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JUICER’S HANDBOOK

Cinelease Online Handbook - The Market Leader in Lighting

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Page 1: Cinelease Online Handbook - The Market Leader in Lighting

JUICER’S HANDBOOK

Page 2: Cinelease Online Handbook - The Market Leader in Lighting

JUICER’S HANDBOOK

Presented by

Information Courtesy of

LIGHT EVERYWHERE

Page 3: Cinelease Online Handbook - The Market Leader in Lighting

Special thanks to the following photographers who agreed to share their images with us:

Elias Talbot, Cinematographer

Christopher Broomfield, Spark

Daniel McNutt, Photographer

Harrison Hudson, Set Lighting Technician

LIGHT EVERYWHERE

Page 4: Cinelease Online Handbook - The Market Leader in Lighting

As a courtesy to our customers, we are providing to you this updated guide as a reference. However, please note that we cannot guarantee the accuracy and completeness of all information contained herein, and we accept no responsibility regarding any information contained herein which may be incorrect.

Cinelease has re-designed and re-issued this book for the sole purpose of making the lives of technicians a little easier and efficient. We are continually updating and refining the contents, if you think something needs to be corrected, amended, or added, send an email to:

[email protected]

LIGHT EVERYWHERE

Page 5: Cinelease Online Handbook - The Market Leader in Lighting

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ELECTRICAL TERMS & DEFINITIONS

RECOMMENDED EXTENSION CORD WIRE GAUGE

Unit Symbol Definition

Volt V The pressure required to force one ampere through a resistance of one ohm.

Ampere (Amp) A The electric current that will flow through one ohm under a pressure of one volt.

Ohm R The resistance through which one volt will force one ampere.Hertz Hz Frequency in cycles / second.

Watt W One joule X per second.

Horsepower hp 745.6999 watts.

Mired Shift A value used in changing color temperature of a light.

WIRING CODE

POSITIVE Black, Red, Blue POSITIVE Brown

GROUND Green GROUND Green/Yellow

NEUTRAL White NEUTRAL BlueINTE

RNAT

IONA

L

US

RATED LOAD (IN AMPS)LENGTH 2 3 4 5 6 8 10 12 14 16 18 20

25’ 18 18 18 18 18 18 18 16 16 16 14 1450’ 18 18 18 18 16 16 14 14 12 12 12 12

100’ 18 16 16 14 14 12 12 12 12 10 8 8150’ 16 14 14 12 12 10 10 8 8 8 6 6200’ 16 14 12 12 10 10 8 8 6 6 6 6

GAUGE

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WIRE & CABLE ABBREVIATIONS

S Service (600V) W Weather Resistant Jacket

O Oil-Resistant Jacket J Junior Hard Services (300V)

OO Oil-Resistant & Oil Resistant Conductors T Thermoplastic

P Parallel

SHeavy-duty, rubber-insulated portable cord. Stranded copper conductors with

separator and individual rubber insulation. Two or more color-coded conductors cabled with filler, wrapped with separator and rubber jacketed

overall. 600V

SO Hard-service cord, same construction as Type S, except oil resistant carolprene jacket. 600V, 60°C to 90°C

SOO Same as SO, but inner conductor insulation as well as the outer jacket is oil-resistant

SOOW Same as SOO, but also weather-, water- and sunlight- (UV) resistant

SJ SJ has an all rubber construction, remains flexible at low temperatures, and is designed for indoor use with portable tools, equipment and motors. 300V

SJO Same as SJ, but carolprene, oil-resistant compound outer jacket. Can also be made water-resistant. 300V, 60°C.

SJOO Same as SJO but inner conductor insulation as well as the outer jacket is oil-resistant.

SJOOW Same as SJOO but also water- and weather-resistant.

