dbx

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ewton, M

ass. 02195

CATALOG featuring

DIGITAL DBI DISCS

THE WORLD'S FIRST FULL DYNAMIC 1ANGE

dbx Disc

No. 7

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DBX DISCS... The State-of-the-Art i n Phonograph Records

dbx Encoded Disks represent a major break­through in music reproduction. They are the first phonograph records to reproduce the full dynamic range of the studio master tapes from which they were made.

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Originally developed for professional recording studios, dbx encode/decode technology has been employed to eliminate record surface noise for all practical purposes. With a sound quality that is virtually indistinguishable from the master tape, the dbx Encoded Disc is the only record format that can reproduce the full dynamics of digital recordings — an amazing 90 dB dynamic range, compared to the restricted dynamic range of about 60 dB for even the finest conventional "audiophile" records.

dbx Discs are produced using the finest master tapes available. Whether your interests are in classical, popular/folk or jazz music, you can now enjoy music performed in your home by your favorite artist — heard against a background of virtual silence. At last, you can listen to the music itself, not to the record!

dbx Discs can be played on your present stereo system with the addition of a dbx Model 21 Disc Decoder or one of the dbx 120 or 220 series tape noise reduction systems. Also, cassette tape decks are available that offer dbx Disc decode capability.

dbx Discs are available at many authorized dbx retailers and selected record stores. O r write: dbx, Incorporated, Dept. D M , 71 Chapel Street, Box 100C, Newton, Mass. 02195 Phone: (617)964-3210.

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D V O R A K : " N E W W O R L D " S Y M P H O N Y . London Phi lharmonic , conducted by Enr ique Bat iz .

A PS-1037 (Yarese Sarabands)

E L L A F I T Z G E R A L D / C O U N T B A S I E O R C H E S T R A " A Perfect M a t c h " GS-2047 (Pablo)

T H E L A 4 "Zaca" GS-2053 (Concord Jazz)

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S U P E R T R A M P "Even In The Quietest Moments" PS-1055 ( A & M )

P A B L O C R U I S E "Wor lds A w a y " PS-1044 (Naut i lus /A&M)

V I V A L D I : T H E F O U R S E A S O N S Cambr idge Chamber Orchestra , conducted by Rolf Semdvig .

A Dig i ta l A PS-1026 (Digitech) 3

NEW DBX RELEASES

CURRENT CATALOG dbx Disc catalog numbers are followed by the issuing/ originating label. Albums identified by a A symbol are Digital dbx Discs produced using original digital recordings. The T symbol indicates albums for sale in USA only. Albums identified by the * symbol are available for sale only in USA and Canada.

Recording Technology Showcase Series R T S - l (Recording Technology Showcase Series Volume 1)

M A R K L E V I N S O N P R E S E N T S . . . A col lect ion of indiv idual musical instrument recordings and selections from jazz and classical repertoire. B i l l Elgart , percussion; E l v i n Jones Jazz Machine ; New Haven Brass Quintet; Eliot Fisk, guitar; Lois Shapiro, piano; Char les Kr i g b au m, organ; Battell C h a p e l C h o i r .

A RTS-2 (Recording Technology Showcase Series Volume 2) B E Y O N D T H E S O U N D B A R R I E R — The Spectacular Sound of Digi ta l dbx Discs . A concert of f i lm, symphonic dance and light orchestral music. Mor ton G o u l d and Lee Holdr idge con­duct ing the London Symphony Orchestra .

Popu la r /Fo lk PS-1001 (Nautilus/Mushroom) H E A R T : D R E A M B O A T A N N I E .

A n n and Nancy W i l s o n with Steve Fossen and Roger Fisher. A PS-1011 (Nau t i l u s /MCA) T H E TIP O F T H E W E I S B E R G . Tim

Weisberg and The Weisbe rg Band . PS-1012 (Direct-Disk L a b s / C B S ) F U L L S A I L . Loggins & Messina. PS-1013 (Direct-Disk L a b s / C B S ) B L O O D , S W E A T & T E A R S .

Blood , Sweat and Tears. PS-1014 (Direct-Disk L a b s / M C A ) HIS 12 G R E A T E S T HITS.

N e i l Diamond. PS-1015 (Direct-Disk L a b s / M C A ) W H O A R E Y O U . The Who . PS-1022 ( A & M ) RISE. He rb A lpe r t . PS-1023 ( A & M ) C L O S E T O Y O U . The Carpenters.

A PS-1029 (Firstline) L O N D O N S E S S I O N S . Doc Severinsen, trumpet; Har ry Rabinowitz, National Phi lharmonic Orchestra . Eight recent voca l hits for trumpet and orchestra.

+ PS-1039 (Vanguard) T H E J O A N B A E Z B A L L A D B O O K . Twenty-three Bri t i sh and A m e r i c a n ballads and folk songs per­formed by Joan Baez. (Two records for the pr ice of one.)

PS-1040 (Naut i lus /A&M) D I A M O N D S A N D R U S T . Joan Baez. PS-1041 (Naut i lus /A&M) P I E C E S O F E I G H T . Styx. PS-1042 (Naut i lus /A&M) A N Y T I M E . . . A N Y W H E R E . Rita

Coo l idge . PS-1043 (Naut i lus /A&M) Z E N Y A T T A M O N D A T T A . The Pol ice . PS-1044 (Naut i lus /A&M) W O R L D S A W A Y . Pablo Cru ise . PS-1048 (Nautilus/Decca) O N T H E T H R E S H O L D O F A D R E A M .

Moody Blues. PS-1049 (Naut i lus /EMI-America) L O V E STINKS. J. G e i l s . PS-1050 (Nautilus/Arista) L O S T IN L O V E . A i r Supply PS-1051 (Nautilus/Arista) D O N ' T C R Y O U T L O U D . Melissa

Manchester. PS-1055 ( A & M ) E V E N IN T H E Q U I E T E S T M O M E N T S .

