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WINTER 2011 a special guide to fine watches and jewelry Jewelry Jubilee THINKING OUT OF THE JEWELRY BOX Speaking of BESPOKE NEW WAY OF LOOKING E NEW WAYS O E N W W O A E O AT TIME N W O AT TIME N W OF NG AT TIME Watch Brands Reinvent the Display of Time The Watch That Would Not Die THE RESURRECTED MECHANICAL NEW WAYS OF LOOKING AT TIME

Collector Winter 2011

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Page 1: Collector Winter 2011

WINTER 2011 a special guide to fi ne watches and jewelry

Jewelry Jubilee THINKINGOUT OF THE JEWELRY BOX

a special guide to fi ne watches and jewelry

Speaking of BESPOKE

NEW WAYSOF LOOKING

AT TIME

NEW NEW NEW NEW WAYSWAYSWAYSWAYSOF LOOKING

WAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIME

NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW OF LOOKINGNEW OF LOOKINGNEW NEW NEW NEW NEW NEW NEW NEW NEW NEW WAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYS

OF LOOKINGWAYSOF LOOKINGWAYSWAYSWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKING

AT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIME

NEW NEW NEW NEW NEW NEW NEW OF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW NEW NEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW

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AT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIME

NEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW NEW NEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW NEW NEW NEW NEW NEW NEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW WAYSOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKING

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AT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIME

NEW OF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW NEW NEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW NEW NEW NEW NEW NEW NEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW NEW NEW NEW NEW NEW NEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW OF LOOKINGOF LOOKINGOF LOOKINGNEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW OF LOOKINGNEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW NEW WAYSOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKING

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WAYSWAYSWAYSWAYSWAYSWAYSWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSOF LOOKINGWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYS

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OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGWAYSOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGAT TIME

OF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGOF LOOKINGOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGAT TIMEOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKING

AT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEOF LOOKINGAT TIMEOF LOOKING

AT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEOF LOOKINGAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIME

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AT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIMEAT TIME

a special guide to fi ne watches and jewelry

WAYSWAYSOF LOOKING

WAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYSWAYS

OF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKINGOF LOOKING

Watch Brands Reinvent the Display of Time

The Watch That Would Not DieTHE RESURRECTED MECHANICAL

NEW WAYSOF LOOKING

AT TIME

NYO_Collector_Cover_Winter2011_Final.indd 1 11/17/11 7:22:36 PM

Page 2: Collector Winter 2011

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Page 3: Collector Winter 2011

Patek.indd 3 11/17/11 5:23:08 PM

Page 4: Collector Winter 2011

A high-octanemechanical tribute to the

automobile spirit

L.U.C Engine One Tourbillon: available in a limited numberedseries of 150 in titanium, in honour of Chopard’s 150th anniversary,ref. 168526-3001.

L.U.C Engine One Tourbillon. High-end mechanical watchmaking and the best of motor sports meet andmingle in a handsome and powerful timepiece. This limited-edition model celebrating Chopard’s 150th anniversary vividly embodies the spirit of automobiles, a world with which the brand has enjoyed strong ties over several decades. It is driven by a hand-wound tourbillon movement machined – and signed – like an engine block and mounted on shock-absorbing silent-blocks. Beating at28,800 vibrations per hour and endowed with a 60-hour power reserve, this mechanical L.U.C Calibre 1TRM was designed, developed and produced by ChopardManufacture and its impressive precision is chrono-meter-certifi ed by the Swiss Official Chronometer Testing Institute. Other subtle nods to classic motor racing include the gleaming titanium “bodywork” of the case, curving lugs shaped like aerodynamic car wings, as well as four reinforced inserts on the strap reminiscent of historical car seats.

709 Madison Avenue • New York City212.223.2304 • www.chopard.com

10622 Chopard-NYOcollectorApril11_EngineOne.indd 1 3/30/11 9:56 AMChopard Fall 2011.indd 2 11/17/11 5:24:39 PM

Page 5: Collector Winter 2011

A high-octanemechanical tribute to the

automobile spirit

L.U.C Engine One Tourbillon: available in a limited numberedseries of 150 in titanium, in honour of Chopard’s 150th anniversary,ref. 168526-3001.

L.U.C Engine One Tourbillon. High-end mechanical watchmaking and the best of motor sports meet andmingle in a handsome and powerful timepiece. This limited-edition model celebrating Chopard’s 150th anniversary vividly embodies the spirit of automobiles, a world with which the brand has enjoyed strong ties over several decades. It is driven by a hand-wound tourbillon movement machined – and signed – like an engine block and mounted on shock-absorbing silent-blocks. Beating at28,800 vibrations per hour and endowed with a 60-hour power reserve, this mechanical L.U.C Calibre 1TRM was designed, developed and produced by ChopardManufacture and its impressive precision is chrono-meter-certifi ed by the Swiss Official Chronometer Testing Institute. Other subtle nods to classic motor racing include the gleaming titanium “bodywork” of the case, curving lugs shaped like aerodynamic car wings, as well as four reinforced inserts on the strap reminiscent of historical car seats.

709 Madison Avenue • New York City212.223.2304 • www.chopard.com

10622 Chopard-NYOcollectorApril11_EngineOne.indd 1 3/30/11 9:56 AMChopard Fall 2011.indd 3 11/17/11 5:24:54 PM

Page 6: Collector Winter 2011

KD&E Inc.129 West 27th St. 11 floorNew York, NY 10001212.686.0006

Ad Title:

KD&E Approvals

Date:

Comments:

Job #:

Pub:

Creative Sheet: ____ Creative Assignment: ____ Copyright: ____ Phone number (National Ad Only): ____

Website: ____ Region Address (Regional Ads Only): ____ Cities Listed: ____ HW Logo: ____

Co-Op Log (For Co-Op Ads Only): ____ Headline (Newspaper Ads Only): ____ Product Description (Newspaper Only): ____

OK for Release: ________________ Date: ___________

Insertion:

Bleed:

Live:

Misc:

Color:

Trim:

Page:Midnight Big Date 11/7/11

1111-12HWMR

REGIONAL ADvERtIsING:

NY

NY Observer the Collector - 11/22

.25

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HWMWMG - 110902

Harry Winston MidnigHt ColleCtion™

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, Inc

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NEW YORK 718 FIFTH AVENUE 212 245 2000

HW_MidnightBigDate_NYobserverTheCollector_SPREAD.indd 2-3 11/14/11 4:08 PMHarry Winston.indd 2 11/17/11 5:26:15 PM

Page 7: Collector Winter 2011

KD&E Inc.129 West 27th St. 11 floorNew York, NY 10001212.686.0006

Ad Title:

KD&E Approvals

Date:

Comments:

Job #:

Pub:

Creative Sheet: ____ Creative Assignment: ____ Copyright: ____ Phone number (National Ad Only): ____

Website: ____ Region Address (Regional Ads Only): ____ Cities Listed: ____ HW Logo: ____

Co-Op Log (For Co-Op Ads Only): ____ Headline (Newspaper Ads Only): ____ Product Description (Newspaper Only): ____

OK for Release: ________________ Date: ___________

Insertion:

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Page:Midnight Big Date 11/7/11

1111-12HWMR

REGIONAL ADvERtIsING:

NY

NY Observer the Collector - 11/22

.25

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©20

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arry

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NEW YORK 718 FIFTH AVENUE 212 245 2000

HW_MidnightBigDate_NYobserverTheCollector_SPREAD.indd 2-3 11/14/11 4:08 PMHarry Winston.indd 3 11/17/11 5:26:32 PM

Page 8: Collector Winter 2011

1-877-8PIAGET

PIAGET ALTIPLANOThe world’s thinnest automatic watch

White gold case, 5.25 mm thick

The world’s thinnest automatic movement

Piaget Manufacture Calibre, 2.35 mm thick

PIAGET BOUTIQUE - 730 FIFTH AVENUE - NEW YORKwww.piaget-altiplano.com

ULTIMATE D ISCRETIONTWO WORLD RECORDS

To celebrate the 50th anniversary of its legendary Calibre 12Plaunched in 1960, the Manufacture de Haute Horlogerie Piagetsets two new records in the ultra-thin quest.

