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www.christopherferrel.com C HRISTOPHER W. F ERREL  Analysis of Apple iCloud and iTunes Match Disruptive Innovations within the Music Industry

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www.christopherferrel.com

CHRISTOPHER W. FERREL

 Analysis of Apple iCloud and iTunes Match

Disruptive Innovationswithin the Music Industry

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  WWW.CHRISTOPHERFERREL.COM

AbstractAbout this discussion.

Since the mid-noughties, a growing number of consumers

prefer to access their digital content via Cloud Computing

SaaS providers (Renub Research, 2010). The purpose of 

this discussion is to apply Clayton Christensen’s principles of 

disruptive innovations within the consumer Cloud Computing

SaaS market. The history, current market and potential disrup-

tive innovations of consumer Cloud Computing SaaS market are

explored. In order to succeed in the consumer Cloud Computing

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seamless accessibility of a consumer’s digital content across all

popular consumer devices and 2.) Provide an incentive for copy-

right holders, especially professionals within the entertainment

industry, to invest in Cloud Computing. Based on its innovative

features and the company’s historical success with emerging

technologies, Apple, Inc.’s iCloud and iTunes Match appear to

be the most likely to succeed in the consumer Cloud Computing

SaaS market.

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WWW.CHRISTOPHERFERREL.COM 

Contents

Abstract

About this discussion.

Disruptive Innovations within the Music Industry

Analysis of Apple iCloud and iTunes Match.

References

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DISRUPTIVE INNOVATIONS  WITHIN  THE MUSIC INDUSTRY

  WWW.CHRISTOPHERFERREL.COM

This document was created for academic purposesat St. Edward’s University and is not intended for

commercial use without express permission.

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DISRUPTIVE INNOVATIONS  WITHIN  THE MUSIC INDUSTRY

WWW.CHRISTOPHERFERREL.COM 

Disruptive Innovationswithin the Music

IndustryAnalysis of Apple iCloud and iTunes Match.

Apple launches iCloud service  BY JUSTIN SULLIVAN /GETTY 

IMAGES

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DISRUPTIVE INNOVATIONS  WITHIN  THE MUSIC INDUSTRY

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Clayton M. Christensen once noted that “disruption is a process, not an event

(Christensen, 2004).” The development of the Cloud Computing industry serves

as an exemplary illustration of Professor Christensen’s critical lessons in disrup-

tive innovations. Since the mid-noughties, industry analysts have suggested that Cloud

Computing has the potential to disrupt the large-scale Information Technology (IT)

industry by fundamentally altering how IT hardware and software applications are

developed, deployed, ran and purchased (Armbrust, 2009; Renub Research, 2010). Cloud

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scalable datacenters. Companies and consumers only pay for their short-term resource

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has never before been available in the IT industry (Armbrust, 2009).

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datacenter hardware and datacenter system software delivered via the Internet or

an Intranet. The architecture of Cloud Computing has existed in internal datacent-

ers of corporations for several years. Commonly referred to as grid computing, these

private Cloud Computing systems gave rise to public Cloud Computing delivered

most commonly by the Software as a Service (SaaS) delivery model (Armbrust, 2009).

Currently the fastest growing segment, SaaS Cloud Computing claims 89% of the Cloud

Computing Market (Renub Research, 2010). Apple, Google, Amazon Web Services, IBM,

Cisco Systems, Microsoft, VMware, Hewlett-Packard, Oracle, Siemens. NEC, Network

Appliance, Salesforce and Facebook are believed to be the most capable SaaS providers

to claim market leadership of the Cloud Computing industry (Armbrust, 2009; Renub

Research, 2010).

“Disruption is a process, not an event.” 

Signals of Change

The purpose of this discussion is to apply Clayton Christensen’s principles of disruptive

innovations within the consumer Cloud Computing SaaS market. While several compa-

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will succeed. As previously discussed, Cloud Computing initially gained popularity due

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disrupted Cloud Computing in large-scale business datacenters, the consumer market

has yet to observe the same disruption. According the Christensen’s theory, the con-

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recent 10-K Annual Reports of Western Digital Corporation and Seagate Technology

Public Limited Company. The world leaders in hard-disk drive manufacturing, Western

Digital and Seagate Technology currently serve overshot consumers. For years, data stor-

age has been valued according to the price-per-MB of hard-disk drive’s storage capacity.