Supertramp. PS-1056 ( A & M ) J O A N A R M A T R A D I N G . Joan Armat rad ing . PS-1057 ( A & M ) T E A S E R A N D T H E F I R E C A T . Cat Stevens. PS-1059 ( A & M ) F E E L S S O G O O D . C h u c k Mangione.

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PS-1063 (Nautilus) M O R N I N G D A N C E . Spyro G y r a . PS-1070 (Nauti lus/UA) W H E N I D R E A M . Crys ta l Gay le .

A GS-2014 (Nautilus) A S P E N G O L D . The Kingston Tr io (Bob Shane, George G r o v e and Roger G a m b i l l ) . New record ing of folk music favorites.

GS-2020 (DW Labs) F I E S T A FILIP INA. A col lec t ion of Phi l ipp ine festival and dance music. Performed by Fiesta F i l i p i n a .

GS-2023 (Ultragroove) T A J M A H A L L I V E ! Expanded version of "Taj M a h a l Live & Direct" . Taj M a h a l and the International Rhythm Band .

GS-2029 ( M M G ) U N E X P L O R E D T E R R I T O R Y . The Canad ian Brass and Friends (brass quintet with electronic piano, guitar, harp and percussion).

GS-2031 (DRG) C L O S E E N O U G H F O R L O V E . Peggy Lee. A GS-2059 (RealTime) G O I N G H O M E . The B i b l i c a l G o s p e l

Singers.

f -3018 (Orion) A L E G E N D S I N G S . A n i t a El l i s performs 13 oongs by Sondheim, Gershwin , Loesser, Porter, El l ington, Rodgers, A r l e n and others with El l i s Larkins at the piano.

QS-4001 (Nautilus/RSO) JUST O N E N I G H T . Er i c C lap ton . (Deluxe Two Record Set.)

Jazz ,4 PS-1064 (RealTime) B U R N I N . Don Menza and his 80's B i g Band ,

featuring Bobby Shew, Frank Strazzeri , Don Rader, C h u c k Findley and others.

GS-2016 (Concord Jazz Picante) L A O N D A V A B I E N . C a l Tjader. Eight Lat in jazz arrangements of tunes by W e i l l , Merce r , Tjader and others.

GS-2017 (Concord Jazz) L I V E A T M O N T R E U X — S U M M E R 1979. The L A 4 . Laur indo A l m e i d a , Ray Brown, Jeff Hamil ton and B u d Shank in jazz improvisations on songs by Porter, Jule Styne, Hamil ton and A l m e i d a , i nc lud ing a medley of Duke El l ington tunes.

GS-2024 (Crystal Clear) L A U R I N D O A L M E I D A — N E W D I R E C T I O N S . Guitar-jazz interpretations of pop songs per­formed by A l m e i d a and jazz ensemble.

GS-2027 (Pausa) A C T I O N . Osca r Peterson. GS-2028 (Pausa) I N T E R C O N T I N E N T A L . Joe Pass. GS-2032 (Concord Jazz) TRITONIS. The Dave Brubeck Quartet. GS-2035 (Inner City) T H E T H R E E . Joe Sample, Ray Brown,

Shelley Manne. GS-2036 (Inner City) T H E D R U M S E S S I O N . Paul Humphrey,

Shelley Manne, W i l l i Bobo, Louis Bel l son . GS-2037 (Concord Jazz) O N A C L E A R D A Y . George Shear ing

and Br i an Torff. * GS-2038 (Vanguard) T H E E L E V E N T H H O U S E . Larry C o r y e l l .

GS-2043 (Pausa) B Y A L L M E A N S . Alphonse Mouzon with Herbie Hancock , Freddie Hubba rd , Lee Ritenour and the Seawind Horns.

A GS-2047 (Pablo) A P E R F E C T M A T C H . E l l a Fi tzgerald, Count Basie and Orchestra .

GS-2049 (Pablo) C O P A C A B A N A . Sarah Vaughan. GS-2053 (Concord Jazz) Z A C A . The L A 4 . Laur indo A l m e i d a ,

Ray Brown, Jeff Hamil ton and B u d Shank. GS-2054 (Concord Jazz) C O N C O R D J A M , V O L U M E 1. Woody

Herman with C a l Co l l i n s , Scott Hamil ton, Dave M c K e n n a , C a l Tjader and others.

GS-2060 (Shiah) P R A M L A T T A ' S HIPS . Herb Pomeroy Orchestra . A QS-4003 (RealTime) T H E J O H N DENTZ R E U N I O N B A N D ,

D E C E M B E R 5 & 6. John Dentz, C h i c k Corea , Ernie Watts and A n d y Simpkins. (Deluxe Two Record Set.)

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F i l m / B r o a d w a y Mus ic A PS-1008 (Varese Sarabande V C D M ) D I G I T A L S P A C E —

S P E C T A C U L A R M U S I C F O R F I L M S . Themes from S T A R W A R S , W I N D J A M M E R , A I R P O R T , T H E RED P O N Y , T H I N G S T O C O M E , T R I B U T E T O A B A D M A N , T H E B I G C O U N T R Y , T H A T H A M I L T O N W O M A N , 49th P A R A L L E L and SPITFIRE. Morton G o u l d , London Symphony Orchestra .

A PS-1018 (Chalfont) John Wi l l i ams : T H E EMPIRE STRIKES B A C K — Symphonic Suite from the F i l m arranged by the com­poser. Char les Gerhardt , Nat ional Phi lharmonic Orchestra.

A PS-I030 (Chalfont) E r i c h Wol fgang Korngo ld : K I N G S R O W (complete score). Char les Gerhardt , National Phi lharmonic Orchestra.

