The Best Buddies Art & FriendshipAuction

Art Basel MiamiDecember 3, 2013

The Best Buddies Art & FriendshipAuction

Art Basel MiamiDecember 3, 2013

Dear Friends,

We are thrilled to have you join us for the Best Buddies Art + Friendship Auction. 100% of the proceeds from tonight’s event will benefit our programs that enhance the lives of people with intellectual and developmental disabilities through friend-ship programs, employment and leadership development. Our vision is to create a world where people with disabilities are so fully integrated into society that our services are rendered obsolete.

A Best Buddies participant shared: “Al-though my disability is part of my life, I am not my disability.” These empowering words capture the spirit of Best Buddies. As a re-sult of their involvement with our programs, people with disabilities secure rewarding jobs, live on their own, become inspirational leaders and make lifelong friendships.

Best Buddies will be celebrating 25 years of service next year. Although we have made great strides towards social inclusion for peo-ple with disabilities, there is still much work to be done. Thanks to your support, we are one step closer to reaching our goal of open-ing offices in all 50 states, expanding into 100 countries and impacting three million people worldwide by the end of 2020.

On behalf of the 800,000 people positively impacted by our programs, thank you for helping to make our dream of social inclu-sion for people with disabilities a reality.

In friendship,

Anthony K. ShriverFounder & ChairmanBest Buddies International

Our MissionBest Buddies’ mission is to establish a global volunteer movement that creates opportunities for one-to-one friendships, integrated employment and leadership development for people with intellectual and developmental disabilities (IDD).

Our VisionTo put Best Buddies® out of business.

Our Goals | The 2020 InitiativeBest Buddies created the 2020 initiative in 2011,

the end of 2020. The initiative also includes plans to train 4,000 Buddy Ambassadors, develop 1,000 jobs for people with IDD around the world, and increase the number of school-based chapters to

Buddies hopes to become a household name by the end of 2020.

Our ProgramsMiddle Schools, High Schools, Col leges, Ci t izens, Promoters, e-Buddies, Ambassadors & Jobs.

Current ChaptersIn 2013, Best Buddies had more than 1,700 chapters around the world and programs in over

impacts the lives of more than 800,000 people with and without IDD.

Get InvolvedVolunteerInvite your child to join his or her local

school chapterHire a BuddyHost an Ambassador trainingSign up to compete in one of our Challenges by

visiting www.bestbuddieschallenge.orgDonate to Best Buddies by visiting

www.bestbuddies.org/donate

www.bestbuddies.org

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Live Auction

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Lot #01 David Altmejd

Untitled, 2013Epoxy clay, epoxy gel, resin, acrylic paint, synthetic hair, chicken feathers, quartz, glass stain, glitter10 ½ × 11 ½ × 8 inchesValue: $45,000

Courtesy of David Altmejd and Andrea Rosen Gallery, New York

David Altmejd (b. 1974 in Montreal) lives and works in New York. He has shown widely in America, Canada, and Europe. In 2011, Altmejd presente a solo exhibitions at the Brant Foundation Art Study Center in Connecticut 2009. In 2009 he had a solo exhibition at Magasin – Centre National d’Art Contemporain de Grenoble, France. In 2007, the artist represented Canada at the 52nd Venice Biennale with his largest instal-lation work to date, The Index. His work is included in many important public collec-tions, including the Art Gallery of Ontario, Toronto; Dallas Museum of Art, Dallas; Galerie de L’UQAM, Montreal; Les Abat-toirs, Toulouse; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum, New York; Whitney Museum, New York; and the Museum of Contemporary Art, Los Angeles.

