1
48 ............... Friday, March 11, 2016 1SM album All Watched Over By Machines Of Lov- ing Grace. I’ve pretty much had it on repeat. I just love the pairing of James and Lisa’s vocals, backed with edgy indie-pop. It’s their harmonies that really make the songs stand out, but they’ve created an accomplished sound. Andy said: “The first album was raw, rough around the edges. After a delay in releasing it due to line up changes and differences of opinions with some producers, we just wanted to get it out there. We knew it had real quality to it. If anything it was an explosion of ideas. Perhaps too many!” The new record seems more focused. It has the sound of a complete album rather than a few stand-out tracks bulked up with fillers. Lisa said: “Sonically, we have changed quite substantially from the first album. We’re Watch video of band at: thescottishsun.co.uk MUSIC ONES TO WATCH sftw Edited by CHRIS SWEENEY Band Russells up some Universal appeal It’s beer-soaked mayhem at every one of our shows ACTION hero Jack Bauer has competition from Bath rockers Bare Knuckle Parade. Bauer may have prevented all sorts of disasters in just 24 hours, but the band recorded their debut album, including smash single Diamond Eyes in the same time but they did need an awful lot of COFFEE. Frontman Jamie Beale explained: “We didn’t have enough money to make the full album, and the guy we were working with was in Devon. “He said he liked what we were doing and suggested staying up all night. We managed to do it. “He’s a coffee connoisseur, so he loaded us up with that and we cracked on. “The conversations got wacky but the recordings stayed on track. “Diamond Eyes actually was the song we went in to record. We fin- ished it and then he mentioned doing the album.” Really getting their money’s worth, they also shot a music video while laying down Diamond Eyes. Over-whelmed by the reaction so far And despite the rush job, it’s all going down a storm. Jamie, 21, said: “We’ve been over- whelmed by the reaction so far. We’ve had a lot of really, really nice mes- sages. To be honest, we didn’t expect any of that.” Low expectations are normal for BKP. They formed during a boozy night out and earned a fan base from the start. Jamie said: “It seemed like a good idea at the time. I’m sure a lot of people have said it on a night out. “But we followed up on it, we decided the name that night. “We realised we’d gone too far, when our third show ever sold out. “It was a pub in Bath, we set up the instruments and went home to get microphones. “We drove back and by then, it was packed and everyone was facing the stage. “Apparently they were there to see us. We looked at each other and thought, ‘Oh s***’.” The lads hit Edinburgh on April 29 at Henry’s Cellar Bar. It’s their first proper gig north of the border. Jamie said: “We don’t do it as much now, but we used to tour around the country and busk in the streets. “We’ve done that in Edinburgh on a street corner. “But this is our first actual show in a venue in Scotland and we’re looking forward to it.” The plan is to get the album out in late summer but they have no real plan of action on any of their tours. They are more off the cuff — that’s how they operate. Jamie admitted: “We pride ourselves on being unpredictable, loud and untamed. “We started off playing a lot of our songs aiming towards drinking and drunk people. “As we developed as a band, we tried out other stuff. “But every show we do is beer- soaked, sweat-dripping pandemonium. “There are a lot of bands who have a plan every time they go on stage and that’s cool. “I’ve seen a lot of them do it extremely well. It makes the show in a lot of cases. “But for us, we all do the classic pre-gig ritual of banging our heads on the walls and pacing about. “No one really knows what’s going to happen. “We always like to try new things. “One of us will get a crazy idea to climb up on the venue, but we don’t tell the others. “So we all just see some- one doing something wacky and play off it. “That’s the way we like to do things. We thrive when we’re on a stage.” lWatch the video for Diamond Eyes now at bareknucklepa- rade.com