Brass Tribune THE WORLD’S GREATEST BRASS NEWSPAPER

CHICAGO,SUNDAYFebruary17th,2020 $0VOL2.No.9

CENTERFORTHEARTSANDLEADERSHIPFEBRUARYPROGRAMMING(Feb.18th–25th)Everythingyouneedtoknowaboutdates,locationsanddescriptionsoftheactivitiesforthisweekoftheCAL.Page2

NORTHWESTERNUNIVERSITY’SEVENINGOFBRASSAprogramofvariedcolorsandcharactersforbrassensemble.Page3

Concerts and Events Roosevelt,Northwestern,DePaul,ChicagoSymphony,LyricOpera,ChicagoPhilharmonicPages16-21

Auditions Trumpet:Turku,Tampere,SaoPaulo,Gurzenich,OrchestreRegionAvignenProvence…Horn:BaltimoreTrombone:BaltimoreEuphonium:Nonewauditions.Tuba:NonewauditionsPage22-26

FIRSTBRASSPERFORMANCEOFTHE2020SPRINGSEMESTER

OnFebruary17th,TheBrassDepartmenthadthefirstBrassPerformanceClasswhereBradGeneser,aHorn

duetandUBQtookstagePage15

SERGIO CAROLINO Portuguese tuba player and YamahaInternational Artist, Sérgio Carolino is oneof the most acclaimed tuba players in theinternationalscene,withaconstantactivityas a soloist and teacher in several musicfestivals,conservatoriesanduniversitiesallover theworld (from Europe to Australia,passed through Asia and North and SouthAmerica).Sergiotalksabouthiscareerinaninspiringinterview full of useful tips and advice forevery possible reader. You simply can’tmissit!Pages4-14

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CENTERFORARTSANDLEADERSHIPFEBRUARYPROGRAMING

‘REDEMPTION:LIVE’RESIDENCYWITHADRIANDUNN:FEBRUARY18-25

Overview: A month-long residency oncriminal justice and the black community,hosted by the Center for Arts Leadership,culminating in a performance of Redemption:Live by the Adrian Dunn Singers with theOneVoicechoir,directedbyMarkCrayton.

Redemption: How Music Saved My

Life, Can Save Black Lives, and the Soul ofAmerica - An Intimate Conversation withAdrianDunn

When: Tuesday, February 18th, 2020 from12:30-1:45pm

Where:WB1017

DESCRIPTION: Adrian will host an openconversation with students to discuss hisexperiences at CCPA and in the professionalworldasanAfricanAmericanmusician.Hewillalsotalkabouthowhehasinfluencedandmadechangehappeninthemusicworldandwillfieldquestionsfromstudents.

Research Presentation: "The

Heroism of 'Lot's Wife': MusicalCharacterization in JeanineTesori's ScoreforCaroline,orChange”byProfessorAlexBádue

When: Friday, February 21st, 2020 at12:30-1:45pm

Where:WB1015

DESCRIPTION: Professor Bádue (head of theBMA program and Assistant Professor ofMusic History in Professor Tom Kernan'sabsence)willgiveapresentation followedbya Q&A session on his research with themusical'Caroline,orChange.’

In his presentation, Bádue discusses howTesori’s score contains musical ideas thatillustratebothCaroline’s(themaincharacter)heroismandherinternalconflictsasamotherand an African American maid to a whitefamilyintheyear1963.Bádue’spresentationishappeningconcurrentlywiththeBroadwayrevivalofthemusicalinthespring.

Performance of 'Redemption' with Adrian Dunn, The Adrian Dunn Singers, and the Rise Orchestra

When:Tuesday,February25that7:30pm

Where:GanzHall

DESCRIPTION: Chicago-based award-winningsinger,songwriterandproducerAdrianDunn,a graduate of the Chicago College ofPerformingArts at Roosevelt University,willleadhisensembleTheAdrianDunnSingersinaperformanceofRedemption.Acollectionofgospel songs, Redemption follows on thesuccess of Adrian Dunn’s Revelationsfeaturing new orchestration andarrangements. Dunn’s previous works havebeenpositivelyreceivedsinceoriginalreleasein2018foritspowerfultakeonjusticefortheblack community. From Trayvon Martin toPhilando Castile, each song is dedicated to ayoung man whose life was cut short bysenseless violence from the rising racialtensions in the US. Fresh off the heels of anational tour, Revelations received severalpacked audiences around the country,including a noteworthy performance at theNational Convention of Gospel Choirs andChoruses. Theperformance is the final eventin a month-long residency hosted by theCenterforArtsLeadership.

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NORTHWESTERN UNIVERSITY’S EVENING OF BRASS

Tickets:

https://musicnorthwestern.secure.force.com/ticket/#sections_a0F4p0000049cVvEAI

CONCERTORDER:StraussViennaPhilharmonicFanfareGabrieli–SanctaMariaChevallier–Etudes–TableauxinDminorOp.33No.4Sampson–ReflectionsonaDanceIntermissionBersteinShivareePlog–AnimalDittiesVEwazen–LegendoftheSleepingBear

III.HoldingVigilfortheLostI.AtplayontheWesternShore

Haufrecht–SymphonyforBrassandTimpani

I.DonaNobisPacemII.ElegyIII.Jubilation

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SERGIO CAROLINO

Favouritecomposer:SergeiProkofievFavourite place to live: São Martinho do Porto (Bay), my mother’s village. 20km fromAlcobaça,PortugalFavourite hobby besides music: Fishing crabs/ octopus and reading philosophy andastronomybooks!Favouritefood:ShrimpsFavouriteorchestra:ChicagoSymphonyOrchestraFavouritepiece:Sergei Prokofiev’s Romeu & Juliet Ballet and Igor Stravinsky’s Rite of Spring Favouriteconductor:LeonardBernsteinandAndrisNelsons(active)

1.Whendidyoustartplayingtuba?I started playing the tubawhen Iwas

11 years old at wind band of the school ofmusicofmysmalltown,Alcobaça.2.Whowereyourmentors?