Featuring an off-centered oscillating weight, the new generation1208P is the world’s thinnest automatic movement on the market at just 2.35mm thick - a first record.

Thanks to this new Calibre 1208Thanks to this new Calibre 1208P, the Piaget Altiplano watchmeasures just 5.25 mm thick, making it the world’s thinnestautomatic watch - a second record.

Piaget Spread.indd 2 11/17/11 5:27:06 PM

Page 9: Collector Winter 2011

1-877-8PIAGET

PIAGET ALTIPLANOThe world’s thinnest automatic watch

White gold case, 5.25 mm thick

The world’s thinnest automatic movement

Piaget Manufacture Calibre, 2.35 mm thick

PIAGET BOUTIQUE - 730 FIFTH AVENUE - NEW YORKwww.piaget-altiplano.com

ULTIMATE D ISCRETIONTWO WORLD RECORDS

To celebrate the 50th anniversary of its legendary Calibre 12Plaunched in 1960, the Manufacture de Haute Horlogerie Piagetsets two new records in the ultra-thin quest.

Featuring an off-centered oscillating weight, the new generation1208P is the world’s thinnest automatic movement on the market at just 2.35mm thick - a first record.

Thanks to this new Calibre 1208Thanks to this new Calibre 1208P, the Piaget Altiplano watchmeasures just 5.25 mm thick, making it the world’s thinnestautomatic watch - a second record.

Piaget Spread.indd 3 11/17/11 5:27:33 PM

Page 10: Collector Winter 2011

page 18

page 44

8

Observer Media grOuppubLisHer JARED KUSHNER

ediTOriaL direCTOr ELIZABETH SPIERS

presideNT CHRISTOPHER BARNES

eXeCuTive viCe presideNT BARRY LEWIS

seNiOr viCe presideNT Of adverTisiNg JAMIE FORREST

ediTOriaL MaNager MICHAEL WOODSMALL

seNiOr viCe presideNT, saLes aNd MarKeTiNgDAVID GURSKY

direCTOr Of CLassified adverTisiNg KEN NEWMAN

MarKeTiNg MaNager ZARAH BURSTEIN

v.p. CirCuLaTiON KRATOS VOS

CirCuLaTiONALEXANDRA ENDERLE, PETER PARRIS, CARLOS RODRIGUEZ

THe NeW YOrK Observer321 West 44th streetNew York, N.Y. 10036212.755.2400www.observer.com

ediTOr iN CHief KEITH W. STRANDBERG

WaTCH aNd JeWeLrY ediTOr SOPHIE FURLEY

arT direCTOr SCOTT DVORIN

seNiOr desigNer LAUREN DRAPER

prOduCTiON direCTOr TYLER RUSH

pHOTO ediTOr PETER LETTRE

adverTisiNg/prOduCTiON COOrdiNaTOr LISA MEDCHILL

assOCiaTe pubLisHer, THE COLLECTORBETTY SHAW LEDERMAN

saLes assisTaNT ELYSE ADLER

COpY ediTOr DAVID SUTTER

winter 2011 a special guide to fine watches and jewelry

Watch Brands Reinvent the Display of Time

New ways of LookiNg

at time

HermÈs Time suspended

urwerk ur-103 pHOeniX

piageT emperadOr COussin XL auTOmaTiC TOurbiLLOn

beLL & rOss br 01 red radar

F.p. JOurne uTC

Lange ZeiTwerk sTriking Time

HamiLTOn TimepLayer

12 THe WaTCH THaT WOuLd NOT die

Almost driven out of existence, the mechanical watch is back and better than ever.

18 TiMe WiLL Never LOOK THe saMe

From jumping hours to hour displays that are on rubber belts, today’s watches are reinventing the way we tell time..

24PiÈCEs UniqUEs aNd

LiMiTed-ediTiON TiMepieCesThe devoted watchmakers in Switzerland

love nothing more than to create special timepieces– unique pieces or limited editions.

34 THe WaTCHMaKer’s beNCHA look at a vintage watchmaker’s bench

contrasted with a modern one.

36piLOT’s WaTCHes

Pilot’s watches started out as a toolfor aviators, but their simple, clean designs and

rugged construction have made them the perfect timepieces for just about everyone.

40 JeWeLrY JubiLee

Innovation and jewelry aren’t two words that jump out at you as going together,

and yet more and more jewelers are thinking out of the jewelry box.

By Sophie Furley

44 COMpLiCaTiONs siMpLified

A simple look at complicated watches.

46 THe JOY Of buYiNg fiNe WaTCHes

Where to go and what to know before you buy.

the collector winter 2010

NYO_Collector_TOC_Winter2011.indd 8 11/17/11 7:49:18 PM

Page 11: Collector Winter 2011

Advertiser: Panerai

Ad: Luminor 3 Days PAM372

Publication: The Collector (New York Observer)

Issue: November 22, 2011

Bleed: 10.25" x 12.25"

Trim: 10" x 12"

Safety: 9" x 11"

Giga Job#: 63883

COLOR TAG INFO

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historya n d heroes.luminor 1950 3 days - 47mm

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Available exclusively at Panerai boutiques and select authorized watch specialists.

NEW YORK BOUTIQUE • 545 Madison Avenue • 212-223-1562

Panerai.indd 1 11/17/11 5:28:22 PM

Page 12: Collector Winter 2011

the collector Winter 2011

For the past several years, people have been saying that no one really needs a watch. Time is all around us, they say, so a watch is a luxury.

I’m here to tell you that’s not true.Face it: If you are a responsible adult, you need

to know what time it is. You can’t always have your cell phone with you and, in reality, a cell phone is not very convenient or practical as a timekeeping

device—it’s usually in your pocket, briefcase or purse, so checking the time means you have to take it out, position it correctly, then read the time. It’s hard to do that subtly.

A watch is there on your wrist, reliable and perfectly positioned for a sly peek. A quartz watch has a battery that can last up to 10 years, while an mechanical watch, as long as you keep it wound, will run virtually forever.

At the same time, a watch communicates certain things about the kind of person you are.

If the watch is bold and in your face, that just might be your personality. If you wear a diver’s watch, it shows someone ready to get into the water at a moment’s notice. A pilot’s watch says one thing, while an elegant, thin timepiece says something else altogether.

In today’s world, where more and more people are paying attention to what is on your wrist, you better make your decision about the watch you wear carefully. Your watch is almost an ambassador of who you are, telling the people who see it on your wrist about you.

Is your husband/father/brother/best friend still wearing a black plastic sports watch? If so, he needs help. Look through these pages and pick his next watch—you are doing him a huge favor and he will thank you when he opens his gift and continue to thank you every day he looks at the beautiful watch on his wrist.

A fine timepiece can also help you cherish the time you have, reminding you how precious it truly is.

So, read through this special section, The Collector from The New York Observer, and you just might get hooked.

Then, go to the great retailers listed under “Joy of Buying” and purchase a fantastic watch.

Tell them The Collector from The New York Observer sent you.