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Carol Bove was born in 1971 and raised in Berkeley, California. She studied at New York University and currently lives and works in New York. In a highly nuanced, combinatory practice, Bove uses materials such as found text, shelving, concrete, driftwood, peacock feathers, and seashells to create composite forms rife with allusion and entrenched in history. Solo exhibitions of her work have been featured at the Museum of Modern Art, New York; The High Line, New York; Palais de Tokyo, Paris; The Common Guild, Glasgow; The Horticultural Society, New York; Blanton Museum of Contemporary Art, Austin; Institute of Contemporary Art, Boston; Kunsthalle, Zurich, Switzerland, Kunstverein, Hamburg, Germany; and Maccarone, New York. Group exhibitions include Documenta 13, Kassel, Germany; 54th Venice Biennial, Italy; Museum of Contemporary Art, Chicago; The Renaissance Society, Chicago; CCS Bard Hessel Museum, Annandale-on-Hudson, NY, International Center of Photography, New York; Solomon R. Guggenheim Museum, New York; The Whitney Museum of American Art, New York; Tate Modern, London; New Museum, New York; and P.S 1 MoMA, Long Island City.

Terms and conditons:a. Artist and Maccarone Gallery shall be given the name and contact information for the buyer in writing. b. Buyer may not re-sell the work for a period of 3 years from the date of the Auction; however, if Buyer finds that it is necessary to sell the Work, Maccarone Gallery shall be given the exclusive right of the first consignment to sell the Work on behalf of the buyer for a period of 2 months. c. When and if the Work is donated, or sold in a manner consistent with condition (2) above, Buyer shall inform Maccarone Gallery of the identity and contact information of the party to whom title to the Work is donated or sold.

Carol BoveLot #02

Tat, 2013Found metal and steel25 x 12 × 9 ½ inchesValue: $21,000–$35,000

Courtesy the artist and Maccarone, New York

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Lot #03 Joe Bradley

Untitled, 2013Charcoal on paper18 × 24 inchesValue: $6,000–$8,000

Courtesy the artist and Gavin Brown’s enterprise

Joe Bradley was born in 1975 in Kittery, Maine. Since graduating from the Rhode Island School of Design in 1999, his diverse body of paintings has been featured in many notable institutions and exhibitions, includ-ing the 2008 Whitney Biennial, MoMA PS1, Galerie Eva Presenhuber, and most recently Gavin Brown’s enterprise.

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Lot #04 Romero Britto

“Prince” (Elf Nude), 1987Oil, pastel, newspaper23 × 14 inchesValue: $69,200

Courtesy Romero Britto

Vintage Britto

“Prince” (Elf Nude) 23x14

Oil/Pastel on newspaper

Romero Britto was born in Recife, Brazil in 1963. Self-taught at an early age, he painted on surfaces such as newspapers. In 1983, he traveled to Paris where he was introduced to the work of Matisse and Picasso. He com-bined influences from cubism with pop, to create a vibrant, iconic style that The New York Times describes, “exudes warmth, optimism and love.”

In 1988, Britto moved to Miami and emerged as an international artist. In the following year, he was selected alongside Andy Warhol and Keith Haring for Absolut Vodka’s “Absolut Art” campaign. Britto’s pop sensibility has since leant itself to many collaborations with such brands as Audi, Bentley, Disney, Technomarine, Evian and FIFA, for whom he created an official poster for the 2010 World Cup. He has also illus-trated several books published by Simon & Schuster and Rizzoli. Britto’s work has been exhibited in galleries and museums in over 100 countries, including the Salon de la So-ciete Nationale des Beaux-Arts exhibition at the Carrousel du Louvre in 2008 and 2010. He has also created public art installations for the O2 Dome (Berlin), Hyde Park (Lon-don), John F. Kennedy Airport (New York), and Cirque du Soleil at Super Bowl XLI.

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Lot #05 Bruce High Quality Foundation

The Greek and Roman Collection of the Metropolitan Museum of Art: 74.51.5673, ca. 850 to 750 B.C. - 2013 C.E.Play dough on steel10 × 20 × 16 inchesValue: $8,000-$12,000

Courtesy The Bruce High Quality Foundation and Vito Schnabel

The Bruce High Quality Foundation, the official arbiter of the estate of Bruce High Quality, is dedicated to the presevation of the legacy of the late social sculptor, Bruce High Quality. In the spirit of the life and work of Bruce High Quality, we aspire to invest the experience of public space with wonder, to resurrect art history from the bowels of despair, and to impregnante the institutions of art with the joy of man’s desiring.

