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October's issue of BEHIND THE SCENE GLOUCESTERSHIRE is online for FREE. There are features on: THE GOING GOODS, HOT FEET & THE DRAWING OF THE THREE. - Plus gig reviews & previews, articles and an ABSOLUTELY MASSIVE gig guide for Gloucestershire for October.
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BEHIND THE SCENE
GLOUCESTERSHIRE Issue #12 October 2014
THE ONLY FREE MAGAZINE DEDICATED TO
MUSIC IN GLOUCESTERSHIRE
FREE! Please take a copy to keep!
THE GOING GOODS
THE DRAWING OF THE THREE
HOT FEET
Gig reviews & previews
Gloucestershire gig guide for October
Welcome to October’s issue of BEHIND THE SCENE GLOUCESTERSHIRE. This month things have changed a little.
We’ve slimmed down a bit, changed a few font sizes and had a fiddle with the layout. But the most important
thing is, with the help of the University of Gloucestershire, we have copied the magazine 1000 times and
distributed it across the county.
We don’t deliver to random houses, we put them in record shops, venues, pubs and recording studios—places
where people who love music will actually read them. We don’t want our magazine to end up in a recycling box,
we want you to read it on the bus or whilst you are at a gig. We want you to circle gigs in our gig guide,
read our reviews and generally make the magazine a constant feature in your life—that’s not too much to ask,
is it?
BEHIND THE SCENE GLOUCESTERSHIRE was created because we were frustrated with having to be connected
to a hundred different Facebook pages to find out about gigs in Gloucestershire. We often missed watching our
favourite bands because we heard about them too late. If you’re a band, promoter, venue, pub, recording
studio, or just a fan of live music then please use us by sending in gigs for the gig guide, taking out an advert
or sending us some recommendations. This isn’t our jobs, we don’t make a living out of it—it’s just a glorified
hobby to keep us from hanging round on street corners. There will be a few teething problems as we make the
transition from being an ‘online only’ publication to a print publication with deadlines, space constraints and
delivery logistics, so you might have to bear with us whilst things settle down. But we’ll get there.
The important thing is that we all love live music and although we probably moan about it from time to time,
Gloucestershire is a great place to experience it. We want to tell you about it all. Call it a public service, if
you like. Enjoy reading the magazine and look out for it again in November.
BEHIND THE SCENE GLOUCESTERSHIRE Issue #12 October 2014
E-mail: [email protected] Facebook: facebook.com/behindthesceneglos
Website: behindthesceneglos.tumblr.com Twitter: @behindsceneglos
ADVERTISE WITH US
For prices and more information e-mail: [email protected]
All photos in the magazine are either used with permission, credited or found on the internet. No copyright
infringement is meant. Please don’t get angry or sue us. We don’t have any money anyway as it’s all spent on gig
tickets, band t-shirts and watered down pints of coke.
We’d love to review your gig, festival, CD, vinyl, new album etc — just ask!
GIG GUIDE DISCLAIMER: Please check with the venue before travelling to gigs. The information is
up to date at time of print, but often changes. We don’t want you to waste your petrol.
ALSO ON THE BILL: Greenfire (progressive rock from Manchester) and
Aramatus (a metal band from West Midlands).
WHAT DO EDENFALL SOUND LIKE? The unofficial soundtrack for a straight to
VHS gothic horror film.
OTHERS SAY: "This is a must have album for fans of the Gothic/Doom genre.
A masterful tapestry of delights, great musicianship, arrangements and awesome
female vocals." [Black Phoenix Rising website]
I’VE NEVER HEARD OF TWO RIVERS: It’s a family run recording studio on the
outskirts of Cheltenham. On weekends they host gigs in a cosy room that’s
equipped with high-quality sound and lighting. There’s even a bar too!
DO I HAVE TO WEAR BLACK? No, there’s no dress code. But you’d probably
stand out a mile if you wore a Hawaiian shirt so maybe leave that at home.