A PS-1046 (Varese Sarabande) D I G I T A L F I R E W O R K S . Suites from A N N I E , R O C K Y , and W E S T SIDE S T O R Y plus Manc ine : S T R I N G S O N FIRE, Sousa: T H E S T A R S A N D STRIPES F O R E V E R and others. Robert Henderson, Utah Symphony Orchestra.

GS-2010 (Varese Sarabande) H O L D R I D G E C O N D U C T S H O L D R I D G E . S C E N E S O F S U M M E R ; J O N A T H A N L I V I N G ­S T O N S E A G U L L S U I T E ; A N D A N T E ; T H E E A G L E A N D T H E H A W K ; B A L L E T F A N T A S Y ; G R A N D W A L T Z ; L O V E T H E M E F R O M "HIT" . A l b i n o n i / H o l d r i d g e : A D A G I O . Lee Holdr idge , London Symphony Orchestra and Los Angeles String Orchestra .

GS-2025 (Varese Sarabande) Mik los Rozsa: SUITES F R O M T H E EPIC F I L M S . Symphonic suites for orchestra, chorus and organ from B E N H U R , K I N G O F K I N G S and E L C I D . Richard Mul le r -Lampertz, Hamburg Concer t Orchestra and Chorus .

SS-3017 (Turnabout) A P O R T R A I T O F G E O R G E — G E R S H W I N O N B R O A D W A Y A N D IN H O L L Y W O O D . Four Gershwin over­tures arranged by Don Rose plus A P O R T R A I T O F G E O R G E for orchestra and jazz ensemble in 3 movements. E r i c h Kunze l , C inc inna t i Pops Orchestra .

Easy Listening GS-2033 (Pausa) B L U E W O R L D . The A r t V a n Damme Quintet. G8-S044 (Pausa) S E N T I M E N T A L J O U R N E Y . The Singers

Unl imi ted with the Robert Farnon Orchestra . Eight vocal arrangements by G e n e Puer l ing .

SS-3010 (Musica l Heri tage Society) T H E G L O R Y O F C H R I S T M A S — P O P U L A R C A R O L S A N D C H R I S T M A S F A V ­ORITES. A r r a n g e d by R icha rd Hayman and others. Paul Free­man, Royal Phi lharmonic Orchestra and Ambros ian Chorus .

* SS-3026 (Vanguard Card ina l ) " F I D D L E F A D D L E " A N D 14 O T H E R L E R O Y A N D E R S O N F A V O R I T E S . Maur ice Abravane l , Utah Symphony Orchestra .

S3-3036 (Bainbridge) S E D U C T I V E S T R I N G S . George Siravo O r c h . with Doc Severinsen.

SS-3037 (Bainbridge) I B E L I E V E IN Y O U . B i l l y May Orchestra .

Light Classics A PS-1010 (Varese Sarabande) Jerre Tanner, Leon S iu , M a l i a

Elliott: B O Y W I T H G O L D F I S H — Heroic Fantasy for Soloists, Chorus and Orchestra Based on Hawai ian Legend Paintings of John Thomas. Leon Siu and M a l i a Elliott, soloists. Lee Hold r idge , London Symphony Orchestra and N i g e l Brooks Chora le .

GS-2006 (Chalfont) A S T R A U S S F A M I L Y G A L A . Eleven waltzes, polkas, galops, marches and czardas by Johann Strauss Jr. and Johann Strauss Sr . ; John Georg iad is conduct ing The Johann Strauss Orchestra .

SS-3004 (Sine Q u a Non) A M E R I C A N B R A S S B A N D J O U R N A L REVISITED. Music from the John F . Stratton Mi l i t a ry B a n d Series. Frederick Fennel l , Empire Brass Quintet and Members of the National Symphony Orchestra .

SS-3014 (Turnabout) O F F E N B A C H O V E R T U R E S . O R P H E U S IN T H E U N D E R W O R L D ; V E R T - V E R T ; L A G R A N D E D U C H E S S E D E G E R O L S T E I N ; L A VIE P A R I S I E N N E (arr. Dorati); L ' l L E DE T U L I P A T A N ; L A B E L L E H E L E N E ; B L U E B E A R D . E r i c h Kunze l , C inc inna t i Pops Orchestra .

SS-3015 (Turnabout) P O M P A N D C I R C U M S T A N C E . Eleven marches by Elgar, Tchaikovsky, Beethoven, V e r d i , Ber l ioz , Meyerbeer, Fucik , Delibes, Johann Strauss Jr. and Sr . , and Herbert . E r i c h Kunze l , C inc inna t i Pops Orchestra and M a y Festival Chorus .

SS-3016 (Turnabout) A M E R I C A N F A N T A S I A . R i c h a r d Rodgers: C A R O U S E L W A L T Z ; S L A U G H T E R O N 10th A V E N U E . Jerome K e r n : M A R K T W A I N P O R T R A I T . V ic to r Herbert: A M E R I C A N F A N T A S I A . Richard Hayman: P O P S H O E - D O W N . Sousa:

I S T A R S A N D STRIPES F O R E V E R . E r i c h Kunze l , C i n c i n n a t i Pops Orchestra.

* SS-3021 (Arabesque) Offenbach: G A I T E P A R I S I E N N E (arr. Rosenthal). Johann Strauss Jr.: G R A D U A T I O N B A L L (arr. Dorati). Sir Charles Mackerras , Phi lharmonia Orchestra .

Classical-Orchestral A PS-1002 (RealTime) Tchaikovsky: R O M E O A N D JULIET;

Selections from T H E N U T C R A C K E R SUITE op. 71a. Zoltan Rozsnyai, Phi lharmonia Hungar ica .

A PS-1003 (RealTime) Dukas: T H E S O R C E R E R ' S A P P R E N T I C E . Chabr ie r : ESP A N A . Debussy: FETES from N O C T U R N E S ; P R E L U D E T O T H E A F T E R N O O N O F A F A U N . Zoltan Rozsnyai, Phi lharmonia Hungar ica .