Professional Challenges. Amateur Solutions. The Bruce High Quality Founda-tion creates installations, videos, paintings, sculptures, performances, and institutions that reveal their collective creative agency within the seemingly monolithic forces of art and social history.

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Dan Colen was born in New Jersey in 1979. He graduated with a BFA in Painting from the Rhode Island School of Design in 2001. Exhibitions include the 2006 Whitney Biennial, New York; USA Today, The Royal Academy, London (2006); Defamation of Character, PS1 Contemporary Art Center, Long Island, New York (2006); Fantas-tic Politics, The National Museum of Art, Architecture and Design, Oslo (2006); Skin Fruit: Selections from the Dakis Joannou Collection, The New Museum, New York (2010); Peanuts, Astrup Fearnley (2011); In Living Color, the FLAG Art Foundation, New York (2012); Meanwhile…Suddenly and then, 12th Biennale de Lyon (2013); and The Illusion of Life, Inverleith House, Edinburgh (2013).

Lot #06 Dan Colen

Fate, 2013Flowers on canvas30 × 22 inchesValue: $50,000–$60,000

© Dan ColenCourtesy of the artist and Gagosian Gallery

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Lot #07 Patrick Demarchelier

Patrick Demarchelier is a master photogra-pher whose images capture an often sur-prising and spontaneous vitality in even the most powerful icons of beauty and culture. Perhaps his best-known photographs are his portraits of Diana, taken with her sons, which helped to establish her as ‘the people’s Princess.’

For more than three decades, Demarch-elier’s images have helped define nearly every major fashion magazine including American, British and French Vogue. He has also cre-ated advertising images for clients including Chanel, Yves Saint Laurent, Louis Vuitton, Dior, Calvin Klein, Gianfranco Ferré, Ar-mani, Max Mara, Moschino, L’Oréal, Pirelli and Tiffany.

His first book, Patrick Demarchelier: Fashion Photography, was published in 1989 and has been followed by publications in-cluding FORMS, Photographs, and Expos-ing Elegance. In the fall of 2008, Le Petit Palais Musée des Beaux Arts de la Ville de Paris, presented a comprehensive selection of 400 of Demarchelier’s photographs in a widely acclaimed exhibition. His most recent book to date, Dior Couture, was published in 2011.

Nude. St. Barthelemy 1997, 1997Black and white silver gelatin print52 ¾ × 68 ¾ inchesValue: $27,000

© Patrick Demarchelier

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Lot #08 Urs Fischer

purelumpa, 2011Top: ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silkscreened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, urethaneBase: cold-rolled steel powder-coated with polyester TGIC (RAL 6034), polyester tape, cork composite, hardware35 × 30 × 14 ⅛ inchesValue: $40,000–$60,000

Courtesy Stephanie and Peter Brant

Urs Fischer was born in Zurich, Switzerland, in 1973. Fischer’s installations and sculptures have been exhibited invarious group exhibitions and biennales worldwide, including Manifesta and the Venice Biennales in 2003, 2007, and 2011. His solo exhibition at the Kunsthaus Zurich in 2004, titled Kir Royal, was his first large-scale solo museum exhibition. Recent major exhibitions include Not My House Not My Fire, Espace 315, Centre Pompidou, Paris (2004); Mary Poppins, Blaffer Gallery, Art Museum of the University of Houston, Houston, Texas (2006); Urs Fischer: Marguerite de Ponty, New Museum, New York (2009–10); Oscar the Grouch, The Brant Foundation Foundation Art Study Center, Greenwich, Connecticut (2010–11); Skinny Sunrise, Kunsthalle Wien, Vienna (2012);Madame Fisscher, Palazzo Grassi, Venice (2012); and Urs Fischer, The Museum of Contemporary Art, Los Angeles (2013). Urs Fischer lives and works in New York.