PRICE: £5 on the door. That’s just £1.66 per band. For more info:
www.facebook.com/TwoRiversLIVE
FEMME DU ROCK featuring EDENFALL
TWO RIVERS, CHELTENHAM 4th October
THE GOING GOODS To an outsider like me, hip-hop seems to be about
who has the most money, who wears the most
expensive jewellery and who can shake their backside
the best in a music video. I know I'm generalising, but
to me Snoop Dogg is just a loveable sidekick to Charlie
Brown and the closest I've ever got to the East and
West side is getting lost in Gloucester city centre on
a Saturday afternoon. However, within our county
boundary there is one band who represent an
alternative to that, a kind of 'happy hip-hop' if you
like. The band are called THE GOING GOODS and I
asked front-man Kishi to tell me what it's like being
in the a hip-hop band that aren't all that concerned
about bitches and bling.
"Hip Hop can be a really depressing genre and life is already full of misery, so we do our best to make people smile!
There's already enough people making music about how they grew up in a council estate or were never happy at school.
We have nothing against them doing that, but it's not for us! Music is an expression, so we express our happiness!”
The band formed when Kush (a beatboxer) and Kishi (a rapper) began performing together and were asked to perform
a longer than usual set. "Kishi knew Mikey from Uni and asked if he'd be up for playing guitar and singing and he said
Jack should play guitar instead. Hassan was there and it turned out that he played the bass! That was just over two
years ago. Mikey, Jack and Kishi all went to the University of Gloucestershire and Kush and Kish are mates from before
Uni days in Devon." I guess there's nothing like being in the right place at the right time.
In their short existence the band have played with long-time Frank Turner collaborator Beans On Toast and supported
Mr Nice (Howards Marks). This summer they also opened the Main Stage on a sunny Sunday at Cheltenham's
Wychwood Festival. "That meant a lot because our first ever gig was at Wychwood two years ago where we played an
afternoon set on The Pomme Stage! This year we got to share a stage with The
Stranglers, Gentlemen’s Dub Club and Boom Town Rats."
Recently the band have changed their name from 'KSH & The Going Goods' to 'The Going
Goods.' Why drop the KSH when the band have worked so hard to get that name out
there? "It just caused a lot of confusion! Although Kish and Kushi were KSH before, we
never really had a divide saying, “You guys are The Going Goods and you guys are KSH,”
we were just all KSH and The Going Goods. I think the time we got called KFC and The
Chips was the final nail in the coffin! Also, The Going Goods kind of describes us well."
Which bands and venues in Gloucestershire do The Going Goods officially endorse? "There
are so many! It's such a musical area! Emmett Brown, Simplistic Scientists, Boys in the
Wood, King Solomon, Galloping Cows and The Sound of The Sunken Foal. We also love St
Pauls Tavern, and Cafe Rene is always the dopest night!"
The band are currently working on an album which is due to be released next year. In the
meantime, they will be releasing some singles from it, so if the lighter side of rap music
is your thing, then like the band on Facebook for free downloads. Any parting words?
"Big shout out to the beautiful people at Behind The Scene Gloucestershire!"
Oh shucks, they really are the happiest band in hip-hop.
https://www.facebook.com/KSHandtheGoingGoods
Gig review: HARD STAIRS,
THEM SPITFIRES
Friday night starts the
way most Friday nights
start. I shower, throw
some clothes on and
then watch Sky Sports
News for a while whilst
my girlfriend changes
her outfit seventeen
times. In the end the
same news features roll
around again and I
shout up the stairs,
“Are you ready yet?”.
She then rushes down,
tries to find where she
last threw her keys and
we eventually drive to
Cheltenham and miss
the first support band.
As I said, a standard Friday night.
It seems that everyone must be running late because the
second band of the evening at the 2 Pigs (THEM
SPITFIRES) are already on and we have no trouble getting
to the bar, finding a seat or indeed generally having the
run of the place. The three-piece are noisy, raucous and
keeping alive the spirit of the Ramones with short songs
played at a volume that would definitely annoy your
neighbours. They tear through ’Duke Street’ and I conclude
that it might just be the best song anyone has ever
written about Cheltenham.
Then, unusually, a bloke dressed up as an Undertaker takes
to the stage between acts and reads a few monologues and
tells the odd joke (‘odd’ in both senses of the word).