A PS-1004 (RealTime) Bizet: C A R M E N P R E L U D E . Ber l ioz : R A K O C Z I M A R C H . Rimsky-Korsakov: P R O C E S S I O N O F T H E N O B L E S . Brahms: H U N G A R I A N D A N C E N O . 5. Ginas tera : P A N A M B I SUITE. Zoltan Rozsnyai, Phi lharmonia Hunga r i ca .

A PS-1005 (RealTime) Rossini: T H E T H I E V I N G M A G P I E O V E R ­T U R E ; T H E B A R B E R O F S E V I L L E O V E R T U R E ; T H E W I L L I A M T E L L O V E R T U R E . Ber l ioz : R A K O C Z I M A R C H . Zoltan Rozsnyai, Phi lharmonia Hungar ica .

A PS-1006 (RealTime) Liszt: L E S P R E L U D E S . Dvorak: S L A V O N I C D A N C E op. 46 no. 8. Smetana: T H E M O L D A U . Zoltan Rozsnyai, Phi lharmonia Hungar i ca .

A PS-1007 (RealTime) Hande l : W A T E R M U S I C SUITE; A R I A from C O N C E R T O G R O S S O op. 6. no. 10. J.S. B a c h : A I R O N A G S T R I N G . Pachelbel : C A N O N . Zoltan Rozsnyai, Philhar­monia Hungar ica .

A PS-1009 (Varese Sarabande) Mor ton G o u l d : L A T I N A M E R I C A N S Y M P H O N E T T E ; C O T I L L I O N from F A L L RIVER L E G E N D ; FESTIVE M U S I C ; P H I L H A R M O N I C W A L T Z E S ; Q U I C K S T E P from S Y M P H O N Y O N M A R C H I N G T U N E S . Morton G o u l d , London Symphony Orchestra .

A PS-1016 (Chalfont) Rimsky-Korsakov: S C H E H E R A Z A D E . Loris Tjeknavorian, London Symphony Orchestra .

A PS-1017 (Digitech) D I G I T A L HITS O F 1740. Pachelbel ; C A N O N , A l b i n o n i : C O N C E R T O IN F F O R T R U M P E T A N D S T R I N G S ; A D A G I O . Four selections by J.S. B a c h plus works by Hande l , C o r e l l i and Mouret . Rolf Smedvig conduct ing the Cambr idge Chamber Orchestra and Empire Brass Quintet .

A PS-1019 (Chalfont) Ravel : B O L E R O . Shostakovich: FESTIVE O V E R T U R E . Ginastera: E S T A N C I A B A L L E T SUITE. Weinberger : P O L K A A N D F U G U R E from S C H W A N D A . Mor ton G o u l d , London Symphony Orchestra .

6 A Dig i ta l 7

A PS-1021 (Ultragroove) T H E D I G I T A L FIEDLER. Tchaikovsky: C A P R I C C I O IT A L I E N . Rimsky-Korsakov: C A P R I C C I O E S P A G N O L . O n l y digi ta l record ing of Ar thur Fiedler conduct­ing the Boston Pops.

A PS-1028 (Chalfont) D A N Z A S F A N T A S T I C A S . Fa l la : R I T U A L FIRE D A N C E and P A N T O M I M E from E L A M O R B R U J O ; D A N C E N O . 1 from L A V I D A B R E V E ; F I N A L D A N C E from T H E T H R E E - C O R N E R E D H A T . A l b e n i z : E L C O R P U S E N S E V I L L A and T R I A N A from I B E R I A . Granados: I N T E R M E Z Z O from G O Y E S C A S . Tur ina: O R G I A from D A N Z A S F A N ­T A S T I C A S . Mor ton G o u l d , London Symphony Orchestra.

A PS-I034 (Chalfont) Beethoven: S Y M P H O N Y No. 5. Loris Tjeknavorian, London Symphony Orchestra.

A PS-1037 (Varese Sarabande) Dvorak: S Y M P H O N Y N O . 9 ( " F R O M T H E N E W W O R L D " ) . Enrique Batiz, London Philhar­monic Orchestra .

A PS-1038 (Varese Sarabande) Tchaikovsky: S Y M P H O N Y N O . 6 ( " P A T H E T I Q U E " ) . Enr ique Batiz, London Phi lharmonic Orchestra.

GS-2001 (Desmar) T H E S T O K O W S K I S T R I N G S O U N D . Vaughan-Wil l iams: F A N T A S I A O N A T H E M E B Y T H O M A S T A L L I S . Dvorak: S E R E N A D E IN E op. 22. Purce l l : DIDO'S L A M E N T (arr. Stokowski). Leopo ld Stokowski, Royal Philhar­monic Orchestra .

t GS-2011 (Klavier) Massanet: B A L L E T M U S I C from L E C I D ; S C E N E S P I T T O R E S Q U E S ; T H E L A S T SLEEP O F T H E V I R G I N . Louis Fremaux, C i ty of B i rmingham Symphony Orchestra.

GS-2019 (Unicorn) M U S I C F R O M M E X I C O . Chavez: S I N F O N I A INDIA. G a l i n d o : S O N E S D E M A R I A C H I . Moncayo: H U A P A N G O . Halffter: D O N L I N D O DE A L M E R I A B A L L E T SUITE. Kenneth K l e i n , National Symphony Orchestra of M e x i c o .

SS-3002 (Turnabout) Hoist: T H E P L A N E T S . Walter Susskind, St. Louis Symphony Orchest ra .

SS-3005 (Turnabout) R icha rd Strauss: TILL E U L E N S P I E G E L ' S M E R R Y P R A N K S ; D O N J U A N ; D A N C E O F T H E S E V E N V E I L S from S A L O M E ; FIRST W A L T Z S E Q U E N C E from DER R O S E N K A V A L I E R . Thomas Schippers , C inc inna t i Symphony Orchestra .