Keith W. Strandberg, Editor in Chief

10

The Need for fiNe WaTches

Different watches for different moods and

occasions. These watches, from my personal

collection, are, from top: the TAG Heuer Monaco,

the Zenith Chronomaster Open and a Bovet Sportster

limited edition with Chinese characters.

Pho

to B

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Collector_WINTER2011_EdLetter.indd 10 11/17/11 7:30:35 PM

Page 13: Collector Winter 2011

With its distinctive design featuring clean, architectural lines, the Hampton collection for both him and her embodies a natural elegance and expresses the art of living. www.baume-et-mercier.com

TheCollector_BAM8650_Hp10026.indd 1 11/17/11 12:57 PMBaum and Mercier.indd 1 11/17/11 5:28:57 PM

Page 14: Collector Winter 2011

The WaTch ThaT Would

NoT dieAlmost driven out of existence,

the mechanical watch is back and better than ever

F or centuries, the only type of watch was mechanical, a timepiece pain-stakingly produced by skilled craftsmen and brought to life by a master watchmaker. These amazing mechanical marvels were the purview

of kings and queens, aristocrats and the überwealthy —only the richest could afford these early pocket watches.In the early 1900s, the watch industry endeavored to bring timepieces to the masses and industrialization was brought to bear in America, resulting in successful brands like Hamilton, Elgin, Ball and more.

Then, in the late 1960s and early 1970s, the quartz revolution hit. Quartz watches were introduced by the Japanese, Americans and Swiss, and their incredible precision, many thought, rang the death knell for the mechanical watch.

Despite quartz’s immediate mass popularity, several Swiss brands labored on making mechanical timepieces for the dwindling number of aficionados. Many watch-makers left the business, no new blood moved in, and the mechanical era was considered history.

Then, a funny thing happened —the mechanical watch began to come back to life. In the late 1980s and 1990s, the demand for mechanical timepieces began to rise and more companies started making mechanical watches again.

The Baume & Mercier Hampton Chronograph is powered by an automatic movement.

the collector winter 201112

Franck Muller InFInIty ronde_4.jpg

FrederIque constant Heart Beat ManuFacture gMt autoMatIc.jpg

NYO_Collector_MechanicalWatch_Winter2011.indd 12 11/17/11 7:43:40 PM

Page 15: Collector Winter 2011

The WaTch ThaT Would

NoT die

13the collector winter 2011

In the hands of the WatchmakerWhereas quartz watches are made on assembly lines, higher-end mechanical watches are assembled and regu-lated by hand, by specially trained master watchmakers.Mechanical watches are not put together by faceless, automatic machines, but rather by human beings, and there is magic in this attention to detail.

A master watchmaker I talked with, who has been assembling and regulating mechanical watches for decades, still gets a thrill when he spins the balance wheel of a timepiece he has assembled and it begins beating on its own.

And, these timepieces, if maintained carefully, can con-tinue to beat virtually forever. They are mechanical works of art that can be handed down for generations to come.

Imagine, your great grandson might be wearing your mechanical watch when you are long gone. It’s a nice thought, isn’t it?

The Franck Muller Infinity Ronde is a mechanical watch with enough diamonds to suit any lady.

The Frederique Constant Heart Beat Manufacture

GMT Automatic uses an in-house movement,

made in Frederique Constant’s Geneva facility.

The Chopard L.U.C Triple Certification

Tourbillon is certified by three independent watchmaking bodies.

The F.P. Journe Chronomètre Souverain is a

manually wound chronometer.

NYO_Collector_MechanicalWatch_Winter2011.indd 13 11/17/11 7:44:47 PM

Page 16: Collector Winter 2011

14

Quartz vs. MechanicalRun by a battery, quartz watches use the frequency of quartz crystals to keep time very precisely.

A mechanical timepiece is on the other end of the spectrum. Like a rubber band-powered balsawood airplane, a watch movement is, at its most basic level, about taking stored energy and translating that into kinetic energy. The watch’s en-ergy is stored in the mainspring and as it unwinds, the other parts of the watch control that power and makeit possible to display the time.

Here are tHe basics on How a movement works—every timepiece Has four requirements:

1. A power source

2. A way of transmitting the power

3. A way of regulating that power

4. A way of indicating the power so you can tell the time.

For mechanical watches, the power source is the mainspring. The main-spring’s power is transmitted through a series of gears called the “gear train.” The balance wheel, which is the part of the watch that turns back and forth at a changeable rate, is where the power is regulated. The indication is done by the hands: hour, minute and second hands.

Cutting EdgE, nonEthElEssOlder watchmakers find it hard to understand why anyone would buy a mechanical watch when quartz watches are cheaper and more precise. If the goal is only precision, their thoughts are warranted. However, today’s watch buyers aren’t buying just precision; they are also buying history, heritage, cutting-edge designs, new materials, mechanical expertise and more.

Though a mechanical watch basically uses technol-ogy that is several centuries old, this technology has been updated and improved so that today’s mechanical watches approach a level of precision that was not possible even 20 years ago.

The Bell & Ross Grand Minuteur Tourbillon Titanium combines

a tourbillon with a flyback timer.

The Harry Winston Project Z6 Black Edition

comes complete with a mechanical alarm.

The Panerai Radiomir 3 Days Platino - 47 MM

is a classic automatic watch with a three-day

power reserve.

the collector winter 2011

An exploded view of the Bell & Ross Grand Minuteur

Tourbillon movement.

NYO_Collector_MechanicalWatch_Winter2011.indd 14 11/17/11 7:45:28 PM

Page 17: Collector Winter 2011

Linear-winding automatic movement, 18K red gold case with sapphire crystal sides and back.Hand-engraved gold version of the first CORUM automatic baguette-shaped movement.

www.corum.ch

Corum_NYObserv-SCI_Nov23_Ad#8London.indd 1 11/10/11 2:06 PMCorum.indd 1 11/17/11 5:29:42 PM

Page 18: Collector Winter 2011

THE COLLECTOR WINTER 201116

The Piaget Altiplano is one of the world’s thinnest

watches, and makinga mechanical movement

thin is a real challengefor watchmakers.

The Corum Ti-BridgeTourbillon Pave com-bines high watchmaking with high jewelry.

The Patek Philippe Perpetual Calendar Chronograph (ref. 5270) is a feat of mechanical engineering and high watchmaking.

The Ulysse NardinRoyal Blue Tourbillion showcases the beautiful movement powering this complicated timepiece.

REAL VALUE,REAL WATCHESMany people wonder why people would pay thousands of dollars for mechanical watches when a $50 quartz tells perfectly accurate time. The answer is complicated, just like the watches themselves.

Customers in the know appreciate the di� culties that go into making a reliable, accurate mechanical watch and are willing to pay more for it. Sure, quartz watches are inexpensive, but they are also a little cold and lifeless, without the moving parts. Mechanical watches have a beating heart (the escapement) that you can often admire through the exhibition caseback (and sometimes through an opening in the dial), and they are di� cult to produce.

For example, complicated watches have between 300 and 800 or more parts, and the most complicated can take an experienced master watchmaker up to a year to assemble and regulate.

Mechanical watches are like a phoenix rising from the ashes of the quartz revolution. By all rights, they shouldn’t even be here, but thank goodness they are.

NYO_Collector_MechanicalWatch_Winter2011.indd 16 11/17/11 7:46:14 PM

Page 19: Collector Winter 2011

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Page 20: Collector Winter 2011

TIME

WILL NEVER

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U p until rela-tively recently, watches were simple to read—the little hand

indicated the hours, the big hand the minutes. Simple, just like we were taught when we were beginning to tell time.

