CLOC MUSICAL THEATRE’S PRODUCTION OF

President’s Note:It gives me great pleasure as the President of CLOC to welcome you to “Oz” to experience the magic of Wicked.The announcement of each new show is the beginning of an exciting and rewarding journey that reaches a fitting finale in what you see tonight. While you see 33 people on the stage, what you don’t see are the nearly 250 people off the stage who come together, offering their talents, time and experience in creating the high level of artistic and technical excellence of which CLOC is so justifiably proud.The size of a production such as Wicked can never be underestimated – from sets, costumes, wigs, lights, sound, special effects, orchestra, and of course the cast, each department has blended together because of a love of theatre that keeps them coming back and striving to keep producing these high quality productions for you – our loyal patrons.CLOC is always on the look out for dedicated people to join us in assisting to mount our productions, so if you are interested and want to experience this magic, please get in contact with us through our website – we’d love to hear from you.For a production of this grand scale we are delighted to reunite the team that did such a magnificent job on our sell-out season of Mary Poppins last year. Heading the creative team are Chris and Lynette White (Co-Directors/Choreographer), who together with Danny Forward (Musical Director) have brought together a stellar cast of talented individuals who give justice to the vocally demanding score.We are excited to welcome back Vicky Horne in Costume Design after her recent Music Theatre Guild Award win for her work on Mary Poppins and Chris White (again doing double duty) who has outdone himself with a jaw dropping set design, along with Brad Alcock (Lighting Design) and Marcello Lo Ricco (Sound Design), who each bring amazing skill and perfection to this production.As you prepare to enjoy this very special performance, we invite you back again in October as we present the rock classic Jesus Christ Superstar. But for now, sit back, relax and come with us to the Emerald City and experience the story of what happened before Dorothy came to Oz.

Cameron Osborne President

Direction Team’s Note:Stephen Schwartz and Winnie Holzman’s collaboration for Wicked undoubtedly produced an extremely marketable product. This became abundantly clear with the unprecedented number of auditionees last November, all with a thorough knowledge and almost fanatical love for the show. This early indication heralded our induction as directors into a passion and enthusiasm for the piece which seemed boundless and extraordinary.While admittedly finding some difficulty with the convolutions of Maguire’s original story and Holzman’s interpretation, it undoubtedly had all the proven elements of entertainment, with generous doses of good and evil, political corruption, clashing personalities, romance and unrequited love, not to mention revenge, violence and witchcraft. We think its real strength, however, lies in a masterfully thematic musical score, with powerful and evocative melodies and orchestrations which describe the power of supernatural drama absolutely. The strength and talent of our cast is remarkable and amongst the best we’ve worked with. We have now become Wicked’s latest devotees. We think you will see our point.

Chris, Lynette and Danny

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Music and Lyrics by Book by

Stephen Schwartz Winnie HolzmanBased on the novel by

Gregory MaguireOriginally directed on Broadway by Joe Mantello

Produced on Broadway by Marc Platt, Universal Pictures,The Araca Group, Jon B. Platt and David Stone

Electronic Music Design Andrew Barrett for Lionella Music LLC

StarringRosa McCarty, Emily McKenzie, Lee Threadgold, Carolyn Waddell, Robbie Smith, Grace Kingsford, Hamish Anderson, Jon Sebastian, Cameron O’Reilly

Will Atkinson, Jessica Carson, Stephanie Elise, Nathan Fernandez, Matt Hirst, Lauren Holcombe, Everett Joy, Luke McShane,Emily Mill, Louisa Mitchell, Elise Naismith, Thomas O’Reilly, Taylor Rettke, Claire Robinson, Chris Rogers, Blair Salmon, Felicity Shaw,

Nathan Slevin, Karen Taranto, Kate Trickey, Tailem Tynan, James Watkinson, Vanessa Wicks, Robbie Wilton

CLOC MUSICAL THEATRE’S PRODUCTION OF

MAY 6 - 21, 2016The National Theatre, St. Kilda

By arrangement with Hal Leonard Australia Pty Ltd exclusive agent for Music Theatre International (NY)

Dance Arrangements byJames Lynn Abbott

Music Arrangements byAlex Lacamoire & Stephen Oremus

Orchestrations byWilliam David Brohn

Chris WhiteCo-Director/Set Designer

Lynette WhiteCo-Director/Choreographer

Danny ForwardMusical Director

Victoria HorneCostume Designer

Brad AlcockLighting Designer

Marcello Lo RiccoSound Designer

David WiskenWig & Make-up Designer

Sandra DaviesStage Manager

Grant Alley OAMTechnical Director

Debbie OsborneProduction Manager

Assistant to the Director

Bernard HedgerStage Director

Melinda Peebles, Victoria HorneCostume Co-ordinators

Jodie LawsonProps Co-ordinator

- DIRECTION & DESIGN -

Lynette White Co-Director/ChoreographerFor over 30 years, Lynette has been a major force in choreography and direction in the Melbourne music theatre scene, working with major theatre companies including Whitehorse (My One and Only, Gypsy, Joseph and the Amazing Technicolour Dreamcoat, Beauty and the Beast, Seussical), Catchment (My Fair Lady, Pippin, Chicago, Annie, Jesus Christ Superstar, Grease), Babirra (The Desert Song, The Whitehorse Inn), and Festival (La Cage Aux Folles, Barnum). She worked for several years with the Department of Education as the director/choreographer for the Victorian Schools Spectacular, doing shows such as Oklahoma!, The Wiz, Little Shop of Horrors, Chicago, Into the Woods and The Pirates of Penzance. She also choreographed and produced the Rock Eisteddfods. With husband Chris, she has also co-directed and choreographed many shows, including Oklahoma!, Sweeney Todd (twice), Anything Goes, Oliver!, Les Miserables, Into the Woods and Pippin. For CLOC, Lynette choreographed our 1998 production of A Chorus Line, as well as our 2009 premiere blockbuster Miss Saigon. In 2010, she choreographed and co-directed Dusty with husband Chris, followed by Fiddler on the Roof in 2011, Guys and Dolls in 2013, and last year’s premiere production of Mary Poppins. Lynette and Chris make a formidable and multi-talented production team, perfect for a show of this magnitude and scale.