Then, as if the evening could get any stranger, a long
haired chap in his 20’s wanders in off the street with a
carrier bag, circles the venue a couple of times, takes a
drink from the water cooler and then leaves again as happy
as Larry. I think I’m hallucinating as a result of a long
week at work and the pint of Stowford Press I’ve just
supped down.
Anyhow, a few more people make their way into the venue
and HARD STAIRS (a self-proclaimed supply teacher styled
blues duo) spend the rest of the evening knocking out
their unholy blues racket. And I mean ’racket’ in a good
way. It’s the kind of racket that gets the working week
out of your system and satisfies your urge to shout,
scream, holler and play a 12 bar progression on your
electric guitar. Well, I guess that’s why they call it the
blues. ‘Bad Moon Rising’ and ‘Folsom Prison’ get the
HARD STAIRS treatment (and by that I mean being sped
up several notches and almost regurgitated through an
electric guitar and drums) and the band seem to be having
a whale of a time despite it being a relatively quiet Friday
night in Cheltenham. Even the Undertaker in the audience
seems to enjoy it. [Photo by: Enzo Tozza]
2 Pigs, Cheltenham
19th September 2014
OXJAM TAKEOVER WHAT’S THIS ALL ABOUT THEN? A one day multi-venue
music festival across Cheltenham with all proceeds going to
charity.
OXJAM IS TAKING OVER: Subtone, Frog & Fiddle, Moo
Moo and 21 Club.
PROCEEDS GO TO: Oxfam, of course. They'll use your money
to give poor communities around the world the lift they
need to work their own way out of poverty.
WHICH BANDS ARE PLAYING? Over 80 apparently!!! We
recommend George Montague, Hattie Briggs, Kintsugi, Emi
McDade, Kitten & Bear Clay Gods, Kingsley Salmon and Gaf
Franks-Bayntun.
IS THAT BECAUSE THEY’VE
ALL BEEN INTERVIEWED IN
PREVIOUS ISSUES OF THIS
MAGAZINE? Umm...yes.
WHAT ELSE SHOULD I LOOK
OUT FOR? There will be street
artists, buskers, stilt walkers,
fire eaters and statues on the
streets, as well as an outdoor stage and after-party in an as
yet undisclosed location.
TICKETS AVAILABLE FROM: http://www.wegottickets.com/
event/281546 For more info: www.oxjamcheltenham.com
VARIOUS VENUES, CHELTENHAM
18th OCTOBER
If your ears currently prick up
every time the much
publicised George Ezra comes
on the radio, then you might
be the type of person who finds a little space in your heart
for Gloucestershire's HUW (or Huw Edward Thomas as he's
known to his mum).
His new 4 track EP is book-ended
by two rip-roaring tracks ('Follow
Me' and 'Deep End,' after which
the EP is named) which are
perfect examples of modern folk
songs done the Mumford way (as
opposed to the Dylan way).
Delivered with vocals that aren't a
million miles away from the likes
of Jake Bugg and Jamie T, these
songs are propelled along by
clapping hands and fast guitars.
The 2 songs that make up the middle of 'Deep End' slow
the pace unnecessarily and although HUW has clearly spent
much time thinking carefully about how to create an
atmospheric sound, the mood of these songs (think ‘teenage
boy falling in love with a girl who moves away and writes a
song about her’) is in contrast to the first and last tracks
on the EP.
But, take my word for it, this EP is a great introduction to
a young singer-songwriter who has a little something about
him that makes you reach for the repeat button.
www.facebook.com/Huweddymusic
HUW ‘Deep End’ EP
REVIEW
THE DRAWING OF THE THREE evoke the sound of the mid-90’s when indie bands were actually on independent
labels and everybody was trying hard to shake off the massive hangover from grunge. If you’re a regular watcher of
live music in Gloucestershire then you’ve probably come across the band before. I fired some questions at Paul and
Lee to find out a bit more...
THIS IS A MAGAZINE ABOUT GLOUCESTERSHIRE MUSIC. PROVE YOUR CREDENTIALS!
Paul: I'm originally from the North West, and moved to Cheltenham for University. I now teach guitar lessons in
Gloucester. Lee and Dave are both Cheltenham born and bred!
