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Education Faculty Publications Education 2007 Comprehension Strategies for Your K-6 Literacy Classroom: inking Before, During, and Aſter Reading Divonna M. Stebick Geysburg College Joy M. Dain Follow this and additional works at: hps://cupola.geysburg.edu/edfac Part of the Educational Methods Commons , and the Elementary Education and Teaching Commons Share feedback about the accessibility of this item. is is the publisher's version of the work. is publication appears in Geysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: hps://cupola.geysburg.edu/edfac/18 is open access book is brought to you by e Cupola: Scholarship at Geysburg College. It has been accepted for inclusion by an authorized administrator of e Cupola. For more information, please contact [email protected]. Stebick, Divonna M., and Joy M. Dain. Comprehension Strategies for Your K-6 Literacy Classroom: inking Before, During, and Aſter Reading (ousand Oaks, CA: Corwin Press, 2007).

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Education Faculty Publications Education

2007

Comprehension Strategies for Your K-6 LiteracyClassroom: Thinking Before, During, and AfterReadingDivonna M. StebickGettysburg College

Joy M. Dain

Follow this and additional works at: https://cupola.gettysburg.edu/edfac

Part of the Educational Methods Commons, and the Elementary Education and TeachingCommons

Share feedback about the accessibility of this item.

This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission ofthe copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/edfac/18

This open access book is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by anauthorized administrator of The Cupola. For more information, please contact [email protected].

Stebick, Divonna M., and Joy M. Dain. Comprehension Strategies for Your K-6 Literacy Classroom: Thinking Before, During, andAfter Reading (Thousand Oaks, CA: Corwin Press, 2007).

Comprehension Strategies for Your K-6 Literacy Classroom: ThinkingBefore, During, and After Reading

AbstractAs educators, we seem to have more questions than answers to the complexity of reading. It seems that themore we read, the more we learn; the more we learn, the more we question. Will our prior knowledge interfereor enhance comprehending? What specific words will lift off the page and interact with our experiences? Howand when do we maneuver independently through the text? Does this ever happen or do we rely on family,friends, teachers, or colleagues to help us gain or maintain control? Does comprehending look or sounddifferently to our spouses, our children, our own classroom of students, our friends, and fellow educators?How much support will our students need to understand the concept of comprehension behaviors? Howmuch support will our students need to understand a text or a topic? As teachers, we often address thesequestions, but somehow, we know the variables that interplay with the reading process outweigh the answers.Posing these questions to colleagues, observing classrooms, and listening to conversations between teacherand student led us to writing this book. [excerpt]

Keywordselementary education, reading comprehension, literacy, classroom learning, reading level, comprehensionstrategies

DisciplinesEducation | Educational Methods | Elementary Education and Teaching

CommentsThis is the introduction from the complete book, Comprehension Strategies for Your K-6 Literacy Classroom:Thinking Before, During, and After Reading by Divonna Stebick and Joy Dain.

This book is available at The Cupola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/edfac/18

I n t r o d u c t i o n

A s educators, w e seem to have more questions than answers to the complexity of reading. It seems that the more w e read, the more w e

learn; the more w e learn, the more w e question. Will our prior knowledge interfere or enhance comprehending? What specific w o r d s will lift off the page and interact wi th our experiences? H o w and w h e n d o w e maneu­ver independent ly through the text? Does this ever h a p p e n or do w e rely on family, friends, teachers, or colleagues to help us gain or mainta in con­trol? Does comprehending look or sound differently to our spouses, our children, our o w n classroom of s tudents , our friends, and fellow educators? H o w m u c h suppor t will our s tudents need to unde r s t and the concept of comprehension behaviors? H o w m u c h suppor t will our s tudents need to unders tand a text or a topic? As teachers, w e often address these questions, bu t somehow, w e know the variables that interplay wi th the reading process outweigh the answers. Posing these quest ions to colleagues, observing classrooms, and listening to conversations be tween teacher and s tudent led us to wri t ing this book.

As literacy staff developers in regional educat ion centers (Regional educat ion centers are comprehens ive schools that p rov ide services wi th regular, academically challenged, behavioral ly challenged, emotionally challenged, and ELL students . The diversi ty in each classroom continu­ously challenges the regular a n d special educators as they collaborate to meet the needs of their learners.), these quest ions were p a r a m o u n t in our day-to-day interactions wi th faculty and s tudents . We believe the essence of h igh quali ty teaching is collaboration, and w e have deve loped processes to share our expertise in order to negotiate mean ing and learning for bo th teacher and s tudent . We k n o w w e need to develop thinkers w h o can con­struct meaning .

