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CASTING THE CORNICE PLASTER WORKING IN TICINO Seminar Week 18-27 October 2019 8-12 participants Cost Frame A Aquila, Ticino, CH From the fifteenth century onwards, the Swiss region of Ticino was famous for its stuccatori – the skilled decorative plaster workers that migrated down to Italy in search of work ornamenting the great palaces and churches of the Renaissance. This seminar week we will travel back to Ticino, to the remote village of Aquila, home of the former chocolate factory Cima Norma. Staying and working in this idyllic post-industrial complex, we will spend the week casting cornices in plaster and documenting them in the factory context. Through a creative process of trans- lation, we will turn archival drawings from different historical periods into three-dimensional plaster objects for display, learning from historians of the region, local crafts- men from the valley, as well as other experts in plaster, casting and art fabrication. The week of making will be complemented by site visits to nearby Baroque and Rococo plasterwork wonders. Chair of the History and Theory of Architecture Prof. Maarten Delbeke CAS TING C OR NICE Début Début, www.debutdebut.com TH E

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Page 1: CAS TING TH OR E - ETH Z › seminarwoche › images › posters … · the Swiss region of Ticino was famous for its stuccatori – the skilled decorative plaster workers that migrated

CASTING THE CORNICEPLASTER WORKING IN TICINOSeminar Week18-27 October 20198-12 participantsCost Frame AAquila, Ticino, CH

From the fifteenth century onwards, the Swiss region of Ticino was famous for its stuccatori – the skilled decorative plaster workers that migrated down to Italy in search of work ornamenting the great palaces and churches of the Renaissance. This seminar week we will travel back to Ticino, to the remote village of Aquila, home of the former chocolate factory Cima Norma. Staying and working in this idyllic post-industrial complex, we will spend the week casting cornices in plaster and documenting them in the factory context.

Through a creative process of trans- lation, we will turn archival drawings from different historical periods into three-dimensional plaster objects for display, learning from historians of the region, local crafts-men from the valley, as well as other experts in plaster, casting and art fabrication. The week of making will be complemented by site visits to nearby Baroque and Rococo plasterwork wonders.

Chair of the History and Theory of Architecture Prof. Maarten Delbeke

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