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Since the early 1990s, Jonathan Horowitz has made art that combines the imagery and ambivalence of Pop art with the engaged criticality of conceptualism. Often based in popular commercial sources, his satirical work in video, sculpture, photography and assemblage examines the deep-seated links between consumerism and political consciousness, as well as the political silences of postwar art. Recent solo exhibitions include Your Land/My Land: Election ‘12, presented concurrently at seven museums across the US (2012), Minimalist Works from the Holocaust Museum, Dundee Contemporary Arts, Scotland (2010), Apocalypto Now, Museum Ludwig, Cologne (2009), and the retrospective exhibition, And/Or, PS 1/ MOMA, New York (2009).

Beyonce/Polar Bears, 2013UV ink on vinyl28 × 25 inches overall25 × 14 inches each (diptych)Value: $7,000–$9,000

Courtesy the artist and Gavin Brown’s enterprise, New York

Lot #09 Jonathan Horowitz

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Drawing correspondences between romantic tradition and consumer culture, Karen Kilimnik’s work brings a haunting and contrary sense of beauty to contemporary art. The world of the ballet and childhood, romantic painting and pop music, icons of film and fashion, signs of witchcraft, time-travel, and murder comprise an imagery that has been culled from the historic and recent past into an unsettling present. In a world where the forces of nature, youth, and terror have taken awesome hold, Kilimnik’s art rematerializes a quest for the romantic sublime.

the pool fountain of Highgrove, 2009Water soluble oil color on canvasSigned, titled, dated on verso8 × 10 inchesValue: $80,000–$90,000

Courtesy of the artist and 303 Gallery, New York

Lot #10 Karen Kilimnik

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Untitled, 2010Etching on somerset paper18 ½ × 15 ½ inches each (diptych)Edition 2/20Value: $9,000–$10,000

Courtesy the artist

Glenn Ligon lives and works in New York. Ligon received a Bachelor of Arts from Wesleyan University in 1982, and attended the Whitney Museum Independent Study Program in 1985.

A mid-career retrospective of Ligon’s work, Glenn Ligon: AMERICA, organized by Scott Rothkopf, opened at the Whitney Museum of American Art in March 2011. The exhibition traveled to the Los Angeles County Museum of Art in the fall of 2011, and to the Modern Art Museum of Fort Worth in early 2012. Ligon has been the subject of solo museum exhibitions at the Power Plant in Toronto, the Walker Art Center in Minneapolis, the Studio Museum in Harlem, the Institute of Contemporary Art in Philadelphia and the Kunstverein Munich. His work was included in Docu-menta XI in 2002, and the 1991 and 1993 Whitney Biennial’s.

Glenn Ligon has earned numerous awards and recognition for his work, includ-ing the Joan Mitchell Foundation Grant in 1997, the John Simon Guggenheim Me-morial Foundation Fellowship in 2003, the Skowhegan Medal for Painting in 2006, and the Studio Museum’s Joyce Alexander Wein Artist Prize in 2009.

Lot #11 Glenn Ligon

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Nate Lowman was born in Las Vegas in 1979 and obtained a BS from NYU in 2001. He works primarily in painting, sculpture and large-scale multimedia installation, using found images and objects from personal and cultural sources, weaving public history with personal memory.

Lowman has exhibited widely through-out the US and internationally. His first solo museum exhibition, The Natriot Act, was held in 2009 at Astrup Fearnley Museum of Modern Art in Oslo, Norway. Recent solo exhibitions have included Trash Landing at Maccarone and Gavin Brown’s Enterprise, New York (2011), Three Amigos: Gift Ghost GAP at The American Academy, Rome (2011), Swiss Cheese and The Doors: A One Night Stand at Massimo de Carlo, Milan (2012), and I Wanted To Be An Artist But All I Got Was This Lousy Career, at The Brant Foundation Art Study Center, Greenwich, Connecticut (2012). He lives and works in New York City.

