2nd Cannons, Los Angeleshttp://2ndcannons.com/

Anita Di Bianco / anitadi.netCorrections and Clarifications / 2001 - 2012

Corrections and Clarifications is an ongoing newspaper, an edited compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological catalog of lapses in naming and classification, of tangled catchphrases, patterns of mis-speech and inflection, connotation and enumeration.

Previous editions are available through Printed Matter.

Corrections and Clarifications will be featured in the October launch of Creative Time’s media site, Creative Time Reports:http://creativetime.org/projects/creative-time-reports/

Archive is a nonprofit organisation for cultural research. Archiveseeks to bring together editors, writers, scholars, graphic designers,artists and architects in a non-hierarchal and adaptable space in anattempt to foster unique exchanges between diverse contributors.Archive is engaged in a range of activities including publishing,design and exhibition making. Archive Books is a publishing housethat produces monographs and artist’s books as well as journalsfocusing on contemporary cultural production and reception. Located in Berlin, Archive Kabinett is both a bookstore showcasinga selected range of publications, and simultaneously a platform fordiscussions, lectures, screenings and exhibitions. Archive Journal is across-disciplinary journal published biannually. As it’s name suggests,Archive Journal is primarily concerned with notions of documentationand collection, but also with contemporary uses of translation andrecirculation. Archive Appendix is a design office that brings aconceptual approach to the relationship between text and image.

Archive Books • Upcoming titles

JOURNALS

Archive Journal, Volume I . . . . . . . . . . . . . . . . . . October 2012No Order, Issue 2 . . . . . . . . . . . . . . . . . . . . . . . . January 2013The Exhibitionsits, Issue 7 . . . . . . . . . . . . . . . . . January 2013

BOOKS

Fight Specific Isola . . . . . . . . . . . . . . . . . . . . . . . . October 2012Rossella Biscotti, Il Processo . . . . . . . . . . . . . . . . October 2012Warren Niedich, Berlin Works . . . . . . . . . . . . . . October 2012Der Standpunkt der Aufnahme – Point of View . . . . . . January 2013Eric Baudelaire, Anabases . . . . . . . . . . . . . . . . . . January 2013

A

K

B J

ABOU T ARCH IVE

ARCHIVE • Dieffenbachstraße 31, 10967 Berlinmail@archivebooks.org • www.archivebooks.org

Pedro Wirz Not the New, Not the Old, But the Necessary

Published by Künstlerhaus Stuttgart Stuttgart 2012 132 pages, 76 images 21 × 21 cm German / English EUR 18.00 ISBN: 978-3-942700-27-6

With an introduction by John Beeson and an interview between Pedro Wirz and Adnan Yildiz. • Pedro Wirz’ work is indebted to collaborators in some way or another. In his series of Curated Sculptures (2010–ongoing), he de-velops a physical structure — a sculpture — and then in-vites a curator to arrange artworks by artists other than himself on and around it. In this book Pedro Wirz invit-ed 24 different artists to produce patterns to be applied onto an “origami folding geometry” that he developed. In this new series of Curated Sculptures, he also worked to-gether with members of the German Origami Association. With contributions by Adriana Lara, Alfred Boman, Aljos-cha Lanz, Bevis Martin and Charlie Youle, Breena Murphy, Carlos Dias, Christian Mueller, Dan Perjovschi, Dan Sol-bach, Daniella Domingues, Emil Michael Klein, Friede-mann Heckel, Jan Kiefer, Jonathan Zawada, Keiichi Ta-naami, Lucas Rampazzo, Lucas Wirz, Samuel Leuenberger, Sara Vidas, Stephan Doitschinoff, Thomas Jeppe, Tilman Schlevogt, Tobias Rehberger, Tobias Willa.

Jacqueline Doyen Eclipse

Published on the occasion of the exhibition at Kunstverein Wolfsburg Berlin 2012 48 pages 29 × 23.5 cm German / English EUR 12.00 ISBN 978-3-942700-28-3

With an introduction by Justin Hoffmann and an interview be-tween Meike Behm and Jacque-line Doyen. • The present cata-logue documents works that Jacqueline Doyen developed further during her stay in New York, as well as works that were created directly in New York. In this endeavor, Jacqueline Doyen remained true to her principle of investigating the backstage reality and, through a process of reduction, of penetrating to what is essential. For her work Die Ausarbeitung der Spontanei-tät (The Elaboration of Spontaneity, since 2007), Jacque-line Doyen has brought together a large number of pic-tures of politicians published in the mass media. The silhouettes of the depicted persons, politicians from vari-

ous countries, cut out and placed upon a sheet of white paper, allow comparison. Doyen’s manner of working is reminiscent of Aby Warburg and his famous collection (from 1901), which formed the basis for his pictorial atlas Mnemosyne. (Justin Hoffmann)

Katrin von Maltzahn Records Journal Survey

Berlin 2012 176 pages, 155 images 19 × 13 cm English EUR 18.00 ISBN 978-3-942700-11-5

Katrin von Maltzahn is a translator who acts on the gap between rhetoric and research, chaos and contingency. Her legibility of this world is an invitation to a productive misunderstanding. (Gerrit Gohlke) • This beautifully cloth-bound artist book functions as a kind of breviary. It is a portable and compact reference for a world of codes and signs – that also happens to offer an overview of the art-ist’s work over the last years. Accompanying the book, BKV Potsdam presented a solo exhibition of Katrin von Maltzahn’s Alphabet.

