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University of North Florida University of North Florida UNF Digital Commons UNF Digital Commons Rodney Lawrence Hurst, Sr. Stamp Collection Rodney Lawrence Hurst, Sr. Papers 1-31-2008 Black Heritage Stamp Series: Charles W. Chesnutt Black Heritage Stamp Series: Charles W. Chesnutt United States Postal Service. Stamp Division Follow this and additional works at: https://digitalcommons.unf.edu/hurst_stamps Part of the African American Studies Commons, and the United States History Commons Recommended Citation Recommended Citation Black Heritage Stamp Series: Charles W. Chesnutt. 2008. Rodney Lawrence Hurst, Sr. Papers. University of North Florida. Thomas G. Carpenter Library. Special Collections and Archives. UNF Digital Commons. https://digitalcommons.unf.edu/hurst_stamps/31 This Article is brought to you for free and open access by the Rodney Lawrence Hurst, Sr. Papers at UNF Digital Commons. It has been accepted for inclusion in Rodney Lawrence Hurst, Sr. Stamp Collection by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 1-31-2008 All Rights Reserved

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Page 1: Black Heritage Stamp Series: Charles W. Chesnutt

University of North Florida University of North Florida

UNF Digital Commons UNF Digital Commons

Rodney Lawrence Hurst, Sr. Stamp Collection Rodney Lawrence Hurst, Sr. Papers

1-31-2008

Black Heritage Stamp Series: Charles W. Chesnutt Black Heritage Stamp Series: Charles W. Chesnutt

United States Postal Service. Stamp Division

Follow this and additional works at: https://digitalcommons.unf.edu/hurst_stamps

Part of the African American Studies Commons, and the United States History Commons

Recommended Citation Recommended Citation Black Heritage Stamp Series: Charles W. Chesnutt. 2008. Rodney Lawrence Hurst, Sr. Papers. University of North Florida. Thomas G. Carpenter Library. Special Collections and Archives. UNF Digital Commons. https://digitalcommons.unf.edu/hurst_stamps/31

This Article is brought to you for free and open access by the Rodney Lawrence Hurst, Sr. Papers at UNF Digital Commons. It has been accepted for inclusion in Rodney Lawrence Hurst, Sr. Stamp Collection by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 1-31-2008 All Rights Reserved

Page 2: Black Heritage Stamp Series: Charles W. Chesnutt

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AMERICAN COMMEMORATIVE CANCELLATIONS

Issue DateJanuary 31, 2008

First Day City Cleveland, OH

Artist Kazuhiko Sano Mill Valley.CA

Designer Howard E. Paine Delaplane, VA

Art Director Howard E. Paine

Typographer Howard E. Paire

Modeler Avery Dennison. Security Printing Division (AVR/SPO)

Manufacturing Process Gravure

Printer Avery Dennison (AVR)

Engraver WRE/ColorTech

Colors Yellow, Magenta, Cyan, Black

Image Area (w x h)

0.85 x 1.42 in. 21.59 x 36.068 mm

Format Pane of 20 (1 design)

Plate Numbers "V" followed by four single digits

Marginal Markings © 2007 USPS, price, plate position diagram, header "BLACK HERITAGE 31st IN A SERIES," plate numbers, barcodes, biographical text, USPS logo

Charles W. Chesnutt

Pioneering writer Charles W. Chesnutt (1858-1932), who was of mixed

racial heritage, broke through the "color line" in American publishing

when his short story "The Goophered Grapevine" appeared in the August

1887 issue of Atlantic Monthly. A "goopher" is a magic spell. In an essay

published in 1901, Chesnutt wrote, "The derivation of the word 'goopher'

I do not know, nor whether any other writer than myself has recognized its

existence, though it is in frequent use in certain parts of the South."

"The Goophered Grapevine" tells a story within a story: The framing tale,

told by a white northern gentleman who moves to a farm in North Carolina,

encloses a longer narrative by "Uncle" Julius McAdoo, an ex-slave who

entertains his listeners-subtly instructing them at the same time-with

tales of voodoo.

