Continuing Studies at Emily Carr University: Summer 2016

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SUMMER2016M AY - A U G U S T | continuing studies courses + programs

STUDIOS FILL UP QUICKLY! Secure your space early.

�e Summer Institute for Teens introduces students aged 16 to 18 (or who will

have completed Grade 10 by July 2016) to the rigorous full–time study of art,

design and media through a hands–on, studio–based program. �is program

is ideal for students who want to develop both a portfolio and a set of core skills

as well as get a taste of university life.

HANDS-ON STUDIO PRACTICE VISITS TO VANCOUVER ART GALLERIES

DISCUSSIONS + IN-CLASS CRITIQUES PARTICIPATION IN A PUBLIC EXHIBITION

CHOOSE FROM

AnimationArchitecture + Urban DesignDrawingFashion + TextilesGraphic DesignIllustration: TraditionalIllustration: DigitalPainting (Contemporary)PhotographySculpture 3D

INSTITUTE FOR TEENS

JULY 4 – 29, 2016

�e Summer Institute for Teens at Emily Carr is apre–university program that helps high school studentsready themselves for an education at an art + designuniversity. �is immersive one–month experienceengages students through intensive studio practice.

[email protected] 844 3810

SUMMER

REGISTRATION DATES + FEES

$2390 Domestic$2790 International

Registration closes June 17, 2016

teens.ecuad.ca

http://teens.ecuad.ca/summer/

mailto:[email protected]

1

Table of Contents

CERTIFICATE PROGRAMS Communication Design 2

Certificate Interaction Design Certificate 3 Part-Time Certificates 4

COURSES + WORKSHOPS Communication Design 6 Core Skills 7Cultural Studies 8Digital Skills, Media 9

+ Technologies Drawing 12Graphic Novel 16Illustration 17Industrial Design 19Painting 21Photography 25Print Media 28Professionalising 30 Your Practice Sculpture + Installation 31Textile Arts 33

STUDIO SPACEThe Leeway 40

GET STARTEDCourses at a Glance 34 How to Register 36

RESOURCESFAQs 37Contact Us 37Registration Policies + 38

General Information

SUMM

ER2016

2

COMMUNICATION DESIGNCERTIFICATE

How to ApplyApply through BCIT. Visit bcit.ca/admission.

Get ReadyNew to communication design? Start learning some basic skills and create work for your admissions portfolio with these CS courses:

CECD 110 Basics of Communication Design

CECS 133 InDesign: �e Basics

Delivered by BCIT and Emily Carr University of Art + Design, the Communication Design Certificate is a one-year, full-time program that provides students with a solid foundation in communication design theory as well as graphic design skills in the Adobe Creative Cloud. �is career-focused program prepares graduates for a variety of roles in graphic design, advertising and marketing.

Course content includes:X Brand identity, layout, typography and package design;X Corporate communications and project management;X Prepress production for print and introduction to web design; X Skill development in Adobe Photoshop, Illustrator and InDesign; andX Design thinking and process development.

Term 1Design and the Creative Process • Fundamentals of a Visual Language • Introduction to Design and Research Skills • Layout and InDesign 1 •Technology for Designers • Business Communication for Designers

Term 2Layout Design and the Static Image • Typography • Major Project 1 •Vector Graphics: Illustrator for Designers • Raster Graphics: Photoshop for Designers

Term 3Introduction to Brand Identity • Packaging Design • Corporate Communications • Web Design and Authoring for Designers • Layout and InDesign 2 • Major Project 2

Term 4Professional Practices for Designers • Editorial Design • Digital Media Design • Dynamic Media Web Design • Prepress • Major Project 3

Start dates: October 2016 + April 2017

essentials.ecuad.ca

This program runs in partnership with BCIT.


http://essentials.ecuad.ca/


http://www.bcit.ca/admission/

33

Our Interaction Design Certificate is a six-month, full-time program that brings together user experience and design principles. Students develop skills in areas from web design to coding to motion graphics as they produce both web and mobile-based applications. Graduates exit the program with a professional-level portfolio and a range of in-demand skills.

�is program focuses on specific skills required for a range of positions within interaction design.

Course content includes:X Design and prototyping for responsive design, including

mobile environments;X User interface (UI) and user experience (UX) skills;X Website development using HTML, XML, PHP, JavaScript, jquery, CSS; X Mastery of Adobe Creative Cloud tools; andX How to lead effective projects and work in teams.

Term 1Design Fundamentals • Designing For �e Web • Design Research and Management • Interaction Design Studio I • Motion Graphics • Portfolio Development I • Programming for Interactivity • User Centered Design •Web Development I

Term 2Mobile Web Development • Mobile Application Design • Mobile Application Production • Interaction Design Studio II • Portfolio Development II • Web Development II

essentials.ecuad.ca

Apply by July 12, 2016 for entry into our September 2016 program.

How to ApplySubmit your application online and include the following:

X A portfolio of workX CV or resuméX Academic transcripts (high school and/or

university)

Get ReadyNew to interaction design? Start learning some basic skills and create work for your admissions portfolio with these CS courses:

CEDA 232 Introduction To Web Design

CECS 130 Adobe Illustrator: �e Basics

Start dates: September 2016 + April 2017

INTERACTION DESIGN CERTIFICATE




4

FINE ARTS H 1-3 yrsDevelop a broad foundation for your fine art practice by working in a range of media and exploring the creative process through hands-on studio time and critical discussions.