Chris White Co-Director/Set Designer Chris has been involved in theatre for over 40 years, having started out as Publicity Designer for J.C. Williamson, Melbourne Theatre Company and The Australian Ballet. This led to onstage performances in musicals, as well as direction and design in professional and amateur theatre. He has produced, directed and designed over 40 musicals in as many years. Since retiring from a long-standing teaching career, Chris is now a full-time professional artist and designer, having won over 60 major art awards for his work (including the Streeton award (twice), the McCubbin award (three times) and the Heysen Prize). Some of his noted direction and/or set designs include Steel Pier (CLOC), Sweeney Todd (twice-CLK and Nova), Joseph & The Amazing Technicolour Dreamcoat and Seussical (Whitehorse), Into The Woods (Dandenong), and Les Miserables, Anything Goes and Oklahoma! (all for Catchment). For CLOC, he and Lynette co-directed (and Chris designed) Dusty (2010), Fiddler on the Roof (2011), Guys and Dolls (2013) and last year’s spectacular Mary Poppins. Chris also painted stunning backdrops for our productions of All Shook Up and The Phantom of the Opera. We welcome Chris back to CLOC, again doing double duties as Director and Set Designer.

Danny Forward Musical DirectorOriginally from Brisbane, Danny is now a much valued and beloved member of the Melbourne musical theatre scene. For Beaumaris Theatre, Danny was a committee member for eight years and musically directed, composed and/or performed music for twelve productions, including their much acclaimed 2010 production of I Love You, You’re Perfect, Now Change, which he also co-directed and designed. For other companies, Danny has worked as Musical Director for MLOC (Cats, Beauty and the Beast, Pippin, Camelot), Fab Nobs (Rent, Grease, Avenue Q, It’s a Bird, It’s a Plane, It’s Superman), MDMS (Guys and Dolls) and Babirra (Annie, Crazy for You, The Boy from Oz). As well, he has worked with Aspect, Catchment, MOTTS, New Beat, PLOS and Whitehorse, either as Musical Director, audition and rehearsal pianist or pit player. In 2010, he was honoured at the Annual Music Theatre Guild Awards when he received the Musicians Award for Excellence. In 2008, Danny worked on his first CLOC production, The Boy from Oz, working as rehearsal pianist and as part of the on-stage orchestra. He then worked on nine consecutive CLOC shows, capping off an incredible run by winning Best Musical Director of 2012 for our Production of the Year, All Shook Up. Danny returned to CLOC last year to work as Musical Director for Mary Poppins, and was delighted to do an encore production with Chris and Lynette.

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Victoria Horne Costume DesignerVicky has been designing and creating costumes for secondary school musicals, dance schools and calisthenics competitions for over twenty years, before moving successfully into adult musical theatre. She received Guild nominations for the two PLOS shows she designed – Cabaret (2006) and Thoroughly Modern Millie (2008). For CLOC, Vicky started on the sewing team for Shout!, and then either designed and/or coordinated costumes for Hot Shoe Shuffle (2008-Guild nomination), Miss Saigon (2009), Dusty (2010-Guild nomination), Fiddler on the Roof (2011), All Shook Up (2012-Guild nomination), Guys and Dolls (2013) and our 100th production 42nd Street (2014-Guild nomination). She then took her sequins and feathers with her to Babirra, where she won more plaudits for her superb designs for Crazy for You (Guild award). Last year, Vicky designed the costumes for both our productions, Mary Poppins and The Drowsy Chaperone, and won the Guild award for the second consecutive year, this time with CLOC for Poppins. We are delighted to welcome Vicky back for CLOC show number 11, in which she has found it easy to keep up her tradition of ensuring each costume has at least one sequin on it somewhere.

Brad Alcock Lighting DesignerBrad has over 20 years experience as a professional lighting and projection designer for theatre, musicals, broadcast, concerts and other live events. His designs have featured throughout Australia, Asia, the Middle East and Europe, spanning hundreds of productions. In 2007, he co-founded his own lighting and projection production company, BAAC Light. This has allowed him to have access to leading edge technologies for stage that are owned by the company and used exclusively for his designs. Brad biannually creates original designs for all of Victoria’s largest non-professional theatre companies as well as a large portfolio of school clients, for which he has won numerous awards. He is currently the lighting designer for Tina Arena and also the television program RocKwiz. This is Brad’s seventh production for CLOC, after Fiddler on the Roof (2011), All Shook Up (2012), Guys and Dolls (2013), both of our 2014 shows, 42nd Street and Legally Blonde, and his memorable designs for last year’s Mary Poppins, complete with revolving letters, flying nannies, and escaping birds.

Marcello Lo Ricco Sound DesignerMarcello is a Melbourne based sound designer and has worked extensively in sound in Australia and overseas. Marcello studied Performing Arts at Monash University and Audio Engineering at SAE Institute. Marcello’s most recent theatre sound designs include the Australian premiere productions of NED – A New Australian Musical (Capital/Groaning Dam), CrossXroads (Chapel), Ricercar (Present Tense) and StageArts’ In The Heights and Dreamgirls. Other recent work includes four productions of Mary Poppins (CLOC, Encore, PLOS, Footlight) and three productions of the The Addams Family (PLOS, WMTC, OCPAC), plus Legally Blonde (PLOS), The 25th Annual Putnam County Spelling Bee and Loving Repeating (Vic Theatre), Dogfight (Doorstep), Saturday Night Fever (StageArt), Footloose (OCPAC), Avenue Q (Trifle), and The Music Theatre Guild of Victoria Awards. Marcello has received awards for best sound for The Phantom Of The Opera, Cats, Miss Saigon, Into The Woods, Sweeney Todd and Legally Blonde. Wicked is Marcello’s seventh consecutive show with CLOC, after The Phantom of the Opera, Guys and Dolls, 42nd Street, Legally Blonde, Mary Poppins and The Drowsy Chaperone.

David Wisken Wig & Make-Up DesignerDavid Wisken has been working as a hair and make-up artist/designer in all genres of live performance for over ten years. His professional credits include - The Rocky Horror Picture Show (Dainty Theatrical), Chicago (GFO), Jersey Boys Australia (Dainty), Wicked (GFO), West Side Story (Ambassador Group), Mary Poppins Australia (Disney), Grease (GFO), Rock Of Ages (Dainty). Designer - The Producers, Jerry’s Girls and La Cage Aux Folles (The Production Company) and a second production of La Cage Aux Folles (Quirky Productions). David joined CLOC as Wig Designer for Dusty - The Original Pop Diva and has since designed hair and make-up for Man Of La Mancha, Fiddler On The Roof, Aspects Of Love, Sunset Boulevard, All Shook Up, The Phantom Of The Opera, Mary Poppins, The Drowsy Chaperone and could not think of a better way of celebrating his tenth production with CLOC by reimagining the wonderful world of Wicked.