"The Goophered Grapevine" and other stories, all using the same "story

within a story" device, were collected In The Conjure Woman, published

in 1899. A faint whiff of authorial ridicule clings to Chesnutt's gentleman

farmer, who is stolid, condescending, and perhaps a bit obtuse-but none­

theless correct when, commenting on Julius's tales, he remarks, "Some

of these stories are quaintly humorous; others wildly extravagant ... while

others ... disclose many a tragic incident of the darker side of slavery."

Indeed, a striking aspect of the stories in The Conjure Woman is the way

they are poised between comedy and tragedy. Chesnutt was proud to

receive a positive review from the eminent writer and critic William Dean

Howells, who wrote: "The stories of The Conjure Woman have a wild, indig·

enous poetry .... Character, the most precious thing in fiction, is faithfully

portrayed."

Other books by Chesnutt include The Wife of His Youth and Other Stories

of the Color Line (1899) and the novels The House Behind the Cedars (1900),

The Marrow of Tradition (1901), and The Colonel's Dream (1905).

BlackHeritageCHARLES W. CHESNUTT

JANUARY31, 2008 CLEVELAND. OB 44101

FIRST DAY OF ISSUE

2008 United States Postal Service (08o2)

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AMERICAN COMMEMORATIVE PANELS

Charles W. Chesnutt CHARLES w. CHESNUTT was a pioneering

writer who came to maturity in the post-Civil

War period known as the Reconstruction era .

His work addressed a broad range of African­

American experience; Chesnutt was of mixed

racial descent, which gave him insight into

a variety of viewpoints along America's racial

divide. He broke through the "color line" in

publishing when his short

story "The Goophered

Grapevine" appeared in the

August 1887 issue of

Atlantic Monthly.

Written partly in dialect,

"The Goophered Grapevine"

tells two stories: The first,

narrated by a white north­

erner who becomes a

gentleman farmer in North

Carolina, frames a longer

narrative by "Uncle" Julius

McAdoo, an ex-slave who

entertains and subtly

instructs his listeners with

tales of voodoo. "The

Goophered Grapevine"

and other stories using the

identical framing device

were collected in The Conjure

Woman, published in 1899.

Later in 1899, Chesnutt published a second

collection, The Wife of His Youth and Other

Stories of the Color Line. His first published

novel, The House Behind the Cedars (1900),

detailed the efforts of an accomplished but

naive young woman to pass for white.

In The Marrow of Tradition (1901), a novel

inspired by a race riot t hat took place in

North Carolina in 1898, Chesnutt presents a

panoramic survey of race relations in a

fictional town.

In The Colonel's Dream (1905), the last of

his novels to be published during his lifetime,

Chesnutt attacked the failures of Reconstruc·

tion, which, he argued, threatened to consign

many black people to conditions as bad as

they had been during the years of slavery.

His other writings include essays, poems, a

biography of Frederick Douglass, and several

unpublished works.

Chesnutt was born on June 20, 1858, in

Cleveland, Ohio, where he spent most of his

life. He passed the Ohio bar examination in

1887 and became a wealthy man operating a

court stenographic service. He was politically

active and frequently spoke out against racial

discrimination. Chesnutt died at his home in

Cleveland on November 15, 1932.

In recent years, Chesnutt's work has

attracted growing interest. He is recognized

today as a major innovator and singular voice

among American writers.

backgroundCourtesy SpecialCollections and Archives FranklinLibrary Fisk University top right ond Intaglio autograph:Courtesy Fl the Arts and SpecialCollections Department Cleveland Public Library;

bottom rig ht: Courtesy Rare Books and Special Collections,Thomas Cooper library, The University ofSouth Carolina

Stamps printed by Avery Dennison (AVR) / No. 809 in a series/ January 31, 2008 / Printed in U.S.A. /© 2008 United States Postal Service

i.:!!J!!f UNITED ST./.lTES POST./.lL SERVICE

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©2007 USPS

V 111

V 11 1

BlACK HERIJAGE 31sl IN A SERIES

PLATE POSITION

V 111

V 1 11

.41 X 20

S8.20

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II I 1111111111111111 462800