Ihadatubaprofessormanyyearsafterstarting playingTuba. Itwaswhen I decidedto audition for the Geneva Conservatory ofMusic in Switzerland, in 1993. Then, when Iwas accepted at the Conservatory, I couldstudywithprofessorPierrePilloud(principaltubawiththeSuisseRomandeOrchestra)andwithRogerBoboattheLausanne

ConservatoryofMusic.3.Wherehaveyoustudied?

I’vestudyattheNationalConservatoryof Music Lisbon and then at the GenevaConservatoryofMusic.

4. What is your daily routine topractice?

Well, I don’t have an specific dailyroutine. It depends onwhat I daily need andwhatI’mdoingthatspecificdayorduringthatweek!

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5. Could you tell us about your auditionexperience?

IgotprettygoodandIgotalsoluckyinmy Orchestra auditions. Every orchestralaudition it’s a new and different process. It’sverydemanding,notonlymusically,physicallybutalsomentally.

6. How do you approach auditionpreparation?

I’ve always paid so much attention tothe mental part in order to be prepared toanything who can happen in the day of theaudition.It’samentalgame.Yourmindisverypowerful and complex.I try to use it in thesimplestwayandmakeitefficient!7. What are the previous day and theactualdayofanauditionlikeforyou?

Trytodomynormaldailylife.I’velearntoavoidcreateanykindofexpectations.Justletitgoandhavefunmakingmusicgivenyourbest.

8.Whatdoyouconsidermostimportantwhenyouarelisteningontheothersideofthescreenasapanelmember?

Forsure I’mlooking forclarity,rhythmaccuracy,projectionandmusicalphrasing.

9.Couldyouhighlightanycrucialstepinyourmusicalcareer?

I think I got many moments in mymusicalcareerthathavehelpedtobringmeupto where I’m now as a musician and mostimportant,asahumanbeing.

I can consider that the release of my

first CD with my jazz fusion trio TGB“TubaGuitarraBateria” for tudo label CleanFeed in 2003 was one of those crucialmoments that represented a page turn up inmyartisticcareer,openedmanydoors formebothnationallyandinternationally.

10.Haveyoueverthoughtaboutgivingupatanypointinyourcareer?

Yes,manytimes.Whenyouaretotallyinloveandfocusonwhatyoudo,youalwayswanttokeepimprovinginordertoachieveavery high standard of musical excellence.Unfortunately sometimes that’snot the bestidea andanot at all the healthiest thing foryour body. Sadly, I’ve experienced this firsthand. However, I realized that washappening earlyenough sowas able to findhelp and stay out of that stressful anddemandinghighlydemandinglifestyle. Iwastryingtoachieveperfectionismandtheonlything I was getting from it was negativity,stress, anxiety, loneliness, etc. Fortunately, Icould detect that wasn’t the right direction.Sincethen,I’velearnthowtomakemusicasa way to achieve musical excellence. It’s atotal different philosophy andway of living.Ithastotallytransformedmyselfasapersonaswellasamusician.

11.Whatdoyouconsidera solidmusicaleducationmustbebasedon?

Inmyopinionandexperience,Ithinkthat in order to have a solid musicaleducation, the students should be aware ofthe extremely demandingmarket nowadaysin the music industry. Any school providesvery good tools to improve and learn from.However,staying insideof thispost-modernacademicsystemintheartsisnotrealistic.Irecommendthestudentstohavehalfoftheirbody inside of school and the other half inthe“realworld”.Therefore,theywillbeableto experience first hand what they reallyneedtohaveasuccessfulcareerinthemusicfield. Inaddition,havinga curious, creativeandopenmindisextremelyimportant.Ialsorecommend that in order to become a realmusician in this very demanding musicalsociety,wemust be eclectic, a hybrid artist.Learn and understandmany styles ofmusicand always be prepared for potential newthe opportunities. Being always preparedmakes a big difference to keep being asuccessfulmusician.

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12.DoyouhaveafavoriterecordingormemorableconcertyouhaveattendedotherthanthePortoSymphonyOrchestra?

Fortunately, I have many memorablemoments inmycareer. It’sdifficult tochooseonlyoneof them,as theyhavebeen inmanydifferentmusicalsituations!One of these moments was listening andwatching violin start Aline Ibragimovaperforming Dimitri Shostakovich 's ViolinConcerto with the London SymphonyOrchestra. The audience at this end of thepiecestoodupsoquickly,clappingforherasif we were in a rock/pop concert. The vibeand the energy was simply unique, superb.Thosemoments are the ones youwon’t everforget.

13. Youhavebeenalwaysactivelyinvolvedinsoloandchambermusicrecitals.Howdoyoufeelthatexperiencehelpsyoubecomeabetterorchestralplayer?

Having a rich and diversemusical lifewill make you a much better player. Yourmain goal is to pursuemusical excellence soyou immediately and unconsciouslyincorporate itwhenyouareperformingwithan orchestra. The brain keeps always fresh,motivated and with positive energy/atitude.Everyone around you will be affected in agoodway by your commitment. It’s good foreveryone.

14. HowdoyoumanageyourjobasprincipaltubaofPortoSymphonywithabusyrecitalschedule?

That’s agoodquestionas it’snoteasyassomepeoplemightthink!

It requires a lot of commitment,passion,andfocus. It’s likeworking24hoursper day. It’s very difficult and challenging tokeepagoodandhealthyphysicalandmentalcondition. However, I like demandingchallenges.Theymakemefeelveryhappyandalwayseagertokeeplearning.