Get StartedCEFA 160 Basics of

Composition and Form

CEFA 170 Materials and Media

in Fine Art Practice

DRAWING H 1-4 yrsStart or expand your drawing practice by developing your skills, building a portfolio, moving beyond pen and ink and examining the medium from a historical and contemporary standpoint.

Get StartedCEDR 160 Drawing

Fundamentals I: Composition/

Process

ILLUSTRATION H 1-4 yrsExperiment with a variety of techniques, tools, and media used in illustration as both an art form and a business, focusing on either commercial or picture book work.

Get StartedCEIL 170 Introduction to

Illustration

PAINTING H 1-4 yrsPlay with colour, image, structure and surface as you explore different techniques and work with an array of materials to produce a diverse portfolio that reflects your individual style and talents.

Get StartedCEPN 160 Painting

Fundamentals I: Composition/

Process

PART-TIME CERTIFICATES:

Part-time certificate programs consist of core and elective courses and are suitable for all levels of experience.

Choose from:Fine Arts Sculpture

Drawing Photography

Illustration 2D Design

Painting 3D Design

Part-time certificate students:X Set their own pace of study and areas of focus

X Build a portfolio that showcases their personal style and abilities

X Receive feedback and assessments from their instructors

X Join a community of like-minded artists and creative individuals

X Have access to advance registration in CS courses

PART-TIME CERTIFICATES

ecuad.ca/certificates [email protected] 844 3810

http://www.ecuad.ca/academics/certificate-programs


http://www.ecuad.ca/academics/certificate-programs/introductory-fine-art-techniques

http://www.ecuad.ca/academics/certificate-programs/advanced-drawing

http://www.ecuad.ca/academics/certificate-programs/advanced-illustration

http://www.ecuad.ca/academics/certificate-programs/advanced-painting

5

SCULPTURE H 1-4 yrsCast, meld and shape a range of materials through hands-on studio work while building your knowledge of sculptural concepts, processes and techniques used to create contemporary sculpture.

Get StartedCESC 179 Small-Scale

Modeling

PHOTOGRAPHY H 1-3yrsWorking your way from film photography and darkroom development to contemporary digital photography, you will learn the fundamentals of photographic practice necessary to compose and execute evocative images.

Get StartedCEPH 148 Black and White Film

Photography I + II

2D DESIGN H 1-3 yrsLearn the basics of typography, graphic design and design theory while you gain skills in industry-standard software used to create both print and digital portfolio pieces.

Get StartedCECD 110 Basics of

Communication Design

3D DESIGN H 1-3 yrsExplore industrial design or architectural design from a conceptual and technical standpoint as you work with industry-standard software and physical materials to visualise and produce forms and structures.

Get StartedCEID 120 Basics of Industrial

Design

Visit our website for complete lists of required courses:ecuad.ca/certificates

ecuad.ca/certificates [email protected] 844 3810

register online HOW TO REGISTER: P. 36

Flexible programs in fine arts and design focused on technique and portfolio development.

Learn more:X Browse courses in our course calendar or online X Download our student handbooks from our website X Register online for an upcoming information session X Visit ecuad.ca/certificates

How to register:Enrol in a part-time certificate program by contacting the CS Office.

Contact us:[email protected] | 604 844 3810



http://www.ecuad.ca/academics/certificate-programs/advanced-sculpture

http://www.ecuad.ca/academics/certificate-programs/introductory-photography

http://www.ecuad.ca/academics/certificate-programs/introductory-2d-design-basics

http://www.ecuad.ca/academics/certificate-programs/introductory-3d-design-basics


http://www.connect.ecuad.ca/courses



6 EMILY CARR UNIVERSITY OF ART + DESIGN SUMMER 2016 T 604 844 3810 F 604 630 4535 ecuad.ca/cs

BASICS OF COMMUNICATION DESIGNLearn the fundamentals of communication design including process, ideation, research, analysis, concept development, problem definition, and creative problem-solving. �rough collaborative exercises, you will be introduced to the design process—from development through to the creation of a mock-up and a short design presentation.

Prerequisite(s): None

THE ART OF FONTS�is course introduces you to the anatomy of letterforms and the principles of typographic usage. From the fundamentals of choosing and combining type to the terminology of typography, you will explore distinctions between typefaces, typographic usage and shaping the page with type. By the end of the course, you will be able to apply your typographic knowledge to a range of print and digital media projects.


DESIGN: IDEATION AND CRITICAL THINKINGFrom concept development and iteration to techniques for effectively communicating your design ideas, this course encourages you to think beyond the ordinary and to brainstorm, test and develop new concepts through individual and group projects. While considering current issues in design theory and practice, this course will include a variety of media, methods and processes in order to provide you with a varied and useful toolkit for your design practice.