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Rosa McCartyElphabaA university academic in biomedical science by day, Rosa transforms into a multi-talented music theatre performer at night. Originally from Adelaide, Rosa has built up an enviable and prolific list of music theatre credentials and accolades since moving to Melbourne in 2008. Since 2010 alone, she has featured in over twenty productions and/or concerts, including three appearances with CLOC (Aldonza in Man of La Mancha-2010, Rose in Aspects of Love-2011 (Guild nomination) and the title role in last year’s spectacular production of Mary Poppins (Guild nomination)). Other highlights have included the title roles in Kiss of the Spider Woman (SHooSH) and Dusty (Williamstown-Guild nomination), Nancy in Oliver! (Babirra-Guild nomination), Queenie in The Wild Party (Four Letter Word Theatre), and Florence in Chess (Catchment), a show she also performed with The Production Company. In 2012, Rosa won the Guild award for Best Actress for her stunning portrayal of Diana in Next to Normal (Williamstown). With Elphaba and Mary Poppins, Rosa not only gets to bookend two of her most treasured roles, but also gets to fly again, only this time with a broom instead of an umbrella!

Emily McKenzieGalinda/GlindaEmily has made a double name for herself in Melbourne theatre over the last ten plus years. As Emily Doran, she played a number of lead roles, including Lucille Frank (Parade-Monash University), Marta (Company-Devanesen Productions), Cathy (The Last Five Years-Devanesen, Guild nomination), and four lead roles with PLOS - Belle (Beauty and the Beast-Guild nomination), Liza Minnelli (The Boy from Oz), The Lady of the Lake (Spamalot) and Maria (The Sound of Music). In 2008, Emily made an adorable Gertrude McFuzz in Chris and Lynette White’s stunning and memorable production of Seussical (Whitehorse Musical Theatre), which received an incredible eight Guild and four Lyrebird awards, including nominations for Emily. Since her 2011 marriage to Heath, she has worked as Emily McKenzie, playing Heidi in [title of show] with Williamstown/Fab Nobs, as well as Jo March in Little Women (Oxagen Productions), for which she received yet another Guild nomination. Emily’s only previous CLOC show was as Nellie in Jekyll & Hyde (2005). A lot has happened in the eleven years since – marriage to Heath and two adorable children, who have been Emily’s proudest productions - toddler Ava and baby Oscar, who unfortunately will be too young to see Mum descend in a bubble to become Glinda the Good Witch of the North.

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- THE COMPANY -

Grace KingsfordNessaroseOne of a musically gifted pair of twins (her sister Genevieve was part of our cast of The Phantom of the Opera in 2013).CLOC: First CLOC show.Shows: Rent (Maureen), Footloose (Ariel), The Drowsy Chaperone (Kitty), Aida (Amneris), Carrie the Musical (Sue Snell-Guild nomination). Other: Has a Masters degree in marketing and works as a digital graduate with Coles, as well as teaching in Sunday School.

Lee Threadgold The Wizard of OzOriginally from the UK, Lee has established a formidable reputation in the Melbourne musical theatre scene as an award winning performer of amazing versatility and range.CLOC: Hot Mikado (2002-Pooh Bah, Guild award-Supporting Actor), Pippin (2003-Leading Player, Guild nomination), Mack & Mabel (2004-Mack Sennett, Guild nomination), Jekyll & Hyde (2005-Dr Henry Jekyll/Edward Hyde –Guild award, Lead Actor), The Boy from Oz (2008-Dick Woolnough), Mary Poppins (2015-Mr Banks).Shows: Les Miserables (Jean Valjean-Guild nomination), The Producers (Roger de Bris- Guild award), The Witches of Eastwick (Darryl Van Horne-Guild nomination), Sweeney Todd (Sweeney Todd), The Phantom of the Opera (Auctioneer), Carousel (Jigger-Guild nomination), Gypsy (Herbie-Guild nomination).Other: Works as tour guide and in event ticketing.

Carolyn Waddell Madame MorribleIn the 1990s, Carolyn played a number of lead roles around Melbourne, and was recognized with several Guild nominations/awards. She then worked professionally for many years, firstly with the Victorian State Opera, then a two year run with Beauty and the Beast and then eight years touring the country with Menopause the Musical, in which she played each of the four roles and then took over as resident director.CLOC: Sunday in the Park with George (1992-Dot/Marie, Guild nomination), Into the Woods (1994-The Witch, Guild nomination), Barnum (1995-Charity Barnum), Mary Poppins (2015- Miss Andrew).Shows: (a small selection): Les Miserables (Madame Thenadier-Guild nomination), Reno Sweeney (Anything Goes-Guild award), Passion (Fosca’s mother), The Addams Family (Alice Beinke-Guild nomination).Other: Coaches voice and performance, both privately and at the Elisabeth Murdoch College, and also sings in a corporate vocal trio called “About Sunday”.

Robbie SmithFiyeroOriginally hailing from Gippsland, Robbie is a five time winner of the Gippsland Associated Theatre Award. CLOC: Mary Poppins (2015)–Bert (Guild nomination).Shows: Les Miserables, The Sound of Music (Rolf Gruber), Oklahoma! (Will Parker), A Chorus Line (Mark Anthony), 42nd Street (Andy Lee), Seussical (The Cat in the Hat), Singin’ in the Rain (Cosmo Brown), Jesus Christ Superstar (King Herod- Guild award), Cats (Rum Tum Tugger-Guild nomination), The Wizard of Oz (Tin Man), Gypsy (Tulsa–Guild nomination), The Producers (Leo Bloom-Guild nomination).Other: Works in theatre marketing for AKA Australia –The Lion King, Georgy Girl, Little Shop of Horrors, The Production Company.

- THE COMPANY -

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Hamish AndersonBoq Hamish’s professional and personal life is made up of theatre on both sides of the footlights. CLOC: First CLOC show.Shows: As a performer: Spring Awakening (Ernst), The 25th Annual Putnam County Spelling Bee (Leaf Coneybear), Laughter on the 23rd Floor (Lucas Brickman), MASH (Radar).Production: The Normal Heart (director), Bonnie and Clyde (director), A Little Night Music (costume designer), The Drowsy Chaperone (stage manager).Other: Has directed several school musicals and plays in his role as a secondary school performing arts teacher. Currently completing Masters of Instructional Leadership at Melbourne University.

