Charlotte Muschamp

CHARLOTTE MUSCHAMPPortfolio

Charlotte Muschamp - Resume

Skills SummaryMy academic and athletic involvement through-out my undergraduate career prepared me to serve as an efficient and effective time man-ager. My undergraduate experiences have also contributed to the development of a balanced perspective and a strong focused work ethic regarding competitiveness, empathy, and pas-sion within the team setting and at the work-place.My current career objective involves develop-ing my skills, knowledge and abilities further in architecture and its real life application, par-ticularly in renewable residential architecture and commercial architectural design empathetic to its environment.

EducationVictoria University of WellingtonBachelor of Architecture: GPA 3.93Washington State UniversityBachelor of Science: Major in Architecture, Mi-nor Construction Management: GPA 3.63

Athletic and Academic HonorPac-12 High Jump Champion, Triple Jump Runner up, 2014.MPSF Triple Jump Third Place, 2014.New Zealand Track and Field Triple Jump Cham-pion and Provincial Record, 2012.New Zealand Representative at Oceania Track and Field Championships. Bronze in High Jump and Triple Jump, 2010.New Zealand Secondary Schools Track and Field Triple Jump Champion and Provincial Record, 2010.

Washington State University representative for AIA Spokane Chapter Architecture Week Design Competition and I-Bridge event, 2015.Runner-up Washington State University Port-folio Competition, 2015.Pac-12 All Academic Track and Field Team, 2014USTFCCCA All-Academic Team, 2014Victoria University of Wellington Academic Ex-cellence Scholarship, 2011 and 2012.Victoria University of Wellington Deans List of Academic Excellence, 2011 and 2012.New Zealand Graphisoft Architecture High Dis-tinction Award, 2011.NCEA level 1, 2 and 3 with Academic Excellence.NCEA Art Scholarship.New Zealand Young Enterprise Scheme Innova-tive Product National Winner, 2008.

SkillsRevitAutoCADRhinoAdobe Suits3DS MaxMicrosoft OfficeScuba Certification

For me architecture extends beyond the façade, the struc-ture. Architecture flirts be-tween philosophy, religion, so-ciology, engineering, history, and culture yet has the stami-na to stand as it should as we evolve. Architecture is empa-thetic to what is means to be human, but it also secures a grip on its own architectural dignity. Humans and Architec-ture can be seen as a single en-tity, yet with individual strong-holds that allows one to feed off the other, and vice versa.

Career Related ExperiencePrinciple Architect for Senior Capstone, South Lake Union Presentation Center, 2015.

ARCH303 Seattle Study Tour to NBBJ and We-ber Thompson Architects, 2014.ARCH401 seven day Chicago Study Tour, 2014.Casual Renovation Commission for Family Resi-dential Dwelling, Wanaka, New Zealand.

Community Service and LeadershipPrinciple Architect for Senior Capstone, South Golden Key International Honor Society, 2013 to current.New Zealand Certified Provincial Tennis Coach, 2009 to current.Southland Girls High School Prefect and Sports Captain, 2010.

ReferencesAvailable on Request

Contact 509 592 8644

[email protected] Apt 13 960 NE B St, Pullman, WA, 99163

Thoughts are dreams, till their effects be tried - William Shakespeare

""''

Project:Folly - Mt Victoria, Wellington NZ.Victoria University of Wellington. Year 1.

Contents

01 City Fabrication. Victoria University of Wellington. Year 1.03 Te Whatu Iho Victoria University of Wellington. Year 2.07 Community Hub Victoria University of Wellington. Year 2.11 Weaving the Urban Fabric Washington State University. Year 3.15 Tuscon Mountain House Washington State University. Year 4. 17 Seattle Media Tech Washington State University. Year 4. 21 The Carillion Victoria University of Wellington. Year 1. 22 Wander Personal Series

City fabricationAbstraction of movement relative to the ar-rangement of both the city and the built en-vironment. The entrance to Te Aro extends to Victoria Street and then to the greater Wellington city, New Zealand. Our appreciation of space changes relative to our intensity of movement. The stairs are defined by bound-aries, yet our presence within the stairs are not defined by boundary, sequence or rule.

Sketches of relationships are translated into a 3D model. The model exemplifies how changes in an individuals focus alters the perception of space - creating an experience within a moment in time different to any other.

01

Stairs to the entrance record each experience, movement and its fluency, Overlaying the ab-straction on top of the urban framework cre-ates an abstraction of how the experience of the Te Aro stairs translates to the outer city.

The abstract series of images are morphed to establish a visual emotion for the apprecia-tion of space. The arbitrary nature of emotion is perceived with intuition about the Urban framework.

02

02 03

Te Whatu Iho - The Stone Heart

Hau's, a descendant of the Nga-ti Toa Rangatina, tribe came over as a war party in 1817 established prominence on the Kapiti Coast. Hau changed his wifes lover into a bird then ordered his wife, Wairaka, to go into the sea and collect Paua. Wairaka ran unthinkingly into the tide, Hau put a curse on her turning her to stone.

