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Catherine ChiaParsons The New School for DesignSecond year [email protected]
Objective: Redesign glazing and electrical lighting system to prevent migratory birds from colliding into glass skyscrapers.Programs Used: AutoCAD, Photoshop, Illustrator, Indesign, AGI32,
Building Bird-Safe Cities: An Environmental CrisisPrimary Advisor: Nathalie Rozot | Brooke Carter, Peter Wheelwright, Alexa Griffith and James Fischer | Spring 2012
Park A
ve S
Madis
on A
ve 26th Street
25th Street
24th Street
23th Street
5th
Avenue
Broadway
Broadway
Insect Control
More than 90,000 birds die per year in NYC due to building collision.
80
0
85
0
IR
Absorbs most light; thus, may be most
300
UV IR
350 400 450 500 550 600 650 700 750 800
Oil Droplets reduce signal of violet & near UV spectrum; thus, slower response to
Avian vs. Human Visual System
One Madison Park
Zone 2 (E)
Zone 1 (E)
Zone 3 (S)
Zone 4 (S)
Zone 5
Zone 6
Zone 1 (E.L)Zone 2 (E.L)
Glazing
Surface Reflectance (S.R)
Electric Lighting (E.L) & Surface Reflectance (S.R)
Electric Lighting (E.L)
Zone
3Zo
ne 4
Zone 3 (S.R)Zone 4 (S.R)
Viewing Zone
Section A
Recessed Downlight
Zone 1: No ambient or non-directional fixtures. Task Lighting only.
Electrical Lighting Surface Reflectance Glazing
Legend
Zone 3: Low reflectance area. Zone 5: Direct Transmittance.
Zone 2: Ambient + task lighting.
Zone 4: Standard reflectance percentage.
Zone 6: Indirect/Reflected Transmittance.
Zone
1Zo
ne 2
Task LampTable LampFloor LampDirectional Pendant
Floor LampWall Sconce Cove lightingCeiling Mounted Wall Graze Table Lamp
Interior Zoning to Minimize Light Transmittance at Night
Glazing Treatment to Reduce Building Threat Rate
For Wavelengths
Full
Spe
ctru
m
less then 400nm
Range from
424-5
65nmA
bove
600nm
Full
Spe
ctru
m
minus
Wav
elen
gths
less
tha
n 400nm
Daytime Nighttime
Above 600nm
Full
Spe
ctru
m
less then 400nm
Range from
424-5
65nmA
bove
600nm
Full
Spe
ctru
m
minus
Wav
elen
gths
less
tha
n 400nm
Daytime Nighttime
Above 600nm
For Glazing
Ideal Performanceproposed window condition
Low transmittance: Exterior Night lighting to interior enviroment
Large view to exterior
Low reflectance: Exterior facing surface
High transmittance:Exterior to Interior
Low transmittance: interior to exterior
High reflectance: Interior facing surface
proposed window condition
Low transmittance: Exterior Night lighting to interior enviroment
Large view to exterior
Low reflectance: Exterior facing surface
High transmittance:Exterior to Interior
Low transmittance: interior to exterior
High reflectance: Interior facing surface
Screening Palette Screening Combinations
Detailed ElevationBuilding Zoning by Bird Collision Rate Sectional Detail
Ceramic Frit 40% (Ext)
Ceramic Frit 40% (Int) UV Reflective Lines
Translucent Color
PhotovoltaicAcrylic
Dichroic Coating Switchable Privacy Glass
Holographic Element
Louvres
Diaphanous Textile
Metal
Angled Glass
Screening Palette
Reduce light spill and filter out long wavelength.
Create visual noise adds additionalvisual noise in areas with less ceramic frit coverage.
Switchable Privacy Glass
Ceramic Frit
UV Reflective Lines
Zone
ZZo
ne Y
Zone
B
Zn. X
Zn. A
D DY X
Zone Z Zone Y Zone X
Zone B
Zone A
D Y
D X
Design Intervention (Interior Zoning + Glazing Treatment)
Day
Night
Glare Analysis10am10am 2pm2pm 4pm4pm
Conceptual Diagram: Facade / Space Relationship / Inspiration
Catherine Chia & Junkyeong Park
2 1
3N
Objective: Explore daylight in relationship to the building’s form, and design the electrical lighting in consideration of daylight.Programs Used: AutoCAD, Photoshop, AGI32, Ecotect and Rhino
+ Located near Fashion institute of Technology, on 28th street, NYC.