Jon SebastianDr DillamondAnother veteran of the Melbourne music theatre scene, who is notching up his 43rd show in 28 years (and 11th CLOC appearance). CLOC: Singin’ in the Rain (Don Lockwood-1998), A Chorus Line (Gregory Gardner-1998), Jekyll & Hyde (2005), The Scarlet Pimpernel (Farleigh-2006), The Boy from Oz (Peter Allen-2008), The Phantom of the Opera (Monsieur Reyer-2013), Guys and Dolls (Sky Masteron-2013), 42nd Street (2014), Legally Blonde (Professor Callahan-2014), Mary Poppins (Park Keeper-2015).Shows: (just a small recent selection): Les Miserables (Enjolras), Crazy for You (Bobby Child), Beauty and the Beast (Lumiere-Guild nomination), Tick, Tick, ..BOOM! (Jon-Guild nomination), The Producers (The German Tenor), Aida (Zoser), Evita (Juan Peron).Other: Works as an IT consultant. Is a member of the CLOC committee, working as the marketing co-ordinator and providing IT/website expertise.

Cameron O’Reilly ChisteryTrained in dance at the Victorian College of the Arts and the Dance Factory. Spent six years working as a dancer on international cruise ships (P&O, Princess, Royal Caribbean).CLOC: Legally Blonde (Grandmaster Chad/ensemble-2014).Shows: Performer – The Pajama Game (Lyrebird award), The Music Man (Tommy Djilas), A Chorus Line (Greg Gardner), The Boy from Oz (Guild Dancers award). Choreographer – Hello Dolly!, Oliver! (Guild nomination).Other: Works as a business team leader.

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Will AtkinsonFrexGraduate of St Martin’s Youth Theatre (Senior Performers Ensemble), 16th Street Actors Studio and Monash University (Bachelor of Performing Arts, Drama and Theatre Studies).CLOC: First CLOC show.Shows: Musicals - Cats, Aida, Blood Brothers (Mickey), A Chorus Line (Don), Hair (Kenny). Drama – Three Days of Rain, Loose Threads, As You Like It.Other: Works in Events and Arts (Melbourne Theatre Company).

Stephanie EliseMelenaBachelor of Music (Classical Voice) - Monash University. Fulltime ShowFit course (Centrestage- 2014).CLOC: Sunset Boulevard (2012), Guys and Dolls (2013) – both as Stephanie Burt.Shows: Aspects of Love, The Drowsy Chaperone, Annie (Boylan sister), The Last Five Years (Cathy).Other: Works as teacher of voice/piano/musical theatre, both at schools and privately. Accomplished pianist.

Matt HirstOriginally from NSW. Bachelor of Arts (Theatre) and Music (Composition) from Monash University. CLOC: Mary Poppins (2015).Shows: Annie, bare (Alan), Guys and Dolls (Rusty Charlie), Crazy for You (Junior).Other: Works as swim instructor at GESAC and at the State Library of Victoria as venue assistant. Has worked professionally as sound designer. Composer and arranger of music for original musicals.

Lauren HolcombeBachelor of Performing Arts (Theatre and Performance)-Monash University, AMEB Grade 7 Classical Voice (Naomi Osborne), dance training from a young age (SFD); currently studying dance with Jason Lawv.CLOC: First CLOC show.Shows: Cats (Jemima), The Pirates of Penzance (The Production Company-Intern), The Winter’s Tale (Cleamenes).Other: Works as swim instructor and personal trainer. Hoping to work professionally as a performer.

Nathan FernandezGuardDiploma of Dance (Elite Performance) - Dance World Studios, (2013-15), Diploma of Musical Theatre, APO Arts Academy (2014-15).CLOC: First CLOC show.Shows: Dancer/Singer for gala/corporate dinners for Cystic Fibrosis Victoria, Juvenile Diabetes Research Foundation, Father Bob Maguire Foundation, Mercedes Benz .Other: Works in retail.

Jessica CarsonBachelor of Arts - Music Theatre (Ballarat), Bachelor of Education and currently studying Masters of Education (Victoria University).CLOC: First CLOC show.Shows: Parade, Footloose (Rusty).Other: Works as a music, dance and drama teacher. Has also worked as a professional hair model.

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- THE COMPANY -

Everett JoyOur youngest cast member. Studying full time music theatre at SHOWFIT. CLOC: First CLOC show.Shows: Oliver! (Dance Captain), lead performances at school (Scotch College), Young Australian Broadway Chorus (triple threat performer), Starbound 10 and 11 (Launchpad Drama).Other: Works part time as school maintenance worker while studying. Awarded scholarship to the Australian Boys Dance Academy (2014). Victorian Champion Drum Major (2015).

Luke McShaneRelatively new to the world of musical theatre, after studying singing and dance (jazz/ballet) for several years.CLOC: The Drowsy Chaperone (2015).Shows: The Mystery of Edwin Drood (Malvern Theatre Company/Athenaeum-Lilydale Theatre Company 2015).Other: Works as a nurse at Cabrini Hospital.

Emily MillThe American Musical Theatre Academy London One Year Foundation Musical Theatre Program (2013-14), APO Arts Academy One Year Associate Musical Theatre Program (2012).CLOC: First CLOC show.Shows: Oklahoma!, White Christmas, Carrie the Musical (Helen).Other: Works in hospitality and as nanny.

Louisa MitchellStraddles both sides of the footlights as a featured dancer and an award winning choreographer.CLOC: Mary Poppins (2015).Shows: Performer – Spamalot, Cabaret, corporate cabaret and variety shows. Choreographer – Sweet Charity, Beauty and the Beast, Avenue Q, The Music Man (Guild nomination, Lyrebird award), The Producers, The Boy from Oz (Lyrebird nomination).Other: Works as Health Promotion Officer for Link Health and Community.

Elise NaismithBachelor of Music (Classical Voice/Performing Arts) – Monash University, member of Monash Singers Choir.CLOC: The Phantom of the Opera (2013).Shows: Batboy The Musical (Shelley), The Mystery of Edwin Drood (role of Edwin Drood, Malvern Theatre Company/Athenaeum-Lilydale Theatre Company 2015).

Other: Works in contracts and administration at 123 Music Booking Agency

Thomas O’ReillyLoverOriginally from Brisbane.CLOC: Legally Blonde (2014), Mary Poppins (Valentine/ensemble-2015).Shows: Joseph...Dreamcoat (twice), High School Musical, Grease, The Wizard of Oz, Hairspray, corporate performances with Warner Brothers, Fox 8 Network, Bindi Irwin’s birthday bash, Channel 9’s Carols in the City, Scooby Doo Show (Shaggy Rogers). Other: Works as a stylist and visual merchandiser.