This narrative fuelled the design process also guided by person-al experiences from the site. The warm ambience under foot from forest contradicted the rough grains of sand that had a cool blanket of the past tides.

The rhythm of the waves crashing; being equal with the horizonline; tall waves evolving to small waves as they break on shore; the light green water changing to heavy white water; the passive coast sheltered by the heavy alpine/for-est; the aroma of surf, sand, grass, timber and fires; and the warmth of the sun on your back and the heat of the rocks underneath were experiences that made this site unique. Experiences set out to cap-ture within the building.

04

Points of conflict with-in the site include the obvious relationship between land, sea and Maori.

The stream, seismic fault line, wind and tsunami zones from strong southerlies also create challenges

of landslips and water infiltration. The spring tide with a 1.49m max, and an annual sea level trend of +0.33m

challenges both the access and sustainabil-ity of the project. The sun, a point of interest dictates passive design decisions.

05

European settlers went on to discover a new world of flora/race and defined the indigenous structure, a modern society's compliance of a 'little England'. It is here where the myths and legends of the land were eventually lost.The only evidence of

such heritage is the burial grounds on the hill sheltering the site from the South. The Spine of the Marae and two 'rocks' anchored within the typography. inspired the design process - an attempt to bring Maori heritage back to the site,

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Community Hub - Transport Station

Newton Park and Wellington Zoo, although considered centrally lo-cated within Newtown and the greater Wellington City, New Zea-land, has been isolated and the sense of community has filtered out almost entirely. Newtown is the most versatile community in Wellington and because of the surrounding green belt, there is a huge opportunity for the transport system to redefine the connection between the waterfront, greenbelt and community of Newtown.

By creating a Hub at the Wellington Zoo and Athletic Park, the Hub will become a hearth of activity, en-tertainment and exercise for both the community of Newtown and the Greater Wellington City.

08

Bus route, Car and Bike route, and Pedestrian route have been designed in concordance with the wider Wellington City. More Specifically the existing transportation framework, in addition to the program within and between the Green Belt and Athletic Park.

The floor plan is orientat-ed West to East and faces North to maximize natural daylight. The façade pans from a central point (an existing Pine tree) on the South side and intuitively connects the axis of move-ment from the athlet-ic park to the Wellington Green-belt.

1 - Bus entrance and exit2 - Bike and car route3 - Pedestrian4 - Conceptual Exploration of ex-perience between Architecture and Transport5 - Initial exploration of the rela-tionship between the architecture and the ground condition; how they can manipulate the intensity of both foot traffic and vehicles.

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The panning façade is di-vided into five sections to frame the programmatic function in addition to be-ing sympathetic to the gra-dient of the sites terrain.

North facing orientation is the first of many passive energy saving design fea-tures. A tombre wall that wraps around 3 of the 4 Northern facing façades; Timber from the Greenbelt; and concrete for its high thermal mass; local tim-ber for interior acoustic paneling; and a heightened atrium space to facilitate maximal natural daylight infiltration.

10 11

Weaving the Urban FabricThis project provided an exercise in associative and tectonic design concerning material properties and structural abilities of wood. Physi-cal testing explored geometric log-ic of modular system patterns in terms of both the local and global aggregation.

Wood was chosen for its unique material properties. Unlike iso-tropic material like most metals, which respond the same way in all directions, wood is an anisotropic material and it is directionally de-pendent based on its specific fiber direction. .

Based on a single component, I be-gan a design exploration that was informed by social and physical implications of the Farmers Market, Moscow, Idaho.

The Pavilion Structure works like a Barrel Vault and will concern three spatial arrangements including a Pavilion, Canopy, and Landscape.

Each local aggregation is rotat-ed 30 degrees. This decreases the arbitrary scale and complexity and eliminates confusion of the 'in-be-tween'.

As Pedestrians approach the Pavil-ion from the South, the pavilion is viewed as a transparent structure. However, when the structure is ap-proached from the North, the pavil-ion is viewed as a Solid structure.

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Local Unit assembly process - To achieve the arch, each strip is interlocked following the illustration below. Each unit will share 4 connection joints to-gether to reduce

torsion where this type of rigid connection can withstand its own dead load and environmen-tal loads. With multiple teeth, if one tooth was non-symmetrical or displaced, it would

increase the rate of failure of the overall system. Multiple teeth created confusion when physically aggregating the system, slowing down the construction process

and increasing human error. Infinite teeth lead to structural fail-ures and arbitrary de-sign This increased the complexity and confu-sion of the system.

To the left:Initial module design.1 - First Phase2 - Axis of manipulation3 - Axis of aggregation

1. 2. 3.

Step 1 Step 2 Step 3 Step 4 Step 5 Individual Interlocking Strips13

Three variations of the component are devel-oped to create an arch system in attempts to

decrease modular tor-sion. Torsion results in breakage at the con-nection joint when

tested. A numeric sys-tem prevented error in assembly and the off-set allows the next

sequence of variation to be connected at a greater degree.