Linda Coe

CECD 112 SU01

Jun 1 - 22

Wed 6:30 pm - 9:30 pm

4 sessions / 12 total hrs

$240

Register by May 27

Vjeko Sager

CECD 280 SU01

Jun 6 - 29

Mon + Wed

6:30 pm - 9:30 pm


$300

Register by Jun 1

Linda Coe

CECD 110 SU01

Jun 4 - Jul 16

Sat 1:30 pm - 4:30 pm


$290

Register by May 30

No class Jul 2

Cari Bird

CECD 110 SU02

Jun 20 - 23

Mon - �u

10:00 am - 3:00 pm


$290

COMMUNICATION DESIGN

http://www.connect.ecuad.ca/programs/courses/CECD/110/SU01




7REGISTRATION BEGINS APRIL 5, 2016 X HOW TO REGISTER p. 36 FIND COURSE MATERIALS, INSTRUCTOR BIOS AND MORE ON connect.ecuad.ca

BASICS OF COMPOSITION AND FORM�is foundational course introduces you to the relationship of concept and composition in 2D art practices. You will develop skills in composition by investigating how line, shape, colour, texture and surface treatment enhance and influence form. Experimentation with a variety of media allows you to explore aesthetics and meaning by applying the elements and principles of composition. You will learn to reference historical and contemporary theories and image sources as inspirations for art making.


MATERIALS AND MEDIA IN FINE ART PRACTICEIn this course, you will explore the relationship between ideas, materials, media and context, and how these are used to create 3D objects. Both traditional and unconventional materials and processes will be employed in exercises and projects. Topics include: space, mass, volume, plane and texture, as well as how these elements can be manipulated, through your choice of materials.


Frances Grafton

CEFA 160 SU01

Jun 20 - 23

Mon - �u 9:30 am - 4:30 pm


$340

Register by Jun 15

Andrea Taylor

CEFA 160 SU02

Jun 28 - Aug 16

Tue 6:30 pm - 9:30 pm


$340

Register by Jun 23

Karen Kazmer

CEFA 170 SU01

Jun 13 - 16

Mon - �u 9:00 am - 1:00 pm


$265

Register by Jun 8

Ian Forbes

CEFA 170 SU02

Jul 28 - Aug 18

�u 6:00 pm - 10:00 pm


$265

Register by Jul 23

CORE SKILLS

http://www.connect.ecuad.ca/programs/courses/CEFA/160/SU01





ISSUES IN CONTEMPORARY DESIGN�is course examines a range of contemporary debates, themes and issues that affect designers including: ‘wicked problems’ in design; social responsibility; design thinking; architecture and urban planning; user-centered design; objects we think with; and many others. In addition to weekly readings and discussions, you will work in teams to address contemporary design challenges, moving from talking about design to the practical implications of developing design proposals. You will develop a greater awareness of ways in which design is connected to your everyday life.


ISSUES IN CONTEMPORARY ART�is course introduces you to a range of issues affecting contemporary art from themid-20th century to today. You will examine a number of themes including: the changing role of the artist; the problem of the avant-garde and originality; the idea of discourse; postmodernism and beyond; the problem of ‘beauty’; nature as subject; pastoral tradition and nostalgia; ecological art; new feminism; radical art; cyber-culture and the post-human; and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises.


WALKING TOURSOver the past century, Vancouver has transformed from a lumber and port city into a multicultural city of glass. As the architecture of the city has changed, many of its histories have been erased from view. At the same time, Vancouver has also produced internationally renowned artists in a vibrant artistic community, many offering diverse artistic perspectives on the complex identities of this city. �is course invites students to explore Vancouver through walking tours that critically question our built environments, field trips to galleries that are cultural hubs for the Vancouver art scene and discussions of key artists’ works that have engaged or addressed the complex facets and pasts of Vancouver.


A SURVEY AND HISTORY OF ART�is course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. �is course is ideal if you want to be better informed when visiting museums or galleries, or who want to understand their own practice in the context of what went before.


CULTURAL STUDIES

Ramon Kubicek

CESE 160 SU01

May 28 - Jul 23

Sat 10:30 am - 1:30 pm


$295

Register by May 23

No class Jul 2

Jessa Alston-O’Connor

CESE 176 SU01

Aug 6 - 27

Sat 10:00 am - 3:00 pm


$225

Register by Aug 1

Rajdeep Gill

CESE 180 SU01

May 25 - Jul 13

Wed 6:30 pm - 9:30 pm


$295

Register by May 20

Carley Hodgkinson

CESE 110 SU01

May 29 - Jul 24

Sun 1:30 pm - 4:30 pm


$330

Register by May 24

No class Jul 3

part-time certificate infine art : . 4

http://www.connect.ecuad.ca/programs/courses/CESE

http://www.connect.ecuad.ca/programs/courses/CESE/110/SU01





INTRODUCTION TO MAYADevelop your design and computer skills through an introduction to computer animation in this two-day intensive workshop on Autodesk Maya. Learn the fundamentals of modeling, texturing, animation, lighting, and rendering in three-dimensional space. Create assets and environments and apply them to animation for broadcast, film, video games and visualization. Projects investigate the conceptual, aesthetic and expressive potential of the 3D environment, and demonstrate various design strategies. By the end of the course, you will be comfortable using Autodesk Maya and able to create simple films or simulations.

Prerequisite(s): Basic computer skills

ADOBE ILLUSTRATOR: THE BASICSAdobe Illustrator is a powerful digital tool for many applications including illustration, drawing and design. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with Bézier curves and utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to apply all the skills learned in class. Note: �is course is taught in our Mac Labs using Creative Cloud.