SPT-1&2PVC insulated, extra flexible parallel cord for use in household appliances,

including clocks, fans, radios, and most often, SPT-2 in lamps, also known as Zip Cord

Page 7: Cinelease Online Handbook - The Market Leader in Lighting

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ENTERTAINMENT CABLE

TYPE SC - Stage & Lighting Cable Type C is a “UL designation for stage cable” 600 VOLTS · 105o C · 35º C

APPLICATIONS

Portable power and lighting applications in the entertainment industry including motion picture, television, theatres, stage and similar locations.

STAGE CABLE TYPES SOOW & SJOOW

Synthetic Rubber Insulation with Oil-Resistant Thermoset Jacket SOOW 90º C

APPLICATIONS:

Type SOOW 90o C Designed for extra hard usage with industrial equipment, heavy tools, battery chargers, portable lights and power extensions. SOOW is sunlight, water, oil and weather resistant and suitable for outdoor applications in the United States and in Canada.

WIRE & CABLE ABBREVIATIONS CONT.

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HMI INSTRUMENT CHART

V Volts (Electro Magnetic Force) A Amps (Intensity)

R Ohms (Resistance) W Watts (Power)

Description Ballast Load200 HMI 3 amps400 HMI 6 amps575 HMI 7 amps800 HMI 11 amps

1200 HMI 12 amps1600 HMI 15 amps1800 HMI 17 amps2500 HMI 25 amps4000 HMI 38 amps6000 HMI 65 amps9000 HMI 42 amps

12000 HMI 70 amps18000 HMI 82 amps

West Virginia Formula

Watts = Volts x Amps

POWER FORMULA

RA WV

AR V A V 2 W

W A2

V2 R

A2RVA

W A

V R

W V W

R

WR

ELECTRIC FORMULAS WHEEL

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COMMON CONNECTORS

EDISON 15 AMP

2 Pole, 3 Wire, 120v Standard for residential/

commercial 5-15R (female), 5-15P (male)

EDISON 20 AMP2 Pole, 3 Wire, 120v

Heavy-Duty tools 6-20R (female), 6-20P

(male)

STAGE PIN 20 AMP

2 Pole, 3 Wire, 120v Standard for stage use

TWIST-LOCK NEW STYLE

2 Pole, 3 Wire, 120v, 20 Amp

Standard for stage use L5-20C (female), L5-20P

(male)

TWIST-LOCK OLD STYLE

2 Pole, 3 Wire, 120v, 20 Amp

Standard for stage use 7314C (female), 9965C

(male)

MULTICABLE EXTENSION

12 Pole, 19 Wire, 120v Standard for multi cable for stage use LSC19F (female),

LSC19M (male)

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COMMON CONNECTORS CONT.

FEMALE CONNECTOR MALE PLUG FEMALE PANEL MOUNT

MALE PANEL MOUNT

POWERCON CONNECTORS

White = Power Out/Thru

NAC3FCB

Power Out

NAC3FCA

Blue=Power In

Power In

NAC3MPA-1

NAC3MPB-1

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XLR CONNECTORS

2 Pin XLR Standard use for battery belts NC2FX (female), NC2MX (male)

3 Pin XLR Standard for LMX & MPX data, Mic Cable NC3FX (female), NC3MX (male)

4 Pin XLR Standard for accessory data/power cable NC4FX (female), NC4MX (male)

5 Pin XLR Standard for DMX 512 data cable NC5FX (female), NC5MX (male)

6 Pin XLR Standard for Remote Focus Unit cable NC6FXS (female), NC6MXS (male)

21

3

3

4

2 3

1

4

5

2 4

1

3

5

5

2 4

1

3

6

6

13

2

4

4

1

4 2

5

3

5

1

4 2

5

3

6

6

12

3

3

12

2

21

2

FEM

ALE

MAL

E

DMX XLR DATA CABLE PIN-OUTS

PIN WIRE SIGNAL1 Shield Drain Ground/0V2 Inner Conductor (Black) Data -3 Inner Conductor (White) Data+4 Inner Conductor (Green) Data - (Spare)5 Inner Conductor (Red) Data + (Spare)