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PRINCIPALSRosa McCarty ElphabaEmily McKenzie Galinda/GlindaLee Threadgold The Wizard of OzCarolyn Waddell Madame MorribleRobbie Smith FiyeroGrace Kingsford NessaroseHamish Anderson BoqJon Sebastian Dr DillamondCameron O’Reilly Chistery

ENSEMBLE Citizens of Oz, Students, Tourists, Monkeys, Princes/Princesses, Witch HuntersWill Atkinson (Frex)Jessica Carson Stephanie Elise (Melena)Nathan Fernandez (Guard)Matt Hirst Lauren Holcombe Everett JoyLuke McShaneEmily Mill Louisa Mitchell Elise Naismith Cameron O’Reilly Thomas O’Reilly (Lover)

Danny Forward Conductor/MDTim Verdon Assistant to MDVicki Stanko Reed 1Andrew Jacobs Reed 2Glenn Taylor Reed 3Skye Kiss HornDan Heskett Trumpet 1Miles Izzo Trumpet 2Simon Greatwood / Ash Richter TromboneSarah Nieuwkerk ViolinDeb McLeod CelloAdrian Close BassDave Banen GuitarBryn Bowen / Danny Boldiston DrumsLara Wilson / Rob Cossom PercussionTim Verdon Keyboard 1Martine Wengrow Keyboard 2Stephanie Lewendon-Lowe Keyboard 3Anthony Cardamone Keyboard 4Andrew Barrett Synthesizer Programmer for Lionella Productions Ltd

- THE COMPANY -

- ORCHESTRA -

Taylor Rettke (Scientist)Claire RobinsonChris Rogers Blair Salmon (Guard)Jon Sebastian Felicity Shaw (Shen Shen)Nathan Slevin (Averic)Karen Taranto (Midwife)Kate Trickey Tailem Tynan (Pfannee)James Watkinson (Guard)Vanessa Wicks Robbie Wilton

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ACT 1No One Mourns the Wicked Glinda and Citizens of OzDear Old Shiz StudentsThe Wizard and I Madame Morrible and ElphabaWhat is this Feeling? Galinda, Elphaba, and StudentsSomething Bad Dr Dillamond and ElphabaDancing Through Life Fiyero, Galinda, Boq, Nessarose,

Elphaba and StudentsPopular GalindaI’m Not That Girl ElphabaOne Short Day Elphaba, Glinda and Denizens of

Emerald CityA Sentimental Man The WizardDefying Gravity Elphaba, Glinda, Guards and

Citizens of Oz

ACT 2No-one Mourns the Wicked (Reprise) Citizens of OzThank Goodness Glinda, Madame Morrible and

Citizens of OzThe Wicked Witch of the East Elphaba, Nessarose and BoqWonderful The Wizard and ElphabaI’m not that Girl (Reprise) GlindaAs Long as You’re Mine Elphaba and FiyeroNo Good Deed ElphabaMarch of the Witch Hunters Boq and Citizens of OzFor Good Glinda and ElphabaFinale: For Good (Reprise) All

- MUSICAL NUMBERS -

Taylor RettkeScientistBachelor of Commerce, Melbourne University. Trinity Silver Medal for best music examination mark in Victoria (Grade 7 piano).CLOC: First CLOC show.Shows: Rent (Mark), Spring Awakening (Moritz), Peter Pan (Slightly-Head of the Lost Boys), Metamorphoses (King Ceyz/Philemon).Other: Works as IT product designer, designing apps and websites. Lead singer of professional entertainment group “The Club”. Plays multiple musical instruments.

Claire RobinsonOriginally from Tauranga, New Zealand. Relocated to Melbourne in 2010. Has studied, taught, choreographed and adjudicated dance, both here and in New Zealand.CLOC: The Phantom of the Opera (2013), 42nd Street (2014), Mary Poppins (2015).Shows (NZ): Cats (Bombalurina), Beauty and the Beast, Oliver!, Showboat (Ellie), Pirates of Penzance, featured dancer for corporate/sports events.Other: Works as office manager in a legal recruitment company, as well as a freelance dance and gym instructor, including ten years with the Les Mills program.

Chris RogersA Melbourne music theatre veteran, who has appeared in over 50 productions, both musical and non-musical, over the past 30 years. This is his 11th CLOC show.CLOC: Funny Girl (1993), Barnum (1995), A Funny Thing...Forum (1995), 42nd Street (1996), Crazy for You (1999), Shout! (2007), All Shook Up (2012), Guys and Dolls (2013), 42nd Street (2014), Mary Poppins (2015).Shows: (just a small recent selection): Footloose, Joseph…Dreamcoat, Jesus Christ Superstar, Crazy for You (three times!), The Wizard of Oz, The Wiz, The Mystery of Edwin Drood, Hello Dolly!, Seven Brides for Seven Brothers, They’re Playing Our Song, Mack and Mabel, Hairspray, How to Succeed in Business…Trying, Fiddler on the Roof, The Boy from Oz. Other: Works as a costume/mascot maker for JC Westend Costume Factory.

Karen TarantoMidwifeDegrees in Arts (politics major) and Masters of Public Policy and Management (Monash University). Has studied all forms of dance (classical, Broadway, jazz, tap, contemporary) –currently at The Space Dance Studio. Has a particular interest in gospel and soul singing.CLOC: First CLOC show.Shows: Rent (Joanne Jefferson), choir member/soloist – Melbourne Singers of Gospel concert, Festival of Voices Hobart, Carols by Candlelight.Other: Works as advocacy advisor with Vision Australia.

Kate TrickeyHas trained in dance/calisthenics for 17 years and worked as choreographer and calisthenics coach. Member of Mater Christi vocal ensemble for four years.CLOC: First CLOC show.Shows: Hot Mikado, Hairspray (Amber von Tussle), Legally Blonde (Serena).Other: Works as sales rep for communications company.

Nathan SlevinAvericARC Theatre Company committee member 2011-2014, including year as President 2014. Has worked as Production Manager, Assistant Director. Co-director Waterdale’s Gypsy (2014).CLOC: Mary Poppins (2015).Shows: Hello Dolly!, Sweet Charity, The Pajama Game, The Wedding Singer (George), All Shook Up (Dennis-Guild nomination), The 25th Annual Putnam Spelling Bee (William Barfee), Seussical (Mayor of Whoville), Bonnie & Clyde (Ted Hinton), Honk! (Ugly Duckling).Other: Works in customer service for a large health insurance company.

Blair SalmonGuardOriginally from Auckland, New Zealand. Has studied tap dancing for eight years (with the legendary Isabelle Ryan and her Academy of Tap, and The Broadway Dance Studio in New York), as well as jazz and vocal performance. This is Blair’s fifth consecutive CLOC show.CLOC: 42nd Street (2014), Legally Blonde (Kyle-2014), Mary Poppins (2015), The Drowsy Chaperone (Robert Martin-2015).Shows (Aust): Singin’ in the Rain (featured dancer-2013).Other: Works as an IT consultant.

