I I 1

• «

2

i i

i i

J

Sn.

Ten.

B .Dr .

1̂ 11 J , J 1 J J J J J J J — 1 d 4 JJ J J

9

| J ^ - =

R R R R L L L L L R

••̂ J J ^ ^^ ^ \

R R F R L L L L L

1n m J

R - f JR

9

U m-M J J i k

d « «

" " —̂aB"~""

n /TJ n

——?—=—

9

J i -

Sn.

Ten.

B.Dr .

FOCUS

-Second note has same quality as first of each double bounce

- T h i r d note has same quality as first and second o f each triple bounce

-Downstroke last note o f each hand change between measures

-E.xact "M .C . " rhythms

-Play at a ll 4 different heights. Starting height (stock height) is 9"

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Triplet Timingl-note

FOCUS

-Consistency o f hand motion f r om check into syncopation

-Mark time throughout beginningw i t h left foot

-Practice wi th metronome. Start at quarter note equals 135

- T r y and figure out where the downbeats are.

-Tenors and basses use the snare sticking

-Be able to play at a ll 4 different heights. Starting height is 9"

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Triplet Timing3-note

Sn.

Ten.

R R L R R L R R L R

"1 In "'

R

3 3 3

^ 7 J J J 7 J IA^JJ

L R L L R L L R

3 ^ 3 - ^

" d d

3

3 -^pf r

1 d d M ^ ^

4—3—, • — J — ,

B.Dr.

Sn.

R L L R L L

Ten.

B.Dr.

-* r^mm p a ^ B l 6 •» '~^Jr~' J 1 — 3 — , 7 J 3 i .? g - 3 — , 3 ^ r - . —. 3

R L L R

3 - 3

R R L R R

5 ^ 3 — ,

L R R L3

R

Vi i ^ i l ^ iT l i

R L L R L L

7 7 J

. R L

d d d . d d

6 3 , — J — , 3 r — J — ,

j j j i i i ^ ^ l

R R L R L R L L R L L R L R L R L R R L R R L R L R L R L L R L R

/ i

—1—

^ J J ^n 71 r» r-> Y-1 r -l

' d 4

3 S r - 3 - 1^ ^ y 1 3

J ^ "13

Sn.

Ten.

B.Dr.

R R R R L R

FOCUS

-Even st ick heights throughout

-Consistency o f sound between down and legato strokes

-Right and l e f t hand f l ow f r o m check measures into syncopated measures

-Mark time throughout beginningw i t h l e f t foot

-Follow sticking. Tenore and basses f o l l ow snare sticking unless noted otherwise

-Play w i t h metronome. Start at around quarter note equals 135

-B e able to play at al l 4 different heights

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Gallop

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Triplet Diddle

Sn.

m

Ten.

3 3 3 3

B.Dr.

5 33 3

9 >

R R R R L R R L R R L R R L R R R R R L R R L R

FOCUS

- A l l unaccented notes are to be played at 6"

-Do not emphasize or change the heights ofthe diddled notes

-Mark time beginning w i t h the l e f t foot

-Keep steady tempo througout w i t h metronome

-Good starting tempo is quarter note equals 135

-Be able to play at 3", 6" & 9". Accented notes on last measure remain at 9".

Bass Specific:

-Do not crush or squeeze the 16th notes on measure 7

-Follow stiokings notated

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Triplet Accent

/ > ^ > 3 > 3 > 3

Sn.

Ten.

B.Dr.

R R L R R L R R L

> 3 > 3

,3> > . 3 > 3 > 7>3 > 3 >if>3 > 3 >

Sn.

Ten.

B.Dr.

R R R R L L L L R

FOCUS

-No split on tenors or basses fo r this exercise

-Mark time on down beats w i t h metronome

-Only 9 " & 3 " heights used

-Focus on inner beats to maintain tempo

-Keep inner beats at 3" throughout

-Do not force or pound accents

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Triplet Rolls

> 3 > 3 > 3 > 3 - , 3 > 3

^ J( Jt Jf J(

> 3 j > 3 3 > 3

mmmj( j( J

Sn.

Ten.

1 r r - i >^ ^̂ 4-1 "̂ 4-1Jf Jf Jf

> 3> 3

Jf Jf Jf> 3

rr

!> 3 3 "Hr - i

mmm Jf Jf J

> 3> 3

> 3> 3

B.Dr .* * *

2J f J^Jf> 3 > 3

,> 3 > 3

masm Jf Jf Jm m s

4 > 3 > 3 > 3 > 3 j > 3

4—Jf Jf—4—4—Jf—Jf—Jf—Jf—Jf—*Sn. B

-̂ .i—p-p-

-lii— :>3

> 3

Jf Jf if 4 4

J ^ -

Ten.

B.Dr .

' —-3- 5 3 3_

3 3

' J J

FOCUS Tenor Specific:

-Play at 9" & 3" heights -Measure 4, maintain 9" & 3" heights

- D o not change the rhythm of the diddle before or after an accent

-Keep exact consistent eighth note triplets throughout-M a r k time w i t h metronome. Starting tempo, 135

Bass Specific:

- D o not crush or squeeze the 16th note triplets on the 5th measur