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| 1 CECILIA HEFFER Petite: Antique Lace 2012 | Petite Miniature Textiles Exhibition, Wangaratta Regional Gallery, Victoria Antique Lace is a series of three lace works that explore notions of the role of mending and reuse in textile history. e idea of ‘making do’ and reconstitut- ing existing textiles resonates with the Slow Design movement current in design practice. e works have been reconstructed from antique lace remnants in a unique machine stitching process. e suite was selected for the Petite Miniature Textiles Exhibition, Wangaratta Regional Gallery, 16 June - 22 July 2012, a substantial biennial event that showcases the diversity of approaches current in contemporary Australian textile practice. 118 artists were represented. Antique Lace has been taken apart and reconfigured using a machine stitching technique on a soluble substrate. e repetitive stitching process creates ground netting that holds the shredded lace fragments together and creates a new cloth. e technique demonstrates the potential for a possible solution for up-cycling cloth and has applications for sustainable approaches to the problem of fabric waste. It is a response to a throw away culture. In mending and reusing antique lace it pays homage to the cultural value of historical lace production and the merit of textile conservation, as well as the cultural history, value and esteem of textiles in the past. e work was selected for the Petite Miniature Textiles Exhibition, Wanga- ratta Regional Gallery through a peer review process. Subsequently, three works were acquired for the Gallery’s collection. Image detail

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Page 1: CeCilia Heffer Petite: antique lace - OPUS at UTS: Home · CeCilia Heffer Petite: antique lace ... The work was selected for the Petite Miniature Textiles Exhibition, ... Everything

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CeCilia HefferPetite: antique lace2012 | Petite Miniature Textiles Exhibition, Wangaratta Regional Gallery, Victoria

Antique Lace is a series of three lace works that explore notions of the role of mending and reuse in textile history. The idea of ‘making do’ and reconstitut-ing existing textiles resonates with the Slow Design movement current in design practice. The works have been reconstructed from antique lace remnants in a unique machine stitching process. The suite was selected for the Petite Miniature Textiles Exhibition, Wangaratta Regional Gallery, 16 June - 22 July 2012, a substantial biennial event that showcases the diversity of approaches current in contemporary Australian textile practice. 118 artists were represented.

Antique Lace has been taken apart and reconfigured using a machine stitching technique on a soluble substrate. The repetitive stitching process creates ground netting that holds the shredded lace fragments together and creates a new cloth. The technique demonstrates the potential for a possible solution for up-cycling cloth and has applications for sustainable approaches to the problem of fabric waste. It is a response to a throw away culture. In mending and reusing antique lace it pays homage to the cultural value of historical lace production and the merit of textile conservation, as well as the cultural history, value and esteem of textiles in the past.

The work was selected for the Petite Miniature Textiles Exhibition, Wanga-ratta Regional Gallery through a peer review process. Subsequently, three works were acquired for the Gallery’s collection.

Image detail

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CeCilia HefferPetite: antique lace

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CeCilia HefferPetite: antique lace

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5/11/13 10:40 AMRural City of Wangaratta - About Council - Latest News - Petite miniature textiles exhibition

Page 1 of 1http://www.wangaratta.vic.gov.au/council/news/Petite-miniature.asp

Petite miniature textiles exhibition

Posted: 18/06/2012

Wangaratta Art Gallery 16 June – 22 July 2012

138 works by 118 artists from across the countryhave been selected for the current exhibition whichshowcases the diversity of approach in textileartistry. Everything from tapestry weaving, lace,sculpture, applique, assemblage, embroidery,felting, basketry and dyeing are used to createworks that are not only decorative but often tackledeep and meaningful themes and ideas. The onlystipulation is the size which is limited to a maximumof 30cm in any direction.

The beauty of the landscape and the fragile natureof our environment provide inspiration for many ofthe works, including those of Dianne Firth’s‘Erosion’ and Glennis Leary’s ‘Water from theDesert’. Flora and fauna, anemones, fish, birds orthe domestic realm of the home can be foundamongst the exhibits.

Yackandandah artist Ali Rowe’s series titled ‘Egg’explores her personal experience as a mother, following a near fatal car accident and trauma suffered by herson. Egg-like forms symbolise fragility and the delicate hold we have on our children’s lives. A tiny wovenblanket conveys the care and hopes that we try to cover our children with, while blood-red knots cover oneprecious egg in an attempt to build up a layer of protection for her child.

Anita Larkin’s ‘Things that Howl in the Night’ and Kirsten Frederick’s ‘Double Trouble’ take on a lighter note andvisitors will no doubt find something to appeal in this extraordinary showcase of talent.

Through this exhibition the Wangaratta Art Gallery continues to support textile innovation, locally and nationally,building upon Wangaratta’s textiles tradition with regular exhibitions, workshops and projects.

To complement the exhibition a 2 day workshop facilitated by Wagga Wagga artist Julie Montgarrett will explorea number of approaches to textile production such as folding, tracing, printing, fusing and hand and machinestitching to create a series of individual, experimental, small scale paper and textile book forms.

For more information contact the Gallery on 03 5722 0865

Last Updated: 18/06/2012

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