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13 Baer, Ulrich. Spectral Evidence: the Photography of Trauma. Cambridge, MA: MIT, 2002. Barthes, Roland, Camera Lucida: Reflections on Photography, Hill and Wang reprint, 2010 Benjamin, Walter, and Hannah Arendt. Illuminations. New York: Schocken, 1986. Bergson, Henri, Matter and Memory, Paul, Nancy Margaret and Palmer, W. Scott translators, CreateSpace 2010 Botz, Corrine May The Nutshell Studies of Unexplained Death, The Monacelli Press, 2004 Boym, Svetlana, The Future of Nostalgia, Basic Books, 2002 Caruth, Cathy. Unclaimed Experience: Trauma, Narrative and History, Johns Hopkins University Press 1996 Citron, Michelle. Home Movies and Other Necessary Fictions. Minneapolis: University of Minnesota, 1999 Felman, Shoshana and Laub, Dori, Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History, Routledge 1991 Freud, Sigmund. “Screen Memories” and “Remembering, Repeating and Working Through,” in The Penguin Freud Reader. London Penguin 2006 Friedländer, Saul. Probing the Limits of Representation: Nazism and the "Final Solution" Cambridge, MA: Harvard UP, 1992 Gevers, Ine. “Images that Demand Consummation: Postdocumentary photography, art and ethics” in Reflect #04 Guerin, Frances, and Roger Hallas. The Image and the Witness: Trauma, Memory and Visual Culture. New York: Wallflower, 2007. Halbwachs, Maurice, On Collective Memory, University of Chicago Press 1992 Hebard, Andrew. “Disruptive Histories: Toward a Radical Politics of Remembrance in Alain Resnais’ Night and Fog”, New German Critique, No. 71 (Spring - Summer 1997), pp. 87 - 113 (Spring-Summer 1997) Huyseen, Andreas, Present Pasts: Urban Palimpsests and the Politics of Memory, Stanford University Press 2003 Juhasz, Alexandra, and Jesse Lerner. F Is for Phony: Fake Documentary and Truth's Undoing. Minneapolis: Univ. of Minnesota, 2006 COURSE BIBLIOGRAPHY assigned texts and suggested further reading

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  • 13

    Baer, Ulrich. Spectral Evidence: the Photography of Trauma. Cambridge, MA: MIT, 2002.

    Barthes, Roland, Camera Lucida: Reflections on Photography, Hill and Wang reprint, 2010

    Benjamin, Walter, and Hannah Arendt. Illuminations. New York: Schocken, 1986.

    Bergson, Henri, Matter and Memory, Paul, Nancy Margaret and Palmer, W. Scott translators, CreateSpace 2010

    Botz, Corrine May The Nutshell Studies of Unexplained Death, The Monacelli Press, 2004

    Boym, Svetlana, The Future of Nostalgia, Basic Books, 2002

    Caruth, Cathy. Unclaimed Experience: Trauma, Narrative and History, Johns Hopkins University Press 1996

    Citron, Michelle. Home Movies and Other Necessary Fictions. Minneapolis: University of Minnesota, 1999

    Felman, Shoshana and Laub, Dori, Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History, Routledge 1991

    Freud, Sigmund. Screen Memories and Remembering, Repeating and Working Through, in The Penguin Freud Reader. London Penguin 2006

    Friedlnder, Saul. Probing the Limits of Representation: Nazism and the "Final Solution" Cambridge, MA: Harvard UP, 1992

    Gevers, Ine. Images that Demand Consummation: Postdocumentary photography, art and ethics in Reflect #04

    Guerin, Frances, and Roger Hallas. The Image and the Witness: Trauma, Memory and Visual Culture. New York: Wallflower, 2007.

    Halbwachs, Maurice, On Collective Memory, University of Chicago Press 1992

    Hebard, Andrew. Disruptive Histories: Toward a Radical Politics of Remembrance in Alain Resnais Night and Fog, New German Critique, No. 71 (Spring - Summer 1997), pp. 87 - 113 (Spring-Summer 1997)

    Huyseen, Andreas, Present Pasts: Urban Palimpsests and the Politics of Memory, Stanford University Press 2003

    Juhasz, Alexandra, and Jesse Lerner. F Is for Phony: Fake Documentary and Truth's Undoing. Minneapolis: Univ. of Minnesota, 2006

    COURSE BIBLIOGRAPHYassigned texts and suggested further reading

  • 14

    Kuhn, Annette, and Kirsten Emiko McAllister. Locating Memory: Photographic Acts. New York: Berghahn, 2006

    Lambert-Beatty, Carrie. Make-Believe: Parafiction and Plausibility, October, 129, Summer 2009

    Liss, Andrea, Trespassing Through Shadows: Memory, Photography, And The Holocaust, Andrea Liss, University Of Minnesota Press 1998

    Marks, Laura U., Laura U. Marks, The Skin of the Film: Intercultural Film, Embodiment, and the Senses, Duke University Press 2000

    Nora, Pierre, Realms of Memory, Columbia University Press 1996

    Ricoeur, Paul, Memory, History and Forgetting, University of Chicago Press, 2006

    Skoller, Jeffrey. Shadows, Specters, Shards: Making History in Avant-garde Film. Minneapolis, MN: University of Minnesota, 2005

    Sobchack, Vivian, ed. The Persistence of History: Cinema, Television, and the Modern Event. New York: Routledge, 1996.

    Sontag, Susan, Regarding the Pain of Others. New York: Farrar, Straus and Giroux, 2003.

    Stewart, Susan, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection, Johns Hopkins University Press, 1984

    Sturken, Marita. Tangled Memories: the Vietnam War, the AIDS Epidemic, and the Politics of Remembering. Berkeley: University of California, 1997

    Sturken, Marita. Tourists of History: Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero.

    White, Hayden V. The Content of the Form: Narrative Discourse and Historical Representation. Baltimore: Johns Hopkins UP, 1987.