Felicity ShawShen ShenFrom Launceston, Tasmania. In Melbourne since March 2015. First Melbourne show.CLOC: First CLOC show.Shows (Tasmania): Annie (Boylan Sister), Grease (Cha Cha DiGregorio), cabaret theatre restaurant dancer/singer.Other: Works in administration/reception for financial services company, as well as fitness instructor (trained with Les Mills program).

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- THE COMPANY -

Robbie WiltonGraduate of Patrick Studios full-time professional development dance course (2008).CLOC: Guys and Dolls (2013).Shows: High School Musical, Pippin, Little Shop of Horrors (Orin), Annie (Rooster), Cats, Hairspray, Hair, The Witches of Eastwick.Other: Works in hospitality as a hotel venue manager.

Vanessa WicksOriginally from Wodonga. Relocated to Melbourne in 2011. Has studied all forms of dance for over 20 years (ballet, jazz, tap, contemporary, acrobatics, musical theatre, hip hop, latin).CLOC: Guys and Dolls (2013), Mary Poppins (2015).Shows: Strange Bedfellows, Grease (Jan), Spamalot (Laker Girl), Beauty and the Beast (Silly Girl), Little Shop of Horrors, Miss Saigon, Sweeney Todd, My Fair Lady.Other: Works in project management and construction.

James WatkinsonGuardOur second youngest cast member, who is one of a rare breed of being equally interested in musical theatre and sport, both as a player (rugby, soccer and AFL), and as a supporter (Liverpool and Richmond Tigers).CLOC: First CLOC show.Shows: Pippin (role of Pippin-Starbound, Launchpad Drama), Footloose (Chuck Cranston-OCPAC 2015-Guild nomination).Other: Studying Business at Swinburne University.

Tailem TynanPfanneeHas appeared in and/or choreographed over 30 productions since 1994. This show marks Tailem’s 14th CLOC appearance. CLOC: Anything Goes (2000), Chicago (2001), Mack & Mabel (2004), Steel Pier (2005), Cats (2006), Shout! (2007), The Boy from Oz (2008), Hot Shoe Shuffle (Dance Captain-2008), Miss Saigon (2009), High Society (choreographer-2009), 42nd Street (Annie Reilly-2014), Legally Blonde (2014), Mary Poppins (2015).Shows (just a small selection): Singin’ in the Rain, Hello Dolly!, Anything Goes, West Side Story, Hairspray, Songs for a New World, The Boy from Oz. Other: Works as Admissions and Marketing Co-ordinator at Loreto Mandeville Hall, Toorak.

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ACT 1The citizens of Oz are celebrating the death of Elphaba, the Wicked Witch of the West. As Glinda the Good appears to reassure the people that goodness has prevailed over evil, she admits that she and Elphaba were once friends, and tells the story in flashback of how they met. Elphaba is the daughter of the governor of Munchkinland, and was born with green skin. Her father shunned her, and showered his affection on her younger sister, Nessarose, who is confined to a wheelchair. The two girls go together to Shiz University, where the pretty and popular Galinda is also in their class. Elphaba and Galinda take an instant dislike to each other, exacerbated when they are roomed together and when Elphaba inadvertently shows magical powers, which causes the headmistress Madame Morrible to fawn on her.A handsome roguish prince, Fiyero, arrives at Shiz, and Galinda is charmed, oblivious to the fact that another student, a munchkin Boq, is smitten with her. At the Stardust Ballroom Dance, Galinda has eyes only for Fiyero, and persuades Boq to ask Nessarose to dance. Nessarose immediately falls for Boq and is full of gratitude towards Galinda. Elphaba turns up at the dance wearing a black hat which Galinda had given her as a joke. As people laugh at Elphaba, Galinda’s guilt makes her try to help Elphaba and a new friendship is born.

Elphaba attends history class with Dr Dillamond, the only animal professor at the university, who is suffering from the effects of a conspiracy to stop the animals from speaking. When Dr Dillamond tells the class he is leaving as he is no longer permitted to teach, Elphaba is outraged and feels she must meet the Wizard to tell him, so he can fix this.Elphaba and Galinda prepare to go to the Emerald City to meet the Wizard. As they leave, to try to impress Fiyero, Galinda changes her name to Glinda as an outward show of solidarity with Dr Dillamond. Soon, the two girls are standing before the Wizard and his new Press Secretary, Madame Morrible. After a confrontation involving a levitation spell on the Wizard’s monkey servant Chistery, Elphaba realizes that the Wizard is the one behind the suppression of the animals and that he has no powers. She runs away, and in order to prevent the truth from getting out, Madame Morrible spreads reports that Elphaba is “wicked,” and not to be trusted. After Glinda refuses to join her, Elphaba performs a spell on a broom and flies away, leaving Glinda behind.

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- SYNOPSIS -

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- SYNOPSIS -ACT 2Elphaba is now known as “The Wicked Witch of the West”. “Glinda the Good” has become the smiling public front of the Wizard’s regime, with Fiyero by her side as her reluctant fiancé.Elphaba pays a visit to Nessarose, who is now the governor of Munchkinland following the death of their father, and is desperately trying to keep an unwilling Boq by her side. Elphaba tries to help by giving Nessarose the power to walk, which Boq sees as his means to freedom and attempts to leave. In desperation, Nessarose tries to cast a spell to make Boq stay and fall in love with her. However, the spell backfires, shrinking Boq’s heart, and to save his life, Elphaba works another spell, one which leaves Boq as a man made of tin without a heart.Elphaba returns to the Wizard’s palace to free the monkey servants, and comes across the Wizard himself. Upon seeing Dr. Dillamond who has lost his power of speech, she vows to fight the Wizard until the end. Fiyero and the guards enter, followed by Glinda. Fiyero helps Elphaba to escape, and decides to go with her, leaving Glinda behind and broken hearted, while Elphaba and Fiyero admit their love for each other. Glinda and Elphaba meet again at the site where Nessarose has been crushed during a tornado by a house with a girl named Dorothy inside. Fueled by the rivalry over Fiyero, the two have a heated argument. Having been tipped off by Glinda, the guards arrive, followed quickly by Fiyero, who tries to help Elphaba escape. The guards turn on Fiyero and tie him up to a pole in the field. Elphaba tries to cast a spell to save his life and protect him from injury, but only succeeds in turning him into a scarecrow. In despair, she decides that from this point on, she will live up to her ‘wicked’ reputation.The citizens of Oz set out to capture Elphaba. Glinda has realized Madame Morrible, who can control the weather, is responsible for Nessarose’s death. Glinda travels to Elphaba’s castle to warn her of the danger she is in. The two women forgive each other for all grievances and embrace for the last time before saying goodbye forever. Elphaba forces Glinda to hide, who then watches from the shadows as Dorothy throws a bucket of water on Elphaba, who appears to melt away. Grief-stricken, Glinda returns to the Emerald City and confronts the Wizard with Elphaba’s bottle of green elixir, which she recognizes as having seen before while visiting Oz. The Wizard realises that he is Elphaba’s biological father, and the cause of her green skin. He breaks down in agony, and Madame Morrible surmises that Elphaba’s powers were so strong because she was a child of two worlds. Glinda orders the Wizard to leave Oz and sends Madame Morrible to prison for murdering Nessarose.Meanwhile, back at the castle, Fiyero (now a scarecrow) comes to the spot where Elphaba was melted, and they are reunited; her melting was a ruse to convince her enemies of her death and to ensure her future with Fiyero. Before leaving, Elphaba regrets that she’ll never see Glinda again. Simultaneously, Glinda reports to the people of Oz that the Wicked Witch of the West has been killed and promises to properly earn her title as Glinda the Good. As the people celebrate and while Glinda mourns, Elphaba and Fiyero leave Oz forever.

