8/17/2019 Composer's Bibliography

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1 Gould E. Behind bars: the definitive guide to music notation. London: : Faber Music

2011.

2 Kerry G. New classical music: composing Australia. Sydney, N.S.W.: : UNSW Press

2009.

3 Sitsky L. Australian chamber music with piano. Canberra, ACT: : ANU E Press 2011.

4 Wilkins ML, Ebooks Corporation. Creative music composition: the young composer’s

voice. London: : Routledge 2006.http://libraryproxy.griffith.edu.au/login?url=http://www.griffith.eblib.com.AU/EBLWeb/patro

n/?target=patron&extendedid=P_292380_0&

5 Adler S. The study of orchestration. New York: : W.W. Norton 2002.

6 Blatter A, Blatter A. Instrumentation and orchestration. New York: : Schirmer Books

1997.

7 Kennan KW, Grantham D. The technique of orchestration. Upper Saddle River, N.J.: :

Prentice Hall 2002.

8 Stiller A. Handbook of instrumentation. Philadelphia: : Kallisti Music Press 1994.

9 Gerou T, Lusk L. Essential dictionary of music notation. Los Angeles: : Alfred Pub. Co

1996.

10 Heussenstamm G. The Norton manual of music notation. New York: : W.W. Norton1987.

11 Stone K. Music notation in the twentieth century: a practical guidebook. New York,

N.Y.: : W.W. Norton & Co 1980.

12 Read G. Music notation: a manual of modern practice. New York: : Taplinger Pub. Co

1979.

13 Jacob G. Orchestral technique: a manual for students. London: : Oxford University

Press 1982.

14 Read G. Orchestral combinations: the science and art of instrumental tone-color.

Lanham, Md: : Scarecrow Press 2004.

15 Read G. Thesaurus of orchestral devices. New York, N.Y.: : Greenwood Press 1969.

16 Rimsky-Korsakov N, Shteæinberg MO, Agate E. Principles of orchestration: with

musical examples drawn from his own works. New York, N.Y.: : Dover Publications 1964.

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