Realizing our literacy staff deve lopment posi t ions could be a critical par t of the g rand d i lemma, w e reflected: H o w d o w e suppor t our teachers to meet the needs of their diverse learners? Sharing our reflective thoughts wi th colleagues, it became evident that their concerns were even deeper;

• Comprehension Strategies for Your K-6 fiteracy Classroom

h o w does the gradua l release mode l work in a s tandards-dr iven culture? H o w can I m a k e comprehens ion instruction come alive? Where d o I begin?

H O W D O E S T H E G R A D U A L RELEASE M O D E L

W O R K I N A S T A N D A R D S - D R I V E N C U L T U R E ?

As Kucan and Beck (1997) suggest , s t ruggling readers thrive in an explicit instructional envi ronment , since implicit instruction is contingent u p o n readers w h o are a l ready able to engage actively in the process. Passive readers d o not have the necessary tools for unlocking texts, and because of this they need mul t ip le reading comprehens ion strategies. Research is replete w i th examples of the impor tance of organized instruction to bene­fit all readers, including those proficient and less proficient.

Writers consider their audience. Reading teachers consider their audi­ences ' experiences, the s t ructure and features of texts, and the context in which the information will be learned. We use texts to mode l comprehen­sion strategies, p rov ide gu ided practice, and offer opportuni t ies for inde­penden t application. O u r Before, Dur ing, and After (BDA) Instructional F ramework is based o n this premise.

In a developmenta l ly appropr ia te way, teachers should explicitly describe each cognitive strategy, mode l the strategy, allow gu ided practice time, a n d release the s tudents in an opt imal learning envi ronment to apply this learned strategy independent ly (Zemelman, Daniels, & Hyde , 2005). This combinat ion of explicit teaching and g radua l transfer of responsibil­ity from teacher to s tudent is especially critical for s truggling readers (Routman, 2003). The teacher p rov ides explicit instruction du r ing the mode l ing phase. Over the course of several days , the teacher scaffolds the s tudent ' s th inking th rough Think Alouds and dur ing gu ided practice. Finally, the s tudent needs oppor tuni t ies to practice and apply the learned strategy dur ing independen t application.

Within our BDA framework, model ing begins before w e even step in front of the s tudents . We consider the s tudents ' prior knowledge at the lit­eral a n d wor ld levels a n d h o w to connect the strategy to the s tudents ' k n o w n experiences (Vygotzky, 1978). At this point , most of the responsibil­ity is the teacher 's . Once the s tudents can m a k e the connection, w e are able to acknowledge a balance of ownersh ip of strategy and menta l processing by provid ing suppor t s th rough explicit teaching. Careful moni tor ing and transfer of language th roughou t the gradua l release mode l allow for the ownersh ip to transfer to the s tudent . The instruction begins w h e n the teacher chooses material for teaching purposes ; the explicit instruction is teacher regulated in the I Do phase . Dur ing this phase the teacher indepen­dent ly mode l s the strategy expectations as s tudents d o not interfere wi th

Introduction

Table 1.1

Our arrow in the left column is an iconic reminder of the gradual release model. The level of teacher and student interaction is indicated by the placement of the watermarks in the next two columns.

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Guiding Question: The question which guides the teacher to align instruction with the comprehension strategy.

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Introduction • 5

Visually, our BDA framework provides a s tructure for transferring ownersh ip to the s tudents . Theoretically, the f ramework provides the lenses to clarify the process and strategies for reading and wri t ing. O u r BDA framework allows teachers to val idate clear learning goals b y defin­ing the gu id ing quest ions du r ing each par t of the reading a n d wr i t ing les­son. It also provides a place to identify and record s tuden t learning goals, where reflection can evolve after a lesson is taught . Reflecting u p o n each par t of the lesson, we ' re able to moni tor our s tudents ' progress based on these goals. Feedback is essential, yet easy to gather du r ing the after sec­tion of the lesson.

In the second BDA framework, the instructional responsibility lies u p o n the teacher while the accountability for active listening lies u p o n the s tudent . Remember, model ing for any specific strategy m a y continue throughout the course of the year. This depends u p o n the needs of the students. Dur ing guided practice, the teacher scaffolds the thinking for the group, allowing the s tudents to negotiate through the text wi th some success of application. This is crucial for s tudents to see the connection be tween direct instruction and application. Not only do s tudents need to see it, bu t they also need to hear the same verbiage in different settings. Observing dur ing guided prac­tice will verify the amoun t of model ing s tudents will need for continued support . Guided practice also needs to h a p p e n over the course of several days, using appropriate texts. These texts m a y be picture books, basal reader selections, or little readers used in guided reading instruction that lend them­selves to making connections. Opportuni t ies for independent practice are critical for all s tudents to succeed as thinkers. Independent practice is more than sustained silent reading—it is an activity that gives s tudents a substan­tial amount of t ime in an optimal learning environment to apply w h a t w a s learned. Teachers create this optimal learning environment b y carefully monitoring each s tudent ' s reading behaviors through individual confer­ences. The s tudents then apply w h a t they learned by accessing instruction-ally appropriate materials. These materials allow for opportunit ies to demonstra te the specific learned comprehension strategies.