(tbt - Pizza Slice), 2013Ink on linen34 ¼ × 22 ½ × 2 × 1 inchesValue: $21,000-$35,000

Courtesy of the artist and Maccarone, New York

Lot #12 Nate Lowman

Terms and conditons:a. Artist and Maccarone Gallery shall be given the name and contact information for the buyer in writing. b. Buyer may not re-sell the work for a period of 3 years from the date of the Auction; how-ever, if Buyer finds that it is necessary to sell the Work, Maccarone Gallery shall be given the exclusive right of the first consignment to sell the Work on behalf of the buyer for a period of 2 months. c. When and if the Work is donated, or sold in a manner consistent with condition (2) above, Buyer shall inform Maccarone Gal-lery of the identity and contact information of the party to whom title to the Work is donated or sold.

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Enoc Perez (b. 1967) was born in San Juan, Puerto Rico and currently lives and works in New York City. Perez received his B.F.A at Pratt Institute before earning his M.F.A at Hunter College. He recently had a solo exhibition on view at the Corcoran Gallery of Art and College of Art + Design in Washington, D.C. and has exhibited at institutions around the world including the Museum of Contemporary Art,Chicago; MoCA, North Miami; Schirn Kunsthalle, Frankfurt; and Collezione Maramotti, Reggio Emilia, Italy. His work is included in the permanent collections of the Metropolitan Museum of Art, New York; the Whitney Museum of American Art, New York; and the British Museum, London. In the fall of 2013, Assouline published the first comprehensive monograph on the artist’s work. Acquavella Galleries is the exclusive international agent for Enoc Perez. Enoc Perez lives and works in New York.

After Picasso, 2013Oil and inkjet on canvas24 x 19 inchesValue: $15,000–$20,000

Courtesy Enoc Perez

Lot #13 Enoc Perez

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Happy Hour, 2013Acrylic, enamel and flocking on linen, and wooden frame31 ½ × 25 ½ inchesValue: $30,000–$40,000

Courtesy of the artist and Gavin Brown’s enterprise, New York

Lot #14 Rob Pruitt

to his operative flea markets, Pruitt’s work is always characterized by an incisive humor and exuberant visual flair.

Institutions that have organized solo presentations of his work include the Con-temporary Arts Center, Cincinnati (2001), the American Academy in Rome (2008), and the Aspen Art Museum (2013). He has also participated in numerous group exhibi-tions internationally, including Greater New York, P.S. 1 Contemporary Art Center, Long Island City (2000); Post-POP, Post-PUNK, Museum of Contemporary Art, Wash-ington, D.C. (2000); Protest and Survive, Whitechapel Art Gallery, London (2000); Vantage Point, Irish Museum of Modern Art, Dublin (2001); The Americans New Art, Barbican Gallery, London (2001); Shanghai Biennale, Shanghai Art Museum (2002); Le Consortium, Dijon (2002), Trade, White Columns, New York (2005); Seeing Double, Andy Warhol Museum, Pittsburgh (2005); General Ideas: Rethinking Conceptual Art 1987–2005, CCA Wattis Institute for Con-temporary Arts, San Francsico (2005); The Inside Game, Portland Art Center (2006); The Station, Art Basel Miami (2008); Map-ping the Studio, Palazzo Grassi (2009); Pop Life: Art in a Material World, Tate Modern, London (2009); the Dallas Contemporary (2011-2012); and History of the World, Kun-stverein Freiburg (2012).

Rob Pruitt’s (b. Washington D.C., 1964) work is rooted in a pop sensibility and a playful critique of art world structures. His conceptual projects have included pub-lic sculpture such as The Andy Monument (2011) and his performance-based artworks such as the Art Awards, presented at the Solomon R. Guggenheim Museum (2009, 2010), and featured in Art in America this fall. His projects have also taken the form of simple gestures that promote possibilities for creativity in everyday life, as demon-strated in the series 101 Art Ideas You Can Do Yourself (2001).