15. Asateacher,whatdoyouexpectmorefromyourstudents?

As teacher formore than 22 years, Ijust expect the students to grow, keepeducating themselves and become betterhumanbeings. If theybecomebetterhumanbeings, naturally they will automaticallybecomebettermusicians.

16. AsprincipaltubawiththePortoSymphony,whatdoyouconsideryourmusicalroletobewithinthesectionandtheorchestra?whatdoyouexpectfromthetrombonesectionplayingclosetoyou?

Being one of the bass voices of thePortoSymphonyOrchestraCasadaMúsica,Itry to be as much solid and consistentpossible.

As a tuba player, throughmyway ofplayingIcanchangethesoundof theentireorchestra. I canprovide theorchestramanydifferent important things in terms ofdynamicspectrum,tone,colorandtexture.

My role in the trombone sectionrepresents just one side of the duties of anorchestral tuba player. From my point ofview and experience, the tuba is awildcardin the orchestra. It can help and change thesound and precision of the double bass andcellosection;itcanhelpthebassoonsectiontobemuchmoreclearandbalancedandalsoithasanimportantroleasthelowestvoiceofthe horn and trombone sections. It has alsoitsownuniqueandspecialvoice.

Thereare somecomposerswhohavereallyunderstoodtheinstrumentanduseditinawaytheytrulyexplorethosecapacities.Icould highlight composers as RichardWagner, Jean Sibelius, Silvestre Revueltas,Anton Bruckner, Sergei Prokofiev, DimitriShostakovich, Igor Stravinsky, GeorgeGershwin,BelaBartok!

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17.YoucreatedyearsagoyourownSeminarcalled“Gravissimo!”inAlcobaça,Portugal,duringsummertime.Couldyoutellusmoreaboutit?

This is an international low brassacademy and festival held inmy home town— Alcobaça. This year we will celebrate the10th anniversary edition, which it’ssomething very special that we couldn’timagine that it would ever happen, even inourbestdreams.

It’s a very special eventwhich has itsown philosophy and concept. All the invitedartistshavebeenchosenbecauseof their lifephilosophyandartisticapproach.

We are very proud and happy there.Many world class artists have alreadyperformedandtaughtat the festival. Iwouldlike to mention artists as David Bruchez,György Gyivicsán, Christian Jones, DavidTaylor,MarshallGilkes,RobinEubanks,EijiroNakagawa, Jacques Mauger, Ricardo Molla,Bob Stewart, Oren Marshall, Gene Pokorny,Floyd Cooley, Anne Jelle Visser, RicardoCarvalhoso, Jose Martinez-Antón, PetriKeskitalo, François Thuillier, DanielPerantoni, Mike Forbes, Shimpei Tsugita,Anthony Caillet, Demondrae, Thomas Rüedi.JukkaMyllys,FernandoDeddos, LukaEinfalt,ShoichiroHokazono,MatthewMurchison,andmanygreatnationalartists.

Since five years ago, the event havestarted having different composers inresidencefrommanynationalities.Composersas Anne Victorino D’Almeida, DanielBernardes, Luís Cardoso, Telmo Marques,André M. Santos (Portugal); AndrewBatterham (Australia); Torstein Aagaard-Nilsen (Norway); Eijiro Nakagawa (Japan);Elizabeth Raum (Canada); Daniel Schvetz(Argentina/ Portugal); Ivan Moody(Inglaterra),amongothers.

It’sverydemandingtobethe“face”ofthe festival as artist in residence, but it alsogives a lot of pleasure and personalsatisfaction when the festival ends andeverythinggoesverywell.It’sveryenriching!

18.Which tuba andmouthpiece branddoyouuse?

I play with a Yamaha YCB826S“Yamayork” contrabass CC tuba; a YamahaYFB821S bass piston f tuba; a YamahaYFB822S piston f tuba; a Walter Nirschl 5rotary raw brass F bass tuba; a Kalison 5piston F cimbasso; a Conn 20k super actionBBbsousaphone;myonedesigntubawhichocallit “Lusophone",buildwithparts fromoldconn and king recording bell tubas— it’s acontrabass CC tuba with 5 pistons, and itlookslikeagiantbaritonesaxophone!

I also play with my own designed

mouthpieces totally handmade by JapanesemasterHirotakaNakaifromAtelierBrassLabMoMo,Osaka.

19. Do you have any hobby that helpsyouloosenupfromyourschedule?

Well, I try todomeditationa little biteveryday and reading. Love to watch goodmovies, fish crabs and octopus, spend timewith good friends and walk with my lovelybassethoundSparky

20. Do you have any advice for thebrass students currently enrolled atRooseveltUniversitywhoarepursuingamusicalcareer??

Keep the curiosity and an avid andopened mind. Don’t be afraid to discoveryourself. The students should discoverthemselves, find their own voice, their ownsong. Once they find that Song, they shouldsingthatsongwherevertheyperform.

Be an eclectic and hybrid musician,learning and understanding as many musicstyles as possible. This is my definition of apost-modernartist,anoff-roadmusician.