Offset a.

Offset b.

Offset c.

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RIck Joy creates a family home using rammed earth.

Diagrams focus on the architec-tural element of the floor. In-stead of a building traditionally built from walls, Joy uses the ground to build three dimen-sions. The diagrams resolved how Joy has built upwards from the ground instead of placing a foreign object on top of the site.

Joy pays close attention to the ground plane, the interior and exterior floor plan is undistin-guishable. The horizon line and the line of the butterfly roof is reciprocal. The Valleys of the dessert are excavated creating an emphasis on the 'walls' evo-lution from negative space cre-ated by the valleys.

Tuscon, Arizona 2001Tuscon Mountain House - Diagramming

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Tucson Mountain HouseRick JoyTuscon, Arizona 2001Rick Joy is responsible for the environment and in the Tucson Mountain House, Joy creates architecture that is rooted in its place. Each building has careful consider-ation to resource conservation and reects his profound respect for the landscape and his poetic understanding of space. In the Tucson Mountain House, this family home could not possibly compete with the landscapes or the mountain. The simplistic shape and buttery roof frames the dessert and gently compliments its con-tours. This is successful by using techniques such as rammed earth.

Floor

Extending the Floor Vertically. Interior and Exterior connected by a single plane.

Base to Peak to determine Wall height. Horizon line unites the buidling with the ground. A distinguished transition bewteen earth and sky.

Distribution of Function beneath the Mountain and View above the Valley. Translation of the Valley to the Floor

Function View


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Function View


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Function View


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Function View

Distribution of function beneath the mountain and view above the valley

Extending the Floor Vertically Base to Peak to determines wall height

Translation of the valley to the floor

Interior and exterior connected by a single plane

Horizon line unites the building with the ground. A distinguished transition between earth and sky

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This Project was to renovate the Seattle South Lake Union Vulcan Discovery Center into a Media Museum for Amazon. We were paired with the Construction Management Program at Washington State University to produce a finished design to present to Vulcan, Amazon and dozens of Pacific North West's most respected contrac-tors. This design-build project was an exercise of design in addition to producing con-struction documents. The Construction Management team analyzed the informa-tion in terms of cost and scheduling. This project, although only requires a set of construction documents, was a exercise of the entire design process. This includes initial Site Evaluation, Schematic Design, Design development, Construction Draw-ings, and further design development. This project is still in progress, and was beneficial as it gave a unique insight to the real life procedures within the con-struction industry.

Senior Capstone - in progress.Seattle Media Tech - Amazon

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SMB Architects800 Occidental Ave. S.Seattle, WA 98134(360)477-7546

Charlotte MuschampSMB Principal800 Occidental Ave. S.Seattle, WA 98134(509)592-8644

Jannita BolinJunior Architect800 Occidental Ave. S.Seattle, WA 98134(509)551-7164

Matthew SchuchardtUrban Planner800 Occidental Ave. S.Seattle, WA 98134(360)477-7546

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SMB Architects800 OccidentalAve. South,Seattle,WA98134(360)477-7546

Charlotte MuschampSMB Principal800 Occidental Ave. S. Seattle, WA 99134(509) 592-8644

Jannita BolinJunior Architect800 Occidental Ave. S. Seattle, WA 99134(509)551-7164

Matthew SchuchardtUrban Planner800 Occidental Ave. S. Seattle, WA 99134(360)477-7546


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1" = 1'-0"8 Blue Boxes Window Header

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The Carillion

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Wander - Art Series

The Carillion - Formal hand drawing captures the essence of Wellington War Memori-al by a process of abstracting the arrangement of required drawing sets. The Carillion stands as a bea-con within the city of Wellington, a heart of the city and its people. The streets of Wellington feed the Carillion as the veins would feed the heart blood. As the blood of the city feed the memorial, the memorial towers over the people as a beacon of life - a stature that remembers those lives that were sacrificed. To remember the circle and reciprocity of life.

Wander - Architecture extends beyond a structure, a science, an art. Archi-tecture is a sense, an emotion, an interpretation of the unconscious. Architecture allows us to wander within the past, present and future. It does not confine us to a single.

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rule but allows the individual to wander through opportuni-ty, culture, religion, philosophy, sociology, history and realms that have not yet settled. These private art series explore these realms. These series are in-spired to wander

Wander - "We are all equal in the fact we are all different. We are all the same in the fact that we will never be the same. We are unit-ed by the reality that all cul-tures are distinct and individual. We are harmonious in the real-ity that we are all held to this earth by the same gravity. We don’t share blood, but we share the air that keeps us alive..."- C. Joy Bell

Wander - Art Series

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ΩΑΝ∆ΕΡΩΑΝ∆ΕΡΩΑΝ∆ΕΡ

Wander -"Suffering becomes beautiful when anyone bears great ca-lamities with cheerfulness, not through insensibility but through greatness of mind."- Aristotle

Wander - Art Series

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