Prerequisite(s): Experience using a Mac computer is highly recommended

�omas Groppi

CEAN 152 SU01

May 14 - 15

Sat + Sun

10:00 am - 4:30 pm


$205

Register by May 9

Jaime Clay

CECS 130 SU01

Jun 6 - Jul 25

Mon 6:30 pm - 9:30 pm


$415

Register by Jun 1

DIGITAL SKILLS, MEDIA + TECHNOLOGIES

http://www.connect.ecuad.ca/programs/courses/CEAN/152/SU01

http://www.connect.ecuad.ca/programs/courses/CECS/130/SU01


Jaime Clay

CECS 131 SU01

Jun 11 - Aug 13

Sat 9:30 am - 12:30 pm


$445

Register by Jun 6

No class Jul 2 and Jul 30

Sean Coggins

CECS 133 SU01

Jun 28 - Aug 16

Tue 6:30 pm - 9:30 pm


$415

Register by Jun 23

Jen Hiebert

CECS 136 SU01

Jun 16 - Aug 11

�u 6:00 pm - 10:00 pm


$520

Register by Jun 11

No class Jun 30

Jaime Clay

CECS 152 SU01

Aug 15 - Aug 18

Mon - �u

10:00 am - 3:00 pm


$370

Register by Aug 10

PHOTOSHOP: THE BASICSExplore the creative potential of Adobe Photoshop for digital image processing and photo editing. Learn the basics of image manipulation including simple retouching, applying filters, blending and combining images and adding text. Other topics include image resolution, masks, channels and paths. �is course introduces beginners to the skills and techniques needed to work in this industry-standard program and allows you to immediately apply your knowledge to practical projects. Note: �is course is taught in our Mac Labs using Creative Cloud.

Prerequisite(s): Strong computer skills are recommended

INDESIGN: THE BASICSAdobe InDesign is a powerful tool for design, page-layout and production, and is the ideal platform to bring together work created in Photoshop, Illustrator and Acrobat. In this course, you will gain basic experience with the software as you layout pages, create and format text, add and manipulate images. You will also gain a basic understanding of colour as it relates to printing. Note: �is course is taught in our Mac Labs using Creative Cloud.

Prerequisite(s): Experience using a Mac computer is highly recommended; experience with Illustrator is an asset

THE ADOBE SUITE FOR DESIGN AND PRODUCTION�is course is a comprehensive introduction to the Adobe Creative Cloud, including Illustrator, Photoshop and InDesign, as an integrated software tool for the design and production of print and digital media. Focus is on gaining basic knowledge of each program and a deeper understanding of how they work as part of an integrated toolkit. You will learn to use these programs for document layout, typesetting and combining both vector art and raster art to design and produce work for print and digital outputs. Note: �is course is taught in our Mac Labs using Creative Cloud.

Prerequisite(s): Strong computer skills are highly recommended

ANIMATION WITH PHOTOSHOPPhotoshop may be best known for its photo-editing capabilities, but it is also an excellent program for creating images and simple animations. In this course, you will learn how Photoshop allows you to produce dynamic logos, eye-catching GIFs and stunning motion sequences. As you create your own simple animations, you will also learn the language of animation and how to recognize when to use it to enhance your images.


DIGITAL SKILLS, MEDIA + TECHNOLOGIES (CONT’D)






INTRODUCTION TO WEB DESIGN�is course will give you an understanding of how websites are made, plus the ability to create your very own. Content covers the technical and aesthetic issues of developing a website including how to write code that works on any range of browsers, and how to create pages that work equally well on large desktop monitors and the more restricted displays of smart phones. If you currently use a Content Management System such as WordPress, knowing how to write HTML and CSS will allow you to take your projects to the next level.


ADVANCED WEB DESIGN�is course follows on from Introduction to Web Design, delving deeply into the skills needed by the modern web designer. Topics include responsive web design, advanced CSS selectors, JavaScript libraries, icon fonts, CSS preprocessors, frameworks, strategies for Retina displays, and the emerging CSS3 modules that are fast on their way to becoming mainstream.

Prerequisite(s): CEDA 232 Introduction to Web Design or equivalent

Jason Ryant

CEDA 332 SU01

Jun 14 - Jul 12

Tue + �u

6:30 pm - 9:30 pm


$415

Register by Jun 9

No class Jun 30

Jason Ryant

CEDA 232 SU01

Jun 4 - 25

Sat 9:00 am - 4:00 pm


$405

Register by May 30

http://www.connect.ecuad.ca/programs/courses/CEDA/232/SU01

http://www.connect.ecuad.ca/programs/courses/CEDA/332/SU01


DRAWING FUNDAMENTALS I: COMPOSITION/PROCESSDrawing, observation, recording and compositional organization are foundational tools for any creative practice. In this course, you will explore studies in line, shape, value, perspective, proportion, positive and negative space and the human figure. Using a wide range of drawing materials and hands-on practice, you will be introduced to drawing as a means of intense visual investigation. �is course is an ideal, supportive learning environment if you are new to the field of drawing, and are looking to gain skills that will be broadly applicable.


