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Chapter 12:The Symphony
Sonata Form
Key Terms
Sonata formSlow introduction (optional)
Exposition
Development
Recapitulation
Coda (optional)
Key Terms
ExpositionFirst theme
Bridge (transition)
Second Group•Second theme•Cadence (closing) theme
Key Terms
DevelopmentFragmentation
Retransition
Sonata Form
Most important new form of Classical era
Evolved from binary form
Dramatic new way of handling contrasts between keys (tonalities) and themes
Three large sections:•Exposition•Development•Recapitulation
Exposition (A)
Establishes conflict between two primary keys
Presents (exposes) main themes of movement
Main themes articulate tonal structure
We’ll use Mozart’s Symphony No. 40 in G minor, 1st movement, as an example
Exposition (A) (1)
First theme•Stable theme in tonic key
Bridge•Unstable, modulates to new key
Exposition (A) (2)
Second GroupSecond Theme•Stable theme in new key
Cadence Theme•Closing theme with repeated cadences
Exposition (A) (3)
Development (B) (1)
Unstable section heightens tension
Modulates to many different keys
Develops themesTakes themes from Exposition, breaks them up, & extends, recombines, & reorchestrates them
Development (B) (2)
RetransitionFinal passage that prepares for return of first key
Development (B) (3)
Recapitulation (A’)
Resolves tension created in Exposition and heightened in Development
Returns to original key
Presents Exposition themes in same order, but with Second Group in original key, thus Recapitulation is more stable than Exposition
Recapitulation (A’)
Optional Sections
Slow IntroductionSlow tempo section added before the Exposition
Often in minor key and very unstable
Builds tension that is resolved by First Theme of Exposition
(No slow introduction in Mozart’s Symphony No. 40)
Optional Sections
CodaConcluding section that follows Recapitulation
May be short or long
Usually very stable, with repeated cadences and big ending
Sonata Form Example: Mozart
Mozart, Symphony No. 40 in G Minor, I
Sonata Form Example: Haydn
Haydn, Symphony No. 95 in C Minor, I