Today, however, there is an entire subset of companies that delight in challenging the way we read the time. With some of the watches they make, it’s almost impossible to decipher the time unless someone tells you how to read it, which is the point.

It may have started with the Hublot Big Bang All Black, which put black hands on a black background and was nearly impossible to read. This ushered in an entire generation of watches that did variations on the black-on-black theme, with varying degrees of success—the answer when people complained that the watch was unreadable? “Exactly.”

Today, there are a number of companies that have turned the traditional display of the time on its crown, making for some very entertaining and unique timepieces.

Designed and manufactured in the United States, the Devon Tread 1 shows time with a series of intertwined belts. The time is read in the highlighted apertures.

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THE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMELOOKTHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAMETHE SAME

From jumping hours to hour displays that are on rubber belts, today’s watches are revinventing the way we tell time

THE COLLECTOR WINTER 201118

TIMEWILL NEVER

LOOKTHE SAME

NYO_Collector_NewWaysTellingTime_Winter2011.indd 18 11/17/11 7:38:16 PM

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19THE COLLECTOR WINTER 2011

The Hautlence HL2.0 puts the hours on a turning chain and the minutes on the disk on the front of the dial. The beauty of the movement, and the rotating escapement (which turns 60 degrees every hour), is on display through the huge, wrap-around sapphire crystal.

The Bell & Ross BR 01 Red Radar tells time with disks rather than hands—the watch is inspired by air tra� c-control radar screens, in keeping with the brand’s aviation theme.

The hour display of the Opus Eleven from Harry Winston bursts apart on the hour then reforms as the next hour, an incredible feat of watchmaking engineering.

The limited-edition TimePlayer from Hamilton shows the time in four di� erent cities, and the pieces can be moved around like the puzzles we had as kids.

TIMEWILL NEVER

LOOKTHE SAME

NYO_Collector_NewWaysTellingTime_Winter2011.indd 19 11/17/11 7:38:54 PM

Page 22: Collector Winter 2011

THE COLLECTOR WINTER 2011

The Urwerk UR-103 Phoenix shows the time using innovative orbiting hour satellites moving along the minute track.

Van Cleef & Arpels continues its poetic complications with a collection of timepieces inspired by Jules Verne. This is the “Five Weeks in a Balloon” watch—the fl ying bird is the hour hand (the retrograde hour scale is on the left) and the rope and anchor indicates the minutes.

The F.P. Journe UTC has a lot going on on the dial, with the dual time display on the right being almost secondary.

The Franck Muller Crazy Color Dreams takes some time to get used to, as the

hour hand leaps to fi nd the next hour, no matter

where it is on the dial.

20

NYO_Collector_NewWaysTellingTime_Winter2011.indd 20 11/17/11 7:39:58 PM

Page 23: Collector Winter 2011

PARIS GENEVA TOKYO BEIJING HONG KONG

+33 1 42 68 08 00 +41 22 810 33 33 +81 3 5468 0931 +86 10 8517 2036 +852 2522 1868

NEW YORK 721 Madison Avenue, NY 10065, +1 212 644 5918, [email protected]

T H E B O U T I Q U E S

Entirely invented and manufactured in- house

fpjourne.com

Octa Divine Sertie - Ref. D18 K solid Gold movementCase and bracelet in Platinum or red Gold set with diamonds

Collector_ODJ_254x305_NY.indd 1 14.11.11 09:29Journe.indd 1 11/17/11 5:31:47 PM

Page 24: Collector Winter 2011

the collector winter 201122

valuing timeWhat these watches and their ilk are doing is reinforcing that watches today are not so much about telling time, but more about valuing the time we have and making a statement about our sense of style and taste.

The Zeitwerk Striking Time from A. Lange & Söhne combines a unique jumping hour and minute with a watch that strikes the hours and quarter hours. The dial layout makes it possible to watch the gongs (at 5 and 7 o’clock) strike the time.

This Ulysse Nardin Moonstruck Astronomical watch shows, in addition to the time in two time zones, the position of the Sun and the Moon in relation to Earth, the phases of the Moon, and a pointer calendar.

A push of the button on the Hermès Time Suspended makes the time and date disappear (the hour and minute hands go to 12 o’clock, while the retrograde date goes away entirely). Another push brings the correct time back, allowing you to suspend time whenever you want.

The regulator display of this Baume & Mercier Classima is a traditional design originally used in wall clocks in old-time watch ateliers so watchmakers could precisely regulate the watches they were repairing or assembling. Regulator displays on wristwatches are coming into vogue now as an alternative to the normal three-hand way of showing time.

NYO_Collector_NewWaysTellingTime_Winter2011.indd 22 11/17/11 7:40:28 PM

Page 25: Collector Winter 2011

MESURE ET DÉMESURE

TONDA HEMISPHERES Rose gold Automatic movement Dual time zone indication Hermès Alligator strap

Made in Switzerland

www.parmigiani.ch

FOR INQUIRIES AND COMPLIMENTARY CATALOGUE,

PLEASE CALL 305 260 77 70

Parmigiani.indd 1 11/17/11 5:32:23 PM

Page 26: Collector Winter 2011

Pocket Watch VINTAGE PW1 49 mm . Wristwatch VINTAGE WW1 45 mm - Alligator strap Bell & Ross Inc. +1.888.307.7887 . [email protected] . e-Boutique: www.bellross.com

Bell and Ross.indd 2 11/17/11 5:33:21 PM

Page 27: Collector Winter 2011

Pocket Watch VINTAGE PW1 49 mm . Wristwatch VINTAGE WW1 45 mm - Alligator strap Bell & Ross Inc. +1.888.307.7887 . [email protected] . e-Boutique: www.bellross.com

Bell and Ross.indd 3 11/17/11 5:33:38 PM

Page 28: Collector Winter 2011

26

PiÈces UniqUes and Limited editions

the collector winter 2011

W hile most people are content to buy “off the rack” and from regular collections, a certain percentage of the buying public wants something different, some-thing more, something ... unique.

If you are one of these custom-ers, don’t worry. Switzerland has just the thing for you. The devoted watchmakers in this gorgeous country love nothing more than to create special timepieces.

Speaking of BeSpokeMany luxury watch companies are making it possible for custom-ers to have unique timepieces. At the most basic, customers can make alterations and modifications to existing collection watches to make them special and unique. It takes longer and costs more, but for many customers it’s worth the wait and extra money.

Vacheron Constantin has taken bespoke a step further, by es-tablishing an entire department, called the Cabinotiers workshop, devoted to highly limited and customized products. With this de-

partment, you can create your own timepiece from scratch, up to and including a movement that can be made especially for you.

The price is steep, but to these customers, it’s worth every pen-ny to have a one-off movement and timepiece.

Companies like F.P Journe, Harry Winston, Chopard, A. Lange & Söhne, and others are happy to satisfy their clients’ wishes, with made-to-order miniature paintings on the dial,

engravings on the rotor or other parts of the movement, special engravings on the case back, and alterna-tives to the standard colors. The truth is, just about anything is possible, as long as what you want fits the design ethos of the brand and you are willing to pay a premium.

Unique pieces and limited editions require extra attention to detail, special features and out-of-the-ordinary designs.

The Ulysse Nardin Classico Dragon features a champlevé enamel dial, which is very difficult, expensive and time-consuming to make, so the pro-duction is necessarily limited.