UNIVERSAL THEE WHO: James Russell (vocals/guitar), Lisa Russell (vocals), Robin Spivey (guitar), Andrew Perrie (bass), Albie Clark (drums) WHERE: Edinburgh FOR FANS OF: Pixies, Pavement, Weezer JIM SAYS: Much as I’d like to claim Universal Thee for my home town of Dundee, they actually hail from Edinburgh — except for lat- est recruit Albie. They did first cross paths while at uni in Dundee. Fronted by husband-and-wife duo James and Lisa Russell, the band debuted in 2010, with an album Back To Earth emerging in 2014. They’ve just released their second much more collaborative when writing. The sound moves slightly from the American influences to our Scottish influences, a point which has been picked up in early listens from those in the industry.” After Speaker, and the free taster track Hounds, their latest single Keep Falling is released today. They should be unveiling the video for it soon. Universal Thee play Sneaky Pete’s in Edin- burgh on March 26, and are looking to secure some summer festival slots. James said: “T In The Park would be great. We like to take it one goal at a time.” MORE: universalthee.com lJim presents a weekly showcase of New Music on Amazing Radio Sundays 2-4pm. amazingradio.com jimgellatly.com NEW MUSIC By Jim Gellatly ONE 2 DO T IN THE PARK had a few ups and downs last year, but the unsigned stage T Break shone through. And the 2016 campaign is off and running. I’m on the judging panel again and we’re looking for the best talent all over the coun- try to give it a shot. Just remember to upload your best work. There’s thousands of entries, so the com- petition for the 16 spots in July is fierce. Head of Sponsorship at Tennent’s Lager, George Kyle said: “I was delighted with last year. As always there were highlights like Tijuana Bibles and Gerry Cinnamon. “I always say it, but it’s down to the bands and the individuals who want to be part of it.” To enter, go to tennents.com/tbreak HOT TRACKS THESE doom-mongers from Down Under definitely take their time releasing records – just as they do performing on them. As spiritual successor to cult Aussie death/doom band Disembowelment who split in 1993 after just one album, Inverloch keep the sinister slow-motion formula firmly intact. Crushing atmospherics take centre stage for most of the 40 minutes, punctuated by bursts of death metal riffage and Ben James’ incoherent black metal rasps. Exquisitely dark, beautifully produced and disturbingly intoxicating – this is extreme metal done extremely well. HHHH ROB LEWIS INVERLOCH Distance | Collapsed ALESSIA CARA: Wild Things. Following the phenomenal success of Here, Cara comes out with another piece of refreshingly intelligent pop. Her pure, effortless vocal and confessional lyrics could make her a worthy rival for T-Swizz. HHHH RAT BOY: Move. 19-year- old Jordan Cardy combines a Nineties sound reminiscent of Cornershop or Fatboy Slim with frenetic speak- singing on this nifty earworm. HHHH ANNE-MARIE: Do It Right. Going it alone after collaborations with Rudimental, Anne-Marie has oodles of personality and a lovely warm tone to her voice. This laid-back track is excellent. HHHH BRYAN ADAMS: Do What Ya Gotta Do. The Beatles and Stones influence can be heard on this retro track from Adams’s 13th album Get Up. HHH FOALS: Birch Tree. Classy indie-pop which maintains a breezy momentum from start to finish. HHHH JACK GARRATT: Worry. The Brits Critics’ Choice winner shows off his impressive falsetto on this emotionally raw track from first album Phase. HHHH LAURA MVULA FT. NILE RODGERS: Overcome. A brilliantly atmospheric return for Mvula, made all the better by Rodgers’ masterful contribution on guitar. HHHH MARKUS FEEHILY: Sanctuary. Mark (of Westlife fame) gives it his all on this soulful ballad. The track features a sample of Clannad’s Theme from Harry’s Game. HHHH NOTHING BUT THIEVES: If I Get High. Conor Mason’s beautiful voice is a dead ringer for Jeff Buckley’s. This guitar-led ballad is crisply produced and tingling with atmosphere. HHHH THE WEEKND: Often. The verse blends seamlessly into the chorus on this tight R&B track. Watch out for the X-rated lyrics. HHHH POPPY COSYNS