SS-3006 (Candide) Stravinsky: P E T R O U C H K A (complete 1947 version). Prokofiev: L O V E F O R T H R E E O R A N G E S SUITE. Stanislaw Skrowaczewski, Minnesota Orchestra .

SS-3007 (Turnabout) C o p l a n d : R O D E O ; B I L L Y T H E K I D ; F A N ­F A R E F O R T H E C O M M O N M A N . Donald Johanos, Dallas Sym­phony Orchestra .

SS-3008 (Turnabout) A S L A V O N I C F E S T I V A L . Smetana: T H E M O L D A U ; D A N C E O F T H E C O M E D I A N S from T H E B A R ­TERED B R I D E . Dvorak: S L A V O N I C D A N C E op. 46 no. 1. Mussorgsky: E X C E R P T S from K H O V A N S H C H I N A . Borodin : IN T H E STEPPES O F C E N T R A L A S I A . Khachatur ian: S A B R E D A N C E . Walter Susskind and Leonard Slatkin, St. Louis Sym­phony Orchestra .

SS-3009 (Turnabout) Rachmaninoff: S Y M P H O N I C D A N C E S ; V O C A L I S E . Donald Johanos, Dallas Symphony Orchestra .

SS-3012 (Turnabout) Mussorgsky: P I C T U R E S A T A N E X H I ­B I T I O N ; N I G H T O N B A L D M O U N T A I N . Leonard Slatkin, St. Louis Symphony Orchestra .

SS-3013 (Turnabout) Ravel : D A P H N I S ET C H L O E SUITES N O S . 1 A N D 2; M A M E R E L ' O Y E (complete). Stanislaw Skrowaczewski, Minnesota Orchestra .

* SS-3022 (Arabesque) Ibert: D I V E R T I S S E M E N T . Honegger: P A C I F I C 231. Poulenc: L E S B I C H E S . Satie: G Y M N O P E D I E S (arr. Debussy). Louis Fremaux, C i ty of Bi rmingham Symphony Orchestra .

* SS-3024 (Arabesque) Mozart: S E R E N A D E N O . 13 ( " l i ne Kle ine Nachtmusik"); S E R E N A D E N O . 6 ("Serenata Notturna"); S E R E N A D E N O . 12 in C Minor , K . 388. Helmut Winschermann, G e r m a n B a c h Soloists.

SS-3027 (Turnabout) R ichard Strauss: A L S O S P R A C H Z A R A T H U S T R A . Walter Susskind, St. Louis Symphony Orchestra .

SS-3028 (Turnabout) Schubert: S Y M P H O N Y N O . 9 ("THE G R E A T " ) . Thomas Schippers, C i n c i n n a t i Symphony Orchestra .

Concertos PS-1024 (Vox Box) Gershwin : A L L T H E W O R K S F O R O R C H E S ­

T R A and P I A N O A N D O R C H E S T R A ( R H A P S O D Y IN B L U E ; A N A M E R I C A N IN P A R I S ; C O N C E R T O IN F; C U B A N O V E R ­

T U R E ; "I G O T R H Y T H M " V A R I A T I O N S ; P R O M E N A D E ; S E C ­O N D R H A P S O D Y ; L U L L A B Y ; C A T F I S H R O W — S U I T E from

P O R G Y A N D BESS) . Jeffrey Siegel , piano; Leonard Slatkin, St. Louis Symphony Orchestra . (Three records for the pr ice of one.)

PS-1025 (Vox Box) Rachmaninoff: A L L T H E W O R K S F O R P I A N O A N D O R C H E S T R A ( P I A N O C O N C E R T O S N O . 1 T H R U 4 and R H A P S O D Y O N A T H E M E O F P A G A N I N I ) . A b b e y Simon, piano; Leonard Slatkin, St. Louis Symphony Orchestra . (Three records for the pr ice of one.)

A PS-1026 (Digitech) V i v a l d i : T H E F O U R S E A S O N S ( V I O L I N C O N C E R T O S op. 8 nos. 1-4). Emanuel Borok, v io l in ; Rolf Smedvig , Cambr idge Chamber Orchestra .

GS-2005 (Orion) Chaminade: K O N Z E R T S T U C K F O R P I A N O A N D O R C H E S T R A . Five selections for piano solo by von Dohnanyi . James Johnson, piano; Pau l Freeman, Royal Phi lharmonic Orchestra .

GS-2007 (Desto) Rachmaninoff: SUITES N O S . 1 and 2 F O R T W O P I A N O S (transcribed for piano and orchestra). Lee Hoiby, piano; Jorge Mester, Harkness Symphony Orchestra; Lawrence Foster, London Symphony Orchestra .

t GS-2018 (Klavier) Saint-Saens: C A R N I V A L O F T H E A N I M A L S . Faure: B A L L A D E F O R P I A N O A N D O R C H E S T R A . Litolff: S C H E R Z O from C O N C E R T O S Y M P H O N I Q U E N O . 4. John O g d o n and Brenda Lucas, pianists; Louis Fremaux, C i t y of Bi rmingham Symphony Orchestra .

GS-2026 (Concord Jazz Concerto) A l m e i d a : FIRST C O N C E R T O F O R G U I T A R A N D O R C H E S T R A ; L O B I A N A F O R G U I T A R A N D S T R I N G S . Gnat ta l i : C O N C E R T O A B R A S I L E I R A ( N O . 4) F O R G U I T A R A N D S T R I N G S . Laur indo A l m e i d a , guitar; Elmer Ramsey, Los Angeles Orchestra de Camera .

