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Chapter 15 Modulation

Chapter 15 Modulation Modulation Modulation is the process that results in the shift of the tonal center. In other words, a key change. Modulation is

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Chapter 15

Chapter 15ModulationModulationModulation is the process that results in the shift of the tonal center. In other words, a key change.Most modulations occur between closely related keys. A closely related key is a key that differs by no more than one accidental in the key signatureAn easy way to understand modulation is observe the ebb and flow of circle progressions.Modulation3 Types that we will focus on:Common ChordChromaticPhrase

Common ChordBoth keys have a chord that is common in each respective keyThis offers a smooth transition to the new key because the chord is diatonic in both keysAlso called a pivot chord because it is a middle ground between two keysCalled a Common Chord ModulationChromaticOccurs at the point of a chromatic progressionThe letter name remains the same but has an accidentalOccurs when the two keys are not closely relatedDOES NOT HAVE A COMMON CHORD!Called a chromatic modulationPhraseAlso known as a direct modulationOccurs between phrases, periods, or larger sections where a phrase cadences in one key, and the next phrase begins in the new keyAnalytical SymbolsUse the following symbols to analyze modulations:Common chord modulations select the common chord and analyze it in both keys:C: I ii6 V I vi6 G: ii6 V IOther types of modulation name the new key and adjust chord analysis accordingly:G: I V I a: V6 i V iHow to spot a modulationPlay the music you are analyzing. This can sometimes be sufficient to recognize a modulation.Look for accidentals that are not part of the established key.Look for a cadence in the new key. Look for V-I, I-V, IV-V.If you have enough evidence to support a modulation, look back to the first accidental and determine whether the chord before it can be analyzed in both keys. If so, you have a common chord modulationIf the nondiatonic (the accidental) note is taken chromatically, then you have a chromatic modulation.Secondary Dominant vs. ModulationSecondary dominants have one accidental (nondiatonic note) in only one chord.Will usually resolve to its temporary tonic.Carefully observe the progression.If the progression seems odd, then a modulation has probably taken place.Not all modulations will have an accidental. Macro AnalysisAnalyze and entire section with the macro analysis letter symbols. Do this before considering key centers or Roman numerals.After completing the macro, go back and read through the analysis. Pay attention to symbols that change from the established pattern at the beginning.Macro AnalysisAfter different symbols are identified, scan the area containing the new symbol to determine where the modulation beings and ends. Study the score both before and after the symbol change.Complete the macro with circle progression slurs.When the macro analysis is completed, add key indications and Roman numerals.

Modulation