,QFRQWUDVW&ORXG&RPSXWLQJLVYDOXHGE\LWVUHVRXUFHϩH[LELOLW\DQGFRVWHϫFLHQF\/LNH

most disruptive innovations, Cloud Computing was not initially cheaper-per-MB than

hard-disk drives. However, Western Digital and Seagate continued to improve upon its

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DISRUPTIVE INNOVATIONS  WITHIN  THE MUSIC INDUSTRY

WWW.CHRISTOPHERFERREL.COM 

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their needs. The hard-disk drive market primarily relies on an ever-depleting number

of undershot customers, as fewer and fewer customers are willing to pay a premium

for enhancements to hard-disks’ storage capacity.

Meanwhile, a small market of consumers valued the convenience of accessing their digi-

tal content across all their digital devices. Since the mid-noughties, a growing number

of consumers prefer to access their digital content via Cloud Computing SaaS providers

(Renub Research, 2010). Western Digital and Seagate failed to publically acknowledge

Cloud Computing as a disruptive technology until 2009 and 2010, respectively (Seagate,

2008; Seagate, 2009; Seagate, 2010; Seagate, 2011; Western Digital, 2009; Western

Digital, 2010; Western Digital, 2011). Like many companies who focus resources solely

on sustaining technologies, Western Digital and Seagate were not prepared for disruptive

innovations. As described by Christensen, market leaders often fail to identify disruptive

technologies until it is too late to overcome the disruption (Christensen, 2004). Evidence

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WESTERN DIGITAL 2011 10-K ANNUAL REPORT

“CONSUMERS  TR AD IT IO NA LLY   HAVE  STORED   TH EI R  DATA  ON   TH EI R PC , OFTEN  SUPPLEMENTED  WITH 

PERSONAL  EXTERNAL  STORAGE  DEVICES. MOST   BUSINESSES  ALSO  INCLUDE  SIMILAR  LOCAL  STORAGE   AS 

A  PRIMARY  OR   SECONDARY   STORAGE  LOCATION. THIS   STORAGE  IS   TY PI CAL LY  PROVIDED  BY  HARD  DISK  

DRIVES. RECENTLY, CLOUD COMPUTING  HAS   EMERGED  WHEREBY  APPLICATIONS  AND   DATA  ARE   HOSTED,

ACCESSED  AN D  PROCESSED  TH RO UG H  A  TH IR D-PARTY  PROVIDER  OVER  A  BROADBAND INTERNET   CON -

NECTION, POTENTIALLY  REDUCING  OR  ELIMINATING  THE   NEED  FOR , AMONG  OTHER  THI NGS , SIGNIFICANT 

STORAGE  INSIDE  THE   ACCESSING  COMPUTER. THIS   TRE ND  COULD  CAUSE  THE   MARKET  FOR   DISK   DRIVES  IN 

COMPUTERS  TO  DECLINE  OVER  TIM E, WHICH  COULD  HARM  OUR  BUSINESS  TO  THE   EXTENT  THI S  DECLINE  IS 

NOT OFFSET BY  THE  SALE  OF  OUR  PRODUCTS  TO  CUSTOMERS WHO  PROVIDE CLOUD COMPUTING  SERVICES 

(WESTERN DIGITAL, ).”

Consumers traditionally have stored their data on their PC, often supplemented with

personal external storage devices. Most businesses also include similar local storage

as a primary or secondary storage location. This storage is typically provided by hard

disk drives. Recently, Cloud Computing has emerged whereby applications and data

are hosted, accessed and processed through a third-party provider over a broadband

Internet connection, potentially reducing or eliminating the need for, among other things,

VLJQLϧFDQWVWRUDJHLQVLGHWKHDFFHVVLQJFRPSXWHU7KLVWUHQGFRXOGFDXVHWKHPDUNHWIRUdisk drives in computers to decline over time, which could harm our business to the

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Cloud Computing services (Western Digital, 2011).