Please be sure you are using the appropriate cable type for your application (portable v. permanent). For more information on cable types and recommended practices refer to “Recommended Practice for DMX512: A guide for users and installers, 2nd Edition by Adam Bennette”

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PIN WIRE COLOR DMX512 Function Equiv XLR Pin #1 white/orange data 1+ 32 orange data 1- 23 white/green data 2+ (optional) 54 green data 2- (optional) 45 blue Not Assigned -6 white/blue Not Assigned -7 white/brown Common 18 brown Common 1

drain

This chart is intended for DMX512 cabling only - NOT DMX-over-Ethernet cabling. Care must be taken to prevent the accidental connection of DMX equipment to non-DMX equipment. The connection of DMX equipment to non-DMX equipment such as Ethernet switches or telephone equipment may result in serious equipment damage and/or personal injury, as pins 4 and 5 may carry voltages of up to 48VDC or greater.

The use of RJ45 connectors for DMX equipment should be restricted to patch bays in access controlled rooms and should not be used for the direct connection of portable equipment. Please be aware that non-standard pin-outs are also in use (i.e. Color Kinetics).

DMX XLR DATA CABLE PIN-OUTS CONT.

RJ-45 TIA/EIA 568B DMX pinout

configuration

viewed from gold contact side

8 7 6 5 4 3 2 1

Brown Brown/White Green Blue/White Blue Green/White Orange Orange/White

DMX 2 0V/Common DMX 1 0V/Common DMX 2 data - not used not used DMX 2 data + DMX 1 data - DMX 1 data +

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PS A P S FPear Arbitrary Pear Straight Flame

R PAR GReflector Parabolic Aluminized

Reflector Globe

Bulb Size = Max Dia. (inches) 8

eg: Type A21 Lamp

21/8 = 2 5/8" Dia.

Dia.

LAMP BASES

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LAMP BASES CONT.

0.465”

Candelabra (screwbase)

0.651”

Intermediate (screwbase)

1.555”

Mogul (screwbase)

1.037”

Medium (edison screwbase)

Medium Pre-focusBi-Pin

I I

I I

I I

I I

PAR Screw TerminalPAR Mogul Pin

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COLOR TEMPERATURE

Source Color Temp (K) Mired'sCandle Flame or Match 1900 536Sunlight, Dawn/Dusk 2000-2500 500-400

Household bulb 2800-2900 357-345Tungsten halogen bulb 3200 312

Photoflood bulb 3400 294Sunlight, 1 hour after sunrise 3500 286

Sunlight, late afternoon 4500 233Blue glass photoflood bulb 4800 208

3200 lamp with dichroic filter 4800-5000 208-200Sunlight, summer 5500-5700 182

HMI light 5600-6000 179 or 167Sunlight with blue sky 6500 154

Summer, shade 7000 141Overcast sky 7000 141

Color Television 9300 108Skylight 10,000-20,000 100-50

KELVIN MIRED CONVERSION

KELVIN 0+ 100 200 300 400 500 600 700 800 9002000 500 476 455 534 417 400 385 370 357 3453000 333 323 312 303 294 286 278 270 263 2564000 250 244 238 233 227 222 217 213 208 2045000 200 196 192 189 185 182 179 175 172 1696000 167 164 161 159 156 154 152 149 147 145

The MIRED (micoreciprocal degrees) scale is used to quantify the effect of color correction gels. To use the above table to find the MIRED value of 5600K, for example, read across on the 5000 row and down the 600 column.