Vorratskammer / Pantry

Berlin 2012 Design: Kristina Brusa, Leipzig 150 pages, 201 images 36 × 28.6 cm German / English EUR 29.00 ISBN: 978-3-942700-26-9

Published on the occasion of Über Lebenskunst at Haus der Kulturen der Welt. • Edited by myvillages, Kathrin Böhm, Wapke Feenstra, Antje Schiffers, Thomas Sprenger. In August 2011, the Haus der Kulturen der Welt in Berlin hosted the Über Lebenskunst Festival, a project initiated by the German Federal Cultural Foundation in coopera-tion with Haus der Kulturen der Welt. The artist collective myvillages.org was asked to develop and deliver an artis-tic project to feed and cater to the masses of festivalgoers. The artists began stocking up on supplies for the Pantry a year before the festival — in cooperation with organiza-tions, interest groups, and commercial producers, with amateurs and experts, in large and small amounts. They wanted to serve foods that were locally available, but also included other kinds of food in the Pantry. Slowly but surely, they filled the Pantry with food that was acquired by exchanging, purchasing, planting, harvesting, develop-ing new products, and accepting generous gifts and dona-tions. Everything that was eaten or drunk during the festi-val came from the Pantry. • www.myvillages.org / www.vorratskammer.myvillages.org • www.japsambooks.nl

Perform a lecture – Magazine

Berlin 2011 52 pages, 47 images, stapled 27.5 × 21 cm English EUR 18.00 ISBN 978-3-942700-20-7

Edited by Ellen Blumenstein. With contributions by Ulf Aminde, Ellen Blumenstein, Erik Bünger, Eric de Bruyn, Helmut Draxler, Felix Ensslin, Christoph Gurk, Dorothea von Hantelmann, Clemens Krümmel, Solvej Helweg Ovesen, Dieter Roelstraete. • Located between speech and action, between reflection and production, the lecture perfor-mance lies in a “gray” area, essentially thematizing rela-tions between art and knowledge or research, and art and its dissemination. Lecture performances potentially open up a discursive field on which to address issues such as recent shifts in the conception and understanding of the artwork on the one hand and the art context (“third wave of institutional cri ti que”) on the other.

Pablo Pijnapple A Vision in Time

Berlin 2011 80 pages, 17 b / w images 29 × 14 cm, Softcover English EUR 12.00 ISBN: 978-3-942700-16-0

With a text by Xander Karskens and a conversation bet-ween the artist and Mark Glöde. Pablo Pijnapple’s photo portraits consist of found footage as well as Ektachromes of his friends and family members. His first artist book in pocket format is like a self-portrait comprised of memo-ries and musings on photography and film, as well as an interview.

Erik Steinbrecher CANDY MAN

Berlin 2011 32 pages, 32 images 17 × 12 cm EUR 10.00 ISBN 978-3-942700-14-6

“Black money” in the form of licorice, is boiled, deformed, and then piled atop colorful pe-destals in small sculptures. Photographed, printed and packed in a plastic bag, the single publication collects the great questions on representation in a single, small bag.

Sebastian Gräfe Künstlerhaus Bremen

Berlin 2011 80 pages, 54 images German / English 30 × 21 cm ISBN 978-3-942700-18-4

With an introduction by Stefanie Böttcher and an inter-view between Abraham Cruzvillegas and Sebastian Gräfe. • The weather is one of the most common topics of con-versation. In superficial situations in particular — when meeting someone for the first time or when conversation stalls — the tendency is to discuss what seems to be the most obvious, the most universal, the most uncontrover-sial subject, and that is the weather. No matter how un-popular it may be, the weather is always a rich source of conversation material. Sebas-tian Gräfe, a traveller on weath-er’s trails, is equally a layman and easily swept up by the mul-titude of poetic and abstract idiosyncrasies of the weather. He moves back and forth across the borders of science and art. (Stefanie Böttcher)

Ulf Aminde miserere

Berlin 2011 128 pages, 112 b / w images 16 × 21.5 cm Hardcover German EUR 20.00 ISBN 978-3-942700-15-3 Edited by Cordelia Marten. With a text by Felix Ensslin. • The artist’s book presents an overview of all works by Ulf Aminde realized in the last five years and illustrates the artist’s close connections with theater. Through the imag-es’ autonomy — they cannot be seen as simple copies or stills of Aminde’s films — a kind of meta-narration was created, which tells about the artist’s entire work. The im-ages have been photographed as collages: Amin de in the role of the director and as a protagonist in an image tableau, from which there is no escape. The result is an impres-sive panorama, a network of actors and director as a description of a radical way of working, asking a ques tion for sub jectivity.

argobooksChoriner Str. 57 · 10435 Berlin · www.argobooks.de

Ernst Schering Foundation’s Publication Series Dedicated to selected exhibitions and projects at the in-terface of art and science. • Edited by Heike-Catherina Mertens, Schering Foundation.

Vol. I Paul Vanouse: Fingerprints… Index – Abdruck – Spur

Berlin 2011 112 pages 20 × 14.8 cm English / German EUR 16.00 ISBN: 978-3-942700-17-7

With texts by Simon A. Cole, Jens Hauser, Hans-Jörg Rheinberger and Paul Vanouse. • The biome-dia installations of Paul Vanouse challenge the codes and images of contemporary molecular biology. The publication con-tains playful elements, which conceptually mirror Paul Vanouse’s process-intensive biomedia art. In four theo-retical essays, criminologist Simon A. Cole, science histori-an Hans-Jörg Rheinberger, curator Jens Hauser and the artist himself reflect upon the criticism of genomics inhe-rent in the installations of Fingerprints… from an aesthetic, political and techno-philosophical angle.

Vol. II Haroon Mirza

Berlin 2012 64 pages, Box / DVD & Booklet 20 × 14.8 cm English / German EUR 16.00 ISBN: 978-3942700-25-2

With texts by Diedrich Diederichsen, Heike-Catherina Mer-tens, Franziska Solte • Haroon Mirza’s artworks revolve around the complex relationship between visuality and acoustics, unfolding in continuous loops as audio-visual, spatial compositions. In his acoustic assemblages, Mirza uses found, culturally coded objects and structures which he separates from their original function, turning them into triggers for sounds that form precise, self-generating compositions. This volume, consisting of a book and a DVD, documents his solo exhibitions in 2012: --{}{}{} {}--{}{}{}{}--{} at the Ernst Schering Foundation’s Project Space in Berlin, \|\|\|\| \|\|\ at the Kunst Halle Sankt Gallen and /\/\/\ /\/\ at the University of Michigan Museum of Art, Ann Arbor. These cryptic titles are translations of sound and art into sign-like representations.

