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Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

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Page 1: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Color Theory

What color communicates.From, “Theatrical Design and Production” by Gillette

Page 2: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Meaning of Color

• Color’s meaning is influenced by:– Culture– Age– Personality– Adjoining Colors– Individual Mood

There is no one meaning for any specific color!

Page 3: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Yellow

• Stimulating• Cheerful• Exciting• Joy

• Serene• Unpleasant• Aggressive • Hostile

Page 4: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Orange

• Warm• Happy• Exciting• Hot

• Disturbed • Distressed• Unpleasant

Page 5: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

RED

• Happy• Affectionate• Striking• Active• Intense• Defiant• Powerful • Masterful• Strong• Hostile

Page 6: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Green

• Youthful• Fresh• Leisurely• Secure• Calm• Ill

• Peaceful

Page 7: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Blue

• Pleasant • Cool

• Comfortable• Tender• Social• Dignified• Sad• Strong• Great• Full

Page 8: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Violet

• Dignified• Stately• Vigorous• Disageeable

• Sad• Dependent• Melancholy• Depressing

Page 9: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Black

• Sad• Melancholy• Vague• Unhappy• Dignified• Strong• Powerful• Hostile • Distressed • Old

Page 10: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

White

• Pure• Tender• Soothing• Solemn• Empty

Page 11: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Brown

• Secure• Comfortable

• Full• Sad

• Disagreeable

Page 12: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Other Things to Consider in Your Design

What type of Fabrics will it be made of?– Natural: Cotton, Linen, Silk, Wool

– Synthetic: Acrylic, Nylon, Polyester, Rayon

The Type of Fabric will determine the texture of your costume- and texture communicates meaning.

Consider the difference between a character wearing linen or wearing silk?

Page 13: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

• What angles and lines will be used in your design?– Consider the difference between stiff lines and

soft curves.– What kind of shapes can you use in your design?

Geometric/Natural? Will you be able to see the human form beneath the

costume?

Page 14: Color Theory What color communicates. From, “Theatrical Design and Production” by Gillette

Color, texture and lines can say a lot for you!

• Consider these different combinations:– Brown, rough cotton in soft lines.– Orange, slick polyester, with sharp angles.– Blue sheer fabric with a floating silhouette.– White wool with an unnatural shape.

– Any others you can think of…

When creating a costume be aware of what the choices you make are communicating to others.