The s tudents ' endurance is slowly built . In September, w e start wi th ten minutes of silent reading and w e a d d minu tes to each week, work ing the g roup u p to 20 active minu tes of i ndependen t reading time. As the s tuden ts read, w e moni tor their behaviors whi le taking judicious notes. We quest ion the s tudents regarding their selections; w e note those that fol­lowed procedures , and the s tudents w h o are able to app ly the specific strategy. As always, w e constantly ask ourselves:

• Wha t d id I learn about m y s tudents? • Wha t did I learn about m y teaching?

• Comprehension Strategies for Your K-6 fiteracy Classroom

By a n s w e r i n g these t w o ques t ions , w e k n o w the impac t of the g rad ­ua l release of responsibi l i ty wil l be reconf igured to mee t the n e e d s of the s tuden t s . Differentiating ins t ruc t ion p r o v i d e s the s u p p o r t for s t u d e n t learning.

H O W C A N I M A K E C O M P R E H E N S I O N

I N S T R U C T I O N C O M E ALIVE?

We need to think about our thinking (Flavell, 1979). Thoughtful readers develop, implement , a n d adjust their p lans as they read.

As adul t readers , w e try to avoid those au thors whe re little thinking is needed . The w o r d s are superficial. The character names change bu t the story s t ructure remains the same. Hopefully, w e can select books where the w o r d s become e m b e d d e d in our o w n life experiences. We consciously or unconsciously moni tor our applicat ion of reading strategies to provide an unders tand ing . Reading A n n a Quind len ' s A Short Guide to a Happy Life,

Black and Blue, or Blessings, w e purposeful ly notice h o w and w h y w e reread a passage, w h e n w e create a picture in our heads , and w h e n ques­tions and predict ions a b o u n d throughout . Her descript ions and her use of a s imple w o r d like "ra t t led" in the book Blessings describe h o w Lydia Blessings, in her later life, felt visiting the cemetery. "The cemetery rattled her more than she w o u l d have expected" (2002, pp . 93-94).

This s imple w o r d creates an image not only in our heads , bu t in our hear ts too. The responsibili ty of comprehens ion rests u p o n the interaction be tween the reader and the au tho r ' s words :

At least she had a cradle now, a carved cherry cradle on shallow rockers that Mrs. Blessing had told him to come and take from a musty back bedroom in the big house. He had tickled himself with the thought of tying a string to his toe and loop­ing its other end around the ornamental curves at the head of the little bed so that in the nighttime he could rock her without getting up. But she was such a good baby now, so orderly and cooperative in her habits that the idea was more of a cartoon construct than anything he heeded to consider. He felt stupid sometimes, how he liked to watch her, how he still flinched when she popped herself in the nose with her spastic fist, how her face went real still and her mouth opened as she watched the sunlight shoot down onto the floor next to her blanket, how she would smile like a spasm and it would go straight to his heart. (2002, pp. 93-94)

Introduction • 7

As you read this passage:

• Did any w o r d s create a clear picture in your head?

• Did the w o r d s conjure a smell only newborns have in your memory?

• Were those images tied to your pr ior experiences? • H o w m a n y words were absorbed before comprehens ion began? • When d id you stop comprehending? • Did the w o r d s remain one-dimensional because of your experiences

or interest?

For those of us w h o are mothers or caretakers, or have wi tnessed the "spastic" movemen t s of newborns , comprehens ion begins immediately. Variations d e p e n d u p o n our age, our experiences, and the relat ionships w e have wi th family and friends.

W H E R E D O I B E G I N ?

Throughout this book, you will read about m a n y reading and wri t ing experiences of teachers and s tudents ; w e invite you to be the reader and writer.

Take some time n o w to practice another reading strategy—rereading. Reread this excerpt from Anna Quindlen ' s Blessings. As you reread, please record your thoughts in the space provided.

Table 1.3

As a reader, I thought . . . As a writer, I t hough t . . .

Comprehension Strategies for Your K-6 Literacy Classroom

At least she had a cradle now, a carved cherry cradle on shallow rockers that Mrs. Blessing had told him to come and take from a musty back bedroom in the big house. He had tickled himself with the thought of tying a string to his toe and loop­ing its other end around the ornamental curves at the head of the little bed so that in the nighttime he could rock her without getting up. But she was such a good baby now, so orderly and cooperative in her habits that the idea was more of a cartoon construct than anything he heeded to consider. He felt stupid sometimes, how he liked to watch her, how he still flinched when she popped herself in the nose with her spastic fist, how her face went real still and her mouth opened as she watched the sunlight shoot down onto the floor next to her blanket, how she would smile like a spasm and it would go straight to his heart. (2002, pp. 93-94)

Now, review w h a t you though t as you read. Just as good readers visu­alize as a reader, au thors visualize too. Writers m a k e natura l connections to their o w n experiences and selectively choose w o r d s to create a picture in the readers ' minds . Authors remember to include only the most critical information and details.

