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MELODIES Section I
To be used with Section I of qll other Chapters
The first melodies emphasize the basic aspectsof tonaliiy. They are designed to include easi-ly recognizable scale and chordal patterns.These diatonic melodies are based upon bothmaj or and minor modes.
The phrases are usually symmetrical andshort enough to be grasped at a glance. Hou -
ever, the diversity oí rhythms, keys, modes,tempos, dynamics, and clefs should provide avariety of musical experiences. The alto clef is
The first seventeen melodies are based entirely
1. Andante
2. Allegretto
p
Allegro
mf4. Andante cantabile
introduced in exercise 4l b; compound meter $in 73c; the minor mode in 57.
Students who are unfamiliar with one oranother of the clefs that are used in this sec-tion should prepare lor the actual singing byreciting the names of the notes in strici time.Then the melody should be sung, again nam-ing the notes. To develop facility iÍr iéadingthe various clefs, the student should also playthe melodies which have been sung in class.
on stepwise mot ion.
3 .
'v
:--
tt_- 2
8. Andante
The next four melodies are in five-measure phrases.
9. Largo
l l. Allegro
f15. Al legret to
a*
10. Andantino
13. Allegro
Con nroto
Melodies-I
,f
The following eleven melodies emphasize skips in the tonic triad.
21. Allegro moderato
24. Allegretio
.f'p
Andante con moto
Andante cantabile
,-\' ,------
Melodies-l
25. Presto
28. Andante
na!
29. Andante
The rhythm J. ) is int.oduced in rhe nexr six melodies.
30. Allegro nl oderato
rnJ
31. Allegro
Allegretto
Vivace
Melodies-l
33. .dndante
Andante cantabile
mr)
35. Andar)!_----__..
36. Andante con moto
38. Tempo di menuetto
mJt
39. Vivace
Allegretto
, Andante cantabile
Melodies-l
The same melody written with rhree different clefs.
41a. Moderato o
4lb. Moderato
The next twelve melodies are written with the alto clef.
42. Andante
p cresc.
Allegretto.
f
46. Con moto
p
A L
,4llegro con spirito
-=<a lvtf
Un poc o sostenuto
56. Allegro con spirito
Melodies-I
Natural
Three C-minor scales
[Iarmonic
Melodies in which the major and minor modes are compared may be found in SupplementaryE.rercises. a . 194.
The next seven melodies are based on minor t r iads.
57. Andante
Melodic
Melodies-I
6l. Allegro moderato
p
62. Andante
The following eight melodies include skips in the tonic minor rriad.
64. Andante
fó6. Andante
-===*:= m,f
68. Alle-eretto
69, Andante espressivo
Mdodies-I
p
Allegretto
The next nine melodies are in f time.
74. Andantino
mf75. Andant ino
--=_-l
70. Moderato
The same melody notaled in three different meters.
73a. Moderato
76. Allegretto
Melodies-I
84. Andante cantabile
85. Con anima
Melodies-I
Rests are included in melodies from this point.
87. Andante cantabile
The next three melocl ies tegin i r i th the 5th ol the ronic rr iad.
t 6
Melodies-I
94. Moderato
p
' l 'he next three melodies L,egin with the 3rd of rhe tonic triad.
97. Allegró
Allegro con spirito
lUelodies-I
101. Frisch und munter
mJf
102. Allegretto
The next six melodies begin with J upbeats.
p
104. Anda199__=\-<-';--7:->
IIIIIIII
Tempo di menuetto
p con calma
Tempo di menüetto
109. Andante.
The next eight melodies include skips in the IV chord.
p110. Andante
l l3. Larghetto..-=:'
p
ll4. Larghe!
l l5 . A l legro energ ico
Melodies-I
,,-?:
I17. Al legro
19
116. Al legro energ ico
sentpre p e Ieggiero
III¡I
.
I
120. Ahdante sostenuto
122, Moderato
-<==::_nf
124. Andante
.-.)=--'
Melodies-l
Moderato
128. Andante con moto.--1--.-=--
nuf
1 3 l . C o n m o t o
-P129, Scherzando
Tempo di meDletto
2 l
III
The rhythm J? is included in the next six melodies.
137. Larghetto
f
Allegro
f,' C o m o d o
)_2
Melod¡es-I
141. Andantino
142. Allegro decisoí-:.-\
-li
143. Larghetto
Le¡rtement
The next s ix melodies include skips in the V chorcl .
145. Andante
23
p
149. Vif et léger
7l1f
Largo
Vif et léger
Tempo di valse
Allegro _riocoso
24..
Melodies-I
155. Allegro moderato
f , '
157. Avec mouvement
mJr
158. Allegro
n cresc.
161. Moderato
159. Allegro moderato
160. Risoluto
163. Ben r i tmico
165. Valse
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