NYO_Collector_LimitedEditions_Winter2011.indd 26 11/17/11 7:34:53 PM

Page 29: Collector Winter 2011

No fewer than four exceptional mechanisms enhance the precision of the RICHARD

LANGE TOURBILLON “Pour le Mérite”: the tiny fusée-and-chain transmission,

the delicate tourbillon, the ultra-thin Lange balance spring, and – not least –

the patented stop-seconds device for the tourbillon which makes it possible

to set the watch with one-second accuracy in the first place. Never before has

an A. Lange & Söhne watch been endowed with so many complications that si-

multaneously enhance its rate accuracy, settability, and readability. And so, this

remarkable timepiece truly deserves the honorary attribute “Pour le Mérite”.

We prefer not to be measured by dimensions.Unless it’s a new dimension of accuracy.

For your nearest authorized retailer or for a complimentary catalog, please contact us:

A. Lange & Söhne • 645 Fifth Avenue • New York, NY 10022 • tel. 800-408-8147 • www.lange-soehne.com

Final_GG_USA_N_NewYorkObserver_RLT_PLM_PG_254x304,8_ATMO-331-11.indd 1 17.11.2011 18:08:30 UhrUntitled-23.indd 1 11/17/11 5:35:38 PM

Page 30: Collector Winter 2011

the collector winter 201128

Clockwise from left: Artya Son of a Gun pièce unique, using real live bullets; the

Patek Philippe 5550P Perpetual Calendar limited

to 300 pieces worldwide; the Piaget Emperador

Coussin Tourbillon Automatic limited edition.

PiÈces UniqUesSome watch brands do unique pieces, making sure to never duplicate a design or a certain combination of materials.

Jean Dunand makes only unique pieces, while com-panies like Patek Philippe, Piaget, Cartier, and others make the occasional unique piece, and these are truly special watches.

Designer Yvan Arpa’s brand, Artya, makes only unique pieces, subjecting each case to thousands of volts of electricity, deforming the cases in a different way each time. Starting at around $2,000 (and go up to $120,000 for complicated pieces), these are the most reasonably priced unique pieces.

NYO_Collector_LimitedEditions_Winter2011.indd 28 11/17/11 7:35:43 PM

Page 31: Collector Winter 2011

*79991-7*

DOC PATH: Production:Volumes:Production:HSBC:PREMIER:79991_NYO_Washingtonia:DOCS:79991_7M_Market_Collector_M1.indd IMAGES:Pulses_Saudi_Arabia_78394_SW300_01.tif CMYK 692 ppi, -693 ppi 43.32%, -43.32% Up to Date Production:HSBC:_MASTER_ART:PREMIER:2010:Pulses_Saudi_Arabia_78394_SW300_01.tif HSBCPremier_Blk.eps 70.61% Up to Date Production:HSBC:_LOGOS:PREMIER:HSBCPremier Identifiers:HSBCPremier_Blk.eps HSBC_logo_4C.eps 110.06% Up to Date Production:HSBC:_LOGOS:HSBC:HSBC_logo_4C.epsFONTS:Univers 45 Light, 65 Bold, 67 Bold Condensed, 47 Light Condensed, 57 Condensed Type 1 TT Slug OTF Bold OpenType

FILE: 79991_7M_Market_Collector_M1.inddSO5 Artist: Marleny Fuentes

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The L.U.C. XP Urushi showcases the work of

Japanese artist and “Living National Treasure” Kiichiro Masumura, who specializes

in Urushi lacquerwork.

The Blancpain L-Evolution Tourbillon Large Date features not only a big date display in the beautiful tourbillon movement, but the power reserve indicator is mounted on the movement’s

oscillating weight.

Limited editionsIf you don’t have the time or inclination to design your own watch, you can opt for a limited edition. The leading watchmaking brands go out of their way to make their limited editions special, using prize materials, out-of-the-ordinary artistic operations, and designs that are meant for people who desire something completely different from the norm.

Some companies do miniature painting, enamel, lac-quer, engraving, mother of pearl inlay, and more in their limited-edition watches, artisanal processes that are so time-consuming and prohibitively expensive that it would be impossible to incorporate them into their regular collec-tions. Other companies use limited editions to “stretch their muscles” in watchmaking, pushing the envelope of their abilities, knowing that only a select few of these special watches can be made for a discerning clientele.

Hamilton Watch Company has the Hamilton Lab, a collection of cutting-edge limited-edition watches that will be made only if enough people preorder the watch-es off a dedicated website. Harry Winston has the Opus Series, now in its 11th year, which creates special watches designed to push the boundaries of watchmaking.

Just about every quality watch brand does a limited edition. The key is to determine what makes each limited edition special and assess its true value.

Off THe CuffBespoke cufflinks from Longmire

In keeping with our bespoke theme, Longmire specializes in exceptional cufflinks. One of the British company’s specialties is bespoke monogram cufflinks, pictured above. “We can do any monogram, logo, dog, crest car and more,” says Rupert Longmire. “These spectacular cufflinks are hand enameled or engraved in 18K gold.”

Cufflinks are a great companion to a fine watch, and what better way to set off a great limited-edition watch than with a pair of bespoke cufflinks? longmire.co.uk

The Frederique Constant Heart Beat Manufacture GMT offers a glimpse into the beating heart of this timepiece’s manufacture movement.

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the collector winter 201132

The PresenT and FuTure For LimiTed ediTionsRecently, there have been some timepieces with really interesting “hooks,” like the Bremont Martin Baker limited-edition timepiece for people who have ejected out of an airplane in a Martin Baker ejector seat, and the Jaeger-LeCoultre watch that locks and unlocks your Aston Martin DBS, requiring you to buy the DBS first. These unique quali-ties help these watches stand out and also enhance their cachet, making them even more desirable.

A recent trend has been for companies to resurrect vintage movements and put them into modern watches. The undeniable leader in this is Armand Nicolet, a clas-sically styled watch brand that discovered a stockpile of vintage movements. The brand refurbishes these move-ments and offers them as limited editions. The collections have been incredibly successful, as customers see these movements as true pieces of watchmaking history.

Mark Griffiths, for his Canadian watch brand Barrington Griffiths, uses old pocket watch movements in his collection of wristwatches, which are starting to take off.

As customers clamor for the unique, and bespoke and limited editions continue to do well on the auction mar-ket—one of the most famous custom timepieces is the Patek Philippe Graves pocket watch, that was made in 1933 and sold for $11 million at auction in 1999—there is no danger that watch companies will stop producing these fantastic watches.

Uniqueness will be valued even higher as the ranks of watch lovers grow. After all, customers don’t want to wear the same watches that everyone else is wearing. True luxury today may just be having something that no one else has, but everyone else values.

The F.P. Journe Vagabondage II limited series features a 18K rose gold manually wound movement and an original digital time display. The 18K rose gold movement is visible through the smoked sapphire crystal dial. Nowhere on the front of the watch does “F.P. Journe” appear.

The Pierre Kunz Insanity Yellow is a limited edition that features a

looping hour/minute hand.

The Bugatti Super Sport from Parmigiani Fleurier is even more limited than the Veyron that inspired it—only 30 pieces for the world.

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At the

Watchmaker’s BenchPhotograPhy by Kristian sKeie

the collector winter 2011

1 Plane (18th century, to file or chisel the wheel teeth)

1a Plane blades 2 Loupe

3 Tweezers 4 Saw 5 Hammers

traditional WorK bench

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Centuries ago, all watches were made by hand, using delicate tools and nothing more than the blood, sweat, and tears of the watchmaker. Today, most of

the parts are roughed out on state-of-the-art machines, then, at the highest end, they are all finished by hand and then assembled and regulated by hand.