Stephen Schwartz Music and LyricsHas contributed music and/or lyrics to Godspell, Bernstein’s Mass, Pippin, The Magic Show, The Baker’s Wife, Working (which he also adapted and directed), Rags and Children of Eden. For films, he collaborated with Alan Menken on the scores for Disney’s Pocahontas, The Hunchback of Notre Dame and Enchanted and wrote the songs for DreamWorks animated feature The Prince of Egypt. His first opera, Séance on a Wet Afternoon, was presented by New York City Opera in April, 2011. Defying Gravity, a book about his professional career, was recently published by Applause Books. Mr. Schwartz is the artistic director of the ASCAP Musical Theatre Workshops and president of the Dramatists Guild. Awards include three Academy Awards, four Grammy Awards, a star on the Hollywood Walk of Fame and a tiny handful of tennis trophies. He was recently inducted into the Theatre Hall of Fame. www.stephenschwartz.com

William David Brohn OrchestrationsReceived the 1998 Tony Award for Best Orchestrations for Ragtime. Other credits include Mary Poppins, Curtains, Miss Saigon, The Secret Garden, Show Boat, Crazy for You, Carousel, Sweet Smell of Success, Oklahoma! (B’way); Mary Poppins, Oliver!, The Witches of Eastwick, My Fair Lady and South Pacific (London). He has provided arrangements for Marilyn Horne, James Galway, Placido Domingo and Joshua Bell’s recording on Sony Classical of Bernstein’s West Side Story Suite for Violin and Orchestra.

Alex Lacamoire Music ArrangementsWas the music supervisor for In the Heights, which won him the 2008 Tony Award for Best Orchestrations and a 2008 Grammy Award for producing the cast album. Other Broadway credits as music director, arranger and/or orchestrator: Hamilton, 9 to 5, High Fidelity and Legally Blonde. Other favorite projects: Bat Boy: The Musical (Off-B’way), the 2001 nat’l tour of Godspell, Captain Louie and The Wiz (City Center Encores!). Love to Mom, Dad, Little Sis and Ileana.

- ORIGINAL CREATIVES -

Gregory Maguire Author of the Original NovelPublished a dozen novels for children before writing his first adult novel, Wicked. A devotee of children’s fantasy, Maguire’s subsequent novels for adults are variations-on-a-theme: Confessions of an Ugly Stepsister considers Cinderella as a seventeenth-century maid from Haarlem; Lost evokes the ghost of Charles Dickens’s Scrooge; and Mirror Mirror features a High Renaissance Snow White daunted by the wickedest stepmother, Lucrezia Borgia. Maguire’s novel Son of a Witch, a sequel to Wicked, is followed by volume III of the Wicked Years, A Lion Among Men, and concludes with the final novel in the Wicked Years, Out of Oz. He lives in Massachusetts and Vermont with his husband, the painter Andy Newman, and their three children.

Stephen Oremus Music Supervisor/ArrangerBroadway: Received 2011 Tony and Drama Desk Awards for Outstanding Orchestrations for The Book of Mormon, as well as the 2012 Grammy Award as producer of the cast recording. Worldwide music supervisor/arranger of Wicked; music supervisor/vocal arranger/orchestrator of Kinky Boots, The Book of Mormon, Avenue Q, All Shook Up and 9 to 5; co-producer (w/ Dolly Parton) of the Grammy-nominated 9 to 50 Broadway cast recording. Other: music supervisor/vocal arranger/orchestrator of tick, tick...BOOM!; music director of Andrew Lippa’s The Wild Party; music director/conductor for the Rufus Wainwright Sings Judy Garland concert.

James Lynn Abbott Dance ArrangementsBroadway: Aida, Rent, Footloose, Joseph..., Cats, Sunset Boulevard, and Miss Saigon. National tours include Starlight Express, Kiss of the Spiderwoman, The Who’s Tommy and Jesus Christ Superstar, among others. He has performed with Aretha Franklin, Dennis DeYoung of Styx, Shirley Bassey, Bob Hope, Vanessa Williams and with Elton John in “Greatest Hits Live” at Madison Square Garden. Clients include Dr. Pepper, Frito Lay, American Airlines and General Electric.

Winnie Holzman BookReceived a Tony nomination and a Drama Desk Award for Wicked. She created the memorable television drama “My So-Called Life” which starred Claire Danes. Holzman got her start writing for the acclaimed drama “thirtysomething” and later executive produced (again with Marshall Herskovitz and Edward Zwick) “Once and Again.” Other theatre work includes the musical Birds of Paradise (with composer David Evans) and a ten-minute play called Post-Its: Notes on a Marriage which she wrote with her husband, actor Paul Dooley. Features include ‘Til There Was You. Also an actress, Ms. Holzman appeared in Jerry Maguire and as Larry’s wife’s therapist on “Curb Your Enthusiasm.” Most recently she teamed with her daughter, Savannah Dooley, to write and produce the ABC Family series, “Huge.” She is a graduate of Princeton University, received an MFA from the NYU Musical Theatre Program and serves on the board of the Writers Guild Foundation.

