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Dalarna University Centre for Irish Studies Back Matter Source: Nordic Irish Studies, Vol. 3, Contemporary Irish Poetry (2004) Published by: Dalarna University Centre for Irish Studies Stable URL: http://www.jstor.org/stable/30001513 . Accessed: 15/06/2014 18:01 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Dalarna University Centre for Irish Studies is collaborating with JSTOR to digitize, preserve and extend access to Nordic Irish Studies. http://www.jstor.org This content downloaded from 185.2.32.24 on Sun, 15 Jun 2014 18:01:30 PM All use subject to JSTOR Terms and Conditions

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Page 1: Contemporary Irish Poetry || Back Matter

Dalarna University Centre for Irish Studies

Back MatterSource: Nordic Irish Studies, Vol. 3, Contemporary Irish Poetry (2004)Published by: Dalarna University Centre for Irish StudiesStable URL: http://www.jstor.org/stable/30001513 .

Accessed: 15/06/2014 18:01

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

Dalarna University Centre for Irish Studies is collaborating with JSTOR to digitize, preserve and extendaccess to Nordic Irish Studies.

http://www.jstor.org

This content downloaded from 185.2.32.24 on Sun, 15 Jun 2014 18:01:30 PMAll use subject to JSTOR Terms and Conditions

Page 2: Contemporary Irish Poetry || Back Matter

Contributors

Michael Bliss is Associate Professor of History and Irish Studies at University of Aarhus and head of the Centre for Irish Studies. His most recent book is Engaging Modernity (Dublin, Veritas 2003), which he co- edited and introduced with Eamon Maher.

Sefin Crosson is a Lecturer in modem Irish literature and cinema at the Centre for Irish Studies, National University of Ireland, Galway. He has had work published previously on globalisation and Irish cinema, and Irish Short Films. He is currently writing a doctoral thesis on the influence and use of music and song in contemporary Irish poetry.

Maurice Elliott is University Professor Emeritus, York University, Toronto, Canada. He is former President of the Canadian Association for Irish Studies.

Irene Gilsenan Nordin is Senior Lecturer at the Department of English, University College Dalarna, Sweden, and founder director of DUCIS (Dalarna University Centre for Irish Studies). She is the author of Crediting Marvels in Seamus Heaney's Seeing Things (Uppsala, 1999), and is currently completing a book on the poetry of Eil6an Ni Chuilleanatin.

Elin Holmsten is a doctoral student at Uppsala University, Sweden, and is writing her PhD thesis on the poetry of Medbh McGuckian. Holmsten is also Lecturer in English at DUCIS, Dalarna University Centre for Irish Studies, and at the English Department, University College Dalarna, where she teaches courses in British and Irish Literature.

Isabel Karremann is a doctoral student at Erlangen University, Germany, where she is currently writing her doctoral thesis on constructions of masculinity in 18th century English literature and culture. She studied at Munich University and the National University of Ireland, Galway, focussing on gender studies and contemporary Anglo-Irish literature.

Eugene O'Brien is Head of the English Department, Mary Immaculate College, University of Limerick, Ireland. He is author of The Question of Irish Identity in the Writings of W.B. Yeats and James Joyce (New York: Edwin Mellen Press, 1998), An Epistemology of Irish Nationalism (New York: Edwin Mellen Press, 2001) and a number of books on Seamus Heaney.

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Page 3: Contemporary Irish Poetry || Back Matter

Nordic Irish Studies

Loretta Qwarnstriim is a Lecturer in Literature and Culture at Hbgskolan Dalarna. She is writng an MA thesis on the the poetry of Nuala Ni Dhomhnaill, and her research interests are contemporary Irish women's poetry and hybridity.

Maryna Romanets is Assistant Professor at the Department of English, University of Northern British Columbia, Canada. She has published articles on Irish, British and Ukrainian literature, and translation theory and practice, in journals in Canada, France, Ukraine and Russia and she is currently working on a book on contemporary Irish and Ukrainian women's poetry.

Moynagh Sullivan is an IRCHSS Government of Ireland Post-Doctoral Fellow at the Department of English, University College Dublin. Her research interests are in Irish literary and theoretical cultures, especially 20th century culture; modernism and postmodernism; psychoanalytical theory, women's writing, especially Irish women's writing, and feminist theory. She is currently working on a book on Irish critical cultures and recent Irish poetry.

Lars-HAkan Svensson, who taught English for many years at Lund University, is now Professor of Language and Culture at Linkiping University, Sweden. Among his most recent publications are 'Modernism and the Classical Tradition: The Examples of Pound and H.D.' in Rethinking Modernism, ed. Marianne Thormnihlen (Palgrave 2003) and, together with John Matthias, Three-Toed Gull: Selected Poems of Jesper Svenbro (Northwestern University Press, 2003). He has translated a volume of Paul Muldoon's work into Swedish.

Carmen Zamorano Llena is a Lecturer in the Department of English and Linguistics at the University of Lleida, Spain. She wrote her MA Thesis on the poetry of Fleur Adcock and is currently finishing her PhD thesis on postmodern feminist constructs of identity in contemporary women poets in the British Isles. She is currently doing research on contemporary Irish women poets and on literary representations of ageing in contemporary Irish and British women's fiction.

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Page 4: Contemporary Irish Poetry || Back Matter

Contributors

Editor's Note The editor apologises sincerely to The Gallery Press, Loughcrew, Oldcastle, County Meath, Ireland, for omitting acknowledgement of permission to reprint poems from Medbh McGuckian's Marconi's Cottage (1991) and The Face of the Earth (2002), in Elin Holmsten's article, 'Those Deeply Carnal Moments: The Hermeneutics of Flesh in Medbh McGuckian's Poetry', which appeared in the previous volume of NIS.

Irene Gilsenan Nordin

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Page 5: Contemporary Irish Poetry || Back Matter

Nordic Irish Studies Volume 3, Number 1, 2004 ISBN 87-91259-02-9 ISSN 1602-124X

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