Charles W. Chesnutt Charles W. Chesnutt Charles W. Chesnutt Charles W. Chesnutt Charles W. Chesnutt (1858-1932) (1858- 1932) (1858-1932) (1858-1932) (1858-1932)

is recognized today as a ts recognized today as a ts recognized today as a is recognized today as a is recognized today as a major innovator among ma,or innovator among major innovator among major innovator among ma1or innovator among

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__ such as those collected in such as those collec ted in such as thosecollected in such as those collec ted in such as those collected in

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The Conjure Woman he The Conjure Womanhe The Conjure Woman he The Conjure Woman he The Conjure Woman he probed thecolor line in probed the color line in probed the color line ,n probed thecolor line ,n probed thecolor line in

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is recognized today as a is recognized today as a Is recognized today as a Is recognized today as a is recognized today as a major innovator among major innovatoramong major innovator among major innovator among major innovator among

turn-of-the-century turn-of-the-century turn-of-the-century turn-of-the-century turn-of-the-centuryliterary realists. In novels literary realists. In novels literary realists. 1n novels literary realists In novels literary realists. In novels such as The Marrow of such as TheMarrowot such as The Marrow of such as The Marrow ot such as The Marrow of

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probed the color line ,n probed lhe color line In probed the color line in probed lhe color line In probed the color line In American life. American life. American life . American life. American life.

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-- is recognized today as a is recognizedtoday as a ,s recognized today as a Is recognized today as a ts recognized today as a - major innovator among ma1or innovator among major innovator among major innovator among maior innovator among turn-of-the-century turn-of-the-century turn-of-the-century turn-of-the-century turn-of-the-century

literary realists In novels literaryreal ists. In novels literary realists. In novels literary realists. In novels literary reahsls. In novels such as The Marrow of such as The Marrow of such as The Marrow of such as The Marrow of such as The Marrow or

Tradition and short stories Tradition and short stories Tradition andshort stories Tradition and short stories Tradition and short storiessuch as those collected 1n such as those collected in such as those collected In such as those collected ,n such as thosecollected In - The Conjure Woman he The Conjure Woman he The Conjure Woman he The ConjureWoman he The ConjureWoman he

probed thecolor line in probed the color lme in probed the color line in probed the color 1,ne In probed the color line inAmerican tile. American tile American Ille. American Ille. American t,re

Q UNITED STATES 1111111111111111 Ill POSTAL SERVICE. 462800

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UNITED STATESPOSTAL SERVICE.

Charles w. Chesnutt COMMEMORATIVE STAMP

FIRST-DAY-OF-ISSUE CEIIEMONY CLEVELAND PUBLIC LIBRARY 325 SUPERIOR AVENUE CLEVELAND, OH 44114 THURSDAY, JANUARY 31, 2008 11 A.M.

MASTER OF CEREMONIES

A. Grace Lee Mims WCLV-FM Radio, Arts Reporter

and Host of 'The Black Arts"

HONOR GUARD

Cleveland Postal Honor Guard

CHORAL PRESENTATI0

Star Spangled Banner Lift Every Voice & Sing Cleveland Public Library Chorus

I NVOCATION

Rev. Dr. Robin Hedgeman Senior Pastor, Bethany Christian Church Cleveland, 0 H

WELCOME

Andrew Venable,Jr. Director, Cleveland Public Library

O FFICIAL DEDICATION

Delores Killette Vice President and Consumer

Advocate United States Postal Service

REMARKS

Nathan Oliver Founder, Charles Waddel Chemutt

Literary Society

Elizabeth Baker Keffer Publisher, Atlantic Monthly

VIDEO MESS AGE Richard H. Brodhead President, Duke University

THEATRICALTRIBUTE

Research by Dr. Regennia Williams Adaptation by Adrienne Gosselin Directed by James C. Workman Geoffrey Thurman as Charles W. Chesnutt James C. Workman as john McLaughlin Kimberlee Smith as Susie Chesnutt

CLOSINGA. Grace Lee Mims

SPECIAL GUESTS

Donald Marshall, III District Manager, Northern Ohio District

Spencer Hsu Postmaster Cleveland, OH

Stanley Miller .Executive Director NAACP, Cleveland Branch

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Charles W. Chesnutt TheU.S. Postal Service honors Charles W.

