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Classics And Romantic s

Classics And Romantics

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Classics And Romantics. The artist used sharp lines and strong contrasts, reflecting the clarity classics saw in the World. Heroism and its setting in Ancient Greece made it an a excellent subject for a Classic artist. Socrates died Heroically, providing a inspiring example to the future. - PowerPoint PPT Presentation

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Page 1: Classics And  Romantics

ClassicsAnd

Romantics

Page 2: Classics And  Romantics

Subject Matter: The Death of Socrates

Socrates died Heroically, providing a inspiring

example to the future.

The artist used sharp lines and strong contrasts, reflecting the clarity classics saw in the World.

Heroism and its setting in Ancient Greece made it an a excellent subject for a Classic artist.

Classic Art

David

Page 3: Classics And  Romantics

Here is another inspiring painting - these men are pledging themselves to

their country’s defense.

Note the continued use of strong colors and clear contrasts between subjects and background. Each line that is painted is clear and sharp.

David

Both this and the Death of Socrates are placed in the setting of ancient Greece or Rome (Remember Classic means

Greek and Roman).

Classics saw the World as something clear and reasonable

Page 4: Classics And  Romantics

Here is a Classic painting in an American setting.

The subject is George Washington’s men crossing the Delaware in the dead of winter - an example of heroic patriotism.

Leutze

Page 5: Classics And  Romantics

This Classic Painting is a simple portrait.

The subject is a princess.

Note the strong colors of blue and tones of her skin.

Each line is clearly defined. The subject stands out against the background.

Ingres

Page 6: Classics And  Romantics

Here is a Romantic Painting

The subject is nature; the setting is eerie and mysterious.

The artist has chosen dark tones. Many of the lines are vague,

blurring into the foggy background.

Beard

Page 7: Classics And  Romantics

Durand

Nature dominates Romantic thought.

Page 8: Classics And  Romantics

The viewer is illuminated by the light pouring forth from the cloudy, mysterious heights of Nature.

They are not only beasts, they are tiny - insignificant against the heights and power of Nature.

Note the figures in this painting.

Page 9: Classics And  Romantics

When Romantic landscapes include buildings, they are

often relics from a mysterious, Medieval past.

Page 10: Classics And  Romantics

The exotic and

Mysterious were also

qualities of the

Romantics.

Church

Page 11: Classics And  Romantics

The eerie, mysterious qualities in this Romantic painting

cannot be missed.

Frederick

Page 12: Classics And  Romantics

Romantic paintings of people are usually of ordinary folk.

There is nothing heroic about these young men - but they are

outside experiencing Nature.

Note the dark gray skies and that only one face is clearly

visible.

Romantic paintings of people are also usually set in a

landscape, or at least against a backdrop of nature. Homer

Page 13: Classics And  Romantics

The fog and black cat add a mysterious touch.

These people are neither powerful nor heroic, but they are in Nature.

A Classic painter would have had no desire to paint them. Bingham

Page 14: Classics And  Romantics

Writers such as James Fenimore Cooper romanticized the life of Native Americans.

The concept of the “Noble Savage” was created by white Romantic artists with little contact with Native Americans.

Remington

Page 15: Classics And  Romantics

Their lives were portrayed as exciting

and exotic, and the hardships were

downplayed.

Because they lived more closely to Nature, Romantics

assumed they would have been more honest and pure.