DRAWINGVjeko Sager

CEDR 160 SU01

May 24 - Jul 12

Tue 6:30 pm - 9:30 pm


$300

Register by May 19

Janet Jones

CEDR 160 SU02

May 28 - Jul 23

Sat 9:30 am - 12:30 pm


$300

Register by May 23

No class Jul 2

Martin Guderna

CEDR 160 SU03

Jun 7 - Jul 5

Tue + �u 6:30 pm - 9:30 pm


$300

Register by Jun 2

No class Jun 30

Keith Langergraber

CEDR 160 SU04

Jun 19 - Jul 17

Sun 9:30 am - 4:30 pm


$300

Register by Jun 14

No class Jul 3

Frances Grafton

CEDR 160 SU05

Jun 27 - 30

Mon - �u

9:30 am - 4:30 pm


$300

Register by Jun 22

part-time certificate indrawing : . 4

:Some of our courses may include working with a live undraped model.

http://www.connect.ecuad.ca/programs/courses/CEDR

http://www.connect.ecuad.ca/programs/courses/CEDR/160/SU01






PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS�is course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. Regardless of the form you work in, you will improve the impact of your work with an understanding of this powerful drawing technique. You will be guided through step-by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles and the human form.


CREATIVE DRAWING AND ARCHITECTURE�is structured, high-energy course develops your basic to intermediate drawing and sketching skills, specifically related to space and spatial concerns. Exercises and projects focus on applying principles of perspective drawing, sketching concepts, and other composi-tional strategies. A variety of creative freehand techniques will allow you to develop your approach to architectural figurative drawing. Class work includes some drawing from a model.


DRAWING WITH PEN AND INK: BLACK AND WHITETake a classic, black-and-white approach to the expressive medium of pen and ink drawing. �rough exercises and step-by-step tutorials, you will learn to create a range of work, from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour. Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion and visual balance.

Prerequisite(s): Any 100-level drawing course or equivalent

ANATOMICAL DRAWING I�is drawing course focuses on the human figure, its construction, and the relationship between skeleton and muscle in order to enhance the understanding of surface anatomy, locomotion and proportion. �rough observation and visual research, you will be guided through the process of depicting the anatomical structure of the human figure. Class work includes drawing directly from a model.

Prerequisite(s): Any 100-level drawing course or equivalent; experience drawing from a model is recommended

DRAWING TECHNIQUES OF ARTISTS�is course focuses on studying the techniques used by Edgar Degas, Vincent Van Gogh, Käthe Kollwitz, Lucian Freud and others to make drawings using a variety of mediums including graphite pencil, pen and ink, charcoal and soft pastel. Students will be taught the drawing approaches used by these artists, focusing on line, tone and composition and apply these techniques to produce their own unique drawings. �rough drawing from direct observation, students will make their own still life, portrait and landscape drawings. Class work includes drawing directly from the model.

Prerequisite(s): CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent is recommended

Tony O’Regan

CEDR 163 SU01

Jun 12 - Aug 14

Sun 1:30 pm - 4:30 pm


$315

Register by Jun 7


Stan Hunc

CEDR 167 SU01

Jun 11 - Aug 13

Sat 9:30 am - 12:30 pm


$315

Register by Jun 6


Tony O’Regan

CEDR 162 SU01

Jun 12 - Aug 14

Sun 9:30 am - 12:30 pm


$330

Register by Jun 7


Dan Starling

CEDR 220 SU01

Jun 16 - Aug 11

�u 6:30 pm - 9:30 pm


$310

Register by Jun 11

No class Jun 30

Dan Starling

CEDR 230 SU01

Jun 19 - Aug 14

Sun 1:30 pm - 4:30 pm


$300

Register by Jun 14

No class Jul 31







DRAWING THE PORTRAIT�is course provides an in-depth study of the head for portraiture. Using a variety of media, including charcoal, ink, and graphite, you will explore proportion, resemblance, texture, shape and expression. Basic structural analysis of both the human head and figure will be covered. Class work includes drawing directly from a model.


DRAWING THE FIGURE AND FACE�rough drawing from a live model, you will learn basic anatomical proportions that you can apply to future work. You will develop a stronger understanding of the proportion and construction of the head and figure as well as typical standing, walking and seated poses. Using gesture, contour and shading, you will learn to capture the human form and to draw and map facial features, hands and feet. �is course will be of special interest for anyone who needs to draw scale figures for use in design, illustration, animation or any other artistic form.

Prerequisite(s): CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent is recommended

INTRODUCTION TO LIFE DRAWINGDevelop and expand your drawing and observation skills in this course on drawing the human figure. Gesture, line and value, proportion, composition, form and volume will be explored through a variety of approaches. �ere will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and live model will be included.


COGNITIVE DRAWING AND CRITICAL THINKING�is dynamic, high-energy course develops your basic to intermediate drawing skills. Projects will lead students to understand the basic issues of both conscious and unconscious recordings, suspending one’s state of mind and motive. Drawing exercises will be spontaneous, incorporating ‘figure-ground’ concepts and compositional strategies. A variety of creative drawing techniques will assist in developing an approach to an architectural figurative drawing skillset. �e objective of this class is to eliminate all inhibitions to jotting down ideas.


DRAWING TECHNIQUESMove beyond technical deficiencies keeping you from reaching your full potential through this intensive circuit of drawing exercises designed to explore the power of the medium. In this course, you will explore various forms of line drawing, visual interpretation and personal style in a series of challenging projects. Expand your understanding of lines and tones, wet-on-wet pen strokes and splashes, gestures and textures, and experiment with combinations of drawing tools in unconventional black-and-white, mixed media, pencil, charcoal and pen and ink drawing projects.