THAT'S GOOD ENOUGH FOR ME. HOW DID YOU FORM AND WHICH BANDS SHAPED THE SOUND OF THE DRAWING
OF THE THREE?
Paul: I met Lee just after I finished University and have had many bass players over the years. We found Dave about
three years ago, and since then things have really clicked. We have a mixed bag of influences. I'm big on Radiohead, Lee
loves his Iron Maiden, and Dave is a massive James fan. Common ground between us include the likes of Chili Peppers,
Muse, Foo Fighters and Charlatans. I think as a result we tend to focus on strong melodies, with a healthy dose of qui-
et/loud dynamics.
WITH SUMMER NOW OVER AND MOST BANDS NOW BUSY
SCRAPING THE MUD FROM THE UNDERCARRIAGE OF THEIR
VANS, DID THE BAND GET ON THE FESTIVAL CIRCUT THIS YEAR?
Dave: This summer has been fantastic for festivals. We played in
the mud and rain at Lechlade, at Brockfest as the sun came down,
and on a sloping stage at Milefest. The highlight of the summer
was being invited by Gloucester Guildhall to perform on their stage
at SportBeat. We can now say we kind of supported Razorlight!
THE WAY IT'S GOING FOR RAZORLIGHT, IT MIGHT NOT BE LONG
BEFORE THEY SUPPORT YOU! IN 2013 YOU RELEASED THE AL-
BUM 'BROKEN WALLS.' HAS IT HAD THE IMPACT THAT YOU
WANTED?
Lee: It is almost a year since we released 'Broken Walls' and the response we've had has been so positive. For us, with
limited resources, we've managed to record an album we can be proud of. Promotion is hard because everyone is fighting
for the same thing. All we can do is perform the best we can at gigs, and people then do come up to us and want to
buy the album.
THE BAND HAVE TWO DIFFERENT GUISES - AN ELECTRONIC AND AN ACOUSTIC VERSION. IN A WORD...WHY? OR
IN TWO WORDS...HOW COME?
Paul: Most of our songs begin life on an acoustic guitar so playing acoustic shows has always been an option for us. It
means we can be flexible in the gigs we play, for example we're playing Peppers Cafe in Gloucester in October, and there
isn't enough room to swing a cat never mind set up a drum kit! Also through playing monthly acoustic shows at the
Bayshill in Cheltenham we've expanded our setlist in the process. Our end game will always be playing electric guitars as
it opens up more sonic possibilities. But sometimes it is nice to pick up an acoustic guitar and bash out some chords!
GLOUCESTERSHIRE IS BLOODY GREAT, BUT HAVE YOU MANAGED TO BRANCH OUT INTO OTHER AREAS?
Dave: This year we've been focusing on playing gigs in Gloucestershire but I think we'll look to play other towns and cit-
ies in 2015. We have already played the likes of The Fleece and Louisiana in Bristol and ventured down to London too.
However, to make these gigs work we need to be going back again and again to build up a following, otherwise promoters
just don't want to know. It's a real problem for loads of bands.
OVER THE NEXT YEAR WHAT'S GOING TO BE HAPPENING IN THE DRAWING OF THE THREE CAMP?
Paul: I've been writing loads of songs recently, so we're going to spend some time in the studio soon and work through
them together. It is such an amazing feeling when you have an idea in your head, and through playing with Dave and
Lee that idea can become fully formed. And when you add new people and ideas into the mix, songs can move in differ-
ent and unexpected directions. That's the beauty of making music for me. It starts off with me and a guitar and turns
into a collaborative experience where we end up with something amazing and much bigger!
Lee: With some new songs under our belt we'll look to release something early next year, probably an EP. We've set
high standards with 'Broken Walls', so we're looking forward to pushing on from that and making the new songs even
better.
FINALLY, GIVE SOME SHOUT OUTS TO YOUR FAVOURITE GLOUCESTERSHIRE BANDS AND VENUES!
Lee: We've met a lot of bands and artists on our travels and there is so much talent in Gloucestershire! We love
Stressechoes, Emi McDade and Damon T amongst many others! Our favourite places to play include Cheltenham's Frog
and Fiddle, 2 Pigs and The Bayshill. In Gloucester it has to be the Guildhall and Peppers Cafe.
