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Chapter 12: The Symphony Sonata Form

Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

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Page 1: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Chapter 12:The Symphony

Sonata Form

Page 2: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Key Terms

Sonata formSlow introduction (optional)

Exposition

Development

Recapitulation

Coda (optional)

Page 3: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Key Terms

ExpositionFirst theme

Bridge (transition)

Second Group•Second theme•Cadence (closing) theme

Page 4: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Key Terms

DevelopmentFragmentation

Retransition

Page 5: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Sonata Form

Most important new form of Classical era

Evolved from binary form

Dramatic new way of handling contrasts between keys (tonalities) and themes

Three large sections:•Exposition•Development•Recapitulation

Page 6: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Exposition (A)

Establishes conflict between two primary keys

Presents (exposes) main themes of movement

Main themes articulate tonal structure

We’ll use Mozart’s Symphony No. 40 in G minor, 1st movement, as an example

Page 7: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Exposition (A) (1)

First theme•Stable theme in tonic key

Bridge•Unstable, modulates to new key

Page 8: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Exposition (A) (2)

Second GroupSecond Theme•Stable theme in new key

Cadence Theme•Closing theme with repeated cadences

Page 9: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Exposition (A) (3)

Page 10: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Development (B) (1)

Unstable section heightens tension

Modulates to many different keys

Develops themesTakes themes from Exposition, breaks them up, & extends, recombines, & reorchestrates them

Page 11: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Development (B) (2)

RetransitionFinal passage that prepares for return of first key

Page 12: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Development (B) (3)

Page 13: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Recapitulation (A’)

Resolves tension created in Exposition and heightened in Development

Returns to original key

Presents Exposition themes in same order, but with Second Group in original key, thus Recapitulation is more stable than Exposition

Page 14: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Recapitulation (A’)

Page 15: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Optional Sections

Slow IntroductionSlow tempo section added before the Exposition

Often in minor key and very unstable

Builds tension that is resolved by First Theme of Exposition

(No slow introduction in Mozart’s Symphony No. 40)

Page 16: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Optional Sections

CodaConcluding section that follows Recapitulation

May be short or long

Usually very stable, with repeated cadences and big ending

Page 17: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Sonata Form Example: Mozart

Mozart, Symphony No. 40 in G Minor, I

Page 18: Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)

Sonata Form Example: Haydn

Haydn, Symphony No. 95 in C Minor, I