Villa Romana Fellows 2011

Florenz/Berlin 2012 By Thomas Kilpper, Henrik Olesen, Nora Schultz, Rebecca Ann Tess,

Vincent Vulsma 29.5 × 21 cm Edition of 400 EUR 45.00 ISBN 978-3-942700-07-8

Published by Angelika Stepken and Villa Romana Florence. • For the Villa Romana annual publica-tion, the 2011 fellows invited ar-tists to contribute a piece of work

for their box presentation. The enclosed pair of white gloves lends the container a valuable aura. The result is an edition of 400, numbered by the artists. With contribu-tions by Judith Hopf, Thomas Kilpper, Flo Maak, Henrik Olesen, Massimo Ricciardo, Nora Schultz, Josef Strau, Re-becca Ann Tess, Elisa van Joolen, Vincent Vulsma.

we showed

Berlin 2012 Haubrok Collection 248 pages and 52-page supplement, 170 images 29.7 × 21 cm German / English EUR 30.00 ISBN 978-3-942700-06-1

With an introduction by Sebastian Preuss. • For twenty- five years, Axel and Barbara Haubrok have compiled one of the most exciting collections of conceptual and minimal art. But what is “conceptual” and “minimal”? For years now, in their exhibition space at Strausberger Platz in Berlin, they have been testament to how this art can be displayed as a vital and urgent, very contemporary phenomenon. In this catalogue —in clear words, understandable, and un-pretentious — Axel Haubrok ac-counts for how he works and which questions he deals with. (Sebastian Preuss) we showed is a documentation of the 24 exhi-bitions of 5 years at the show-room at Strausberger Platz. With installation shots, introducing texts, and the list of works in a supplement.

Artist magazine The world according to Published by THE OFFICE, Berlin

The magazine seeks to challenge an artist to work in an unfamiliar way: using any source other than his/her own work, s/he develops an idea, a concept, a subject or a vision which can only be realized on paper. On 64 blank pages, s/he creates a special project by collecting images, texts, graphs, and/or by inviting artists, friends, and fami-ly members to generate content and to contribute to it. Our interest in artists developing this project is based on the conviction that they constitute a main creative source inventing forms for content.

Gert Jan Kocken Vol. IV, Berlin 2012 64 pages, stapled 93 images 25 × 21 cm English EUR 15.00 ISBN 978-3-942700-74-1

Based on a collection of thousands of images sourced from the internet, Gert Jan illustrates religion’s problematic re-lationship with images. Meandering through time, some-where between iconoclasm and iconophilism, he presents his manifold findings, demonstrating how images have been deployed to tell the story of the world, from its crea-tion to the present day.

Olaf Nicolai Why women like to buy textiles that feel nice

Vol. III, Berlin 2011 64 pages, stapled 25 × 21 cm English EUR 15.00 ISBN 978-3-941560-74-1

Olaf Nicolai’s work is concep-tual in nature and often char-acterized by (socio)political references, in which multiple antipodal aspects (socialist and capitalist, hedonist and idealist) merge and overlap. Why women like to buy tex-tiles that feel nice/Annota-tion is conceived as a textual system of references in the form of an annotation appa-

ratus with an index of names and subjects. The title quotes a study by Elias Smith from 1937 on consumer be-havior regarding the purchase of textiles. His studies are still seminal in market and opinion research today. To-gether with Marie Jahoda and Hans Zeisel he compiled the first long-term study on the effects of unemployment in the 20th century: The Unemployed of Marienthal, 1933. The research work on the demise of a former location of the textile industry serves here as the starting point to un-ravel a complex web of references ranging from the de-cline of the textile industry to sociological opinion re-search, the development of consumer desires and psychological studies on tactile perception of fabrics, creating an intricate textural web.

Rehearsing Collectivity Choreography Beyond Dance

Berlin 2012 112 pages, 104 images 29 × 20 cm English EUR 15.00 ISBN 978-3-942700-22-1

Edited by Elena Basteri, Ema-nuele Guidi, Elisa Ricci. • With texts by Franco Berardi Bifo, Tina di Carlo, Gabriele Brandstetter, Kai van Eikels, Chris Haring, Ga-briele Klein, Vincenzo Latronico, Boyan Manchev. Including artis-tic works by Libia Castro & Ólafur Ólafsson, Nina Dick, Aldo Gian-notti, Ingrid Hora, San Keller, Mi-chael Koch, David Levine, Ligna, Liquid Loft / Chris Haring, Roman Ondák, Cesare Pietroi-usti, Olivia Plender • The verb to “rehearse” is mostly associated with theater, dance, and performance. Related to the notion of collectivity it stresses its choreographic, performative, and aesthetic aspects. Moreover, linking collectivity to a broadened concept of choreography al-lows for further investigations into the connections be-tween the aesthetic and the social. Collectivity is neither to be celebrated nor to be condemned, it is rather impor-tant to emphasize and utilize the tensions arising from heterogeneous positions, in order to trigger a research process and to open spaces for this term to be rehearsed, tested, re-thought, re-discussed, and experienced in all its different possibilities.

Der August Verlag ist ein Forum für Theorie im Schnittpunkt von Philosophie, Politik und Kunst. Die KLEINE EDITION steht in der Tradition des Essays, jenes Genres der Intervention, die zu lang für eine Zeitschrift und zu kurz für ein herkömmliches Buch ist. Im GROSSEN FORMAT werden zeitgenössische Theorie und moderne Klassiker veröffentlicht.

Jacques RancièreUND DAS KINO GEHT WEITERSchriften zum Film2012

Jalal TouficVOM RÜCKZUG DER TRADITION NACH EINEM UNERMESSLICHEN DESASTERKleine Edition 72011

Peter Geimer, Isabelle GrawÜBER MALEREIEine DiskussionKleine Edition 122012

Branden W. JosephTHE ROH AND THE COOKEDTony Conrad and Beverly Grant in Europe2012

Alexander García DüttmannNAIVE KUNSTEin Versuch über das GlückKleine Edition 82012

August Verlag BerlinSchlesische Straße 1010997 Berlinwww.augustbuch.de august@augustbuch.de

Benoît Grimbert and Julie Cortella

LIPS THAT WOULD KISS Based on the life of Ian Curtis

Edition of 23

With one original photograph and one official programme of Manchester City Football Club

Bartleby & Co. 2011

Bartleby & Co. 15, rue des Fleuristes B-1000 Bruxelles bartleby@skynet.bewww.bartlebybooks.eu

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LookBook

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Brad Downeymakes books sometimes with the left side of his brain.

for more information:bigtimebrad@gmail.comwww.braddowney.com

BDP is a European publishing agency representing artists, writers, curators and editors in a variety of (book) projects.

