15
By Michael Flax Components of Photography

By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Embed Size (px)

Citation preview

Page 1: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

By Michael Flax

Components of

Photography

Page 2: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Focal Point_______________________________________________________________________________________________________________________.

Without a focal point the viewer’s eye will wander around the picture trying to figure out what the picture is all about.

Page 3: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Rule of Thirds

Avoid center of the frame syndrome___________________________________

Break the viewfinder into nine sections

Page 4: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Rule of ThirdsCompose your frame so that your focal point

is at one of the intersections in the viewfinder.

Page 5: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Foreground/ Background Framing

Creates an ____________________________________ ______________________________________________.

Shows scale and depth.

Page 6: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Leading LinesDraws your viewer ____________ your focal

point.

Page 7: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Repeating PatternsRepetition of form is pleasing to the eye and

____________________________________________________________________________________________________________________________________________.

Try to fill your frame with the pattern; then break the pattern with your focal point.

Page 8: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Repeating PatternsMakes it stand out.

Page 9: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Horizontal/ Vertical Lines

Lines represented in the photo either directly vertical or horizontal

Do not use in the center; _____________________________________________________________________________________________.

Page 10: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Camera Angle

Look for the __________________________________.

Shoot high and shoot low.______________________________________________.The unusual angle will ‘___________’ your

viewer to look at your picture a little longer.

Page 11: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Selective Focus

Use ________________________________ to control what you want to emphasize or play down in a photograph.

Page 12: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Selective FocusThe less light available, the

____________________ ______________________________________________.

Less light allows for the _______________________ ______________, allowing to capture ______________________________________________.

Page 13: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Cropping

Used for the printing of the photo.

Where composing in the viewfinder does not achieve what you are looking for, like an extreme horizontal or vertical shape.

Effective cropping can ____________________________________________________________

Page 14: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Vertical & HorizontalShoot both for visual variety and impact.We don’t see vertically, so shooting this way

often forces us to see in a different way.

Page 15: By Michael Flax. ______________________________ ______________________________ ______________________________ _____________________________. Without a

Kenney, James H. Associate Professor. WKU. 270.745.6307. [email protected].

Works Cited