Vjeko Sager

CEDR 252 SU01

Jun 8 - Jul 27

Wed 6:30 pm - 9:30 pm


$330

Register by Jun 3

Elena Underhill

CEDR 261 SU01

Jul 7 - 28

�u 6:00 pm - 10:00 pm


$245

Register by Jul 2

DRAWING (CONT’D)

Stan Hunc

CEDR 263 SU01

Jun 7 - Jul 26

Tue 6:30 pm - 9:30 pm


$365

Register by Jun 2

Keith Langergraber

CEDR 270 SU01

Jun 20 - Jul 13

Mon + Wed

6:30 pm - 9:30 pm


$285

Register by Jun 15

Stan Hunc

CEDR 271 SU01

Jun 8 - Jul 27

Wed 6:30 pm - 9:30 pm


$315

Register by Jun 3







DRAWING OPEN STUDIO�is self-directed course is intended to provide support for work on your independent projects. You will benefit from individual guidance from the instructor as well as group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal style.

Prerequisite(s): Any 100-level drawing course or equivalent; 200-level drawing experience is strongly recommended

DRAWING: HANDS, FACE AND FEET�is course centers specifically on these three specific areas of the figure through a combination of concentrated drawing sessions and presentations about their anatomical structure and functions. Each class will focus on one of the three parts, with one hour of presentation/discussion followed by guided drawing exercises. Topics include techniques of representation, proportion, composition and specific problems related to the expressive potential of the hands, feet and face.


ADVANCED DRAWING: PEN + INK�is course is designed for students who have solid pen and ink drawing skills and would like to continue to explore this medium. In addition to a series of advanced technique assignments, you will be able to work on your own projects and ideas while receiving robust and relevant feedback.

Prerequisite(s): Intermediate pen and ink skills

Dan Starling

CEDR 363 SU01

Jul 11 - Aug 8

Mon + Wed

6:30 pm - 9:30 pm


$315

Register by Jul 6

No class Aug 1

Stan Hunc

CEDR 367 SU01

May 28 - Jul 9

Sat 1:30 pm - 5:30 pm


$315

Register by May 23

No class Jul 2

Vjeko Sager

CEDR 310 SU01

Aug 4 - 11

�u 6:00 pm - 10:00 pm


$125

Register by Jul 30





THE CONTEMPORARY COMIC: AN INTRODUCTIONIn this course, you will learn the necessary tools to tell great stories in the medium of comics by bringing together storytelling with illustration. Topics include text and image relationships, dialogue and character development, narrative structures, body language, passage of time, flow, perspective, and composition. You will learn to develop your own ideas from concept to final product, and have a draft comic on completion of the course.


Julian Lawrence

CEGN 160 SU01

Jun 7 - Jul 26

Tues 6:30 pm - 9:30 pm


$250

Register by Jun 2

GRAPHIC NOVEL

http://www.connect.ecuad.ca/programs/courses/CEGN

http://www.connect.ecuad.ca/programs/courses/CEGN/160/SU01


Karen Yurkovich

CEIL 110 SU01

Jul 11 - Jul 14

Mon - �u

9:30 am - 2:00 pm


$310

Register by Jul 6

Robin �ompson

CEIL 170 SU01

May 25 - Jul 13

Wed 6:30 pm - 9:30 pm


$310

Register by May 20

Karen Yurkovich

CEIL 200 SU01

Jul 19 - Aug 4

Tue + �u

9:30 am - 2:00 pm


$310

Register by Jul 14

BOTANICAL ILLUSTRATION: THE DRAWING STUDIO�is course will focus on the drawing techniques specific to botanical illustration for scientific accuracy. Class work will lead to the steps necessary to prepare for traditional botanical illustration in watercolour while providing you with the skills to create clear and accurate drawings strong enough to stand on their own. You will be exposed to masterworks of the genre, both past and present. Mediums will include pencil and ink on paper.

Prerequisite(s): Drawing experience is required; painting experience is recommended

INTRODUCTION TO ILLUSTRATIONIllustration is an effective form for linking images to text and communicating ideas, offering commentary, educating and catching the attention of an audience. In this course you will be introduced to illustration and the many roles it can play. Hands-on projects, presentations, discussions and critiques will expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translation of ideas into images.


ILLUSTRATING NATURE�is course introduces you to the principles of creating accurate drawings from nature. Focusing on form and structure, you will observe natural elements including birds, insects and other fauna. �rough close observation, you will learn to translate proportion and depth into two-dimensional representations. Line, tone and value will be explored through work in pen, pencil and ink. Emphasis will be on adherence to detail, literal representation, and measured accuracy towards precise communication through illustration.

Prerequisite(s): CEDR 160 Drawing Fundamentals I: Composition/Process, CEIL 170 Introduction to Illustration, or equivalent

BOTANICAL ILLUSTRATION: THE PAINTING STUDIO�is course picks up where Botanical Illustration: �e Drawing Studio leaves off, exploring botanical Illustration in the tradition of noted botanical painters such as Redoute, Sowerby and the Bauer Brothers. Using detailed watercolour techniques on smooth, hot-pressed paper, you will begin to learn the traditional methods used to create clear, accurate and luminous renderings of botanical subjects.