From his glittering paintings of panda bears and sculptural formations of blue jeans

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David Salle helped define the post-modern sensibility by combining figuration with an extremely varied pictorial language. His paintings have been shown in museums and galleries worldwide, including the Whitney Museum; Museum of Contemporary Art, Los Angeles; Stedelijk Museum, Amsterdam; MoMA Vienna; Menil Collection; Houston, Haus der Kunst, Munich; Tel Aviv Museum of Art; Castello di Rivoli; and the Guggenheim, Bilbao.

Although known primarily as a painter, Salle’s work grows out of a long-standing involvement with performance. Over the last 25 years he has worked extensively with choreographer Karole Armitage, creating sets and costumes for many of her ballets and operas. Their collaborations have been staged at venues throughout Europe and America, including The Metropolitan Opera House; The Paris Opera; Lyon Opera; Brooklyn Academy of Music and the Opera Deutsche, Berlin. In 1995, Salle directed the feature film Search and Destroy, starring Griffin Dunne and Christopher Walken.

Salle is also a prolific writer on art. His essays and reviews have appeared in Artforum, Art in America, Modern Painters, The Paris Review, Interview, as well as numerous exhibition catalogs and anthologies. He currently writes a column on art for Town & Country Magazine.

Untitled (#32), 2013oil on paper22 × 39 inchesValue: $16,000

Courtesy of the artist

Lot #15 David Salle

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Julian Schnabel was born in Brooklyn, New York in 1951. In 1978 he produced his first plate painting, The Patients and the Doctors, and in February 1979 had his first solo exhibition at the Mary Boone Gallery in New York. Since then, his work has been at exhibited at institutions worldwide including the Tate Gallery, London (1983), the Whitney Museum of American Art (1987), Inverleith House (2003); Schirn Kunsthalle Frankfurt and Museo Nacional Centro de Arte Reina Sofia, Madrid (both 2004); Mostra d’Oltramare, Naples (2005); Schloss Derneburg, Germany, Tabacalera Donostia, San Sebastian, and The Beijing World Art Museum, China (all 2007) and the Art Gallery of Ontario, Toronto (2010). His work is included in major museums and private collections, such as the Metropolitan Museum of Art; the Museum of Modern Art; the Guggenheim Museum; the Whitney Museum of American Art; the Museum of Contemporary Art, and the Broad Art Foundation, Los Angeles; Reina Sofia, Madrid, and the Centre Georges Pompidou, Paris.

Julian Schnabel lives and works in New York.

Untitled (BEZ), 2011Oil, resin and spray paint on polyester63 x 43 inchesValue: $175,000

Courtesy Julian Schnabel

Lot #16 Julian Schnabel

Lot #17

Artwork illustrated , titled:Egyptian Light, 2011-2012 Fiberglass and resin, urethane and epoxy, waterborne base and pure pigment, printing medium with acrylic polyurethane60 x 36 x 6 inches

Please note, this particular Tablet is in a private collection, Europe, and is illustrated only to show a similar work of art, from the Tablet Series, in the process of being completed to be donated for Best Buddies Art & Friendship Auction.

Artwork donated:Title: to be determinedCarbon fiber honeycomb core with fiberglass and resin, urethane and epoxy, waterborne base and pure pigment, printing medium with acrylic polyurethane36 x 22 x 10 inchesValue: $100,000 - $125,000

Courtesy Tony Shafrazi

Born of Armenian parents, Abdanan, Iran. At age 13, sent to boarding school, England. Graduated Hammersmith College of Art and Architecture, 1960-64. Graduated from The Royal College of Art, London, sculpture school, 1964-67. Guest lecturer at Manchester University, Hornsey College of Art, as well as Hammersmith College of Art and Architecture, 1967-68.