The Annual 10-K Reports from Western Digital and Seagate further support Cloud

Computing as a disruptive innovation. The current state of the hard-disk industry also

suggests that a new market leader will emerge in the data storage industry. Furthermore,

the emergent company will most likely provide consumer Cloud Computing SaaS ser-

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DISRUPTIVE INNOVATIONS  WITHIN  THE MUSIC INDUSTRY

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In order to be competitive in the consumer Cloud Computing SaaS market, two

important value criteria must be realized. First, one must provide convenient and

seamless accessibility of a consumer’s digital content across all popular consumer

devices. Including, but not limited to, desktop computers, laptop computers, tablet

computers, mobile phones as well as home and vehicle entertainment systems. Secondly,

one must provide an incentive for copyright holders, especially professionals within

the entertainment industry, to invest in Cloud Computing.

Competitive Battles

Google and Amazon released highly anticipated consumer-focused Cloud Computing

SaaS in 2011 (Albanesius, 2011). Both companies were clearly focused on providing

consumers with convenient and seamless accessibility of their digital content. Google

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to a Cloud Computing datacenter. Beta testers of Google Music are allowed to upload

as many as 20,000 songs while Amazon provides 5GB of free storage and 20GB if cus-

tomers purchase an AmazonMP3 album (Albanesius, 2011; Miller, 2011). While still

largely under development, both Google and Amazon plan to integrate their services

across a wide variety of web-enabled computers and mobile devices running Android

operating system.

Despite a growing interest from consumers, Google and Amazon have been hampered

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and Amazon have failed to secure licensing agreements with the artists, record labels

and publishers within the music industry (Albanesius, 2011). The Director of Music

at Amazon, Craig Pape, told The New York Times, “We don’t need a license to store

music. The Functionality is the same as an external hard drive (Miller, 2011).” Google

agrees with Amazon and argues that they do not need licensing agreements because

users upload content that they already own (Albanesius, 2011).

1. Convenient and seamless accessibility of a

consumer’s digital content across all popular 

consumer devices.

Copyright holders believe that Google and Amazon are in violation of licensing agree-

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of said content for which royalties are owed (Albanesius, 2011). Copyright holders

have also expressed concern that Google and Amazon do not provide reliable methods

to prevent pirated content from being stored via their Cloud Computing services. The

Recording Industry Association of America (RIAA) successfully sued MP3.com in 2008

for providing a similar service (Price, 2011). The precedent set in the RIAA vs. MP3.

com case suggests that Google and Amazon will be forced to comply with the copyright

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Unlike Amazon and Google, Apple, Inc. has successfully secured licensing agreements for

their release of iCloud and iTunes Match service. Announced at Apple, Inc.’s Worldwide

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DISRUPTIVE INNOVATIONS  WITHIN  THE MUSIC INDUSTRY

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Apple, Inc. has a proven track record of successful development and implementa-

tion of disruptive innovations. The iPod, iTunes, iPhone, App store and the iPad

are all innovative examples that have contributed to Apple’s 58.85% growth in

net income during the past 36 months (Hoover’s Online, 2011). Google, in comparison,

has seen a 26.48% growth in net income during the past 36 months. During the same

time, Apple’s iPhone sales increased by more than 90% and accounted for 39% of the

company’s 2010 revenue (Hoover’s Online, 2011). The growth in consumer-focused

products suggests that Apple is highly in tuned with current consumer needs and that

iCloud will successfully appeal to the consumer Cloud Computing market.

Strategic Choices

Apple’s commitment to innovation has created a value network that deters entrants due

to the high barriers associated with overlapping value networks. Christensen explains

that when an entrant company’s value network overlaps with an incumbent’s supplier or

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greater amount of resources in order to disrupt the industry because they are in direct

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create new copyright holders, they will be forced to spend more resources in order to

form licensing agreements with artists, labels and publishers. An overlap in customers is

also likely given that iCloud favors Apple’s highly popular proprietary devices. In other

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of resources in order to disrupt the industry 

Apple’s commitment to innovation further supports the iCloud and iTunes Match as

disruptive technologies. Due to their previous successes, Apple’s investors trust in their

business processes and methodology and allow Apple freedom to identify and develop

disruptive innovations. It seems likely that iCloud will succeed as the market leader

in consumer Cloud Computing SaaS because of the competitive advantage created by

iTunes Match.