We have deve loped a f ramework to assist instructional p lanning in order to mee t the readers ' a n d wri ters ' needs congruent ly Before you begin you r journey th rough the rest of our book, please take some t ime to reply to our gu id ing question; describe w h a t reading looks like in each instructional phase for the teacher and the s tudent .

You will have an oppor tun i ty to reply to other reflective quest ions after each chapter.

We k n o w instruction needs to emphas ize connections be tween reading and wri t ing. We need to develop s tudents ' abilities to wri te like a reader and read like a wri ter (Pearson, 2002). If w e w a n t s tudents to wri te in a variety of genres, then w e need them to be able to comprehend this vari­ety of genres.

H O W D O I M E E T T H E N E E D S O F

O U R S T A N D A R D S - D R I V E N C U L T U R E ?

The six chapters focus on six comprehens ion strategies. Each strategy is deve loped b y four BDA frameworks. To meet the needs of our s tandards-dr iven culture, our first f ramework provides an overview of the high­l ighted comprehens ion strategy a n d connects to the Nat ional Council of Teachers of English (NCTE) s tandards because s tandards vary at the state

Introduction • 9

Table 1.4

JnitialTh ^ e V T hev Ca ead. But Can Thev Think? R e a d - B u t

Guiding Question: What does reading look like in each instructional phase for each participant?

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Copyright © 2007 by Corwin Press. All rights reserved. Reprinted from Comprehension Strategies for Your K-6 Literacy Classroom: Thinking Before, During, and After Reading by Divonna M. Stebick and Joy M. Dain. Thousand Oaks, CA: Corwin Press, www.corwinpress.com. Reproduction authorized only for the local school site or nonprofit organization that has purchased this book.

10 • Comprehension Strategies for Your K-6 fiteracy Classroom

level. In the subsequent frameworks, the interaction be tween the teacher and the s tuden t is based u p o n the appl icat ion of the g radua l release model . Explicit teaching is shared th rough teacher talk and mode l ing examples in the second f ramework. Dur ing gu ided practice, the transfer of responsibil i ty begins to unfold in the third f ramework, and examples of gu ided practice and scaffolding are shared. Finally, the s tudents take owner sh ip in the fourth f ramework as they independen t ly app ly the strategies.

Chapter 1 provides the foundat ion for mak ing meaning—schema dev­elopment . We address h o w to assess and develop pr ior knowledge . We exercise s tudents ' metacogni t ion in order to improve their ability to think. Using the interactive mode l of reading, w e app ly schema theory to the comprehens ion strategy of mak ing connections.

Chapter 2 demons t ra tes h o w quest ioning provides a mul t idimensional unde r s t and ing of the text and solidifies the other comprehension strate­gies together. We script var ious lessons us ing fictional picture books to model .

Chapte r 3 reveals the interrelat ionships be tween text and the reader ' s personal experiences. We also capture h o w these pr ivate relationships enhance the reader ' s unde r s t and ing by t app ing into the reader ' s five senses as they visualize.

In Chapte r 4 w e address the most intrinsic comprehens ion behavior— inferring. We exhibit the interrelat ionships be tween comprehend ing illus­trations a n d / o r comprehend ing text to construct personal interpretat ions of the text. We p r o v i d e sequent ia l , fictional p ic ture book lessons al low­ing the reader to wa tch as w e scaffold s tudent learning us ing the gradual release mode l of instruction.

Chapter 5 takes us into nonfiction texts, as w e show h o w to m a k e these texts accessible for all learners. We also focus on the need to generate a th inking quest ion us ing the text 's format, features, content, a n d / o r the s tudent ' s personal curiosity to refine details or facts as readers construct mean ing in order to de termine w h a t is most important .

In Chapte r 6, w e synthesize s tudents ' th inking by explaining the integrat ion of quest ioning, de te rmining impor tan t ideas, and the readers ' prior knowledge to create an original idea, see a n e w perspective, or form a n e w line of thinking.

Provided in the resource section are templates captur ing our BDA framework, s trategy organizers, and other instructional p lanning tools you m a y reproduce for your classroom needs. We have also identified texts w e r ecommend for teaching each of the comprehens ion strategies.

Introduction • 11

Realizing the impor tance of metacognit ive behaviors , w e address the

function and pu rpose th roughout each of our comprehens ion chapters.

In addit ion, w e breathe life into each of the comprehens ion strategies; w e

provide a concrete example for each of the abstract th inking processes of

reading. We m a k e the invisible visible.