Daylight Study/Analysis: Academic CenterMatthew Tanteri, Kimberley Ackert, Nelson Jenkins, Star Davis, Matthew Franks | Group Project with Junkyeong Park | Spring 2011
10ft 20ft 30ft 40ft 50ft 60ft 70ft 80ft 90ft
20 fc40 fc60 fc80 fc100 fc120 fc
10ft 20ft 30ft 40ft 50ft 60ft 70ft
20 fc40 fc60 fc80 fc100 fc120 fc
10ft 20ft 30ft 40ft 50ft 60ft 70ft 80ft 90ft
20 fc40 fc60 fc80 fc100 fc120 fc
10ft 20ft 30ft 40ft 50ft 60ft 70ft
20 fc40 fc60 fc80 fc100 fc120 fc
Daylight Penetration + Skylight and Sidelight influences programming + High window to wall ratio increases daylight penetration
2F Library Reflected Ceiling Plan+ Custom-made Recessed linear light fixtures provide ambient lighting and emphasize the form of the building.+ Circular bookshelves have signage lighting and linear LED fixtures built into each stack. + Circular stacks intended to maximize daylight into space.+ Study carrels and group study tables along window facade for exterior view.+ Main stairs serve as a visual attraction from the exterior and for convenience.
3F Offices 5F Classrooms 7F Cafeteria
1. Book Stacks2. Individual Study Carrels3. Group Study Tables4. Restroom5. Computer Station
6. Main Staircase7. Emergency Staircase8. Reception9. Magazine Stacks
1.
1. 2.
3.
7.
6.
9.
8.
5.
7.
4.
3.
2nd Floor Library: Evening
2nd Floor Library: Daytime
6th Floor Cafeteria
Site Plan
N
Apple Store
Chelsea
Market
Objective: Design the lighting component for NYC LGBT Youth Center while meeting the IESNA lighting requirements.Programs Used: AutoCAD, Photoshop, AGI32, and Rhino
+ Located at Chelsea meatpacking district in Manhattan.+ Main street is 9th Ave
9th AVE
Lobby & Reception Desk Multi-functional Room Circulation Space
Repe
titio
n D
iagr
am
Floor Plan
+ The lighting in the youth center functions not only to provide ample lighting but also to create a sense of unity within the architecture and community among people+ This is achieved in 2 ways: Repetition of architectural form Transparent materials
1st Floor
2nd Floor
Architectural lighting: Lighting for an Office BuildingCraig Bernecker, Glenn Shrum, Amer Maleh | Group Project with Junkyeong Park | Fall 2010
Interactive Spaceda
+ An interactive area that involves people from both the first and second floor+ Light passes through the colored glass on the second floor onto the first floor+ People walking on the second floor casts shadow onto the first floor+ Section shows light sandwiching and defining rooms and public space creating a dynamic and cozy environment
Section1F
2F
Reveal texture
Original Inspiration 2-D representational drawings
Conceal texture
Objective: Explore light from a purely visual perspective, first through observation and then through communication and representation in both 2 and 3 dimensions.Exploration: Light can reveal or conceal the texture of a surface
+ The angle and intensity of light gives form to the edges of the texture, but the texture becomes concealed when light illuminates the surface uniformly+ Both light and shadow play an integral part in revealing or concealing the texture of a surface
Visual Effects of LightingCraig Bernecker, Glenn Shrum, Amer Maleh | Fall 2010
Fixture set-up
+ The angle of the fixture determines the degree at which the texture is revealed
Reveal
ConcealLight source
Textured surface
Black box
Light source
Mission: To foster the understanding of the design intersections between nature and technology and to support a heightened sense of responsibility for increasing the sustainability of built environmentsObjective: Propose a design for a self-sustaining playground that can generate its own power through human interventionPrograms Used: Photoshop and Rhino
+ Grant proposal: Michael Kalil Endowment for Smart Design+ Inspiration from PLANYC 2030, “dozen of high quality fields are rendered all but unusable after the sun sets.”
Evening Rendering
Research on Renewable Energy
Floor panel generates energy
The act of compression produces energy which is stored in a battery.
Jumping on the outer perimeter circles generates enough energy during the day to power the electric lights in the center
E-volve: Lighting Proposal for NYC Public ParksCollaboration with Paggy Chang, Lilian Lu, Genda Lin | Student Grant Proposal 2011
RCP
Scale: 3”=1’-0” Elevation Back
Objective: design an LED task lamp + competition entry at Light Fair, Las Vegas
Z-Curve Task LightMichael Siminovitch | Fall 2010
Objective: design and built a model to better understand daylighting in an interior spaceClient: Spa treatment center
+ Used the heliodon to understand light distribution during different times of the year+ Experimented with various window types such as clerestory, light shelves, and sky lights + Tested two kinds of window treatments: diffused and clear + The diffused material obliterates the hot spot and discomfort seen in the image of the clear clerestory+ Experimented with daylighting during different times of day and orientation
Diffused Clerestory
Model Close-up
Daylight Study: Dream SpaKonstantinos Papamichael | Group Project with Jeanette Kim | Spring 2010
Concept
Section
Elevation
Plan Plan
JumpStart Program: Outdoor Public LoungeSummer 2008
Objective: Sculptural artpiece for UCLA public courtyard that functions to engage students to interact with sculpture and with each other.Programs Used: Hand Drafting and Modeling
Axonometric
Self Portrait