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Church Fathers On and laughter

Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

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Page 1: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Church Fathers

On and laughter

Page 2: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)
Page 3: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

TERTULIAN

(2nd -3rd CE)

Page 4: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Tertullian

Page 5: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Life

• Well educated; probably practiced law

• Converted in his late thirties, was married

• Wrote and lived in Carthage

• Among other writings published a book condemning theater entitled On Spectacles

Page 6: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Thought

• Austere approach to Christian morality

• Christian women should wear veils

• Remarriage should be forbidden

Page 7: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Context

• Carthage famous for spectacles, especially violent gladiatorial displays.

• Christians kept going to the games.

Page 8: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

2nd century CE basilica, Carthage

Page 9: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

The port of Roman Carthage, 2nd century CE. It used the same structures as the Punic port had.

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Vaticanus

Page 11: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Arguments against theater

• Idolatry—pagan religious origin of the games.

• Emotions are an integral part of the theatre, including the obscene Atellan farces, naked prostitutes, etc.

Page 12: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Arguments against theater

• Theater linked to the temple of Venus to give it a religious back-up;

• Venus and Bacchus allied demons promoting immodesty of gestures and attire

Page 13: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

The capital of Jordan, the Greco-Roman city named Philadelphia, originally spread over seven hills, Amman now covers at least nineteen hills.

Page 14: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Bestiarii

Page 15: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

We LUST for shows

• Their spiritual agitation procures pleasure

• Excitement leads to lapses

• Show involve pornography a ‘buffoon in a woman’s clothes’

Page 16: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Pagan conspiracy

• Pagans insist that Christians take part in the games, because they want to jeopardize their salvation

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Examples

• Case 1: woman went to theater and came back possessed; during exorcism, the demon replied: ‘I found her in my domain’

Page 18: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

The Setting

• The arena as the place of Christian martyrdom

• ‘to the lions!’

Page 19: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Last Judgment

• ‘Our pleasures are yet to come’

• God is the greatest enjoyment

• The final judgment will be the true spectacle

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Last Spectacle

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Augustine

(354-430 C.E.)

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St Augustine

• Lived most of his life in Roman Africa

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Augustine:

• Christian mother:• As a student had a

mistress and son

• He gave her up to make a society marriage in Milan

Page 24: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Conversion

• Baptized Christian in 387

• 397 becomes bishop of Hippo and publishes Confessions

Page 25: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Hippo Regius today

Page 26: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Remains of Hippo Regius

Page 27: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Augustine on Theater

• Confessions– Theater as site of debauchery

• City of God– Social practice inappropriate for Christians

• Concerning the teacher and On Christian doctrine– Theater as a language inappropriate for Christian contents

Page 28: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Augustine’s experience of theater

• “Thus arose my love of suffering, not the kind that would affect me deeply… but such as would supply, as it were, a superficial scratching as I listened to those fictions. Yet, an inflamed sore, and putrefaction, and blood poisoning followed as if from the scratches of fingernails. ”

Page 29: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Emotions

• Theatrical emotions are artificial.

• Theater abuses the human capacity for pity, because the spectators enjoy feeling it.

Page 30: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Theater in the City of God

• Theater as an institution– Is an expression of polytheism– Is virtually indistinguishable from other

religious rituals– Represents gods (including grotesque ones,

such as Priapus) directly– The myths shown are immoral

Page 31: Church Fathers On and laughter. TERTULIAN (2nd -3rd CE)

Conclusion

• Theatrical performance represents representations and therefore cannot be a means of expression Christian values