The Collector visited the workshops of master watchmaker François-Paul Journe to see all the tools that go into the mak-ing of a luxury timepiece. Luckily, Mr. Journe is a watch histo-rian as well, so he was able to set up a traditional work bench from centuries ago, which we have contrasted here with Journe’s own modern workbench.

6 Hand-vice (for holding components to shape them)

7 Compass (for tracing perfect circles in the metal)

8 Light reflector (filled with water and placed next to the lamp, to amplify the light)

9 Figure of eight calliper (be-tween the arms of which a wheel or pinion is turned to control the truing)

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the collector winter 2011 35

1 Loupe 2 Micrometer (to measure

very precisely) 3 Tweezers (to pick up

small pieces)

4 Riveting stake (anvil: steel block for forging small parts)

5 Bracket (to push or punch jewels and pins)

6 Screwdriver 7 Oil sink and oiler 7a Automatic oiler Pillow

(to lay the watch)

8 Dust protection globe 9 F.P. Journe watch movement 10 F.P.Journe dial 11 F.P.Journe platinum case

12 Timing machine (to determine the instantaneous rate of a watch in all positions during the obser-vation period)

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Contemporary Work BenCh

The Human Touch

As you can see, some of the tools are the same and the goal, the most beautiful and precise watch possible, is identical, but today’s watch-makers have a greater variety of tools and state- of-the-art processes at their disposal.

At the high end, it comes down to the human touch—the finishing, the assembling, the

regulating—done by a master watchmaker who breathes life into these amazing timepieces.

A master watchmaker is a highly skilled craftsman. It takes years of training and de-cades of experience before a watchmaker becomes expert enough to master high com-plications. A visionary master watchmaker like François-Paul Journe possesses a rare combination of skill, watchmaking knowledge, innovative thinking, and pure watchmaking talent. Luckily, watchmaking schools around the world are attracting creative young people to this vibrant industry.

In high-end watchmaking, the human touch makes all the difference.

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FLYING HIGH WITHPILOT’S WATCHES

Watches for the aviator in all of us

THE COLLECTOR WINTER 2011

E ver since man’s fi rst fl ight, time has been a vital part of aviation. Early pilots strapped pocket watches to their thighs until, as watchmak-ing legend has it, aviation pioneer Albert Santos-Dumont asked his friend Louis Cartier to fashion a wristwatch for him to use in fl ight.Since then, pilot’s wristwatches have been an integral part of a pilot’s gear. Even today, with modern instrumentation and com-

puters, all pilots still wear a wristwatch as a back up, just in case.Aviation watches share several characteristics, making them popular with just

about everyone, whether they’re pilots or passengers. Pilot’s watches are purpose-built, which has resulted in a very appealing, and no-nonsense, design.

• Typically, pilot’s watches are oversize, to increase legibility.• Pilot’s watches use high-contrast dials and clear markings so they are readable at

a glance.• These timepieces are durable and able to withstand extremes of temperature and

pressure, and they are often highly shock resistant and antimagnetic.• Pilot’s watches often have aviation-specifi c functions, like a tachymeter scale (to

determine speed based on travel time), a GMT hand (since pilots use Zulu time), a slide-rule bezel, a chronograph and more.

Pilot’s watches, due to their inherent design ethos, are some of the coolest watches as they can be both modern and throw-back at the same time.

1946: A group of RAF pilots, veterans of the Battle of

Britain, watch the skies as compatriots take o� for the

benefi t of television cameras at Biggin Hill.

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Watches for the aviator in all of us

THE COLLECTOR WINTER 2011

Key

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The Longines 24 Hour takes some getting used to when reading the time, but it’s based on anactual vintage pilot’s watch for Swiss Airlines.

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Innovation and uncompromising qualit y are the hallmarks of Frédérique Const ant. Driven by an unparalleled passion for precision and craft smanship , our watch makers manufact ure Geneva timepieces of contemporary, classic design and exceptional value.

Contact . T. 1-877-61-WATCH . www.frederique-const ant.com

Live passionyourwit h Maxime Manufact ure

A4-Car_Maxime.indd 1 18.11.2011 12:41:23Frederique Constant.indd 1 11/18/11 8:24:08 AM

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THE COLLECTOR WINTER 201138

QUARTZ VS. MECHANICALSome pilots prefer a mechanical beating heart,

secure in the knowledge that their watch won’t su� er a battery failure at a critical moment. Other pilots like the feature-

rich nature of quartz pilot’s watches, as more power is available to make such functions as altimeter, thermometer, compass, and more possible.It’s really a personal preference. Either

quartz or mechanical is perfectly suited for any pilot. It just depends on what fea-tures and functions you want in your watch.

Pilot’s watches started out as a tool for avia-tors, but their simple, clean designs and rugged

construction have made them the perfect time-pieces for just about everyone.

Circa 1940: The crew of an RAF bomber after a mission.

Hanhart’s PioneerTwinControl chronograph

uses the brand’ssignature red reset button.

The Hamilton Khaki Flight Timer combines analog and digitaldisplays in a functional pilot’s watch.

Fox

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The Tutima Grand Classic is a traditional pilot’s watch with an eye-catching, colorful dial.

The Baume & Mercier Capeland Chronograph features a tachymeter scale, very handy for pilots to calculate landspeed.

The AlpinaStartimer isa moderninterpretationof a classicpilot’s watch.

Bell & Ross’s WWI harkens back to the time when pilot’s watches were some of the world’s fi rst wristwatches.

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T here was a time when the divide be-tween high-end jewelry and costume jewelry was oceans, and thousands of dollars, apart. Either you had a budget

for gold and diamonds, or you opted for design- oriented synthetic jewels. Today’s designers, however, are taking the best of both worlds and combining their skills, techniques, and materials into collections that make jewelry the artistic form that it should be.

One such jeweler is Kim Fraczek, who started her jewelry business in 2000 in a small London gar-

den flat with a basic glass-blowing operation. She has since expanded to a permanent studio in the artistic neighborhood of Bushwick in New York’s Brooklyn, where she hand blows exquisite glass jewelry that celebrates organic shapes, move-ment, and color. She produces everything from earrings, necklaces, bracelets, rings, cufflinks, homewares and baby rattles using a mixture of bora-silica glass and Moretti glass from Italy. Ms. Fraczek also gives live demonstrations and runs classes in glass jewelry making. See her website, kimfraczek.com, for more details.

Anemone necklace by Kim Fraczek

the collector winter 201140

Jewelry Jamboree

Innovation and jewelry aren’t two words that jump out at you as going together, and yet more and more jewelers

are thinking out of the jewelry boxBy Sophie Furley

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41THE COLLECTOR WINTER 2011

Agate bead and Roman bronze head necklace by Elizabeth Gage

Heather Moore ring

U.K. designer Elizabeth Gage has been creating jewelry for over 40 years and her distinctive style has been rewarded with many accolades over the years. She trained as a goldsmith and spent time on the Greek island of Crete learning traditional techniques of work-ing with gold that have greatly inspired her work. She loves to combine colors, forms, and textures in imagina-tive ways that refl ect di� erent historical periods, from tribal and ancient civilizations to the knights of the Middle Ages and the Renaissance. Photographed here is a unique necklace crafted with agate beads and a Roman bronze head of the Greek goddess Persephone that dates from the second century AD.elizabeth-gage.com

Karl Fritsch from Germany, or “The Lord of the RIngs” as he is often called, creates rings that are in a class of their own. Oxidized gold and silver are combined with semi-precious stones and glass in veritable sculptures for the fi ngers. Each creation screams for attention and gets it. Classically trained at the Goldsmith’s College in Pforzheim, and then the Academy of Fine Arts in Munich, Fritsch broke away from the traditional jewelry scene with a unique approach to jewelry making that has won him international acclaim. Pho-tographed here is a piece that defi nitely speaks louder than words.