Shane AndersonIda BenckeAnn Cotten John HoltenBrian Larosche (with Mallarmé)Lorenzo SandovalMorten Søndegaard

With collaboration from FUK Laboratories (www.fuklab.org)

For MISS READ 2012 Büro BDP are happy to present The Firm an artist multiple by Antoine Renard

www.brokendimanche.euwww.BrokenToujours.eueditorkakofonie@googlemail.com

Camera Austria International magazine is fostering debate on the role of photography as situated between art and mass medium, between aesthetics and social practice, between discourse and the documentary, politics and imagery. Published since 1980 the bilingual (German / English) magazine coninues to occupy a special, internationally respected role in the scope of discourse on photography as a contemporary art practice.

Publisher, exhibition director: Reinhard BraunEditor-in-chief, curator: Maren Lübbke-TidowLendkai 1, 8020 Graz, Austriaoffice@camera-austria.at www.camera-austria.at

BDP is a European publishing agency representing artists, writers, curators and editors in a variety of (book) projects.

Shane AndersonIda BenckeAnn Cotten John HoltenBrian Larosche (with Mallarmé)Lorenzo SandovalMorten Søndegaard

With collaboration from FUK Laboratories (www.fuklab.org)

For MISS READ 2012 Büro BDP are happy to present The Firm an artist multiple by Antoine Renard

www.brokendimanche.euwww.BrokenToujours.eueditorkakofonie@googlemail.com

Camera Austria International magazine is fostering debate on the role of photography as situated between art and mass medium, between aesthetics and social practice, between discourse and the documentary, politics and imagery. Published since 1980 the bilingual (German / English) magazine coninues to occupy a special, internationally respected role in the scope of discourse on photography as a contemporary art practice.

Publisher, exhibition director: Reinhard BraunEditor-in-chief, curator: Maren Lübbke-TidowLendkai 1, 8020 Graz, Austriaoffice@camera-austria.at www.camera-austria.at

gegen gegenspreading conceptual literature, from montevideo to the world

books:

R. BoglioneRitmo DFeeling TheBlanks. 2009

R. BoglioneTapas sin libro.2011

R. BoglioneTapas sin libro(MISS READedition). 2012

journal:CRUX DESPERATIONISFirst International journal dedicated entirely toconceptual literature. Published twice a year.

Crux Desperationis is freely downloadable from ubuweb. For a paper versionof it, books, or any other inquiries, please write to Gegen Montevideo:

gegen.mvd@gmail.com

ISSUE 3

FORTHCOMING

Issue 1. 2011 (mental) issue 2. 2012

DASEIN, Luzernhttp://www.dasein.biz/

Jan albers, JenniFer allora & guillerMo calZaDilla, ei arakaWa, Fikret atay, nairy baghraMian, yael bartana, hernan bas, georg baselitZ, nina beier & Marie lunD, hans bellMer & louise bourgeois, WaleaD beshty, Johanna billing, alexanDra bircken, karla black, henning bohl, shannon bool, carol bove, Monica bonvicini, kerstin brätsch, FernanDo bryce, anDreas bunte, Pavel büchler, Mircea cantor, cao Fei, nina canell, Paul chan, Marieta chirulescu, Peter coFFin, eli cortiñas, Minerva cuevas, aaron curry, keren cytter, bJÖrn DahleM, Michael DannenMann, Mariechen DanZ, katJa Davar, enrico DaviD, ronalD De bloeMe, Ji Dachun, siMon Denny, nathalie DJurberg, Jason DoDge, tatJana Doll, trisha Donnelly, bJÖrn Dressler, JiMMie DurhaM, latiFa echakhch, FranZ erharD Walther, geoFFrey FarMer, oMer Fast, Werner Feiersinger, luka Fineisen, bertha Fischer, claire Fontaine, christian FreuDenberger, christian Frosi, cyPrien gaillarD, ryan ganDer, Mario garcía torres, anDreas gehrke, thorsten golDberg, Manuel graF, aMy granat, gesine grunDMann, grüntuch ernst, Dor gueZ, alexanDer gutke, WaDe guyton, christian haake, tobias hantMann, rachel harrison, eberharD havekost, sharon hayes, JocheM henDricks, Diango hernánDeZ, georg horneMann, alex hubbarD, leiko ikeMura, runa islaM, luis Jacob, sergeJ Jensen, JesPer Just, Markus karstiess, annette kelM, Martin kersels, thoralF knobloch, konsortiuM (lars breuer / sebastian Freytag / guiDo Münch), anDreas korte, gabriel kuri, robert kusMiroWski, alicJa kWaDe, Matthias lahMe, Michael lanDy, liZ larner, tiM lee, Manuela leinhoss, steFan lenhart, Daniel lergon, DaviD lieske, vera lossau, rosilene luDuvico, Michel MaJerus, DaviD MalJkovic, victor Man, Ján Mancuska, christian Marclay, kris Martin, gerolD Miller, boris Mikhailov, helen Mirra, anna Molska, MattheW Monahan, ulrike MÖschel, anDreas Mühe, alex Müller, steFan Müller, elke nebel, roMan onDák, ariel oroZco, aDrian Paci, seb Patane, Mai-thu Perret, Martin PFeiFle, Michail Pirgelis, Mathias PoleDna, charlotte Posenenske, anne PÖhlMann, seth Price, cornelius quabeck, raqs MeDia collective, tobias rehberger, Pietro roccasalva, eva rothschilD, sterling ruby, Michael sailstorFer, toMás saraceno, boJan sarcevic, arcangelo sassolino, sauerbruch hutton, Martina sauter, Jan scharrelMann, christoPh schellberg, Markus schinWalD, Jonathan schiPPer, Michael schirner, ariel schlesinger, gregor schneiDer, Felix schraMM, roMan signer, luZia siMons, serge sPitZer, Praneet soi, Johannes sPeer, natalia stachon, Dirk steWen, Monika stricker, soPhie tottie, roseMarie trockel, tatiana trouvé, Michael van oFen, PaloMa varga WeisZ, ai WeiWei, JorDan WolFson, Danh vo, Johannes vogl, aMelie von WulFFen, tris vonna-Michell, kelley Walker, aPichatPong Weerasethakul, anDro Wekua, cathy Wilkes, xu Zhen, haegue yang

WWW.DistanZ.De

DAI PUBLICATIONS

is a collection of more then 100 artist books issued by the Dutch Art Institute (DAI) and designed in collaboration with the Werkplaats Typografie (WT).

