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Consuming Women (working title)
Installation
by guillermina buzio
Cow pins on meat
Cow pins on meat
I am creating a multidisciplinary installation that
addresses the similarities that exist in the
language used in popular culture to describe,
and consume, both the female body and meat.
Film - Carne: 1968
Director Armando Bo, Argentinean director died in 1981Argentina
Carne fresca fresh meat
Tremenda morcilla sausage weener
to pork you Moo that chick is a nice steak buenas nalgas Cow eat a woman
Gorda como una vaca tiene tetas caidas de vaca
stupid cow mi zodape de carne es el mejor
Que pedazo de carne
Cow pins
(mass production) clear acrylic, laser cutRepetition, packaging
Identity
background
minority
the other
central and periphery
Borderlands
“The US Mexican border es una herida abierta where the third world grates against the first and bleeds. And before a scab forms, it hemorrhages again, the lifeblood of two worlds merging to form a third country- a border culture.”
Gloria Anzaldúa- Borderlands
vos4’ super 8, video
reconciliationPerformance
the process of making consistentVideo, photographs, super 8
Performance
My identity- being born into a political situation in Argentina under a military government.
Periphery and center
Intersection of my Argentinean and Canadian identity
Fragmentation (body-identity)
Labels (constrained)
Packaging
Repetition