SS-3019 (Turnabout) G r i e g : P I A N O C O N C E R T O ; N O R W E G I A N D A N C E S op. 35; W E D D I N G D A Y A T T R O L D H A U G E N op. 65 no. 6. Grant Johannesen, piano; Maur i ce Abravane l , Utah Symphony Orchestra .

* SS-3020 (Arabesque) Tchaikovsky: P I A N O C O N C E R T O N O . 1. Franck: S Y M P H O N I C V A R I A T I O N S F O R P I A N O A N D O R C H E S T R A . John O g d o n , piano; Sir John Barb i ro l l i , Philhar-monia Orchestra.

* SS-3023 (Arabesque) Saint-Saens: C E L L O C O N C E R T O N O . 1; A L L E G R O A P P A S S I O N A T O op. 43; T H E S W A N from C A R N I ­V A L O F T H E A N I M A L S . Tchaikovsky: V A R I A T I O N S O N A R O C O C O T H E M E ; P E Z Z O C A P R I C C I O S O op. 62. Paul Tortelier, ce l lo ; Louis Fremaux, C i ty of Bi rmingham Symphony Orchestra; Y a n Pascal Tortelier, Northern Sinfonia Orchestra .

SS-3033 (New Wor ld) Cor ig l i ano : C L A R I N E T C O N C E R T O . Barber: E S S A Y N O . 3 F O R O R C H E S T R A . Stanley Drucker , clarinet; Zubin Mehta, New York Phi lharmonic .

8 A Digi ta l 9

Class ica l - Ins t rumenta l GS-2002 (Desmar) T H E A R T O F R I C H A R D S T O L Z M A N .

Saint-Saens: S O N A T A op. 167. Honegger : S O N A T I N E . Poulenc: S O N A T A . Debussy PETITE P I E C E ; G I R L W I T H T H E F L A X E N H A I R . R icha rd Stolzman, clarinet; Irma Va lec i l lo , piano.

GS-2003 (Desmar) T H E A R T O F J U L I U S B A K E R . Poulenc: S O N A T A . Dut i l leux: S O N A T I N E . Reinecke: S O N A T A op. 167. Julius Baker, flute; Irma V a l l e c i l l o , piano.

GS-2004 (Desto) Sc r i ab in : 24 P R E L U D E S op. 11; 5 P R E L U D E S op. 74; P O E M op. 32 no. 1. Ruth Laredo, piano.

GS-2008 (Desmar) R i c h a r d Strauss: P I A N O Q U A R T E T IN C M I N O R op. 13. Irma V a l l e c i l l o , piano; Los Angeles String Trio .

t GS-2012 (Klavier) E S P A N A F O R T W O . Infante: A N D A L U S I A N D A N C E S ; M U S I C O F S P A I N . A l b e n i z : F E S T I V A L D A Y IN S E V I L L E from I B E R I A . Chabr i e r : E S P A N A . Nadya and Steven G o r d o n , duo-pianists.

t GS-2013 (Klavier) T H E V I R T U O S O H A R P . G l i n k a : V A R I A T I O N S O N A T H E M E B Y M O Z A R T ; N O C T U R N E . Spohr: F A N T A S I E op. 35. Liszt /Renie: T H E N I G H T I N G A L E ; U N S O S P I R O . Renie: L E G E N D E ; C O N T E M P L A T I O N ; P I E C E S Y M P H O N I Q U E . Susann M c D o n a l d , harp.

GS-2021 (Crystal Clear ) S O N I C F I R E W O R K S V O L U M E I -M U S I C F O R O R G A N , B R A S S A N D P E R C U S S I O N . C o p l a n d : F A N F A R E F O R T H E C O M M O N M A N . J.S. Bach : T O C C A T A A N D F U G U E IN D M I N O R . Brahms: LET N O T H I N G E V E R G R I E V E T H E E . Bliss : S A L U T E . Gigout : G R A N D C H O E U R D I A L O G U E . Vie rne : N A I D E S . R icha rd Morr i s , organ; Jere Flint , Atlanta Brass Ensemble.

GS-2022 (Crystal Clear ) S O N I C F I R E W O R K S V O L U M E II -M U S I C F O R O R G A N , B R A S S A N D P E R C U S S I O N . R ichard Strauss: F A N F A R E from A L S O S P R A C H Z A R A T H U S T R A . Widor : T O C C A T A from F I F T H S Y M P H O N Y . Dupre: P O E M E H E R O I Q U E . Stanley: T R U M P E T T U N E A N D A I R S . Mouret: R O N D E A U . Louis C o u p e r i n : C H A C O N N E . J.S. Bach : T O C C A T A IN F . R icha rd Mor r i s , organ; Jere Flint , Atlanta Brass Ensemble.

SS-3001 (Sine Q u a Non) B A R O Q U E B R A S S . Fifteen selections by J.S. Bach , Hande l , G a b r i e l i , Pu rce l l , Palestrina, Des Pres, A l b i n o n i , Scheidt, Sche in , Pezel , Peuer l , Holborne and P r i u l i . The Empire Brass Quintet.

SS-3003 (Sine Q u a Non) T H E A R T O F L A U R I N D O A L M E I D A . G a l i l e i : L I T T L E SUITE. Sor: A N D A N T I N O . de Visee: SUITE IN D M I N O R . Granados: I N T E R M E Z Z O from G O Y E S C A S . A l m e i d a : P A V A N E F O R P A N C H O ; L A M E N T IN T R E M U L O F O R M . Plus two traditional Spanish lul labies. Laur indo A l m e i d a , guitar.

SS-3029 (Sine Q u a Non) R U S S I A N B R A S S . Vic tor Ewald: S Y M P H O N Y (QUINTET) IN B - F L A T M I N O R F O R B R A S S op. 5; B R A S S Q U I N T E T N O . 2 IN E - F L A T op. 6; B R A S S Q U I N T E T N O . 3 IN D - F L A T . The Empire Brass Quintet.