The 2012 edition consists of 13 pub-lications developed in the context of Publishing Class, a two year course designed by Casco-Office for Art, Design and Theory by delving into the act of publishing as a critical art prac-tice, both as a ways to make things public – forming publicness – and as a form of dissemination beyond time and space constraints. For its second year, the “class” operated in three editorial cooperatives and each under the guidance of artists Mattin, Falke Pisano and Wendelien van Oldenborgh

Behindthis wallnothing

happened

respectively. The students teamed up with the Werkplaats Typografie stu-dents to develop an “art and design” relationship beyond the established manner and reflect on publishing as a versatile medium.

DAI and WT both located in Arnhem are Master’s programs of ArtEZ, one of the major arts universities in the Neth-erlands. Gabriëlle Schleijpen, head of program at the DAI, founded DAI PUB-LICATIONS in 2003. It began as an experimental research and publishing platform aiming to address the spe-cific process of artist books produc-tion and is now an acclaimed editorial project. Since its inception more then 90 artist books have been published. As of 2006 an annually appointed col-lection editor supervises the series; for the 2010/2011 academic year DAI has taken a new path by commis-sioning Casco to develop a two-year trajectory regarding publishing in art practice, Publishing Class, curated by Binna Choi, Director of Casco, and coordinated by Yolande van der Heide, Publishing Coordinator of Casco.

www.dutchartinstitute.euwww.cascoprojects.orgwww.werkplaatstypografie.org

Edition Patrick Freyhttp://www.editionpatrickfrey.com/

Edition Taube, Stuttgarthttp://editiontaube.de/

General Information

Fillip is a Vancouver-based publishing organization formed in 2004 to expand spaces for critical discussions on con-temporary art. Through a magazine and publications programme, Fillip provides platforms for examining the relationship between art and society.

Its methods of discourse include long form essays, interviews, exhibition reviews, critical anthologies, artist projects, and talks. While these modes of address are neither new nor neutral, Fillip consistently strives to interrogate the spaces it inhabits, attempting to build a vital forum from a position of criticality.

Fillip305 Cambie StreetVancouver, BCCanada V6B 2N4

http://fillip.cafillip@fillip.ca

Subscription Rates

North America:Individuals – $30 / YearInstitutions – $50 / Year

Europe:Individuals – €30 / YearInstitutions – €50 / Year

Available Titles

Intangible EconomiesISBN 978-1-927354-03-2 (2012)$20.00 / €15.00

Grouper: Sleep (Fragment)ISBN 978-1-927354-06-3 (2012)$20.00 / €15.00

Markus Meissen: Architectural SpaceISBN 978-1-927354-05-6 (2012)$7.00 / €5.00

Antonia Hirsch: KommaISBN 978-0-9738133-9-5 (2010)$40.00 / €30.00

Fillip

FUKTMAGAZINE FOR CONTEMPORARY DRAWING

Fukt, founded in 1999, is dedicated to drawing, inviting the most interesting and adventurous international artists and writers to publish their images and views on contemporary drawing practice. Fukt is in constant transformation with all issues in different sizes and layouts.

www.fukt.de

Editor: Björn HegardtDesign: Ariane Spanier

FUKT MagazineOranienstr. 2210999 Berlin

GAGARIN, Antwerpenhttp://www.gagarin.be/

Visit Us in BerlinGestalten SpaceSophie-Gips-HöfeSophienstraße 2110178 Berlin

Open Sunday–Friday 12:00–20:00Saturday 10:00–20:00Closed Tuesday

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Exploring Visual Culture

Hands on Papers, Berlinhttp://handsonpapers.com/

HANK SCHMIDT IN DER BEEK

Hinter meiner StadltürSteht die Niki de Saint Phalle.

Ich frag sie: “Trinkst a Bier mit mir?”Sie sagt: “Ein ander Mal.”

Hinter meiner StadltürSteht die Bridget Riley.

Ich frag sie: “Trinkst a Bier mit mir?”Drauf sagt sie: “Aber freili!”

Oans, zwoa, drei, vierHeb di stad

Dass di ned obadraht!Oba übers Hobernfeld

Geht’s a wengerl schnell!

(aus: “Was reimt sich schon auf de Saint Phalle?”, Niklas Schechinger Fine Art, 2010)

Außerdem von Hank Schmidt in der Beek bei Niklas Schechinger Fine Art er-schienen: “Ein Akt, eine Treppe hinabzumsteigen”, “Das große Tick, Trick und Track-Album”. “Kasimir Malewitsch, wir sind alle sehr froh, wenn die Drachen-Saison endet!”, “10 Gedichte für Ulli Wulff”, und mehr.

Kontakt: hank_ball@hotmail.comwww.schechinger-fine-art.com

Heidi Specker feat. Andrzej Steinbach

Heidi Specker feat. Andrzej Steinbach

INNEN Zine, Budapesthttp://innenzines.com/

JRP|Ringier, Zurichhttp://www.jrp-ringier.com/

Marfa Book Co is a bookstore; publisher; gallery; film, music and performance space located in Marfa, Texas, operated by Caitlin Murray & Tim Johnson.

Select Titles:The Present Order: Writings on the Work of Ian Hamilton Finlay&Impossible Objects: Various Small Fires

www.marfabookcompany.wordpress.com

K. Verlag is a platform to explore the book as site founded by Anna-Sophie Springer & Charles Stankievech.

Select Titles: LOVELAND & The Subjective Object

www.k-verlag.comwww.mottodistribution.com

MARFA BOOK CO.

Marfa Book CompanyImpossible Objects

P O Box 207Marfa TX 79843

USA

RIRecondite Industriesa place for editions by Nicolas G. Miller.

www.reconditeindustries.com

Marfa Book Co is a bookstore; publisher; gallery; film, music and performance space located in Marfa, Texas, operated by Caitlin Murray & Tim Johnson.