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Incre

asin

g En

ergy

Gamm

a Ray

s

Incre

asin

g W

avel

engt

h

X-Ray

sUV

Infrar

edRa

dio W

aves

Rada

rTV

FMAM

Visib

le Sp

ectru

m

Violet

BlueGree

nYe

llow

Orange

Red

400 n

m50

0 nm

600 n

m70

0 nm

.0001

nm.01

nm10

nm10

00 nm

.01 cm

1 cm

1 m10

0 m

ELECTROMAGNETIC & COLOR SPECTRUM

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COLOR WHEELS

GreenCyan

White

Magenta Yellow

Blue

Red

Blue

Red

YellowGreen

Gray

Violet Orange

Color Mixing in Light Additive Mixing

Color Mixing in Pigment

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GEL COLOR CORRECTIONS

Convert to Blue

NAME BARBIZON LEE GAM ROSCO APOLLO

Xtra CTB 3200°K to 2600°K B200R 200 1520 3220 2090

Full CTB 3200°K to 5700°K B201R 201 1523 3202 2000

3/4 CTB 3200°K to 5000°K B281R 281 1526 3203 2010

1/2 CTB 3200°K to 4300°K B202R 202 1529 3204 2020

1/3 CTB 3200°K to 3800°K 3206 2030

1/4 CTB 3200°K to 3600°K R203R 203 1532 3208 2040

1/8 CTB 3200°K to 3400°K B218R 218 1535 3216 2080

Convert to Orange

NAME BARBIZON LEE GAM ROSCO APOLLO

Xtra CTO 10,000º K to 2400ºK 1540 3420 2190

Full CTO 6500ºK to 3200ºK B204R 204 1543 3407 2100

3/4 CTO 6500ºK to 3600ºK B285R 285 1546 3411 2110

1/2 CTO 6500ºK to 3800ºK B205R 205 1549 3408 2120

1/4 CTO 6500ºK to 4600ºK B206R 206 1552 3409 2140

1/8 CT0 6500ºK to 5550ºK B223R 223 1555 3410 2180

Full CTO + .3 ND B207R 207 1556 3405Full CTO + .6 ND B208R 208 1557 3406

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GEL COLOR CORRECTIONS CONT.

Color Correction

NAME BARBIZON LEE GAM ROSCO APOLLOFull plus Green B244R 244 1585 33041/2 plus Green B245R 245 1587 33151/4 plus Green B246R 246 1588 33161/8 plus Green B278R 278 1589 3317

Full minus Green B247R 247 1580 33081/2 minus Green B248R 248 1582 33131/4 minus Green B249R 249 1583 33141/8 minus Green B279R 279 1584 3318

U.V. 226 1510 3314

Neutral Densities

NAME BARBIZON LEE GAM ROSCO APOLLO

.15 ND 1/2 Stop B298R 298 1514 3415

.3 ND 1 Stop B209R 209 1515 3402 2310

.6 ND 2 Stops B210R 210 1516 3403 2320

.9 ND 3 Stops B211R 211 1517 3404 2330

1.2 ND 4 Stops B299R 299 1518

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COLOR CORRECTION

DIFFUSION

NAME BARBIZON LEE GAM ROSCO APOLLO

Full C.T. STRAW B441R 441 3441 2200

1/2 C.T. STRAW B442R 442 3442 2220

1/4 C.T. STRAW B443R 443 4040 3443 2240

1/8 C.T. STRAW B444R 444 3444 2280

NAME BARBIZON LEE GAM ROSCO APOLLO

White Diffusion B216R 216 55 3026 1600

1/2 White Diffusion B250R 250 1060 3027

1/4 White Diffusion B251R 251 1010 3028

1/8 White Diffusion B252R 252 1040

Opal B410R 410 1055 3010

Light Opal B420R 420 1030 3020

Spun B214R 214 32 3006 1400

Light 1/2 Spun B215R 215 35 3007 1450

1/4 Spun B229R 229 38 3022

Hampshire Frost B235R 253 1050 1650

Grid Cloth 430 3030

1/2 Grid Cloth 432 3032

1/4 Grip Cloth 434 3034

Scrim Black/Silver B270R 270

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BEAM & FIELD AREAS

Lighting instruments with a reflector radiate a cone shaped beam where the greatest intensity is in the center. The “beam area” is where the light is at least 50% of the maximum. The field area is the entire beam of light or where the intensity is greater than 10%.