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REFERENCES

WWW.CHRISTOPHERFERREL.COM 

ReferencesALBANESIUS, C. (). APPLE RELEASES  I TUNES MATCH DEVELOPER BETA. PC MAG. RETRIEVED  FROM 

HTTP://WWW.PCMAG.COM /ARTICLE /,,,.ASPFBID=JHXKXB_OSHT

ALBANESIUS, C. (). REPORT: GOOGLE PREPPING MP S TORE… AHEAD OF  I TUNES MATCH? PC MAG.

RETRIEVED FROM HTTP://WWW.PCMAG.COM /ARTICLE /,,,.ASPFBID=JHXKXB_OSHT

ARMBRUST, M., FOX, A., GRIFFITH, R., & JOSEPH, A. D. (). ABOVE  THE CLOUDS: A BERKELEY VIEW 

OF CLOUD COMPUTING. UNIVERSITY OF CALIFORNIA, (UCB/EECS--), -. EECS DEPARTMENT,

UNIVERSITY  OF CALIFORNIA, BERKELEY. RETRIEVED  FROM   H TTP:/ /WWW .EECS .BERKELEY.ED U /P UB S /

 TECHRPTS / /EECS--.HTML

CHRISTENSEN , C. M., ANTHONY, S. D., ROTH, E. A. (). SEEING WHAT’S NEXT?: USING  THE  THEOR IES 

OF INNOVATION  TO PREDICT INDUSTRY CHANGE. HARVARD BUSINESS SCHOOL PRESS.

HOOVER’S ONLINE. (). APPLE INC. COMPANY REPORT. RETRIEVED  FROM  HTTP:// WWW .HOOVERS.COM /

COMPANY /APPLE_INC /RTJCCI-.HTML

MILLER, C. C. (). AMAZON INTRODUCES A DIGITAL MUSIC LOCKER. THE NEW YORK  TIMES. RETRIEVED 

FROM HTTP://BITS.BLOGS.NYTIMES.COM / / / /AMAZON-INTRODUCES-A-DIGITAL-MUSIC-LOCKER /

PRICE, J. (). ICLOUD: A MUSIC INDUSTRY GAME-CHANGING PRODUCT. TUNECORE. RETRIVED  FROM 

HTTP:/ /BLOG. TU NE CO RE .CO M / / /ICLOUD-E-A-MUSIC- INDUSTRY-GAME-CHANGING-

PRODUCT.HTML

RENUB RESEARCH. (). CLOUD COMPUTING – SAAS, PAAS, IAAS MARKET, MOBILE CLOUD COMPUTING,

M&A, INVESTMENTS , AND FUTURE FORECAST, WORLDWIDE. RETRIEVED FROM HTTP://WWW .SLIDESHARE .NET /

RENUBRESEARCH /CLOUD-COMPUTING-MARKET-WORLDWIDE

SEAGATE TECHNOLOGY PUBLIC LIMITED COMPANY. (). FORM -K.

SEAGATE TECHNOLOGY PUBLIC LIMITED COMPANY. ().

FORM -K. SEAGATE TECHNOLOGY PUBLIC LIMITED COMPANY. (). FORM -K.

WESTERN DIGITAL CORPORATION. (). FORM -K.

WESTERN DIGITAL CORPORATION. (). FORM -K.

WESTERN DIGITAL CORPORATION. (). FORM -K.

WESTERN DIGITAL CORPORATION. (). FORM -K.

SPECIAL  THANKS  TO O TTO COSTER AND SMASHING MAGAZINE FOR PROVIDING  THIS BEATIFUL INDESIGN  TEMPLATE

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ABOUT   THE AUTHOR

Christopher W. Ferrel is a musician and student 

currently working towards an MBA in Digital

 Media Management at St. Edward’s University in

 Austin, Texas. He specializes in artist management 

and direct-to-fan marketing campaigns.

[email protected]

www.christopherferrel.com