Select Titles:The Present Order: Writings on the Work of Ian Hamilton Finlay&Impossible Objects: Various Small Fires

www.marfabookcompany.wordpress.com

K. Verlag is a platform to explore the book as site founded by Anna-Sophie Springer & Charles Stankievech.

Select Titles: LOVELAND & The Subjective Object

www.k-verlag.comwww.mottodistribution.com

MARFA BOOK CO.

Marfa Book CompanyImpossible Objects

P O Box 207Marfa TX 79843

USA

RIRecondite Industriesa place for editions by Nicolas G. Miller.

www.reconditeindustries.com

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The imaginary now resides between the book and the lamp. The fantastic is no longer a property of the heart, nor is it found among the incongruities of nature; it evolves from the accuracy of knowledge, and its treasures lie dormant in the documents. Dreams are no longer summoned with closed eyes, but in reading; and a true image is now a product of learning: it derives from word spoken in the past, exact recensions, the amassing of minute facts, monuments reduced to infinitesimal fragments, and the reproductions of reproductions. In the modern experience, these elements contain the power of the impossible. Only the assiduous clamor created by repetition can transmit to us what only happened once. The imaginary is not formed in opposition to reality as its denial or compensation; it grows among signs, from book to book, in the interstice of repetitions and commentaries; it is born and takes shape in the interval between books. It is a phenomenon of the library.Michel Foucault, 1967.

www.labibliothequefantastique.net

LABOUR, London

www.littleandlargeeditions.com

Lubok VerlagPaul-Gruner-Straße 64 D-04107 Leipzig +49 (0) 341 999 98 90 info@lubok.de

www.lubok.de

“greatest hits”

the quotation marks are programmatic

Michalis Pichler

www.buypichler.com

www.g-r-e-a-t-e-s-t-h-i-t-s.com

ONE ISSUEONE ARTIST

ONE INTERVIEW/

NO MORENO LESS

www.mono-kultur.com

Mousse, Magazine and Publishing, Via De Amicis 53, I-20123 Milanomoussemagazine.it, moussepublishing.com

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moussemagazine.itmoussepublishing.commoussemagazine.itmoussepublishing.com

ADV MISS READ.indd 6 03/09/12 13.08

New DocumentsVancouver, CanadaLos Angeles, USA

new-documents.org

Mousse, Magazine and Publishing, Via De Amicis 53, I-20123 Milanomoussemagazine.it, moussepublishing.com

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New DocumentsVancouver, CanadaLos Angeles, USA

new-documents.org

O Book Publisher / Erica Overmeer

Sarcelles LandscapeNew TerritoryLandscape Files / 01Landscape Files Landscape Files Landscape Files Landscape Files Landscape Files Landscape Files

obookpublisher.com

/ 02 / 03/ 04 / 05 / 06 / 07

O Book Publisher / Erica Overmeer

Sarcelles LandscapeNew TerritoryLandscape Files / 01Landscape Files Landscape Files Landscape Files Landscape Files Landscape Files Landscape Files

obookpublisher.com

/ 02 / 03/ 04 / 05 / 06 / 07

Occasional Papers

Occasional Papers is a non-profit

publisher of affordable books devoted

to the histories of architecture, art,

design, film and literature.

Subscribe to our newsletter

or get the latest news at

www.occasionalpapers.org

www.facebook.com/occasionalpapers

www. twitter.com/occasionalpaper

Or send us an email at

info@occasionalpapers.org

We are based in London and our titles are

distributed in the UK by Central Books and

to the rest of the world by IDEA Books.

Central Books

T +44 (0)845 458 9911

contactus@centralbooks.com

www.centralbooks.com

IDEA Books

T +31 (0)20 6226154

webform@ideabooks.nl

www.ideabooks.nl

Paraguay Press, a division of castillo/corrales, Parishttp://www.castillocorrales.fr/

is one of the leading photobook publishers in Germany. Together with internationally known artists and newcomers we create in-dividually designed and carefully manufactured books on a wide range of exciting topics. In addition we maintain a small edition range, which is available only in selected bookstores.

Brunnenstraße 15210115 Berlinwww.peperoni-books.dewww.25books.de

Michael Wolf / Stefan Canham / Rufina Wu / Julia Baier / Roger Eberhard / Isadora Tast / Andreas Weinand / Torben Höke / Amin El Dib / Oliver Möst / Henrik Spohler / James Nizam / Hans W. Mende / Fred Hüning / Denis Brudna / Thomas Hoepker / Irina Ruppert / Marc Theis / Andreas Müller-Pohle / Julia Kissina / Marei Wenzel / Andreas Trogisch / Angela Bröhan / Patrik Budenz / Maki Shimizu / Jo Röttger / Iris Czak / -->

PEPERONI BOOKS

is one of the leading photobook publishers in Germany. Together with internationally known artists and newcomers we create in-dividually designed and carefully manufactured books on a wide range of exciting topics. In addition we maintain a small edition range, which is available only in selected bookstores.

Brunnenstraße 15210115 Berlinwww.peperoni-books.dewww.25books.de

Michael Wolf / Stefan Canham / Rufina Wu / Julia Baier / Roger Eberhard / Isadora Tast / Andreas Weinand / Torben Höke / Amin El Dib / Oliver Möst / Henrik Spohler / James Nizam / Hans W. Mende / Fred Hüning / Denis Brudna / Thomas Hoepker / Irina Ruppert / Marc Theis / Andreas Müller-Pohle / Julia Kissina / Marei Wenzel / Andreas Trogisch / Angela Bröhan / Patrik Budenz / Maki Shimizu / Jo Röttger / Iris Czak / -->

PEPERONI BOOKS

PogoBooks is an independent publisher of limited edition art books and zines in small print runs. We demand and promote talents in the areas of Photography, Painting, Drawing and Contemporary Nonsense. PogoBooks believes in printed matter and in a future printed on paper. We are a Platform. We are an Archive. We are a Collective. PogoBooks was founded by Claudio Pfeifer in 2010 and is based in Berlin, Germany.

www.pogobooks.deinfo@pogobooks.de

Picture by Jeff Luker ©2012

Revolver Publishing Berlin

Showroom Immanuelkirchstraße

Since 2008 Revolver Publishing based in Berlin,keep the

spirit of the publishing house alive founded by

Christoph Keller in 1998 in Frankfurt:

Various positions of contemporary art, artbbooks,

readers, magazines and special editions.