10%

50%

100%

Beam Area

Field Area

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TYPICAL FIELD ANGLES

Ellipsoidal Reflector Spotlight (ERS)

Field Angle Field Diameter (per 1’ of Throw)

4-1/2 x 6-1/2 50° .9326 ft.

6 x9 36° .6692 ft.

6 x 12 26° .4802 ft.

6 x 16 19° .2989 ft.

6 x 22 10° .1750 ft.

8 x8 20° .3527 ft.

8 x 11 16° .2811 ft.

8 x 14 10° .1750 ft.

6” & 8” Fresnels

Spot Focus 20° .3527 ft.

Flood Focus 50° .9326 ft.

FORMULA: DIAMETER = 2 X (DISTANCE X TANGENT OF HALF OF THE FIELD ANGLE)

THE TABLE ABOVE GIVES AVERAGE FIELD ANGLES FOR COMMONLY USED FIXTURES.

TYPICALLY, THE BEAM AREA IS 2/3 OF THE FIELD AREA.

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Page 31: Cinelease Online Handbook - The Market Leader in Lighting

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FRESNEL

The fresnel lighting fixture is a lensed instrument with a spherical reflector that provides an even, variable spot-to-flood field. Used commonly in film, video or theatrical applications for general area illumination or as key lights.

ELLIPSOIDAL

Ellipsoidal Reflector Spotlights (ERS) are focusable spotlights with an ellipsoidal reflector, a lens system and shutters for controlling the beam. Designed for pattern projection and creating sharp beam edges, the ellipsoidal is the most commonly used type of instrument in theatrical lighting in the US.

Average Weight: 9-15 lbs.

SCOOP Ellipsoidal Reflector Floodlights (ERF) are commonly known as Scoops and create a very diffuse, soft-edged beam. They can be used in flood or cyclorama lighting for color blending or to create a smooth wash. A filter frame is provided for color media.

Average Weight: 8-13 lbs.

FOLLOWSPOT

Follow spot is a generic term used to describe any number of lighting instruments used to highlight performers on stage. A follow spot operator moves the follow spot to follow the performer or to accent some action or prop, etc. They are sometimes called limes, dating back to the days of limelight. Follow spots are generally much brighter than conventional lighting instruments and often use a lamp with a considerably higher color temperature. Average Weight: 27-120 lbs.

FIXTURE GUIDE

All of the following fixtures are available in LED , Tungsten & Daylight

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PAR (PARABOLIC ALUMINIZED REFLECTOR)

The fresnel lighting fixture is a lensed instrument with a spherical reflector that provides an even, variable spot-to-flood field. Used commonly in film, video or theatrical applications for general area illumination or as key lights. Average Weight: 6-12 lbs

SOFTLIGHT

Softlights provide soft, virtually shadowless light over a large area. They can be used for a soft fill where shadows must be washed out. Accessories are available to modify the light such as scrims, diffusion frames and eggcrates. Fluorescent lighting fixtures, such as Balcar Fluxlites and Quadlites are ideal energy-efficient replacements for traditional tungsten softlights in broadcast applications. With their high color rendering index there are none of the unwanted color temperature problems traditionally associated with fluorescent lighting.

Average Weight: 8-16 lbs

CYC LIGHT Cyclorama lights are open, non-lensed fixtures used for lighting backdrops. They usually have a double- ended lamp fixed to the center of an asymmetrical reflector and are available in strips or individual fixtures as ground rows or sky cycs. Average Weight: 16-38 lbs.

SUN-GUN Sun-guns are ideal for use in ENG/EFP production or anywhere a highly efficient source of daylight illumination is required. These portable lights usually operate with a 12V or 30V battery belt. Average Weight: 5-11 lbs.

FIXTURE GUIDE (CONT.)

All of the following fixtures are available in LED , Tungsten & Daylight

Page 33: Cinelease Online Handbook - The Market Leader in Lighting

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A A size patterns are ideal for use with ETC’s Source 4 & Selecon Pacific Ellipsoidal.