CHRIS SWEENEY TRACKS HOT It’s beer-soaked … · pre-gig ritual of banging our heads on the walls and pacing about. “No one really knows what’s going to happen. “We always

Embed Size (px)

Citation preview

48 ............... Friday, March 11, 2016 1SM

album All Watched Over By Machines Of Lov-ing Grace. I’ve pretty much had it on repeat.

I just love the pairing of James and Lisa’svocals, backed with edgy indie-pop.

It’s their harmonies that really make thesongs stand out, but they’ve created anaccomplished sound.

Andy said: “The first album was raw, rougharound the edges. After a delay in releasing itdue to line up changes and differences of

opinions with some producers, we justwanted to get it out there. We knew it had realquality to it. If anything it was an explosion ofideas. Perhaps too many!”

The new record seems more focused. Ithas the sound of a complete album ratherthan a few stand-out tracks bulked up withfillers.

Lisa said: “Sonically, we have changedquite substantially from the first album. We’re

Watch video of band at:thescottishsun.co.uk

MUSIC ONESTOWATCHss f t w Edited byCHRIS SWEENEY

BandRussells up someUniversal appeal

It’sbeer-soakedmayhemateveryoneofour showsACTION hero Jack Bauerhas competition from Bathrockers Bare KnuckleParade.

Bauer may have prevented allsorts of disasters in just 24 hours,but the band recorded theirdebut album, including smashsingle Diamond Eyes in the sametime — but they did need anawful lot of COFFEE.

Frontman Jamie Beale explained:“We didn’t have enough money tomake the full album, and the guy wewere working with was in Devon.

“He said he liked what we weredoing and suggested staying up allnight. We managed to do it.

“He’s a coffee connoisseur, so heloaded us up with that and wecracked on.

“The conversations got wacky butthe recordings stayed on track.

“Diamond Eyes actually was thesong we went in to record. We fin-ished it and then he mentioned doingthe album.”

Really getting their money’s worth,they also shot a music video whilelaying down Diamond Eyes.

Over-whelmed bythe reaction so far

And despite the rush job, it’s allgoing down a storm.

Jamie, 21, said: “We’ve been over-whelmed by the reaction so far. We’vehad a lot of really, really nice mes-sages. To be honest, we didn’t expectany of that.”

Low expectations are normal forBKP. They formed during a boozynight out and earned a fan base fromthe start.

Jamie said: “It seemed like a goodidea at the time. I’m sure a lot ofpeople have said it on a night out.

“But we followed up on it, wedecided the name that night.

“We realised we’d gone too far,when our third show ever sold out.

“It was a pub in Bath, we set upthe instruments and went home to getmicrophones.

“We drove back and by then, it waspacked and everyone was facing thestage.

“Apparently they were there to seeus. We looked at each other andthought, ‘Oh s***’.”

The lads hit Edinburgh on April 29

at Henry’s Cellar Bar. It’s their firstproper gig north of the border.

Jamie said: “We don’t do it as muchnow, but we used to tour around thecountry and busk in the streets.

“We’ve done that in Edinburgh on astreet corner.

“But this is our first actual show ina venue in Scotland and we’re lookingforward to it.”

The plan is to get the album out inlate summer but they have no realplan of action on any of their tours.

They are more off the cuff — that’show they operate.

Jamie admitted: “We pride ourselveson being unpredictable, loud anduntamed.

“We started off playing a lot of oursongs aiming towards drinking anddrunk people.

“As we developed as a band, wetried out other stuff.

“But every show we do is beer-soaked, sweat-dripping pandemonium.

“There are a lot of bands who have

a plan every time they go on stageand that’s cool.

“I’ve seen a lot of them do itextremely well. It makes the show ina lot of cases.

“But for us, we all do the classicpre-gig ritual of banging ourheads on the walls and pacingabout.

“No one really knows what’sgoing to happen.

“We always like to try newthings.

“One of us will get a crazyidea to climb up on thevenue, but we don’t tell theothers.

“So we all just see some-one doing something wackyand play off it.

“That’s the way we like todo things. We thrive whenwe’re on a stage.”lWatch the video for DiamondEyes now at bareknucklepa-rade.com

UNIVERSAL THEEWHO: James Russell (vocals/guitar), LisaRussell (vocals), Robin Spivey (guitar),Andrew Perrie (bass), Albie Clark (drums)WHERE: EdinburghFOR FANS OF: Pixies, Pavement, WeezerJIM SAYS:Much as I’d like to claim UniversalThee for my home town of Dundee, theyactually hail from Edinburgh — except for lat-est recruit Albie. They did first cross pathswhile at uni in Dundee.