Prerequisite(s): CEIL 110 Botanical Illustration: �e Drawing Studio, CEIL 901 Basics of Botanical Illustration, or equivalent

Elizabeth Mancini

CEIL 210 SU01

Aug 8 - 11

Mon - �u

9:30 am - 4:00 pm


$310

Register by Aug 3

ILLUSTRATION

http://www.connect.ecuad.ca/programs/courses/CEIL

http://www.connect.ecuad.ca/programs/courses/CEIL/110/SU01





Vjeko Sager

CEIL 215 SU01

Jun 4 - 25

Sat 1:00 pm - 5:00 pm


$290

Register by May 30

Robin �ompson

CEIL 230 SU01

Jun 6 - Jul 25

Mon 6:30 pm - 9:30 pm


$295

Register by Jun 1

ILLUSTRATION ICONOGRAPHYDeepen and broaden your illustration skills and your understanding of cultural context in this course. Learn the iconographies of the field of illustration. Understand how image strategies employ persuasion, promotion, celebration, curiosity and criticism. From ads to culture-jamming, from commemoration to caricature, and from protest to propaganda, you will learn conceptual approaches to problem solving as they apply to professional practices in illustration.


COMMERCIAL ILLUSTRATION�is course explores illustration techniques with a focus on commercial marketing and branding. Learn to apply creative designing and drawing skills to the communication design field, and expand your art or design practice to commercial businesses. Practical exercises in logo design, poster design, narrative storyboards and advertising will be applied. You will learn the tools with which to evaluate your own work from the perspective of the commercial market.


ILLUSTRATION FOR PICTURE BOOKS�is creative and practical course explores illustration for picture books. While being introduced to key classic and contemporary works in this art form, you will be shown how to create an effective illustration and main character, as well as how to develop your own unique style. Topics include: storyboarding and composition exercises, as well as experimenting with ink, pen, brush-work and collage. You will also learn to digitize your illustrations using Photoshop, and how to share them with publishers.


ILLUSTRATION FOR PICTURE BOOKS IIIn this intermediate course, you will develop your own written and illustrated ‘dummy book’, building on concepts such as composition, layout, pacing and character development. Special focus will be placed on the relationship of text and image and the concept of the book as a whole. In-class brainstorming and writing exercises, as well as the analysis of existing works, will help you in writing your own stories. You will have the chance to experiment with paper collage and brush and ink to strengthen composition and color skills in class.

Prerequisite(s): CEIL 240 Illustration for Picture Books or equivalent

BASICS OF BOTANICAL ILLUSTRATION�is workshop prepares beginners with key techniques to build on later, either on their own or through CEIL 210 Botanical Illustration: �e Painting Studio or CEIL 110 Botanical Illustration: �e Drawing Studio. Students will come away with an understanding of the skills required to move forward with more detailed, precise botanical drawings and paintings.

ILLUSTRATION (CONT’D)

Elizabeth Mancini

CEIL 901 SU01

Jun 29

Wed 6:00 pm - 9:00 pm

1 session / 3 total hrs

$65

Register by Jun 24

Lisa Cinar

CEIL 340 SU01

Jun 28 - Aug 16

Tues 6:30 pm - 9:30 pm


$310

Register by Jun 23

Lisa Cinar

CEIL 240 SU01

Jun 6 - Jul 25

Mon 6:30 pm - 9:30 pm


$295

Register by Jun 1







INDUSTRIAL DESIGN

BASICS OF INDUSTRIAL DESIGN�is course introduces you to the fundamentals of industrial design. In it, you will gain an awareness of the design process with an emphasis on design criteria. �is will be followed by formulation of the design brief, development of creative concepts, user testing and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation.


BASICS OF ARCHITECTURAL DESIGN�is studio course introduces you to the design process as it applies to architecture and architectural space. �rough idea generation, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will also work on a site-specific design project individually and in teams.


RAPID VISUALIZATION AND PRODUCT RENDERINGRapid visualization is a systematic and effective way to draw imaginary 3D objects and concepts. Applicable to animation, communication design, industrial design, illustration, architecture, furniture design, and interior design, rapid visualization helps to expand visual thinking, create new ideas, communicate concepts and solve design problems. �is course introduces you to the methods, techniques and media to produce accurately proportioned freehand sketches and basic renderings. Principles of perspective, projection, light, shade, reflection and texture are examined, including demonstrations of approaches and techniques.

Prerequisite(s): Strong drawing skills with an enthusiasm for realism and detail

ARCHITECTURAL MODELING AND MAQUETTES�is studio course introduces you to architectural modeling from drawings. �rough exercises and projects you will learn to read design drawings and build foam core models for architecture, interiors, landscape design or industrial design applications. Emphasis will be on quick building techniques, which are useful in the design process.


part-time certificate in3D design : . 4

Ying-Chiu Chan

CEID 120 SU01

Jun 4 - Jul 16

Sat 1:30 pm - 4:30 pm


$310

Register by May 30

No class Jul 2

Tony O’Regan

CEID 122 SU01

Jun 11 - Aug 13

Sat 9:30 am - 12:30 pm


$330

Register by Jun 6


Ying-Chiu Chan

CEID 160 SU01

Jul 20 - Aug 17

Mon + Wed

6:30 pm - 9:30 pm


$340

Register by Jul 15

No class Aug 1

Tony O’Regan

CEID 223 SU01

Jun 11 - Aug 13

Sat 1:30 pm - 4:30 pm


$340

Register by Jun 6


http://www.connect.ecuad.ca/programs/courses/CEID

http://www.connect.ecuad.ca/programs/courses/CEID/120/SU01





INTRODUCTION TO MODEL MAKINGModels are 3D previews of designs before they go to production. �ey can serve as the proof-of-concept, be subjected to ergonomic testing, or they can be a sales tool. �rough presentations, demonstrations, workshop practice and design projects, you will learn the fundamental techniques to fabricate mock-ups and models using block and sheet materials.