Personalization and customization have been among the biggest trends in jewelry over the past few years with jewelry that can be self-designed with the choice of charms and beads. Heather Moore recognized this desire for unique jewelry over 17 years ago and has developed a thriv-ing business working directly with her customers to create jewelry that documents each woman’s own story. Initials, children’s names, birthdays, family monograms, and more can be incorporated into her jewelry. Her latest creation is a beautiful blue cocktail ring on which a mother can include the names of her children under the gemstone —a great gift to touch the heart. heathermoorejewelry.com

Yael Sonia is a jewelry artist who not only concerns her-self with how a piece of jewelry looks, but also with how it feels and sounds on the skin. Her Perpetual Motion Col-lection encases rolling semiprecious spheres in gold cages that roll and move in time with the body. As each stone is in motion, it creates a sound as it moves and clicks with the other stones. It is also possible to choose which gem-stones you like best from a fantastic range of colors at the Yael Sonia boutique at 922 Madison Avenue.yaelsonia.com

Karl Fritschgemstone ring

Spinning Wheelbracelet by Yael Sonia

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Vionnet is a French haute-cou-ture brand that was founded by Madeleine Vionnet in Paris in 1912. The company closed down at the start of the Second World War, but was recently

revived by the Italian textile and fashion magnate Matteo Marzotto

in 2008. The company combines French tradition and heritage with

fresh and innovative creations that continue the fashion house’s DNA of

bold shapes and colors. Vionnet’s jewelry follows suit with a collection that is geometri-

cal, vibrant and highly original. vionnet.com

As far as unusual materials go, Ann Ziff, the founder of Tamsen Z, has chosen one of the most mysterious materials to enhance her jewelry—the meteorite. As a child, Ms. Ziff was fascinated by the elaborate jewelry worn by her mother, the famed American opera singer Harriet Henders. This exposure to the arts and artistic expression led her to find her own creative outlet in jewelry design. In addition to meteorites, her creations call upon myriad beautiful, natural materials such as boulder opals, black opals, and demantoid garnets to name a few. You can find the Tamsen Z boutique at 783 Madison Avenue. tamsenz.com

Ivanka Trump is one young woman who has been shaking up the jewelry scene with what she refers to as “refined yet unpretentious chic.” Her aim has been to reinvent legacy jewelry in a youthful and modern way by taking classic styles and reinterpreting them with her own individual flair. Photographed here is a pair of her black diamond earrings that celebrate this rare and uncommon gemstone in a particularly striking way. You can see these creations and more at Ivanka Trump’s brand-new flagship store at 109 Mercer Street in New York’s fashionable Soho district. ivankatrump.com

Marni, the fashion brand formed by Swiss-born, Milan-based designer Consuelo Castiglioni, is renowned for its innovative designs with a prêt-à-porter line that integrates geometric shapes, a bright use of color, and a varied mix of materials. Ms. Castiglione has also de-veloped a range of accessories and jewelry that are at the height of urban chic. This season’s jewelry line uses a combination of unconventional materials such as vinyl records, on which you can still see the music grooves, multifaceted horn, wood, and resin that make for dramatic and stunning creations. marni.com

Bracelet by Vionnet

Meteorite earrings by Tamsen Z

Oxidized black diamond tassel earring

by Ivanka Trump

Wood and resin necklace by Marni

NYO_Collector_Jewelry_Winter2011.indd 42 11/17/11 7:32:30 PM

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Tutima - Havana Black Ad - The Collector Holiday issue 2011

tutima.indd 1 11/17/11 5:41:16 PM

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CompliCations simplified

the collector winter 201144

L ife is already stressful enough. Why would anyone want to com-plicate their lives even further? Well, in the watch world, compli-

cations are a good thing. In fact, there is a certifiable trend in watches toward more complications—watch brands are constantly coming out with new compli-cations, including very useful ones that make life easier and ones never seen before as well.

CompliCations UnCompliCatedA complication is anything that is above and beyond simply telling time. A basic watch is a three-hand timepiece—hour,

minute, and second. Anything more, even a day or date display, is a complication. Complications are modules placed on top of or elements integrated into the watch’s base movement. Here are some complica-tions and simple explanations:Dual Time/GMT: Such a timepiece displays two times simultaneously, either through a GMT hand that points to the sec-ond time zone or a separate subdial for the

second time zone. There are some three-time zone watches, and some brands offer world time watches, which provide a way to read the time in 24 time zones around the world (by virtue of cities on the dial or the bezel). Some companies vary these cities based on stock markets around the world, shopping districts, and more.Chronograph: This is a watch that allows for the independent timing of an event.

Usually, a chronograph has two pushers on the side of the case to activate, stop, and return the chronograph hands. Most chronographs have subdials that measure the minutes and hours. There are chrono-graphs that have only one pusher, which controls all the chronograph functions, called monopusher chronographs.Split Second Chronograph: This type of chronograph has two chronograph hands instead of one, which split apart on command, allowing the user to time two different things.

The L.U.C 150 All-in-One is the most complicated watch ever made by Chopard —it is powered by

a COSC-certified and Geneva Seal movement that includes a perpetual calendar, equation of time,

and sunset/sunrise time and orbital moon-phase displays. All this, and 516 parts.

The Tutima Hommage, a special minute repeater timepiece, celebrates the birth of the Tutima brand in Glashütte, Germany.

The Parmigiani Transforma is a chronograph with a very complicated, but easy to use, system that allows you to detach the watch and use it as a table clock or even a pocket watch.

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CompliCations simplified

45the collector winter 2011

Flyback Chronograph: A favorite chro-nograph complication, the flyback chrono allows you to immediately restart the chronograph at any time. The French term for this complication is rattrapante, which means “recovering” or “catching again.”Annual Calendar: This watch will run for a full year (starting on March 1) without having to be reset. It will have to be reset at the end of February, the only month that includes an extra day during leap years.

Power Reserve/Réserve de Marche: This complication is an indicator somewhere on the watch (usually on the dial) that shows the state of wind for the watch. Like a fuel gauge in your car, it shows how much power is left in your mechan-ical timepiece.Perpetual Calendar: The ultimate cal-endar because it knows how long each year is, no matter if it is a leap year. Keep a perpetual calendar running and you won’t have to reset it until the year 2100 or later.Moon Phase: These watches have a dis-play that shows the phase of the moon (full, half, crescent, etc.).Retrograde Display: This kind of display counts up (whether it is seconds, min-utes, the date, the day of the week, etc.), then snaps back to zero.Jumping Hour: Instead of regular hands, a single digit shows the hour, which jumps directly to the next hour, from three to four, for example.Minute Repeater: This is a watch that sounds the time (hours and minutes) with hammers and gongs when a slide or lever is activated. The Minute Repeater is considered one of the most complicated watches to manufacture.

Tourbillon: A device that is designed to counteract the effect of gravity on the movement’s balance, thereby increasing the movement’s accuracy. A tourbil-lon features a small cage that holds the balance and the escapement, and the

cage turns independently of the watch, usually at a constant rate of once per minute. The tourbillon, which means “whirlwind” in French, is one of the watchmaking art’s most involved and elegant complications.Grande Complication: This rare watch combines at least three high complica-tions—usually one from each of the fol-lowing groups: chronograph, calendar/moon phase, and chiming.

Producing a watch with any complica-tion, or combination of complications, takes a great deal of expertise, amaz-ing attention to detail, and know-how. In general, when more is added to a movement, it means that more can potentially go wrong, so it’s a good idea to make sure you are buying from a quality company.