THE DRAWING OF THE THREE
http://www.drawingofthethree.co.uk/
MAD DOG MCREA OXYGEN THIEF
ALSO ON THE BILL: Carnivores, Atrevido and White
Crosses.
THEY SHARE A RECORD LABEL WITH: Frank Turner,
Solemn Sun & Ben Marwood.
THE PRESS SAY: “They seem to fill the giant chasm in
the heart of heavily distorted jerky UK post-hardcore fans
after Reuben decided to sell up shop and buy the
farm.” [Louder Than War]
YOU MAY REMEMBER THEM FROM SUCH FESTIVALS
AS: 2000 Trees, Arctangent, Download, Hevy and
Camden Rocks.
THIS SHOW IS BROUGHT TO YOU BY: The Cheltenham
Underground, who will be bringing Chris T-T (2nd
October) and John Power from Cast/The La’s (15th
November) to the Frog & Fiddle soon.
BUT CHELTENHAM DOESN’T HAVE AN UNDERGROUND:
That’s true, but it did once have a Noddy Train which
was such an embarrassing failure and waste of taxpayer’s
money that it’s been swept under the carpet and erased
from memory ever since.
TICKETS: £4 from http://www.wegottickets.com/
event/286722
FROG & FIDDLE, CHELTENHAM
16th OCTOBER
FROG & FIDDLE, CHELTENHAM
31ST OCTOBER
XPOSED CLUB XPOSED CLUB? SOUNDS INTERESTING. WHAT IS IT? A host of talented left-field musicians all under one roof. It’s
a chance to get yourself out of your comfort zone.
WHO’S PLAYING? Two trios and a solo. HASTE, who is Hannah Marshall
(cello) Ingrid Laubrock (tenor saxophone) Veryan Weston (piano). Plus
Lauren Kinsella (voice), Chris Batchelor (trumpet) and Liam Noble
(piano). As well as Chris Cundy (bass clarinet).
IT’S A TOUR OF ORIGINAL & IMPROVISED MUSIC: Which isn’t as easy
as it looks.
THEY SAY: "An ideal trio with empathetic and almost telepathic skill."
SO IT’S FREE JAZZ? Well, it’s creative, it’s improvised and it doesn’t
have any boundaries, that’s for sure. It costs £7 to get in and £3 for
students, so not completely free jazz but worth the entrance fee to
watch world class musicians in an intimate surrounding.
FOR MORE INFORMATION: www.facebook.com/xposedclub
FRANCES CLOSE HALL CHAPEL CHELTENHAM, 10TH OCTOBER
FOR FANS OF: Gogol Bordello, The Pogues and Skinny
Lister.
THE BAND SAY: “Mad Dog McRea raise hands, lift
feet and start parties wherever they play with their
spellbinding recipe of folk, pop, rock, jazz, bluegrass and
‘shake your ass’ music.”
THE PRESS SAY: “Mad Dog Mcrea have this surging
rhythm to their song choice and stage presence. You
can really feel pace and energy build through the
crowd.” [West Briton News]
THEY PLAY: Guitar, whistles, flutes, fiddles, bouzoukis
and banjos!
PARKING: The West End Car Park is 2 minutes walk
from the venue and free after 8pm.
PRICE: £12 with tickets available from: http://
www.ticketsource.co.uk/bwmpromo
HOT FEET Being in a touring band must be one hell of a job. Who wouldn't want to spend 24
hours a day with their mates in a Mercedes Sprinter, play packed out gigs to your
adoring public and visit such faraway and exotic places as Ipswich and Stoke-On-
Trent (ok, so maybe it's not all that great)? Although still relatively young, folk/
blues quartet HOT FEET from Stroud have done their fair share of touring. And
with a 14-date run that takes them all over the UK in October to coincide with
the release of their new EP 'Mist Is Dust', I chatted to lead guitarist Jack Page
about what it's like to be in a touring band.
