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BTLI FRTSELL'S §OtO O]I ''EYIDE]ICE"- A GUlrAR TRA]ISCRIPTTO]I

by loe Dennison

ill Frisell's improvisation on Thelonious Monk's "Evidence," as recorded onPaul Motian's Monk In Motian (lMT 83442L-L), is a fine example of theSuitarist's versatility and unique sound.

Because the ensemble on this recording date has no bassist or pianist,Frisell solos in a manner that more explicitly defines the harmony and form of thé song.He often arpeggiates (measures 6, 8, 35), plays low roots of chords (m. 13, zg, 4s-47),frequently plays important harmonic tones on strong beats, and mixes chordal andsingle-line playrng throughout.

By playing recurring ideas and referring to Monk's melody, Frisell unifies the solo andclarifies the song's AABA form. Measures 5-7 reappear in bars zg-Bl, ST-gg, 47, and63. Frisell mirrors the melody in these places, as in measures 52-56 and 64, where healso recalls Monk's distinctive chord voicings.

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coNTTNUED rnov pner 41

Lef's Stay Together (Artful Balance). YourNeighborhood Saxophone Quartel, What'sGone (Coppens). Christopher Boscole, Sep-tember Song (lTl). Les Hooper, AnythingGoes (lTl), Bob Berg, Cycles (Denon). Bongo-Logic, Cha-Cha-Charanga (Rocky Peak).Scott Cossu, Switchback (Windham Hill).George Duke, Night After Nlghf (Elektra). db

'"-.,mAt3' OnDEIf ', §OUf,'Ct§,'lf your loCal record store doesn't carry theserecords, try writing NMDS, 500 Broadway NYC'10012: Daybreak Express Records, POB150250 Van Brunt Station, Brooklyn, NY 1 1215-0005; Roundup Records, POB i54, N. Cam-brldge, MA 02140; or North Country Records,Cadence Bldg., Redwood, NY 13679.

MAY 1989 DOWN BEAT 57