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Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

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Page 1: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Class

Notes

Page 2: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

The Prologue• Expresses the hatred separating the

Montagues and Capulets• Use of Foreshadowing/Metaphor– “A Pair of star-crossed lovers take their life”

Page 5: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act I, Scene 4• Romeo, Mercutio,

Benvolio, others about to make an appearance at the feast.

• Romeo and Benvolio, Montague kin are not invited. – Enter wearing masks

Page 6: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act I, Scene 4• Benvolio wants to have

fun• Mercutio tries to talk

Romeo into a better mood.

• Romeo replies that he can't borrow Cupid's wings because he has been so badly wounded by Cupid's arrow.

Page 7: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act I, Scene 4- Mercutio

• Uses several puns, dirty jokes, and vivid descriptions.

• "sink in it, should you burden love -- / Too great oppression for a tender thing" (1.4.24). – means that if Romeo is going to blame

("burden") love for his state of mind, he will only sink further into love.

– also means that if he gets what he wants (sex) he will sink into the woman and be a burden to her.

• Thinks Romeo is too serious• Love-sickness is caused by a lack of

sex.

Page 8: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act I, Scene 4- Mercutio

• Romeo doesn’t believe that he can win the game of love and doesn’t want to play.

• Mercutio tells Romeo to shut up about being "done" and to quit being a do-nothing. – Says that if Romeo is "done," he's Dun the horse

(name of a log that people pulled out of mud during a Christmas game.)

• Mercutio says that love is “bullcrap,” and that Romeo is stuck in it up to the ears.

Page 9: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act I, Scene 4- Romeo’s Speech

• Foreshadowing • chain of events ("consequence") • chain of events does terminate

the duration ("expire the term") of Romeo's life with premature ("untimely") death.

• Despite his premonitions, Romeo goes to Capulet's house.

• Says that he is doing so because he is entrusting his fate to "He, that hath the steerage of my course." (God)

Page 10: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act I, Scene 5- Romeo and Juliet Meet

• The servant's bustle picks up the pace of the play.

• Everything is speeding up. • Capulet welcomes everyone – speaks to Romeo's company when he

says, "Welcome, gentlemen! ladies that have their toes / Unplagued with corns will walk a bout with you" (1.5.16-17).

– Making sure that these strangers in masks feel welcome.

Page 11: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act I, Scene 5- Romeo and Juliet Meet

• Romeo sees Juliet and falls in love with her instantly.

• Tybalt recognizes Romeo’s voice and sends for his rapier to kill him.

• Capulet insists on Tybalt’s obedience, reminding him of Romeo’s good character.

Page 12: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act I, Scene 5- Romeo and Juliet Meet

• Romeo and Juliet continue their exchanges and they kiss– interrupted by the Nurse, (sends

Juliet to find her mother.) • Romeo realizes the grave

consequences of their love.• Juliet discovers from the Nurse

that Romeo is a Montague.

Page 14: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act II, Scene 1• Romeo enters and

speaks of his love for Juliet. He jumps over a Capulet wall, hoping to see her.

• Mercutio mocks Romeo's feelings for Rosaline.

• Benvolio suggests that they leave and go look for him.

Page 15: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act II, Scene II• The Capulet orchard • Romeo watches Juliet and starts

to speak with her. • They proclaim their love for each

other here. • Romeo and Juliet quickly agree to

marry the next day at nine o'clock.

• The Nurse calls for Juliet and she has to go. They say goodbye to each other for the night and exit.

Page 16: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act II, Scene II - Juliet

• Willing to denounce her family name to be with him: – "O Romeo, Romeo!

Wherefore art thou Romeo?/ Deny thy father and refuse thy name;/ Or, if thou wilt not, be but sworn my love,/ And I'll no longer be a Capulet.“

Page 17: Class Notes. The Prologue Expresses the hatred separating the Montagues and Capulets Use of Foreshadowing/Metaphor – “A Pair of star-crossed lovers take

Act II, Scene II - Names

• The lovers go into a long discourse about names and how they are nothing more than words.

• The fact that she is a Capulet by name and he is a Montague by name should not affect their love for each other like it does.– "'Tis but thy name that is my enemy.

Thou art thyself, thou not a Montague. What's Montague? It is nor hand, nor foot,Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? That which we call a rose By any other word would smell as sweet." Act 2, Scene 2, lines 38-44