Jack says, "We all hold down jobs - they need quite a high degree of flexibility though
which can be hard to find. It can be a juggling act, but generally the band takes
priority!" October's tour is headlined by Cocos Lovers, a folk and roots based band
from Deal in Kent. "We played a few shows with them at the beginning of the year
in the South West. They're a great band - you can't help but be put in a great mood
every time you see them - and they make for fine company too!"
The tour was booked by Cocos Lovers and their live booker, and although HOT FEET
have previously played in most of the towns they are going to in October, it'll be
their first time in Newcastle. "We try and get a good spread geographically, although
sometimes its nice on a shorter tour to thoroughly explore a smaller area of the
country."
Do regional differences between audiences exist? Are you more likely to get heckled up
north or face a stony silence in Birmingham? "Normally the difference comes from what day of the week you are playing
on - people can be a bit more rowdy on Friday and Saturday nights, and that's understandable! There's not really huge
regional differences."
Leeds, London, Huddersfield and Winchester will all be tapped into the HOT FEET Sat-Nav at some point in the coming
month, but it is in their hometown of Stroud that the band are most looking forward to playing, not least because it
will give them a chance to sleep in their own beds. "We're very excited about the gig. The Goods Shed is a great venue.
We're promoting the show ourselves so we'll be doing our best to decorate the venue and make it a really special
event."
The band's new EP 'Mist Is Dust' is released on the day of the Stroud gig (October 25th). "It's been a long process
from when we first recorded it, to when we re-recorded it, to now releasing it. So we're really happy to be getting it
out there. It's going to be released on Smugglers Records. We've been working with friends on artwork and videos and
we're very proud of it!" The EP is available to pre-order now.
http://www.hotfeetmusic.com/
IN GLOUCESTERSHIRE WITH...OTIS MACK
BEST THING ABOUT MUSIC…
I would say that it has quite a high diversity of genres performed mainly around pubs
and some clubs. There will be something for almost everybody. It is nice to see younger
musicians coming in too.
FAVOURITE VENUE/PUB...
I have a few favourite venues but if I had to choose one it would be The Bayshill Pub in
Cheltenham for being such a stalwart and consistent supporter of proper live band music
(I hope that I haven’t offended the other venues at which we play).
ONE THING YOU WOULD CHANGE ABOUT MUSIC…
The one thing that I would change would be the high propensity of Open Mic sessions where people expect the musicians
to play for nothing. It is a cheap option for the venues so I would understand why they would want to do it. The idea
that musicians should not be paid for their work is a bit of an anathema to me. However the well organised ones do
perform a very good introductory platform for new musicians. I would say that Paul Newman’s Jam Session at The Bay-
shill and Daniel Keicher’s at The Restoration would be amongst the best in Cheltenham. Robert Smith’s sessions at The
Miner’s Arms at Whitecroft are also cracking.
FAVOURITE BAND/MUSICIAN…
Favourite musician without a question is Mark Boughton, the lead guitarist in my own band The Tubby Bluesters. He can
play in so many styles at a very high level and is able to play both lead and rhythm guitar simultaneously.
GIVE YOURSELF A PLUG…
You can find out a lot more about Otis Mack & The Tubby Bluesters on www.tubbybluesters.co.uk and if you have Flash
Player installed, you can hear music as well.
Look at all of these gigs we’ve listed for you! We contacted every venue in
Gloucestershire and it took us a whole evening to collate them—we even missed the
football on the TV. Who says that there is nothing going on in Gloucestershire?
You can view past issues of BEHIND THE SCENE GLOUCESTERSHIRE online here:
http://issuu.com/gloszine
There’s some great interviews, reviews and articles in our back issues that are well worth reading
(like the time I went to 5 gigs in Cheltenham in one night).
A message from Stroud Subscription Rooms: We all know Gloucestershire’s got Talent...why not
come and show us what you've got? We are now offering slots Mon-Weds evenings for acoustic
musicians, poets, storytellers etc in our bar “Mr Twitchett's”. For further details contact Bev
IF YOUR GIG ISN’T
LISTED IT’S BECAUSE
YOU DIDN’T SEND IT
TO ME!