Sara MacKillopsara.mackillop@yahoo.co.ukwww.saramackillop.co.uk

Recent Publications, Catalogue, Faded Paper, Modern Art and Everyday Life

Sara MacKillopsara.mackillop@yahoo.co.ukwww.saramackillop.co.uk

Recent Publications, Catalogue, Faded Paper, Modern Art and Everyday Life

Artists, writers, graphic-designers, performers as well as publishers are invited – all of which are working with the formats of “script” and “text” within their processes of production. The use of “script” or “text” does not necessarily head towards the final production of printed matters, but might result in the production of a movie, drawing, performance or object generated through processes of reading, writing or verbal utterance. The presentations consist of live events (talk, discussion, reading, display, performance) as well as the instant publishing of the magazine Scriptings.

Scriptings

is edited by artist Achim Lengerer.

SCRIPTINGS

Scriptings/Achim Lengerer Kamerunerstr. 47 13351 Berlin, Germanywww.scriptings.net contact: lfp.lengerer@gmail.com

Space Poetry, Copenhagenhttp://www.spacepoetry.dk/

Spector Books, Leipzighttp://www.spectorbooks.com/

Karl-Marx-Allee 78D-10243 BerlinT: + 49 30 59 00 958 -21F: + 49 30 59 00 958 -20mail@sternberg-press.comwww.sternberg-press.com

Susanne Bürner

feat. boabooks at Miss Read 2012www.boabooks.com

photo from Susanne Bürner, Euville, captures éditions, Valence, available in October 2012

books are part of my artistic practise: Fog Book, Revolver Frankfurt 2003; Van-ishing Point: How to disappear in America without a trace; Revolver Frankfurt and ToastinKPress Paris 2006; Only You, Argo-books Berlin, 2008; Vanishing Point: How to disappear in China without a trace, Re-volver by VVV Berlin and small tune press Hong Kong, 2011; leaves boabooks Geneva, 2011; Euville, captures éditions Valence, October 2012 and others.

www. susannebürner.de

The Green BoxKunsT ediTionenBerLin

www.TheGreenBox.neT

Torpedo Press, Oslohttp://www.torpedobok.no/

Ugly Duckling Presse, New Yorkhttp://www.uglyducklingpresse.org/

Wiens Verlag c/o Wien Lukatsch gallery & bookshop for art books Schöneberger Ufer 65 (3rd floor) 10785 Berlin T +49 (0)30 28 38 53 52 F +49 (0)30 28 38 53 50 Tue – Fri 1 – 6 pm Sa 12 am – 6 pm Barbara Wien info@barbarawien.de Wilma Lukatsch wilmalukatsch@barbarawien.de www.wienlukatsch.de

small history In 1988 Barbara Wien started a bookshop for artists’ books, art books, writings by artists, rare books since 1960 (Fluxus, Conceptual Art, artists’ movements since 1960), conceptual photography books, editions, multiples, graphic art, videos, and DVDs, and a gallery. Meanwhile around 40 artists’ publications were produced and edited in Wiens Verlag. In 1994 Barbara Wien edited the collected texts by Arthur Köpcke and in 2002 the collected interviews by Dieter Roth. Since 2009 Wilma Lukatsch is the co-partner of Barbara Wien in the gallery, bookshop and publishing house. Amongst other book and audio projects Wien and Lukatsch edited and published in 2008 the interview book Tomas Schmit / Wilma Lukatsch, Dreizehn Montagsgespräche. In 2009 they founded the tomas schmit archiv, Berlin. On the website www.tomasschmit.com they published the complete oeuvre catalogue by Tomas Schmit. The gallery and bookshop provide since its existence a whole cultural program to the public in Berlin: lectures, filmscreenings, book presentations etc.. In our publishing acitivities (Wiens Verlag) we edited art books which are meanwhile sourcebooks for art historians: for example Dieter Roth Collected Interviews and Tomas Schmit Dreizehn Montagsgespräche. At the moment we are preparing the second volume of Jimmie Durham's Poems That Do Not Go Together which will be published in October 2012."

Zavod P.A.R.A.S.I.T.E., Ljubljanahttp://www.zavod-parasite.si/

MISS READ 2012 TALKS

Sunday, September 16, 2012

2 pm RR, Relaxed Reading or The Ambient Stylistics of Tan LinWestphalie, Lisa Holzer and David Jourdan:

Tan Lin is one of Westphalie’s favourite artists and Heath (Plagiarism/Outsource), Notes Towards the Definition of Culture, Untilted Heath Ledger Project, a history of the search engine, disco OS is “one of the most exciting books (we) have read in years, provocative on issues of reading, writing and publishing. Readers should not be surprised to find that Heath challenges not only the traditional standards of poetry-book production but what it even means to be a book.”

3pm Contemporary Poetics in a Publishing ContextCarson Chan in conversation with Shane Anderson:

A timely talk surrounding contemporary poetics, looking at the idea of writing poetry to-day and what it can mean/its relevance and the forms and arenas of publication.

Shane Anderson has published this summer Études des Gottnarrenmaschinen with Bro-ken Dimanche Press. He has hosted the reading series Here!Here!There! and co-curates the Internet art-lit site www.brokentoujours.eu. He also works as a bookseller and translator. Carson Chan is an editor at 032c, Kaleidoscope magazine and co-director of PROGRAM. Most recently he co-curated the 4th Marrakech Biennale 2012.

4pmRe-Print. Appropriation (&) LiteratureBook Launch and Talk between Annette Gilbert, Stefan Römer, Anne Thurmann-Jajes and Albert Coers (The talk will be in German.)

What Jorge Luis Borges only dreamed of in Pierre Menard, Author of the Quixote (1939) is nowadays almost part and parcel of literature: there is an increasing number of books for which new texts are no longer generated. Instead there are a lot of existent texts or even complete books that are simply re-edited, that is: copied, imitated, censored, revised, reframed etc. and reprinted by (usually small) publishing houses. Among them there is a remarkable preference for canonical texts like those by Boccaccio, Flaubert, Freud, Hem-ingway, Joyce, Kant, Mallarmé, Shakespeare. In contrast to Appropriation Art that was booming in the 1980s Appropriation Literature has, interestingly enough, lead neither to

scandals in the art and literature business nor to a more profound attention in the humani-ties yet. The research project on Appropriation Literature initiated by Annette Gilbert in 2010 aimed to map the phenomenon and to make it better known. The results that have been published in a printed collection of papers and an anthology of Appropriation Lit-erature, which will be presented in the talk.

