CC LAB PROJECT YOU CANT ALWAYS SEE BUT ITS HERE Efimova
KateELIZABETH CLAIRE
Slide 2
How could we see another worlds? Influenced by the idea of
worlds multiplicity, also presented by Zhang Gas Translife, I
wanted to show the life in another metaphysical terms.
Slide 3
To begin (as critical design recommend) to change ourselves and
not the world around us, I wanted to manifest or exhibit the world,
life itself in its giant multiplicity and simplicity.
Slide 4
HUMAN ORIENTED VISIBLE DISCRIMINATION It was influenced by the
variety of intentional objects, what Latour may term actors. They
form a new parliament of things from which cosmopolitics may start
to debate the concept of life itself with its humans, kettles,
cows, oranges, trees, electrons, phenomena, algorithms, the natural
and the unnatural, relations, actions, interactions, suddenly the
discrete, the irrelevant, the conscious and the unconscious. So how
does our world look like from another point of view, in
electromagnetic code?
Slide 5
SOURCES: E-STATIC SHADOWS E-Static Shadows is initiating
playful interactions between the viewer(s) and the space and
provokes a higher awareness of the potential of electrostatic
fields surrounding our habitat. By doing so it also advances the
potential for a technology that allows us to interact with the
omnipresent but hidden electrostatic forces.
Slide 6
SOURCES: DAMIEN HIRST According to the artist, the title (The
Physical Impossibility of Death in the Mind of Someone Living ) was
just a statement that I had used to describe the idea of death to
myself. Thought of prior to the sculpture, it was taken from Hirsts
student thesis on Hyperreality and the work of Robert Longo and
Umberto Eco. Hirst recalls liking the titles poetic clumsiness
because of the way it expressed something that wasnt there or was
there.
Slide 7
TECHNO To receive data, to analize it and to show in another
code a hard way to be fashionable in 2013. But I didnt want to just
show the data, I wanted to translate the presence of everyday
forces that we dont mind. As Hirst said that wasnt there or was
there. As we are permanently galvanized (experiments of Galvani and
modern medicine which cures by electromagnetic currents) by so much
data today, it was curious to catch it and exhibit.
Slide 8
DIAGRAM, CODE, SOFTWARE import ddf.minim.analysis.*; //
analysis class import ddf.minim.*; //base library Minim minim;
AudioInput in; FFT fft; //Sound > Bands int w; //Width PImage
fade; int hVal; loat rWidth, rHeight; // New width of the image
void setup() { size(1376, 768, P3D); // Size of the window minim =
new Minim(this); in = minim.getLineIn(Minim.STEREO, 1024); fft =
new FFT(in.bufferSize(), in.sampleRate()); fft.logAverages(80, 7);
stroke(255); w = width/fft.avgSize(); strokeWeight(2); //Size
between lines strokeCap(SQUARE); //Top of line is Square
background(0); // Setting the background fade = get(50, 50, width,
height); //where to grab rWidth = width * 0.99; // 99% rHeight =
height * 0.99; // 99% hVal = 0; } void draw() { background(0); //
Cleaning background tint(255, 255, 255, 255); // Tint to White,
opacy image(fade,(width - rWidth)/2, (height - rHeight)/2, rWidth,
rHeight); // Fade to center noTint(); fft.forward(in.mix);
colorMode(RGB); stroke(hVal, 255, 252); colorMode(RGB); for(int i =
0; i < fft.avgSize(); i++) // Size of line to the Width of
screen { line((i*w) + (w/2), height, (i * w) + (w/2), height -
fft.getAvg(i) * 4); // Line Peaks increase x4 } fade = get(0, 0,
width, height); // hVal += 2; // changins of color if( hVal >
255) { hVal = 0; } Electric probe Sound card Roland Quad Processing
Studio One Any video output