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SERGIO CAROLINO’S CD COLLECTION

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FIRST BRASS PERFORMANCE CLASS OF THE 2020 SPRING SEMESTER

Earlier today, The Brass Departmenthad the first Brass Performance Class of the2020 Spring Semester. Bradley Geneser (BM’20), started performing Philipp Teleman’sFantasia No. 2 for flute in Aminor arrangedfor tuba. It openswith the slowest tempo oftheentire piece,marked “Grave”.Aftera fewbars, everthing turns vigorous and electricwith the “Vivace”. The following ‘Adagio”bases itsmelodic lines in a fully ornamentedGermanstyle. Finally, a two-part “Allegro” in2/4 time comes to take the tempo up againand close the Fantasia. He also played anencoretodedicateittohisgrandmotherafterloosing its memories in a flood at thebasementofhisparents’house

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Finally, the UBQ (Undergraduate BrassQuintet performed the Battle Suite by PhilipJones. Three separate compositions, eachcomposed in 1621, are grouped together toform this suite: the "Galliard Battaglia," the"Courant Dolorosa," and the "Canzon adimitationem Bergam" more often called the"Canzon Bergamasque." These pieces wereoriginallywrittenfor fiveviolswithacontinuorealized from the instrumental bass line, butScheidt indicated that other instruments couldbeused.

Lateron,CooperandJailaperformedtwoof theTwelveDuos forFrenchHornbyW.A.Mozart.Hecomposedthemduringtheyearof1786inVienna.Theywerecomposedfor a virtuoso French horn player, calledIgnaceLeitgeb, forwhomMozart composedmany works. Mozart composed themwhilehe and Ignace were waiting their turn tobowl.The“TwelveDuos”werenotidentifiedorfalselyclassifiedforsometime.

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CONCERTSANDEVENTS

WEDNESDAY2/19GUEST ARTIST RECITAL: ALEX LUBET, NEW MUSIC FORMOUNTAINDULCIMERProgram:AlexLubet:AtaPlaceFarAwayAlexLubet:HineiMaTovAlexLubet:Quintet:FiveBluesforDulcimerJayAfrisando:GununSinggalangIrisShiraishi:WavesAlexLubet:ArirangVariations7:30pm-9:30pmGanzHall

THURSDAY2/20MUSIC@GRACE-CCPAPIANOMAJORSMusic@Graceisarush-hourconcertseriesincollaborationwith Grace Episcopal Church and featuring CCPA MusicConservatorystudents.Joinusaftereachperformanceforapost-concertreception.5:30PMGrace Episcopal Church | 637 South Dearborn StreetChicago,IL60605

THURSDAY2/20SENIORRECITAL:TAYLORTRENTHAM,TENOR7:30PMGanzHall

FRIDAY2/21GUEST ARTIST RECITAL: CHICAGO COMPOSERS’CONSORTIUMIt’sSpring:Electro-AcousticMusicFestivalC3presentsIt’sSpring,anannualelectro-acousticfestival,featuring Guest Composer Sam Pluta, a Chicago-basedcomposer, laptop improviser, electronics performer andsound artist, plus CCC members Kyong Mee Choi, TimEdwards,TimJohnsonandBethBradfish.7:30pm-9:00pmGanzHall

SUNDAY2/23GRADUATERECITAL:ANGELAYU,SOPRANO2:30PMGanzHall

SUNDAY2/23GRADUATERECITAL:KYLEEFKEN,BARITONE2:30PMGanzHall

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MONDAY2/17EVENINGOFBRASSGailWilliams,director7:30PMPick-StaigerConcertHall

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TUESDAY2/18

NORTHWESTERNUNIVERSITYJAZZORCHESTRADariusHampton,conductorTickets:https://musicnorthwestern.secure.force.com/ticket/#sections_a0F4p0000049cW0EAI7:30PMGalvinRecitalHall

THURSDAY2/20

NEWMUSICSHOWCASEStudentsperformthecontemporarymusicoftheirchoice.JasmineThomasian,ScritchLindaCatlinSmith,Light&WaterToruTakemitsu,VoiceforsolofluteMorganMastrangelo,NotStraightBrushstrokesinAllDirectionsLeoBrouwer,selectionsfromElDecameronNegroEricMandat,TheBanguiAnomalyDavidBruce,TheEyeofNightIannisXenakis,XASGyörgyLigeti,EtudeNo.13:L’escalierdudiable(TheDevil’sStaircase)GrainneMulvey,TheSeafarerDavidT.Little,Brothers,DogDays7:30PMGalvinRecitalHall

THURSDAY2/20

JOHANNAHCARMONA,VIOLAStudentofHelenCallusAssistedbyEvanLee,pianoJ.S.Bach,CelloSuiteNo.1inGMajor,BWV1007WilliamWalton,“AndanteComodo”fromViolaConcertoRobertSchumann,AdagioandAllegro,Op.708:30PMMcClintockChoralandRecitalRoom

FRIDAY2/21

CONCERTANDLIVESTREAM:SYMPHONICWINDENSEMBLEMalloryThompson,conductor JoelPuckett,BlinkCindyMcTee,SoundingsJenniferHigdon(arr.EricScott),"SkyLine"fromCityScapeJohnHarbison,ThreeCityBlocks Tickets:https://musicnorthwestern.secure.force.com/ticket/#sections_a0F4p0000049cW5EAI7:30PMPick-StaigerConcertHall SATURDAY2/22HANATAKEMOTO,CELLOStudentofHansJørgenJensenAssistedbyShirleyTrissell,pianoRobertSchumann,ThreeRomances,Op.94J.S.Bach,CelloSuiteNo.1inGMajor,BWV1007FelixMendelssohn,CelloSonataNo.2inDMajor,Op.5812:00PMGalvinRecitalHallSATURDAY2/22HANNAHMURRAY,OBOEStudentofRobertMorganAssisted by Leonardo Aguilar, saxophone; Chen-Shen Fan,pianoEdmundRubbra,OboeSonata,Op.100BenjaminBritten,TemporalVariationsFrancisPoulenc,TrioforOboe,Bassoon,andPiano12:00PMRegensteinMasterClassRoom