Annette Gilbert is a postdoctoral Fellow at Peter Szondi Institute of Comparative Lit-erature at Freie Universität Berlin. She edited the anthology Re-Print. Appropriation (&) Literature (forthcoming, luxbooks 2012) and the conference proceedings Wiederaufgelegt. Zur Appropriation von Texten und Büchern in Büchern (transcript 2012).Stefan Römer is an artist, author, art critic and filmmaker. He writes regularly on art, theory, and fake for Kunstforum, Texte zur Kunst, Spex, Frieze, Springerin, Konkret. His recent work includes the films Loop Unlimited (2011) and Conceptual Paradise: There Is a Place for Sophistication (2006).Anne Thurmann-Jajes is an art historian, curator and Head of Research Centre for Art-ists’ Publications, Weserburg | Museum of Modern Art Bremen. She teaches at Univer-sität Bremen and has recently co-published Manual for Artists’ Publications, Cataloging Rules, Definitions, and Descriptions (2010), Artists’ Publications. Ein Genre und seine Erschließung (2009).Albert Coers is an artist and art historian. He wrote his thesis on artists’ catalogues. He has recently published I SOLITI TITOLI (2011) und Müde Bücher (Salon Verlag 2012).

5pm The Tender Spot Mario Lombardo,

Mario Lombardo, art director & designer speaks about his work and his interpretation of the task.

Mario Lombardo (*1972, Rosario, Argentinia) is one of Germany’s most relevant graphic designers. His characteristic talent for melding emotional intensity with an intelligent de-sign approach makes his work simultaneously some of the most significant being produced today and timeless. Lombardo’s multifaceted repertoire includes works for clients such as Berlin Biennale, Kunsthalle Düsseldorf, Staatliche Museen zu Berlin, ZKM, Bielefelder Kunstverein, KaDeWe, Mercedes-Benz, and art direction for publications such as SPEX, Liebling, Dummy, Grid, Zitty Fashion, and Design Book. In 2008 he was honored as Visu-al Leader for his oeuvre. 2010 Gestalten published the monograph: »The Tender Spot–The Graphic Design of Mario Lombardo«.Mario Lombardo lives and works in Berlin.

MISS READ Artist Book Festival Berlin14th - 16th September, 2012

This booklet is published on occasion of the fourth edition of MISS READ.Cover: Dan PerjovschiDistribution: la bibliotheque fantastique.Content, Proof Reading and Picture Editing: All the exhibitors (see back cover)Wine spirit : Barefoot Wine

Organisation Team and Staff MISS READ 2012: Vanessa Adler, Maria De Sande, Chiara Figone, Erik Font, John Holten, Antoine Lefebvre, Jeroen Nieuwland, Michalis Pichler, Yorgos Sourmelis, Eva Temponera, Natasa Tepavcevic.

Thank You to: Jan Dietrich, David Frohnapfel , Marc Glöde, Gabi Horn, Joana Kamm, Seán Kennedy, Stephan Mueller, Dan Perjovschi, , Susanne Pfeffer Amelle Said Saleh, Anke Schleper, Alexander Schröder, Erik Steinbrecher.

This year MISS READ is taking place in conjunction with abc art berlin contemporary during Berlin Art Week. MISS READ will comprise a selection of 63 international publishers and artists.The festival will present artistic publishing and invited a selection of active contributors in this field to present their program to a wider public.

September 14th - 16th, 2012Station Berlin, “Bananenhalle”Luckenwalder Strasse 4-610963 BerlinOpening hours:Friday, September 14, 5- 8 pmSaturday, September 15, noon - 9 pmSunday, September 16, noon - 7 pm

MISS READ is a collaborative project of argobooks, Michalis Pichler and KW Institute for Contemporary Art.

2nd Cannons, Los AngelesAKV, BerlinAnita di Bianco, Berlin/NY Archive Books, Berlinargobooks, BerlinAugust Verlag, BerlinAuto/Chicago/Times/Plotter...(“Zeitschrift”), Wien/BerlinAtlas Projectos, LisboaBartleby & Co., BrusselsBOM DIA BOA TARDE BOA NOITE, BerlinBOOK WORKS, LondonBrad Downey, BerlinBroken Dimanche Press, DublinCamera Austria, GrazCrux Desperationis/ Gegen, MontevideoDan Perjovschi/Lia Perjovschi, BukarestDASEIN, LuganoDistanz Verlag, BerlinDutch Art Institute/MFA ArtEZ, ArnhemEdition Patrick Frey, ZurichEdition Taube, StuttgartFilip, VancouverFUKT, BerlinGAGARIN, AntwerpenGestalten, BerlinHands on Papers, BerlinHank Schmidt in der Beek, BerlinHeidi Specker, BerlinINNEN Zine, Budapest

JRP|Ringier, ZurichK. Verlag and friends, BerlinKomplot, Brüssella biblioteque fantastique, ParisLABOUR, LondonLittle & Large Editions, BerlinLubok, LeipzigMerve Verlag, BerlinMichael Baers, BerlinMichalis Pichler/ “greatest hits”, Berlinmono.kultur, BerlinMousse Publishing, TurinNew documents, VancouverO Book Publisher, AmsterdamOccasional Papers, LondonOMMU, AthenParaguay Press, a division of castillo/cor-rales, Parispeperoni books, BerlinPogo Books, Berlin rakete co_ E. Steinbrecher/S. Mueller, BerlinRevolver Publishing, BerlinSara Mc Killop, LondonScriptings/Achim Lengerer, Berlin/Am-sterdamSmall Tune Press, Hong KongSpace Poetry, CopenhagenSpector Books, LeipzigSternberg Press, Berlin/New YorkSusanne Bürner, BerlinThe Green Box, Berlin Torpedo Press, OsloUgly Duckling Presse, New YorkWestphalie, WienWiens Verlag, c/o Wien Lukatsch, BerlinZavod P.A.R.A.S.I.T.E., Ljubljana

List of exhibitors 2012