HERE’S THE E-MAIL
ADDRESS FOR NEXT
MONTH:
behindthesceneglos@yahoo
.co.uk
Also contact us on
Facebook: facebook.com/
behindthescenglos
WHO’D BE A...GIG PHOTOGRAPHER? WITH...
HOW LONG HAVE YOU BEEN A GIG PHOTOGRAPHER?
Professionally for the past 4 years, however I've worked in the music
industry for the past 25 years so it feels like I have been documenting
gigs for that long.
WHERE ARE YOU A GIG PHOTOGRAPHER?
I photograph gigs all over the country but I particularly like our local scene, I think
it's quite under estimated just how much talent we have here, I love finding those
hidden gems and bringing them to life to a wider audience through my photographs.
WHAT’S THE BEST THING ABOUT BEING A GIG PHOTOGRAPHER?
Being able to watch and listen to live music for a living, meeting talented musicians
and their loyal followers, I love that!
WHAT’S THE WORST THING ABOUT BEING A GIG PHOTOGRAPHER?
The long hours, it's a lot of hanging about and sometimes if the band don't want to
play ball it can be a complete waste of time, in saying that most bands are awesome
and play up to the camera, it makes my life much easier.
IS GLOUCESTERSHIRE A GOOD PLACE TO BE A GIG PHOTOGRAPHER?
I think Gloucestershire is a good place to be a gig photographer because there are so many great bands around.
There are more live venues popping up now that are bringing in some great bands from further afield also, and
with the likes of Sportbeat Festival growing ever stronger the scene is just getting better and better.
WHAT DO YOU DO WHEN YOU’RE NOT A GIG PHOTOGRAPHER?
When i'm not working at a gig i am usually working at some event or other. I love the variation of what
Gloucestershire has to offer, there is always something worth turning up to. Nott the Nottinghill carnival hosted
by the Cafe Rene is always a must, with a great vibe and people every year and also The Gloucester Zombie walk
- crazy and always great fun.
WHAT TIPS WOULD YOU GIVE TO A GIG PHOTOGRAPHER?
Practice, practice, practice. Get to as many free gigs as you can and just snap away, contact local venues and ask
for a media pass and offer the venue some of your best photos in return. Don't try and sell your photos at this
point, offer them to the bands, venues and festivals in return for them to promote your name and web page. If
you scratch their back they will scratch yours. You need them to build your portfolio so play fair.
GIVE YOURSELF A PLUG!
Right now, things are good, I'm happily well received locally and a little further afield and have met so many
amazing people through my work. I think I'm pretty well known for my work now locally which is all I can ask for,
and am pretty happy with my fan page as over 2000 people have gone out of their way to come and join me.
ANGELA ’STARK
IMAGE’ BRACEWELL
A FESTIVAL IN OCTOBER? AREN’T THEY TAKING A CHANCE ON THE WEATHER?
Not at all. Walk The Line is being held inside at The Frog & Fiddle, The Quaich and
The Beehive in Cheltenham. It’s all under three roofs on three consecutive days
(Thursday 9th October—Saturday 11th October).
WHO ARE THE HEADLINERS? THRILL COLLINS, Cheltenham’s premier skiffle
80’s/90’s covers band headline The Beehive on Thursday. MR B THE GENTLEMAN
RHYMER, the suburban face of hip-hop does the honours on Friday at The Frog &
Fiddle. And finally, at the same venue on Saturday, is SHLOMO who will be
bringing his beatboxing antics all the way from London.
WHICH LOCAL BANDS ARE APPEARING? Amongst others: Folklaw, Charlie Baxter
and Edd Donovan on Friday. Russ Poole, Dan Hartland and The Going Goods on
Saturday.
SO IT’S GOT NOTHING TO DO WITH JOHNNY CASH THEN? No.
I’M WASHING MY HAIR ON FRIDAY: That’s ok, you don’t have to go to the
whole thing. You can buy day tickets, or weekend ones (at a discounted price) if you’re up for watching
consecutive days of new and emerging music. www.walkthelinefestival.com
WALK THE LINE FESTIVAL
VARIOUS VENUES, CHELTENHAM 9th-11th October
Supported by the
Popular Music and
Music & Media
Management courses