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SATURDAY2/22 CHRISTIANGONZALEZ,CLARINET StudentofStevenCohenAssisted by Kyoko Kohno, piano; Akie Kadota, flute; TylerKuehn,oboe;NolanWenik,bassoon;MichaelStevens,hornCharles-MarieWidor,Introductionetrondo,Op.72PablodeSarasate(arr.NicolasBaldeyrou),CarmenFantasyOlivierMessiaen,Abîmedesoiseaux fromQuatuorpour lafindetempsSamuelBarber,SummerMusic,Op.316:00PMRegensteinMasterClassRoomSATURDAY2/22 GUITARENSEMBLE AnneWaller,directorTheensemblecelebratescomposer,conductor,andclassicalguitarist LeoBrouwer’s 80thbirthdaywith a performanceofAcercadelcielo,elairey lasonrisa.Theirprogramalsofeatures works by Takemitsu, Castelnuovo-Tedesco, andPonce.Tickets:https://musicnorthwestern.secure.force.com/ticket/#sections_a0F4p0000049cWAEAY7:30PMGalvinRecitalHallSATURDAY2/22 DARIOAMADOR-LAGE,BARITONE 7:30PMMcClintockChoralandRecitalRoomSUNDAY2/23 MATTHEWDARDICKANDLEOSCHLAIFER,SAXOPHONE 2:30PMMcClintockChoralandRecitalRoom

SUNDAY2/23QUINTON NICKUM AND SAMUEL PERLMAN,CLARINET2:30PMRegensteinMasterClassRoomSUNDAY2/23BAROQUEMUSICENSEMBLEStephen Alltop, conductor; Sophie Lanthier, flute; JamesCooper,cello;PhillipMatsuura,harpsichordA variedprogramof dazzlingbaroquedelights, concludingwithabang!EvaristoDall’Abaco,ViolinSonatainDMinorAntonioVivaldi,TrioSonatainDMinor(LaFolia)Francesco Gemigniani, ConcertoGrossoNo. 12 inDMinor(LaFolia)C. P. E. Bach. Concerto in A Major for Flute, Cello, andHarpsichordG.F.Handel,MusicfortheRoyalFireworksTickets:https://musicnorthwestern.secure.force.com/ticket/#sections_a0F4p0000049cWFEAY2:30PMRegensteinMasterClassRoom

TUESDAY2/18MASTERCLASS:PIERREAMOYAL,VIOLIN9:40amto11:10amHoltschneiderPerformanceCenter,AllenRecitalHall

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TUESDAY2/18 MASTERCLASS:CAICPRESENTSAVOICEFORALL:EXPLORINGDIVERSITYTHROUGHSONG 6:00PMHoltschneiderPerformanceCenter,AllenRecitalHallTUESDAY2/18 DEPAULPERCUSSIONENSEMBLE Under the direction of Michael Kozakis, enjoy theDePaulPercussionStudio'sShowcaseConcertfeaturingtheDePaulPercussionEnsemble.8:00PMHoltschneiderPerformanceCenter,AllenRecitalHallTHURSDAY2/20CBDNACONFERENCE:GUSTAVUSADOLPHUSCOLLEGEWINDORCHESTRA ProgramStephenson,WildcatRunJamesStephenson,guestconductorOquin,SongforSilentVoicesHeidiJohannaMiller,guestconductorBryant,TheseThingsWhichDivideAlexandraBryant,guestcomposerJamesPatrickMiller,conductorMaslanka,SymphonyNo7-Mvt3JamesPatrickMiller,conductor2:00PMHoltschneiderPerformanceCenter,AllenRecitalHallTHURSDAY2/20CBDNACONFERENCE:GUSTAVUSADOLPHUSCOLLEGEWINDORCHESTRAProgramWard/arr.DragonAmerica,theBeautifulMulfordThePresidentSangAmazingGraceThomasOfOurNewDayBegunCorigliano/arr.Bryant Mr.TambourineMan:SevenPoemsofBobDylan5.ChimesofFreedomPostlude:ForeverYoung2:45PMHoltschneiderPerformanceCenter,GannonConcertHall

THURSDAY2/20CBDNA CONFERENCE: INDIANA UNIVERSITYCONCERTBANDProgramGreeneGlowPerrine AndSings theTuneWithout theWords(Premiere)AlarcónConcertango-III.OtisMurphy,SaxophonePiunnoBeautyBrokenDzubayNocturne-ConductorDr.EricM.SmedleyMcTeeBalletforBand-Finale4:30PMHoltschneider Performance Center, Gannon Concert Hall THURSDAY2/20STUDENTRECITAL:VICTORIALAING,VIOLIN8:00PMHoltschneider Performance Center, Brennan RecitalHallFRIDAY2/21CBDNA CONFERENCE: CHOSEN GEMS - DEPAULWINDSYMPHONYProgramGoto,SongsforWindEnsembleChrisHeidenreich,conductorOrff/Regner,FourBurlesqueScenesfromDerMondJacob,FantasiaonanEnglishFolkSongDevinOtto,conductorGilmore,FiveFolkSongsforSopandBandMatthew Schlomer, conductor; Georgiana Adams,sopranoGervasoni,PeruvianFanfareNo.1GlennHayes,conductorPerkins,UntiltheNightCollapsesMichaelKing,conductorBlackshaw,PeaceDancerJohnStewart,conductorWillan/Teague,RoyceHallSuiteDanielFarr,conductor10:00amHoltschneiderPerformanceCenter,GannonConcertHall

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FRIDAY2/21CBDNACONFERENCE:CARMELHIGHSCHOOLWINDSYMPHONYProgramPersichettiSymphonyNo.6–Mvmts2and4Wagner/BainumLiebestodKinoshitaGothicforWindOrchestraBach/HolstFuguealaGigueConductorMichaelPote1:45PMHoltschneiderPerformanceCenter,GannonConcertHall