SS-3030 (Sine Q u a Non) C h o p i n : P I A N O S O N A T A N O . 3 Prokofiev: P I A N O S O N A T A N O . 7. Anthony d i Bonaventura, piano.

dbx Disc Pacs (Three-record packages avai lable at a special price)

DP-1 (Pop/Rock Package) PS-1011: T H E TIP O F T H E W E I S B E R G . Tim Weisberg and The Weisbe rg Band . PS-1012: F U L L S A I L . Loggins & Messina. PS-1001: D R E A M B O A T A N N I E . A n n and Nancy Wi l son with Steve Fossen and Roger Fisher.

A DP-2 (Digital Orchestra l Package) PS-1018: T H E E M P I R E S T R I K E S B A C K SUITE. Char les Gerhardt , National Philhar­monic Orchestra . PS-1019: M U S I C O F R A V E L , S H O S T A ­K O V I C H , G I N A S T E R A A N D W E I N B E R G E R . Mor ton G o u l d , London Symphony Orchestra . PS-1005: ROSSINI O V E R T U R E S A N D B E R L I O Z M A R C H . Zoltan Rozsnyai, Phi lharmonia Hungar ica .

FUTURE RELEASES Popular

(Crystal Clear) C H A R L I E B Y R D . Expanded version of the or ig ina l l imited edition recording . Performed by C h a r l i e and Joe Byrd , Wayne Phi l l ips , Paula Hatcher and B i l l Re ichenbach .

(Crystal Clear) F L A M E N C O D I R E C T , V O L U M E I. Car los Montoya, guitar.

( M M G ) T H E B E A T L E S C O N C E R T O ; SIX B E A T L E S

f d P R E S S I O N S . Lennon & M c C a r t n e y songs arranged by John utter and performed by duo-pianists Peter Rostal and Pau l

Schaefer with the Royal L iverpool Phi lharmonic Orchestra con­ducted by Ron Goodwin .

A ( D - M M G ) IT'S BETTER W I T H A B A N D . Barbara Cook with orchestra conducted by W a l l y Harper .

(Monmouth-Evergreen) T H E BERNIE L E I G H T O N Q U A R T E T P L A Y S D U K E E L L I N G T O N .

(Nautilus/Arista) 24 C A R R O T S . A l Stewart. (Naut i lus /A&M) B R O T H E R T O B R O T H E R . G i n o Vanne l l i . (Nautilus/Motown) D I A N A . Diana Ross. ( A & M ) T E A F O R T H E T I L L E R M A N . Cat Stevens. ( A & M ) S O N G O F J O Y . Cap ta in and Tenni l le . ( A & M ) B R O K E N B A R R I C A D E S . P roco l Harum. ( A & M ) F R A M P T O N C O M E S A L I V E . Peter Frampton.

(Two records for the pr ice of one.) A (Crusader) O N G A K U - K A I . C R U S A D E R S L I V E IN J A P A N .

The Crusaders. (Crusader) S W I N G STREET C A F E . D a v i d T. Wa lke r and

Joe Sample. ( A & M ) M A D E IN A M E R I C A . Carpenters .

• (Pablo) O S C A R P E T E R S O N D I G I T A L A T M O N T R E U X . Osca r Peterson and Nie ls -Henning Orsted Pedersen.

A (Pablo) DIZZY G I L L E S P I E D I G I T A L A T M O N T R E U X , 1980. Dizzy Gi l l e sp ie with Toots Thielemans and Bernard Perdie .

A (Pablo) O N T H E R O A D . Count Basie and Orchestra . (Discovery) W E S T L A K E . Bob Florance B i g Band . (Discovery) L O M E L I N . G e r a l d W i l s o n . (Discovery) B O B C O N T I JAZZ Q U I N T E T . Bob C o n t i and

Friends. (Concord Jazz) W I T H L O V E . Rosemary Clooney. (Nautilus) T H E FIRST IN L I N E . Randy Sharp. (Nautilus/Polygram) L I V E A T T H E F I L L M O R E E A S T .

A l l m a n Brothers. (Deluxe Two Record Set.) A (RealTime) P L A Y I N ' IT S T R A I G H T . Jack Sheldon and his

Late-Show All -Stars , with Tommy Newsom, E d Shaughnessy, Pete Christ l ies and others.

Classical A (Chalfont) Vaughan-Wil l iams: F A N T A S I A O N A T H E M E

O F T H O M A S T A L L I S ; N O R F O L K R H A P S O D Y ; T O W A R D T H E U N K N O W N R E G I O N ; F I V E V A R I A N T S O F " D I V E S A N D L A Z A R U X . " Normal del Mar , C i t y of B i rmingham Symphony Orchestra and Chorus .

1 0 A Dig i ta l 1 1

A (Ultragroove) T H E F O X T O U C H — V O L U M E I. J.S. B a c h : T O C C A T A A N D F U G U E IN D M I N O R ; T O C C A T A , A D A G I O A N D F U G U E IN C M A J O R . Jongen: T O C C A T A from S Y M -P H O N I E C O N C E R T A N T E . V i r g i l Fox, organist (Fratelli-Ruffatti organ of the G a r d e n G r o v e C A Community Church) .

A (Ultragroove) T H E F O X T O U C H — V O L U M E II. Franck: P I E C E H E R O I Q U E . W i d o r : T O C C A T A from F I F T H S Y M ­P H O N Y . Dupre: P R E L U D E & F U G U E IN G M I N O R . Gigout : T O C C A T A . A l a i n : L I T A N I E S . Vierne : F I N A L E from S I X T H S Y M P H O N Y . V i r g i l Fox, organist (Fratelli-Ruffatti organ of the Ga rden G r o v e C A Communi ty Church ) .