75 mm (2.953”)

100 mm (3.937”)

B B size patterns are compatible with most ERS lights including

360Q, Shakespeare, SL, Source 4 and Colortran.

64.5 mm (2.539”)

86 mm (3.386”)

PATTERN SIZES

M M size patterns are

compatible with the ETC Source 4 Jr., Dedo-Lights and

Clay Paky’s Golden Scan.

49.5 mm (1.949”)

66 mm (2.598”)

G G size patterns are

compatible with High End Systems’ Cyberlight fixture.

49 mm (1.929”)

66 mm (2.598”)

D D size patterns are

compatible with LSD and some Martin moving

lights. 40 mm (1.575”)

53.3 mm (2.098”)

E E size patterns are

compatible with the Altman Micro Ellipse and

Martin Roboscan.

28.13 mm (1.107”)

38.8 mm (1.528”)

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WEIGHTS & MEASURES

Long Measure Metric Equivalents

1 mil .001 inch 1 centimeter .3937 inch12 inches 1 foot 1 inch 2.54 centimeters3 feet 1 yard 1 foot .3048 meter1 mile 5,280 feet 1 meter 1.0936 yds.

1 yard .9144 meter1 kilometer .621 mile1 mile 1.609 kilometers

Weights Other Measures

1 gram .03527 ounce 1 dozen 12 units1 ounce 28.35 grams 1 baker's dozen 13 unites

1 kilogram 2.2046 pounds 1 gross 12 dozen1 pound 0.4536 kilograms1 pound 16 ounces

Square Measures Liquid Measures

1 sq. foot 144 sq. inches 1 pint 4 gills1 sq. yard 9 sq. feet 1 quart 2 pints1 sq. mile 640 acres 1 gallon 4 quarts

43560 sq. feet 1 acre 1 barrel 31.5 gallons

1 gallon of H20 8 pounds

Square Measures6-Pack, cans 5 lbs

6-Pack, bottles 8.6 lbsKeg 140 lbs

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TEMPERATURE CONVERSIONS

Fahrenheit (1.8 X degrees C) + 32 Celsius .55556 X (degree F - 32)

TEMPERATURE STANDARDS

Celsius Fahrenheit

-273 Absolute Zero -459.4

-130 Alcohol Freezes -202

-78.5 Dry Ice Sublimes -109.3

0 Ice Melts 328.88 Perfect Beer Temp. 48

37 Temp. of Human Body 98.6

78.5 Alcohol Boils 173.3100 Water Boils 212232 Tin Melts 450327 Lead Melts 621

658 Aluminium Melts 12161530 Iron Melts 2786

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Thick Lbs./Ft. Thick Lbs./Ft.1/8” 0.405 0.68 0.24 0.095 0.311/4” 0.540 0.99 0.42 0.119 0.543/8” 0.675 0.091 0.57 0.126 0.741/2” 0.840 0.109 0.85 0.147 1.093/4” 1.050 0.113 1.13 0.154 1.471” 1.315 0.133 1.68 0.179 2.17

1-1/4” 1.660 0.140 2.27 0.191 3.001-1/2” 1.900 0.145 2.72 0.200 3.63

2” 2.357 0.153 3.65 0.218 5.02

1. Standard Pipe, when 10” or less in diameter, is the same as Schedule #40 2. Extra Strong Pipe, when 8” or less in diameter, is the same as Schedule #80.

Normal Size

Outside Dia.