THURSDAY 2/20, FRIDAY 2/21, SATURDAY2/22&SUNDAY2/23CBDNACONFERENCE:CARMELHIGHSCHOOLWINDSYMPHONYPROGRAMBeethovenSymphonyNo.2BacriOphelia’sTears[WorldPremiere,CommissionedbytheChicagoSymphonyOrchestrathroughthegeneroussupportofHelenZell]BeethovenSymphonyNo.5PERFORMERSChicagoSymphonyOrchestraRiccardoMuticonductorJ.LawrieBloombassclarinetTickets:https://order.cso.org/9951/9981Everydayat8:00PMbutSunday3:00PM

MONDAY2/17,FRIDAY2/21MADAMABUTTERFLYAn enchanting geisha, Cio-Cio-San, loses her heart to anAmericannavallieutenantandmarrieshim.AfterheleavesJapan, shewaits three long years for his return.We shareher joywhen he returns, and her utter despair when sherealizes that he’s married an American woman and hascometotakehisyoungson—Cio-Cio-San’schild—backwithhim.Puccinilosthishearttohisheroine,andsowillyou,inmusic of miraculous beauty and aching, deeply poignantdramatictruth.7:00PMTicketsforMonday:https://www.lyricopera.org/ace-configuration/smartseat-reserve/?itemNumber=15997#/ TicketsforFriday:https://www.lyricopera.org/ace-configuration/smartseat-reserve/?itemNumber=15998#/ WEDNESDAY2/19&SUNDAY2/23 THEQUEENOFSPADES Featuring the finales of AnnaBolena,Maria Stuarda,andRobertoDevereuxbyGaetanoDonizetti.Tchaikovsky’s broodingly romantic thriller is a tourde force for a great tenor. He plays the terrifyinglyobsessedGherman, an unhappy soldier desperate toknowasecrethiddenbyamysteriousoldcountess—the mystery of winning at cards. The tension turnstruly unnerving as Gherman’s obsession begins tooverwhelmhim. It leads todevastation both forhimand for the countess’s granddaughter, Lisa, whomGherman loves. Tchaikovsky’smusic is the height ofRussianromanticisminitsmelancholysoulfulness,itswhite-hot passion, and the sweeping grandeur of itsorchestra—amasterpiece from the geniuswho gavetheworldEugeneOneginandSwanLake.7:00onWednesdayand2:00onSundayTickets:https://www.lyricopera.org/ace-configuration/smartseat-reserve/?itemNumber=16006#/ Tickets:https://www.lyricopera.org/ace-configuration/smartseat-reserve/?itemNumber=16007#/

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THURSDAY 2/20, FRIDAY 2/21, SATURDAY2/22&SUNDAY2/23THEJOFFREYBALLET—THETIMESARERACINGTheJoffrey’swinterengagementofmixedworksfeatureschoreographyfromfourofthemostinfluentialartistsworkingtoday,includingtheChicagopremiereofJustinPeck’s2017balletforwhichtheprogramgetsitsname,twopiecesbyIsraelichoreographerandformerBatshevaDanceCompanymemberItzikGalili,aChristopherWheeldonclassic,andanewworkfromChicago’sStephanieMartinez(2015winneroftheJoffrey’sWinningWorkschoreographiccompetition).AuditoriumTheaterWednesdayat7:30PMFridayat7:30PMSaturdayat2:00PM&7:30PMSundayat2:00PM

Brass TribuneVOL2.No.9

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UPCOMING AUDITIONSVOL2.No.9

TRUMPET JOBS NEW AUDITIONS ADDED TO THE LIST Turku Philharmonic Orchestra – Principal Trumpet ApplicationDeadline:3/5/20AuditionDate:4/6/20https://www.tfo.fi/en/openvacancies Tampere Philharmonic Orchestra – Principal Trumpet ApplicationDeadline:4/6/20AuditionDate:5/5/20https://www.musicalchairs.info/lib?psection=jo&pid=31716&file_id=2034 São Paulo State Symphony Orchestra – Utility Trumpet ApplicationDeadline:3/1/20AuditionDate:5/8-9/20 http://www.osesp.art.br/osesp/audicoes.aspx Gürzenich Orchester Köln – Third Associate Principal Trumpet ApplicationDeadline:SeeWebsiteAuditionDate:5/26-27/20https://www.guerzenich-orchester.de/en/vacancies Orchestre Région Avignon Provence – Third Associate Principal Trumpet ApplicationDeadline:6/1/20AuditionDate:6/15/20http://www.orchestre-avignon.com/recrutement-2/ AUDITIONS ALREADY ADDED TO THE LIST Orchestre National de Lille – 1./2. Trumpet ApplicationDeadline:4/9/20AuditionDate:4/21/20https://www.muvac.com/en/vac/orchestre-national-de-lille-trompette Phoenix Symphony Orchestra – Principal Trumpet ApplicationDeadline:3/23/20AuditionDate:4/27-28/20https://www.phoenixsymphony.org/about-us/auditions