Chesnutt, a pioneering writer and social activist whose work addressed a broad range of African-American experience during the post­Civil War period known as the "Reconstruction" era. Chesnutt is the 31st person inducted into the popular Black Heritage stamp series.

Art director Howard Paine wanted a stamp that emphasized Chesnutt's intelligence and dignity. The portrait painted by stamp artist Kazuhiko Sano was based on a 1908 photograph from the collection of Fisk University's Franklin Library.

Chesnutt made an important breakthrough when his short story "The Goophered Grape­vine" was published in the August 1887 issue of Atlantic Monthy. He was proud to appear in such a prestigious publication, and was one of few African-American writers to have done so at that time.

In novels such as The Marrow of Tradition and short stories such as those collected in The Conjure Woman he probed the color line in American life.

Chesnutt was born June 20, 1858, in Cleveland, Ohio, to a father who went on to serve in the Union Army during

the Civil War. His father subsequently moved his wife and children to Fayetteville, North Carolina, which became the major setting for Chesnutt's fiction. Chesnutt received a fairly solid general education but taught himself shorthand, ancient

languages and other subjects. As a young man, he taught school briefly and then served as principal of a school for African Americans in Fayetteville.

Chesnutt later settled in his birthplace, Cleve­land. After becoming established there, he sent for his wife, Susan, whom he had married in 1878, and his children, who had remained in Fayetteville. He got work in a law office and studied law, passing the Ohio bar examination in 1887; he became a wealthy man operating a court stenographic service.

In 1928, Chesnutt received the Spingarn Medal, awarded by the National Association for the Ad­vancement of Colored People (NAACP) for "dis­tinguished service" to the aspirations of African Americans. In giving him the award, the NAACP cited Chesnutt's "pioneer work as a literary artist depicting the life and struggles of Americans of

Negro descent."

Chesnutt died at his home in Cleveland on November 15, 1932. In recent years, his work has attracted growing inter­est. Today Chesnutt is recognized as a major innovator and singular voice among turn-of-the-century literary realists who probed the color line in American life.

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UNITED STATES POSTAL SERVICE.

first day of issue ceremony

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CharlesW. ChesnuttBlackHeritage Series

BlackHeritageCHARLES W.CHESNUTT

JANUARY 31, 2008 CLEVELAND, OH 44101

FIRST DAY OF ISSUE

Mrs. Muriel Cleaves114 Spring StreetYarmouth, Maine 04096

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Trademarks and copyrights used herein are properties of the United States Postal Service and are used under license to MBI, Inc. All Rights Reserved.

COVER DESIGN © POSTAL COMMEMORATIVE SOCIETY

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Charles W. Chesnutt Black Heritage Series

First Day of Issue: January 31, 2008 First Day City: Cleveland, Ohio,

at the Cleveland Public Library Stamp Illustrator: Kazuhiko Sano

Mill Valley, California

Charles WaddeU Chesnutt is remembered as one of the first African-American writers to explore racial themes in his work. The release of the 41¢ Charles W. Chesnutt stamp commemorates the 150th anniversary of the author' s birth. The 31st issue in the Black Heritage series, which began in 1978, the stamp features a painting of Chesnutt based on a 1908 photograph from the special collections of Fisk University ' s Franklin Library.

Charles W. Chesnutt was born on June 20, 1858 in Cleveland, Ohio, the son of two freed slaves from North

© Postal Commemorative Society

Carolina. His parents were both of mixed race, and Chesnutt's first novel, The House Behind the Cedars (1900), centers around two characters who "pass" for white, something Chesnutt himself never did. His collec­tion The Conjure Woman (1899) features stories of slaves outwitting their masters. Chesnutt's powerful writing met with critical acclaim but did not sell well during his life­time. His work has gained popularity in recent decades, thanks to contemporary critics who recognize the way Chesnutt combined skiJled writing with a then­controversial political agenda.

Chesnutt was also a lawyer and an early political advo­cate for the rights of African Americans. He was aligned with activists W.E.B. DuBois and Booker T. Washington and wrote a biography of Frederick Douglass. Charles W. Chesnutt died in Cleveland on November 15, I 932.