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- PRODUCTION TEAM -

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CO-DIRECTORSChris White, Lynette WhiteCHOREOGRAPHERLynette WhiteMUSICAL DIRECTORDanny ForwardPRODUCTION MANAGERDebbie OsborneTECHNICAL DIRECTORGrant Alley OAMSTAGE MANAGERSandra DaviesASSISTANT TO THE DIRECTORDebbie OsborneASSISTANT TO THE MUSICAL DIRECTORTim VerdonREHEARSAL PIANIST Tim VerdonLIFTS COACHWendy Belli

SET DESIGNERChris WhiteSET PAINTINGChris WhiteBASE PAINTINGPatsi Boddison, Cameron OsborneTECHNICAL DESIGNERGrant Alley OAMSET CONSTRUCTION MANAGERGrant Alley OAMASSISTED BYJoel Berman, Patsi Boddison, Noel Hall, Tony Hall, Bernard Hedger, David Hobbs, Malcolm Lutchner, Elizabeth Scott, Craig Symons, Peter Turley, Barry Venning, Cian Westall, Glen WestallSPECIAL PROPERTIESChris WhiteTRICK PROPERTIESPeter Turley

SOUND DESIGNERMarcello Lo Ricco (LSS Productions)SOUND OPERATORJosh MattielliRADIO MICROPHONE TECHNICIANDana SamuelASSISTED BYNatalie ColemanSFX OPERATORJasmine TolentinoSOUND EQUIPMENTLSS Productions Pty Ltd

LIGHTING DESIGNERBrad Alcock (BAAC Light)LIGHTING BOARD PROGRAMMERDaniel Gosling (BAAC Light)PROJECTIONSAndrei ChlebnikowskiANIMATIONSTom HallLIGHTING BOARD OPERATORDavid Boddison-GrayHEAD FOLLOW SPOTPatsi BoddisonFOLLOW SPOT OPERATORSTina Boddison-Gray, Naomi Boddison-Gray, Misha Lee

CLOC PATRON

John-Michael Howson OAM

CLOC Musical Theatre is a member of the

Music Theatre Guild of Victoria

CLOC COMMITTEE

PRESIDENT Cameron Osborne

SECRETARY Peter Thompson

COMMITTEE Carol Humphrey

COMMITTEE Patsi Boddison

COMMITTEE Melinda Peebles

CLOC Musical TheatrePO Box 3250

Mentone East Vic 3194Ticket Enquiries: 1300 362 547

Web: www.cloc.org.auEmail: info@cloc.org.au

ADMINISTRATOR Sandra Davies

TREASURER Grant Alley OAM

COMMITTEE Janet Cameron

COMMITTEE Debbie Osborne

COMMITTEE Jon Sebastian

LIGHTING CREWBrad Alcock, Patsi Boddison, David Boddison-Gray, Andrei Chlebnikowski, Matthew Silk and Linda Hum of The National Theatre

COSTUME DESIGNERVictoria HorneCOSTUME CO-ORDINATORSMelinda Peebles, Victoria HorneCOSTUME ASSISTANTSLeis Carson, June Craig, Amy Dawson, Rebecca Dodd, Laura Dunnington, Glennis Eather, Kirsty-Lee Eather, Lorna English, Eva Fabian, Mary Fraser, Carol Humphrey, Tamara Keane, Scott McLeod, Nancy Matthews, Brian Misson, Rebecca Moss, Delwyn Poyser, Beth Sayer, Cheree Sexton, Liz Stoyanova, Erika Sudarevic, Isabelle TurnbullMILLINERYChristina ScottASSISTED BYSally Anderson, Lizzie Barton, Leeanne Bickford, Zoe ThompsonTAILORINGJohn & Danielle Carbone

WIG & MAKE-UP DESIGNERDavid WiskenWIG & MAKE-UP CO-ORDINATORNatalie Della GraziaWIG & MAKE-UP TEAMJenny Barratt, Jasmine Forbes, Bek Goldsmith, Edwina Lewinsky

STAGE DIRECTORBernard HedgerASSISTANT STAGE MANAGERGemma HedgerFLOOR MANAGERSPaul Belli, Rosie CurtisFLY MANAGERTony HallASSISTED BYRobert GriffinRIGGERDave Crowson (Get Rigged)

DRESSERS’ CO-ORDINATORMelinda PeeblesASSISTED BYJanet Cameron, Hannah Campbell, Rebekah McLaughlin, Brian Misson, Shelley Scott, Karen Warrington

PROPS CO-ORDINATORJodie LawsonASSISTED BYAlannah Brelis, Heidi Crook, Emily Daniel, Karen Greenwood, Karen Warrington

STAGE CREWJoel Berman, Gordon Bull, Craig Dixon, David Hobbs, Mark Houghton, Nikki Imberger, Matt McLaughlin, Jackie Mates, Bianca Milewski, Ian Simmonds, David Southall, Erin Williamson

THANKS ALSO TOMichael Bates, Michael Curtis, Rohan Fotheringham, Jake Kirby, Peter Leed, Sam McKinnon, Craig Symons, Peter Thompson, Neville West

PRACTICAL PLACEMENTSCerys Chisholm-Price, Gabrielle Green

MARKETING MANAGERJon SebastianMARKETING TEAMGrant Alley OAM, Sandra Davies, Craig Dixon, Ben Fon, Karen Greenwood, Hannah James-Crisp, Bianca Milewski, Cameron Osborne, Robbie Smith, David Wisken

WEBMASTER & FACEBOOKCraig DixonPROGRAMJon SebastianASSISTED BYSandra Davies, Karen GreenwoodPROGRAM GRAPHIC ART/DESIGNDavid Clark at The WizartsPHOTOGRAPHYBen Fon (Fon Photography)

OPENING NIGHT FOYER PHOTOGRAPHYDenise Damianos assisted by Trudi SheppardPRINTINGBlueStarADMIN SUPPORTJanet Cameron, Karen Greenwood, Debbie Osborne

TICKET SALESCarol Humphrey, Cheryle OsborneFRONT OF HOUSE CO-ORDINATORMeryl WithersBOX OFFICE MANAGERGrant Alley OAMASSISTED BYCarol Humphrey, Cheryle Osborne, Barry VenningDUTY MANAGERSGeoff Kavanagh, Barry Rickard, Jan Sheppard, Barry Venning, Meryl Withers, Peter WitneyCATERINGPaul Belli, Tony HallFIRST AIDIan Simmonds

ACKNOWLEDGEMENTS: Assistant to the Treasurer - Mike StrahanAll friends of CLOC who work Front of HouseThe staff of The National TheatreFrank Simcox for Audio-Visual ServicesRose Hudson

Assistance with properties:Dan Bolwell for his penny farthingCraig DixonColin RobinsonColin Skeates

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Music by ANDREW LLOYD WEBBERLyrics by TIM RICE

TM© 1996 The Really Useful Group

October 7 – 22, 2016THE NATIONAL THEATRE, ST. KILDA

CLOC.ORG.AU | 1300 362 547Ticket Sales Open July 18

BY ARRANGEMENT WITH ORiGIN THEATRICAL ON BEHALF OF THE REALLY USEFUL GROUP LIMITED