Florida Orchestra – Assistant Principal/Utility Trumpet ApplicationDeadline:4/6/20AuditionDate:5/4-5/20 https://www.musicalchairs.info/lib?psection=jo&pid=30968&file_id=1551 U.S. Air Force Academy Band – Trumpet (Jazz Solo/Commercial) ApplicationDeadline:3/17/20AuditionDate:4/28/20https://www.music.af.mil/Auditions/Upcoming-Vacancies/ Royal Opera House, Covent Garden Orchestra – Section Principal Trumpet ApplicationDeadline:2/10/20AuditionDate:Seewebsitehttp://recruitment.roh.org.uk/vacancyView.php?requirementId=3872 Staatsphilharmonie Nürnberg – Solo Trumpet ApplicationDeadline:2/23/20AuditionDate:3/26-27/20https://www.muvac.com/en/vac/staatsphilharmonie-nuernberg-trompete-2 USAF Band of the West – Trumpet ApplicationDeadline:2/26/20AuditionDate:4/7/20https://www.music.af.mil/Portals/33/Trumpet%20April%207%20Applicant%20Letter.pdf Royal Australian Air Force Band – Trumpet ApplicationDeadline:2/26/20AuditionDate:SeeWebsitehttps://www.musicalchairs.info/lib?psection=jo&pid=28810&file_id=1760 U.S. Army Old Guard Fife & Drum Corps – Bugle ApplicationDeadline:2/27/20AuditionDate:4/23-24/20https://www.fifeanddrum.army.mil/careers.html West Virginia Symphony Orchestra – Second/Sub-Principal Trumpet ApplicationDeadline:2/28/20AuditionDate:3/12/20https://wvsymphony.org/auditions

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U.S. Naval Academy Band – Trumpet ApplicationDeadline:3/2/20AuditionDate:3/9/20https://www.usna.edu/USNABand/vacancies/index.php Bad Reichenhaller Philharmonie – Second Trumpet ApplicationDeadline:3/7/20AuditionDate:SeeWebsitehttps://www.muvac.com/en/vac/bad-reichenhaller-philharmonie-trompete-4 Basel Symphony Orchestra – Second Trumpet ApplicationDeadline:4/5/20AuditionDate:SeeWebsitehttps://www.muvac.com/en/vac/sinfonieorchester-basel-trompete-6 Berlin Philharmonic – Principal Trumpet ApplicationDeadline:4/15/20AuditionDate:5/28-29/20https://www.berliner-philharmoniker.de/en/vacant-positions/principal-trumpet/ Brussels Philharmonic – Principal Trumpet ApplicationDeadline:4/25/20AuditionDate:6/4/20https://www.muvac.com/en/vac/brussels-philharmonic-trumpet-2 Sinfonieorchester des Mitteldeutschen Rundfunks – Wechsel Trumpet ApplicationDeadline:SeeWebsiteAuditionDate:SeeWebsitehttps://www.muvac.com/en/vac/mdr-sinfonieorchester-des-mitteldeutschen-rundfunks-trompete Essener Philharmoniker – Solo Trumpet ApplicationDeadline:SeeWebsiteAuditionDate:SeeWebsitehttps://www.theater-essen.de/philharmoniker/orchester/stellenangebote/

HORNJOBSNEW AUDITIONS ADDED TO THE LIST BaltimoreSymphonyOrchestra–PrincipalHorn

ApplicationDeadline:4/15/20AuditionDate:5/29-30/20https://www.bsomusic.org/about/employment-opportunities/orchestral-auditions/principal-horn/ AUDITIONS ALREADY ADDED TO THE LIST NorrköpingSymphonyOrchestra–PrincipalHorn

ApplicationDeadline:4/12/20AuditionDate:5/9-10/20https://www.muvac.com/en/vac/norrkopings-symfoniorkester-french-horn ArcticPhilharmonic–PrincipalHorn

ApplicationDeadline:3/30/20AuditionDate:5/11/20https://www.muvac.com/en/vac/arctic-philharmonic-french-horn MetropolitanOperaOrchestra–Principaland

SecondHorn(2Positions)

ApplicationDeadline:3/15/20AuditionDate:June2020https://www.metopera.org//about/auditions/orchestra/?INSTITUTION_LOGOUT=true xU.S.AirForceAcademyBand–Horn

ApplicationDeadline:3/3/20AuditionDate:4/14/20https://www.music.af.mil/Auditions/Upcoming-Vacancies/ PrincetonSymphonyOrchestra–PrincipalHorn

ApplicationDeadline:2/10/20AuditionDate:3/16/20https://princetonsymphony.org/about/auditions AntwerpSymhonyOrchestra–2./4.Horn

ApplicationDeadline:4/20/20AuditionDate:5/25/20https://www.muvac.com/en/vac/antwerp-symphony-orchestra-french-horn-2

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MalaysianPhilharmonic–PrincipalandSub-

PrincipalHorn(2Positions)

ApplicationDeadline:SeeWebsiteAuditionDate:SeeWebsitehttp://mpo.com.my/mpo-auditions/BerlinPhilharmonic–PrincipalHorn

ApplicationDeadline:3/12/20AuditionDate:4/23-24/20https://www.berliner-philharmoniker.de/en/vacant-positions/principal-horn/FrankfurtRadioSymphonyOrchestra–SoloHorn

ApplicationDeadline:SeeWebsiteAuditionDate:2/18/20https://www.hr-sinfonieorchester.de/orchester/offene-stellen/index.htmlWDRSinfonieorchesterKöln–SoloHorn

ApplicationDeadline:1/31/20AuditionDate:SeeWebsitehttps://www.muvac.com/en/vac/wdr-sinfonieorchester-koeln-horn-6WDRSinfonieorchesterKöln–3./2.Wechselhorn

Horn

ApplicationDeadline:OpenAuditionDate:Openhttps://www.muvac.com/en/vac/wdr-sinfonieorchester-koeln-horn-4

Brass TribuneVOL2.No.9 CincinnatiSymphonyOrchestra–Associate

PrincipalHorn

ApplicationDeadline:2/24/20AuditionDate:3/30-31/20https://www.cincinnatisymphony.org/careers/GothenburgOpera–TuttiHorn

ApplicationDeadline:2/2/20AuditionDate:2/10-11/20https://sv.opera.se/om-oss/lediga-tjanster/horn-tutti-med-plikt-pa-wagnertuba/