Also, the more complicated a watch is, the more expensive it will be. Thank goodness wearing a complicated watch is really quite simple—slip it over your hand and onto your wrist, secure it, and enjoy!

Now, when you hear someone say, “It’s complicated,” you can just smile and think about your watch.

The Officine Panerai Radiomir Tourbillon GMT Ceramica —48mm Lo Scienziato is skeletonized to showcase the complicated movement beneath.

The Lange 1 Time Zone from A. Lange & Söhne offers local time, home time, plus world time at a glance, all in a very elegant timepiece.

The Patek Philippe Ladies World Time, ref. 7130G, shows 24 world time zones at a glance.

The Franck Muller Giga Tourbillon features the largest tourbillon escapement ever found in a wristwatch, and it is a joy to watch turn.

The Corum Admiral’s Cup 45 Minute Repeater Tour billon combines a tourbillon, watchmaking’s most captivating movement, with a minute repeater, one of the hardest complications to manufacture.

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46 the collector winter 2011

I n today’s hurried and harried world, we often buy things because we need them, not because we want them. And, as a result, the pleasure of buying just about everything is lost.

Remember browsing in book stores? Now, many people buy from Amazon.com or purchase e-books, which is not nearly as satisfying or pleasur-able. The same for music, which is mostly digital today.

Thankfully, you can still enjoy the purchase of a fine timepiece at one of the many fine retailers in the New York area.

For a luxury timepiece, part of buying it is the experience—coming into the beautiful store, trying the watch on, finding out as much as you want to know, having the watch fit to your wrist and more.

The bottom line when buying a fine timepiece is

that they are not commodities, like a book or a CD. Quality and authenticity vary widely in today’s mar-ketplace, so to a certain extent it is “buyer beware.” You don’t necessarily want to buy from the person or business that offers the lowest prices.

That’s where your friendly authorized retailer comes in.

Authorized retAilersThere are all sorts of horror stories of people unknow-

ingly buying counterfeit or stolen watches, which can-not happen when you work with an authorized retailer.

“Peace of mind is a key factor when making a sig-nificant purchase from an authorized retailer,” says Ruedeiger Albers, president of American Wempe Corp. “Most manufacturers do not honor the war-ranty if the watch is purchased through an unau-

thorized source as the authenticity can no longer be guaranteed. Many watch companies maintain loss registries and as soon as a watch is submitted for repair, the serial numbers are checked against it. Watches that have previously been reported stolen are returned to their rightful owner, much to the sur-prise of the unsuspecting client who had purchased it on the Internet or from other unauthorized dealers.”

The only way to be sure of your purchase is to buy from an authorized retailer. “You can be confident that you are purchasing a new piece that is war-ranted by the brand and that you have a store to go to should you have any problems with the watch,” says Leon Adams, president of Cellini Jewelers. “Nowadays there are so many counterfeits that the average consumer cannot be assured that they are getting a real watch otherwise.”

The Joy of Buying fine WaTches

Wempe on Fifth Avenue

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41.5 grams

10 New Bond StreetLONDON

www.longmire.co.ukcatalogue : [email protected]

Fine watches need equally fine cufflinks!Discover the world’s largest variety of cufflink styles: many available on line.

ABOVE is Longmire’s 1930’s inspired iconic ‘stirrup’ design in 18k gold, which visibly wraps around the cuff.

Longmire is an independent English fine jeweller that uniquelyspecialises in exceptional cufflinks: whether contemporary, classic, enamelled, plain, jewelled, hand carved or bespoke.

Longmire is unrivalled in creativity, character, craftsmanshipand choice…. www.longmire.co.uk

“Longmire cufflinks are beautiful, durable and destined to become family heirlooms” Departures

the cufflink connoisseur

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the collector winter 201148

Trust and confidence in a watch retailer is an impor-tant part of the equation. “As with any luxury purchase, buyers need to be assured of authenticity and should feel total trust in their sales professional,” says James C. Seuss, president and CEO of Tourneau. “As an authorized retailer of each brand we carry, Tourneau sales profes-sionals allow customers to be fully confident in their ex-perience. Tourneau prides itself on being an authorized retailer of all of the 100 plus brands we carry. The im-portant thing for the best retailers is that they find the watch that fits their customers the best.”

There is a great deal of information in magazines, on the web and in other places—the best retailers can put all that information into perspective for you.

“Wempe prides itself on employing watch profes-sionals who have a passion and love for the product,” Mr. Albers says. “My staff attends regular trainings with all brands. Most importantly, they are all known to be patient, courteous and their interest is not to sell you the most expensive item in the store but to find the watch that perfectly suits your needs. Many of our clients re-search us and our reviews before visiting us.”

To Know Before You GoBefore you go to the store, think about what sort

of watch you want, how you want to use it, where you want to wear it, and how much you want to spend.

“When shopping for a watch, it is important that the sales professionals determine fundamental back-ground information: Is the timepiece intended for everyday use or special occasions, your activity level and your lifestyle requirements,” details Mr. Seuss.

“The timepiece that you wear says a lot about you, so understanding what drives a person in their personal and professional lives is paramount to helping them to select the right timepiece.”

The best retailers will want to learn about you, your wants and needs, and how you want to use your watch. “We carry a very wide range of brands so our clients can compare models across brands,” adds Mr. Adams. “Our experienced sales staff expertly advises clients so they can make the best decision. The rela-tionship we have with our clients is everything. We are not looking to sell one watch. We are looking to build a relationship with them for the future.”

IT Should Be funHave fun choosing your next timepiece—it should

be really enjoyable. “Shopping for a timepiece should be an exciting experience no matter at what price-point,” says Tourneau’s Mr. Seuss. “We strive to edu-cate our customers, and to show them a wide range of watches that could express their personality.

“Our relationship with our customers is the cor-nerstone of everything we do,” he continues. “With over five million visitors a year [in Tourneau stores throughout the United States], we have an unfiltered understanding of the watch consumer; we know what they want, and what they wish they had. Our goal is to offer every customer who walks through the door knowledge and an ‘experience.’”

There aren’t many places where you can be pam-pered and appreciated as a customer, but watch and jewelry retailers are one. Relish the experience.

New York’s Best RetailersLuckily, New York is a center for great watch stores. Here are some of the best found in Manhattan.

Cellini301 Park Ave, NYC(also 509 Madison Ave.)800 CELLINIcellinijewelers.com

Tourneau510 Madison Avenue, NYC (also 10 Columbus Circle and 12 East 57th Street)212 758-5830tourneau.com

Wempe700 Fifth Avenue at 55th Street, NYC212-397-9000wempe.com

Kenjo40 West 57th Street, NYC (also on 40 Wall Street)800 548-TIMEkenjo.net

miChael C. Fina545 Fifth Ave. @ 45th St., NYC800.289.3462michaelcfina.com

Inside Tourneau on Madison Avenue

Cellini Jewelers on Madison Ave.

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Rock Tradition.

The new Flagship Boutique & Bridal Salon109 Mercer at Spring Street, New York, NY | 1.888.756.9912 | www.ivankatrumpcollection.com

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MoonstruckAstronomical wristwatch. Self-winding.

Moon phases. 18 ct rose gold case. Water-resistant

to 100 m. Leather strap with folding buckle.

Limited Edition of 500 pieces.

W W W. U LY S S E - N A R D I N . C O M F O R A C ATA LO G , C A L L 5 6 1 - 9 8 8 - 8 6 0 0 O R E M A I L : U S A 8 9 @ U LY S S E - N A R D I N . C O M

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