(Everest) M A R C H E S O F M O R T O N G O U L D . F O R M A ­TIONS (8 marches); R E V O L U T I O N A R Y P R E L U D E : S A N T A F E S A G A ; P R O L O G U E ; B A T T L E H Y M N . Morton G o u l d , Knightsbr idge Symphonic Band .

(New Wor ld) John A l d e n Carpenter: K R A Z Y C A T . Henry F . G i lbe r t : T H E D A N C E IN P L A C E C O N G O . Ado l f Weiss: A M E R I C A N L I F E . John Powel l : R H A P S O D I E N E G R E . Zita Carno , piano; C a l v i n Simmons and Lawrence Foster con­ducting the Los Ange les Phi lharmonic Orchestra.

* (Vanguard Card ina l ) T H E D A E M O N I C LISZT. Transcrip­tions and or ig inal compositions by Liszt: D O N J U A N F A N T A S Y (after Mozart); W A L T Z E S F R O M " F A U S T " (after Gounod) ; F A N T A S Y O N " R O B E R T L E D I A B L E " — V A L S E I N F E R N A L E (after Meyerbeer); M E P H I S T O W A L T Z ; M E P H I S T O P O L K A ; D A N C E O F T H E G N O M E S . Ea r l W i l d , piano.

(New Wor ld) Char les Tomlinson Griffes: T H E P L E A S U R E -D O M E O F K U B L A K H A N ; T H R E E T O N E - P I C T U R E S op. 5; T H R E E P O E M S O F F I O N A M A C L E O D ; F O U R G E R M A N S O N G S ; F O U R I M P R E S S I O N S ; S O N G O F T H E D A G G E R . Seiji Ozawa, Boston Symphony Orchestra; Phyllis Bryn-Julson, soprano; O l i v i a Stapp, mezzo-soprano; Sher r i l l Mi lnes , baritone; Diane Richardson and Jon Spong, pianists; New W o r l d Chamber Ensemble.

A (Varese Sarabande) Rodr igo: F A N T A S I A P A R A U N G E N T I L H O M B R E ; C O N C I E R T O A N D A L U Z . Alfonso Moreno, Minerva Gar ibay , C e c i l i a Lopez, Jesus Ruiz, guitar; Enrique Batiz, State Symphony Orchestra of M e x i c o

A (Varese Sarabande) Beethoven: S Y M P H O N Y N O . 7. Enrique Batiz, London Symphony Orchestra.

A (Varese Sarabande) Fa l la : T H E T H R E E - C O R N E R E D H A T (complete). M a r i a Luisa Salinas, soprano; Enrique Batiz, State Symphony Orchest ra of M e x i c o .

A (Varese Sarabande) V i v a l d i : T H E F O U R S E A S O N S . Digi tal ly synthesized realization of this popular classical work. Programmed and performed by Patrick Gleeson .

A (Chandos) Hoist: T H E P L A N E T S . Sir Alexander G ibson , Scottish National Orchestra .

A (Chandos) Rachmaninov: S Y M P H O N Y N O . 2 IN E M I N O R op. 27 (complete version). S i r A lexande r G ibson , Scottish National Orchestra .

A (Chandos) Malher : S Y M P H O N Y N O . 4. Sir Alexander G i b s o n , Scottish National Orchestra . Margaret Marsha l l , soprano.

- (Laural) B E E T H O V E N Q U A R T E T IN F M A J O R . Pro Ar te Quartet. W o r l d Premiere Record ing of the O r i g i n a l Vers ion of Beethoven's Str ing Quartet No . 2 wh ich he revised and retitled Opus 18, No. 1.

(Chandos) Rossini-Respighi: L A B O U T I Q U E F A N -T A S Q U E . Dukas: T H E S O R C E R E R ' S A P P R E N T I C E . Saint-Saens: D A N S E M A C A B R E . S i r A lexande r G i b s o n , Scottish National Orchestra .

WH A T 3 T M F F Y P F T R T R 1 Q f i Y

ABOUT DBX DISCS Editors, STEREO MAGAZINE

"You must hear the dynamic range of this dbx recording to believe it—from the lightest key­strokes to thundering clean chords."

Edward Tatnall Canby, AUDIO MAGAZINE 'This new dbx disc is astonishing."

Gerald S. Fox, AMERICAN RECORD GUIDE "Almeida's guitar, heard like a gem in a black velvet background of complete silence, may be enjoyed without the distraction of extraneous

I noise." Bill Carlton, NEW YORK DAILY NEWS

"When you compare your old copy of Neil Dia­mond's Greatest Hits to the new dbx version, it is like comparing a negative to a color print. If you haven't heard Diamond on dbx, you haven't really heard him."

Len Feldman, HIGH FIDELITY TRADE NEWS "There is absolutely no surface noise to be heard and the dynamic range beats anything heard to date, whether from direct-to-disc recordings or from digitally mastered records."

David Ranada, STEREO REVIEW "In respect to dynamic range, these are the most realistic recordings I have ever heard short of direct playback of a digital master tape."

Art Mendel, AMERICAN RECORD GUIDE "The dbx encoded record is the greatest improvement in disc technology since stereo. The dbx disc system offers a quantum leap into superior sonic excellence."

Editors, STEREO MAGAZINE "This disc is sonically perfect. As a matter of fact, in our opinion, it is one of the best existing exam­ples of excellence in recorded sound."

Harold Rodgers, POPULAR ELECTRONICS "The sound is spectacular. The playing is of high quality, and the dynamic range verges on awesome."

Norman Eisenberg, OVATION MAGAZINE "The use of digital tape combined with dbx encoding results in what, to my ears, are simply the best sounding discs I have yet heard."

Alfred Meyers, HI/FI STEREO BUYER'S GUIDE "I urge you to run (don't walk) to your nearest dbx dealer for an eye (and ear) opening experience."

1 2 Printed in USA 1081100M-6400149