Fronted by husband-and-wife duo Jamesand Lisa Russell, the band debuted in 2010,with an album Back To Earth emerging in2014. They’ve just released their second

much more collaborative when writing. Thesound moves slightly from the Americaninfluences to our Scottish influences, a pointwhich has been picked up in early listensfrom those in the industry.”

After Speaker, and the free taster trackHounds, their latest single Keep Falling isreleased today. They should be unveiling thevideo for it soon.

Universal Thee play Sneaky Pete’s in Edin-burgh on March 26, and are looking tosecure some summer festival slots.

James said: “T In The Park would be great.We like to take it one goal at a time.”MORE: universalthee.comlJim presents a weekly showcase of NewMusic on Amazing Radio Sundays 2-4pm.amazingradio.com jimgellatly.com

NEWMUSICBy Jim Gellatly

ONE 2 DOT IN THE PARK had a few ups and downs lastyear, but the unsigned stage T Break shonethrough.And the 2016 campaign is off and running.I’m on the judging panel again and we’relooking for the best talent all over the coun-try to give it a shot.Just remember to upload your best work.There’s thousands of entries, so the com-petition for the 16 spots in July is fierce.Head of Sponsorship at Tennent’s Lager,George Kyle said: “I was delighted with lastyear. As always there were highlights likeTijuana Bibles and Gerry Cinnamon.“I always say it, but it’s down to the bandsand the individuals who want to be part of it.”To enter, go to tennents.com/tbreak

HOTTRACKS

THESE doom-mongersfrom Down Under definitelytake their time releasingrecords – just as they doperforming on them.As spiritual successor to

cult Aussie death/doomband Disembowelmentwho split in 1993 after justone album, Inverloch keepthe sinister slow-motionformula firmly intact.Crushing atmospherics

take centre stage for mostof the 40minutes,punctuated by bursts ofdeath metal riffage and BenJames’ incoherent blackmetal rasps. Exquisitelydark, beautifully producedand disturbinglyintoxicating –this is extrememetal doneextremely well.

HHHHROB LEWIS

INVERLOCHDistance | Collapsed

ALESSIA CARA: WildThings. Following thephenomenal success ofHere, Cara comes outwith another piece ofrefreshingly intelligentpop. Her pure, effortlessvocal and confessionallyrics could make her aworthy rival for T-Swizz.

HHHHRAT BOY: Move. 19-year-old Jordan Cardycombines a Ninetiessound reminiscent ofCornershop or FatboySlim with frenetic speak-singing on this niftyearworm. HHHHANNE-MARIE: Do ItRight. Going it alone aftercollaborations withRudimental, Anne-Mariehas oodles of personalityand a lovely warm tone toher voice. This laid-backtrack is excellent. HHHHBRYAN ADAMS: DoWhatYa Gotta Do. The Beatlesand Stones influence canbe heard on this retrotrack from Adams’s 13thalbumGet Up. HHHFOALS: Birch Tree.Classy indie-pop whichmaintains a breezymomentum from startto finish. HHHHJACK GARRATT: Worry.The Brits Critics’ Choicewinner shows off hisimpressive falsetto onthis emotionally raw trackfrom first album Phase.

HHHHLAURAMVULA FT. NILERODGERS: Overcome. Abrilliantly atmosphericreturn for Mvula, made allthe better by Rodgers’masterful contributionon guitar. HHHHMARKUS FEEHILY:Sanctuary. Mark (ofWestlife fame) gives ithis all on this soulfulballad. The track featuresa sample of Clannad’sTheme from Harry’sGame. HHHHNOTHING BUT THIEVES:If I Get High. ConorMason’s beautiful voiceis a dead ringer for JeffBuckley’s. This guitar-ledballad is crisplyproduced and tinglingwith atmosphere. HHHHTHEWEEKND: Often.The verse blendsseamlessly into thechorus on this tight R&Btrack. Watch out for theX-rated lyrics. HHHH

POPPY COSYNS