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Cataloguing Creativity: A Symposium of Literary Archives Working Press, books by and about working class artists, 1986-1996 Cataloguing Collaboratively

Cataloguing Creativity: A Symposium of Literary Archives

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Cataloguing Creativity: A Symposium of Literary Archives. Working Press, books by and about working class artists, 1986-1996 Cataloguing Collaboratively. Background: University for the Creative Arts. Six Art Schools and Technical Institutes dating from late Victorian times - PowerPoint PPT Presentation

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Page 1: Cataloguing Creativity: A Symposium of Literary Archives

Cataloguing Creativity: A Symposium of Literary Archives

Working Press, books by and about working class artists, 1986-1996

Cataloguing Collaboratively

Page 2: Cataloguing Creativity: A Symposium of Literary Archives

Background: University for the Creative Arts

• Six Art Schools and Technical Institutes dating from late Victorian times

• Campuses at Canterbury, Rochester, Maidstone (Kent), Epsom, Farnham (Surrey)

• Specialising in the Creative Arts

Page 3: Cataloguing Creativity: A Symposium of Literary Archives

Beginnings of The Working Press• Initiated by Dr Stefan Szczelkun,

with Graham Harwood

Working Press poster

• About working class identity

• First self funded titles in 1987

Page 4: Cataloguing Creativity: A Symposium of Literary Archives

About The Working Press• Class, gender and race perceptions

(1980s-1990s politics)

• Digital innovations

• Self-funded publishing activity

• Archive includes:• Correspondence • Conference records• Draft manuscripts• Finance• Publicity and distribution

Page 5: Cataloguing Creativity: A Symposium of Literary Archives

Class, Identity, and Culture Conference 1994

Page 6: Cataloguing Creativity: A Symposium of Literary Archives

Letters of reviews of Working Press

Letter to Stefan Szczelkun relating to the pamphlet ‘Artists Liberation’

Page 7: Cataloguing Creativity: A Symposium of Literary Archives

Working class women artists

Page 8: Cataloguing Creativity: A Symposium of Literary Archives

Working class black artists

Page 9: Cataloguing Creativity: A Symposium of Literary Archives

Publicity

Nothing Special, by Micheline Mason (a day in the life of a girl in a wheelchair)

Page 10: Cataloguing Creativity: A Symposium of Literary Archives

Links between different publishers

The Federation of Worker Writers & Community Publisher letter, confirming funding for the 1994 conference

Page 11: Cataloguing Creativity: A Symposium of Literary Archives

Partners in the project

• Dr Stefan Szczelkun, Artist

• bookRoom, UCA research cluster.

Page 12: Cataloguing Creativity: A Symposium of Literary Archives

Cataloguing requirementsInitial talks with Stefan:

• Cataloguing as an artistic process

• History of Working Press

• Information about individuals

Page 13: Cataloguing Creativity: A Symposium of Literary Archives

Cataloguing requirements

Discussions on and Involvement in:

• Arrangement

• Description

• Definitions

Page 14: Cataloguing Creativity: A Symposium of Literary Archives

Cataloguing requirements

• Searchability and Accessibility

- Exploring links between books and archive

material

- Subject terms(including librarian knowledge)

Page 15: Cataloguing Creativity: A Symposium of Literary Archives

Under exploration• Online presence

• Voice recordings

• Student involvement• Visual Guides• Exhibitions

Page 16: Cataloguing Creativity: A Symposium of Literary Archives

In summary…

• Greater understanding of collection • Arrangement• Description• Subject terms

• Links between published/unpublished material

• Involvement leading to engagement

Page 17: Cataloguing Creativity: A Symposium of Literary Archives

Thanks for listening!Contact us at…

ucreative.ac.uk/library

[email protected]

http://ucaarchives.wordpress.com/