Tony Shafrazi

First visited New York, summerof 1965, met up and befriended Andy Warhol and Roy Lichtenstein as well asLeo Castelli. Traveled across America to California and befriended Larry Bell, Ed Ruscha and other California artists. Second visit to New York in 1967, met with Robert Smithson, Carl Andre, Sol Lewitt, Malcolm Morely and other artists. Finally moved to New York in spring of 1969. Selected Exhibitions include Galerie Ricky Schwartz, Amsterdam, 1967;Camden Arts Center, London, 1968; 45 Tabernacle Street, London, 1969; Galerie Spielemacker, Brussels, 1971-72; Galerie Tostelli, Milan,1973-74; Galerie Patrick Verlst, Antwerp, 1974-77; Marian Goodman Gallery, NY, 1977-78, etc… Got interested in globalization of art in 1973. Helped place great artworks for the Tehran Museum, 1974-78. With intention of breaking open a new period of Post-Modern Art, breaking down the oppresive and exclusionary rules of the late 60s and early 70s, started a gallery in 1979-80 in New York. For the next 30 years, presenting and making world famous, the works of Keith Haring, Jean-Michel Basquiat, Donald Baechler, Andy Warhol, Francis Bacon and many others.

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Mountain Friend study, 2008Crayon on japan paper; framedSheet: 23 ⅞ × 18 ⅞ inchesFrame: 28 ⅞ × 23 ⅞ × 1 ¾ inchesValue: $14,000-$16,000

Courtesy the artist

Lot #18 Steven Shearer

The work of Vancouver-based artist Steven Shearer, who represented Canada at the Venice Biennale in 2011, has been internationally widely shown in institutions, museums and galleries.

Among others, Shearer’s work was presented in solo exhibitions at the New Museum in New York in 2008, at the Power Plant, Toronto, the Ikon Gallery Birmingham and at the De Appel Center for Contemporary Art in Amsterdam, all in 2007. For 2014, Galerie Eva Presenhuber in Zurich and the National Gallery of Canada in Ottawa are planning solo exhibitions with his work.

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Josh Smith (b. 1976) is from Knoxville, Tennessee and lives and works between Pennsylvania and New York. He has had several solo exhibitions in the United States and abroad, most notably The American Dream at The Brant Foundation in Greenwich, CT in 2011, Josh Smith at the Centre d’Art Contemporain Genève in 2009, Who Am I at De Hallen Haarlem in 2009, and Hidden Darts at MUMOK in Vienna in 2008. He has also participated in important group exhibitions such as The Painting Factory: Abstraction after Warhol at the Museum of Contemporary Art, Los Angeles, Le Printemps de Septembre in Toulouse, ILLUMInations in the 2011 Venice Biennale, and The Generational: Younger Than Jesus at the New Museum in New York. His works are in numerous public collections including the Centre Pompidou, Paris, MUMOK, Vienna, the Whitney Museum of American Art, New York, and the Museum of Modern Art, New York.

Untitled, 2013oil on panel48 × 36 inchesValue: $35,000–$40,000

Courtesy of the artist and Luhring Augustine, New York

Lot #19 Josh Smith

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Oscar Tuazon (b.1975, Indianola, Wash-ington) lives and works in Los Angeles. He studied at the Cooper Union School of Art and attended the Whitney Museum of American Art Independent Study Program. Tuazon works primarily in sculpture and site-specific installations that question and expound upon the idea of structure, archi-tecture, and the built environment.

Tuazon has been exhibited through-out the United States and internationally including several large-scale, site-specific installations of note: People, installed in Brooklyn Bridge Park, New York, and com-missioned by Public Art Fund (2012); For Hire as part of the 2012 Whitney Biennale at The Whitney Museum of American Art, New York; and The Trees at the 54th Venice Biennale (2011); as well as include a com-mission to build a monument for “Com-mando D’Affrique” in Belfort, France; an upcoming public art project in Tilburg, the Netherlands; and “A Lamp”, commissioned by Art and the City, Zurich (2012).