StaatsorchesterStuttgart–SoloHorn

ApplicationDeadline:OpenAuditionDate:Openhttps://www.muvac.com/en/vac/staatsorchester-stuttgart-horn-4 OrquestraGulbenkian–1./3.Horn

ApplicationDeadline:2/18/20AuditionDate:3/29-30/20https://www.muvac.com/en/vac/orquestra-gulbenkian-french-horn-2OrquestraGulbenkian–2./4.Horn

ApplicationDeadline:2/18/20AuditionDate:3/28-29/20https://www.muvac.com/en/vac/orquestra-gulbenkian-french-horn KalamazooSymphonyOrchestra–Secondor

FourthHorn(TBD)

ApplicationDeadline:4/19/20AuditionDate:5/20/20https://www.kalamazoosymphony.com/employment PlovdivStateOpera–AssociatePrincipalHorn

ApplicationDeadline:SeeWebsiteAuditionDate:SeeWebsitehttps://www.musicalchairs.info/jobs/30017OrquestaSinfónicadeTenerife–SoloHornApplicationDeadline:SeeWebsiteAuditionDate:SeeWebsitehttp://sinfonicadetenerife.es/wordpress/wp-content/uploads/Bases-convocatoria-trompa-solista-2019.pdf

TROMBONEJOBSNEW AUDITIONS BaltimoreSymphonyOrchestra–Second

Trombone

ApplicationDeadline:4/15/20AuditionDate:6/5-8/20https://www.bsomusic.org/about/employment-opportunities/orchestral-auditions/second-trombone/

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U.S.ArmyCeremonialBand–TromboneApplicationDeadline:3/2/20AuditionDate:5/4/20https://www.usarmyband.com/vacancies/vacancy---tenor-trombone---the-us-army-ceremonial-band-1.htmlU.S.AirForceAcademyBand–Trombone(Jazz

Solo)

ApplicationDeadline:3/6/20AuditionDate:4/16/20https://www.music.af.mil/Auditions/Upcoming-Vacancies/ ColoradoMusicFestival–BassTrombone

ApplicationDeadline:3/8/20AuditionDate:3/15/20https://coloradomusicfestival.org/openings/ZurichPhilharmonia–BassTrombone

ApplicationDeadline:3/13/20AuditionDate:4/23/20https://www.muvac.com/en/vac/philharmonia-zuerich-posaune-10BinghamtonPhilharmonic–PrincipalTrombone

ApplicationDeadline:2/20/20AuditionDate:3/19-22/20http://binghamtonphilharmonic.org/auditions-pg.htmlParis Opera Orchestra – Bass Trombone ApplicationDeadline:4/12/20AuditionDate:4/27/20https://www.operadeparis.fr/en/artists/contests-and-auditions/orchestraBrussels Philharmonic – Second Trombone ApplicationDeadline:5/9/20AuditionDate:6/18/20https://www.muvac.com/en/vac/brussels-philharmonic-trombone-3WDRSinfonieorchesterKöln–koord.SoloTrombone ApplicationDeadline:8/24/20AuditionDate:9/27-28/20https://www.muvac.com/en/vac/wdr-sinfonieorchester-koeln-posaune-5

AUDITIONS ALREADY ADDED TO THE LIST

ChattanoogaSymphonyOrchestra–BassTrombone

ApplicationDeadline:4/15/20AuditionDate:5/5/20http://chattanoogasymphony.org/auditions/ U.S. Air Force Academy Band – Trombone (Classical) ApplicationDeadline:2/3/20AuditionDate:3/18/20https://www.music.af.mil/Auditions/Upcoming-Vacancies/

U.S. Air Force Airmen of Note – Lead and Second/Jazz Trombone (2 Positions) ApplicationDeadline:2/7/20

AuditionDate:3/16-25/20https://www.music.af.mil/Bands/The-United-States-Air-Force-Band/About-Us/Careers-in-The-United-States-Air-Force-Band/Gürzenich-OrchesterKöln–SoloTrombone

ApplicationDeadline:2/16/20AuditionDate:3/9-13/20https://www.muvac.com/en/vac/guerzenich-orchester-koeln-posaune-2 Bordeaux National Opera – Second Trombone ApplicationDeadline:2/17/20AuditionDate:2/26/20https://www.opera-bordeaux.com/concours-auditions#

USAF Heritage of America Band – Trombone ApplicationDeadline:2/24/20

AuditionDate:4/20/20https://www.music.af.mil/Auditions/Upcoming-Vacancies/PortlandSymphonyOrchestra–BassTrombone

ApplicationDeadline:3/2/20AuditionDate:3/16/20https://portlandsymphony.org/about-pso/musicians/auditions-and-employment/#BT

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WuppertalSymphonyOrchestra–Second/ThirdTrombone ApplicationDeadline:OpenAuditionDate:SeeWebsitehttps://www.muvac.com/en/vac/sinfonieorchester-wuppertal-posaune-3 MalaysianPhilharmonicOrchestra–Sub-PrincipalandBassTrombone(2Positions)

ApplicationDeadline:SeeWebsiteAuditionDate:SeeWebsitehttp://mpo.com.my/mpo-auditions/

Brass TribuneVOL2.No.9

EUPHONIUM JOBS NojobsforEuphonium

TUBA JOBS NEW AUDITIONS Thereisnotnewauditionsfortuba

AUDITIONS ALREADY ADDED TO THE LIST BrusselsPhilharmonic–TubaApplicationDeadline:5/10/20AuditionDate:6/19/20https://www.muvac.com/en/vac/brussels-philharmonic-tuba LosAngelesPhilharmonic–Tuba ApplicationDeadline:2/16/20AuditionDate:4/17-20/20https://www.laphil.com/about/la-phil/meet-the-orchestra/auditions/