Schedule 40 Schedule 80

Standard (STD) Extra Strong (XS) 2

Multiply By To get Converse: * by Atmospheres 33.90 Feet of water 0.02949Atmospheres 14.70 Pounds/sq. inch 0.06803

Board feet 144 Cubic inches 0.006944BTUs 778.26 Foot-pounds 0.001285Feet 12 Inches 0.0833Feet 0.3048 Meters 3.281Feet 0.3333 Yards 3

Footcandles 10.76391 Lux 0.0929Horsepower 0.7457 Kilowatts 1.3410Horsepower 745.7 Watts 0.001341

Revolutions/min. 0.01667 Revolutions/sec. 60

PIPE SIZES

MEASUREMENT CONVERSIONS

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TRUSS LOADING FOR 12 X 12 LIGHT DUTY TRUSS*

MAXIMUM ALLOWABLE UNIFORM LOADS

LOAD POUNDS MAX DEFLECTION

Span Feet Thomas TomCat TS** Thomas TomCat TS**

10 6140 4460 3619 .276’ .14” .111”20 3100 2120 2894 1.10” .54” .727”

30 1726 1290 1837 2.21” 1.22” 1.636”

40 855 840 933 2.96” 2.16” 2.235”

MAXIMUM ALLOWABLE CENTER POINT LOADS

LOAD POUNDS MAX DEFLECTION

Span Feet Thomas TomCat TS** Thomas TomCat TS**

10 4497 2231 1214 0.315” 0.11” .060”20 1550 1063 1158 1.10” 0.44” .475”

30 864 650 919 2.21” 1.01” 1.336”

40 428 426 467 2.96” 1.85” 1.874”

* Truss connected with grade 8 bolts

** TS = Total Structure

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KNOTS

Bowline

Clove Hitch

Square

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90º

70º

50º

36º to 40º

26ª to 30º

19º or 20º

15º

10º

ELLIPSOIDAL REFLECTOR SPOTLIGHTS

RADIAL AXIAL

6” X 9” or 40º6" x 12” or 30º6" x 16” or 20º6" x 22” or 12º

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FRESNEL SPOTLIGHTS PAR FIXTURES

INSTRUMENT KEY

ACCESSORY & ANCILLARY SYMBOLS

2-Panel Barn Door

4-Panel Barn Door

Scroller

Scroller

Top Hat

Half Hat

CYM Mixer

Douser/ Dimming Shutter

Sightline

Rigging Point

3º Fresnel

6º Fresnel

8º Fresnel

12º Fresnel

Oval Beam Fresnel

Extra Wide Flood (XWML)

Wide Flood (WFL)

Medium Flood (MFL)

Narrow (NSP)

Very Narrow (VNSP)

1 500

103

853

1

FocusColorBeam Designation

Gate Accessory

Instrument NumberWattageCircuit/Dimmer

Dimmer (In Patch Panel)

Channel/Dimmer

puppyL161

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C O M I N G F A L L 2 0 1 5

www.cinelease.com www.quantum120.com

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C INELEASE GLOBAL l i g h t i n g & g r i p e q u i p m e n t r e n t a l s

DOMESTIC LOCATIONS

Los Angeles, CA (Headquarters) 5375 W. San Fernando Rd

Los Angeles, CA 90039 Phone: (818) 841-8282

Atlanta, GA 10 Southwoods Pkwy – Suite 100

Atlanta, GA 30354 Phone: (404) 766-5855

Chicago, IL 2558 W. 16th St.

Chicago, IL 60608 Phone: (312) 285-4710

New Orleans, LA 300 Jefferson Hwy – #1013

Jefferson, LA 70121 Phone: (504) 267-9075

Charlotte, NC 2205-G Distribution Center Dr.

Charlotte, NC 28269 Phone: (704) 494-8622

New York City, NY 5-43 54th Avenue

Long Island City, NY 11101 Phone: (718) 784-3439

Pittsburgh, PA 31 Street Studios

77 31st St Pittsburgh, PA 15201

Phone: (412) 560-0454

Austin, TX 7303 Burleson Rd – #200

Austin, TX 78744 Phone: (512) 386-5643

Honolulu, HI 99-1245 Halawa Valley St.

Aiea, HI 96701 Phone: (808) 484-5706

INTERNATIONAL LOCATIONS

London, United Kingdom Unit E, Metropolitan Park

Field Way Greenford,Middlesex

UB6 8UN United Kingdom

Phone: +44 0 (203) 137-6191

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