Tuazon will be in an upcoming solo exhibition at the Ludwig Museum, Co-logne (2014). Recent solo exhibitions have included Die at The Power Station, Dallas (2011); It was one of my best comes at Parc Saint Léger Centre d’art contemporain, Pougues Les Eaux, France (2010); My Mis-take at the Institute of Contemporary Arts, London (2010); a solo exhibition at the Kunsthalle Bern (2010); and Bend it till it breaks at Ile de la Vassiviere, France (2009).

Untitled, 2013Rust on paper39 ¾ × 32 inchesFramed: 44 ¾ × 37 inchesValue: $9,000–$15,000

Courtesy of the artist and Maccarone, New York

Lot #20 Oscar Tuazon

Terms and conditons:a. Artist and Maccarone Gallery shall be given the name and contact information for the buyer in writing. b. Buyer may not re-sell the work for a period of 3 years from the date of the Auction; how-ever, if Buyer finds that it is necessary to sell the Work, Maccarone Gallery shall be given the exclusive right of the first consignment to sell the Work on behalf of the buyer for a period of 2 months. c. When and if the Work is donated, or sold in a manner consistent with condition (2) above, Buyer shall inform Maccarone Gal-lery of the identity and contact information of the party to whom title to the Work is donated or sold.

A Special Thanks to Stephanie & Peter BrantSara & Ugo Colombo

Best Buddies Board of Directors

Hon. Nicole AvantFormer U.S. Ambassador

Jason BinnCEO & FounderNiche Media

Brad BlankPresidentBrad Blank & Associates, Inc.

Ronald L. BookRonald L. Book, PA

Romero BrittoPop ArtistBritto Central

Erica BrodyHuman Capital AnalystDeloitte Consulting

Nan BushPresident/ProducerLittle Bear Studio

Arturo Elias-AyubDirector, Strategic Alliances & Institutional RelationsTelmex Foundation

Robert FriedmanPartnerHolland & Knight

Arij GasiunasenPresidentGasiunasen Gallery

Aaron GershenbergManaging DirectorSVB Capital

Michael HardmanDean, College of EducationUniversity of Utah

Alexander Hernandez-DessauerVP, International DevelopmentBest Buddies International

Hon. Patrick J. KennedyU.S. Congressman

Gerard A. KlingmanPresidentKlingman & Associates

Philip LevinePresident & CEOBaron Corporation

Carl LewisOlympic Gold Medalist

James LintottPrincipalSterling Foundation Management

Nancy O’DellAnchorEntertainment Tonight

Jose Maria OlleInvestor

John P. OswaldPresident & CEOCapital Trust Group

Tatiana S. PlattPhilanthropist

Lauren PotterBuddy AmbassadorBest Buddies International

Thomas QuickPhilanthropist

Katherine SchwarzeneggerAuthor

Anthony K. ShriverChairman & CEOBest Buddies International

Ben SilvermanFounder & CEOElectus

Becca Cason ThrashPhilanthropist

Bruce WeberPhotographer/DirectorLittle Bear Studio

Bernie YumanPresidentBernie Yuman Management

Richard ZiegelaschDirectorCredit Suisse Securities (USA)

HONORARY BOARD MEMBEREunice Kennedy ShriverFounderSpecial Olympics International

A special thanks to our donors

David AltmejdCarol BoveJoe BradleyRomero BrittoBruce High Quality FoundationDan ColenPatrick DemarchelierJonathan HorowitzKaren KilimnikGlenn LigonNate LowmanEnoc PerezRob PruittDavid SalleJulian SchnabelTony ShafraziSteven ShearerJosh SmithOscar Tuazon303 GalleryAndrea Rosen GalleryGagosian GalleryGalerie Eva PresenhuberGavin Brown’s enterpriseLuhring Augustine GalleryMaccarone GalleryVito SchnabelStephanie and Peter Brant

We would like to thank the following for their time and generosity

Crozier Fine Art, The Collection & An Art Service

Cover: Josh Smith, Untitled, 2013. Photo Credit: Farzad Owrang