Prerequisite(s): Basic hand-tool skills and reasonable sketching ability

INTRODUCTION TO RHINOLearn how to model, edit and analyze organic 3D surfaces using Rhinoceros, an industry-standard software program. In this two-day intensive workshop, you will acquire hands-on 3D prototyping skills by working from real-life scenarios and problem solving using professional and personal projects as examples. �is course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model or prototype products for manufacturing.


3D DESIGN SKETCHINGSketching is an essential process in 3D design; it documents the flow of ideas and can be used as an effective tool for communication. Explore pencil-sketching techniques commonly used in industrial design, interior design, furniture design, and architectural design.In this course, you will apply design drawing techniques to the visualization of products, environments, forms and space.


URBAN CARTOGRAPHYLearn to critically read and record the underlying geometry, overlapping histories and multiple agendas of the city through mapping, measuring and sketching. Using architectural and cartographic tools and techniques, you will examine the metrics behind what makes neighbourhoods different, how we move through the city and how the built environment has taken shape. �is beginner course introduces urban inhabitants to ways of reading and understanding the city. Students may include those with an interest in Vancouver history or urban change or students looking to build an architecture or design portfolio. �e final outcome of the course will be a critical and technically drafted cartographic drawing.


3D RENDERING FOR DESIGN PRESENTATIONFor industrial designers, interior designers, jewelry makers, architects and anyone who needs to visualize products or objects for presentation, this course provides hands-on 3D prototyping skills using Autodesk 3DS MAX. You will learn how to model, render and animate photorealistic simulation (including fly-through) using this powerful software. You will work on a project of your choosing and have the opportunity to import existing models from Rhino, AutoCAD, SolidWorks, Maya and other programs.


INDUSTRIAL DESIGN (CONT’D)

Ying-Chiu Chan

CEID 224 SU01

Jun 23 - Aug 18

�u 6:30 pm – 9:30 pm


$450

Register by Jun 18

No class June 30

Ying-Chiu Chan

CEID 260 SU01

Jun 6 - Jul 18

Mon 6:30 pm - 10:00 pm


$290

Register by Jun 1

Last class (Jul 18) 6:30 pm

- 9:30 pm

�omas Groppi

CEID 235 SU01

Jun 4 - 5

Sat + Sun

10:00 am - 4:30 pm


$205

Register by May 30

Laura Kozak

CEID 350 SU01

May 30 - Jun 22

Mon + Wed

6:30 pm - 9:30 pm


$265

Register by May 25

Chris Kowal

CEID 363 SU01

Jun 29 - Aug 17

Wed 6:30 pm - 9:30 pm


$345

Register by Jun 24







PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS�is course is an introduction to core principles in painting. Various painting techniques are introduced as you explore basic composition, line, contrast, colour, texture, and the use of tools and materials. Formal elements of composition are explored as you experiment with a variety of techniques and approaches. �rough hands-on exercises, you will explore techniques and methods artists have used through the ages.


FUNDAMENTALS OF ACRYLIC PAINTING�is course provides a step-by-step introduction to painting with acrylics. You will gain an understanding of colour, space and composition while being introduced to technical and conceptual concerns. �inning, thickening and texturing techniques and their applications will be explored.


Martin Guderna

CEPN 160 SU01

Jun 1 - Jul 20

Wed 6:30 pm - 9:30 pm


$365

Register by May 27

Martin Guderna

CEPN 160 SU02

Aug 2 - 5

Tue - Fri 9:00 am - 4:00 pm


$365

Register by Jul 28

Lori Goldberg

CEPN 161 SU01

Jun 6 - 29

Mon + Wed

6:30 pm - 9:30 pm


$325

Register by Jun 1

Lori Goldberg

CEPN 161 SU02

Jun 13 - 16

Mon - �u

9:00 am - 4:00 pm


$325

Register by Jun 8

TBD

CEPN 162 SU01

Jun 11 - Aug 13

Sat 1:30 pm - 4:30 pm


$325

Register by Jun 6


Elena Underhill

CEPN 163 SU01

Jul 11 - 15

Mon - Fri 9:00 am - 4:00 pm


$325

Register by Jul 6

No class Jul 13

Elizabeth Barnes

CEPN 164 SU01

Jun 19 - Jul 10

Sun 9:00 am - 1:00 pm


$290

Register by Jun 14

FUNDAMENTALS OF OIL PAINTINGExperience the beauty and texture of oil painting. Explore the tools, skills, terminology and imagery of this luminous medium through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition and texture are examined.


FUNDAMENTALS OF WATERCOLOUR�is course introduces you to the essential techniques of painting with watercolour. �rough projects and discussion, you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective and understanding the relation of values to colour will be introduced.


USING COLOUR�e use of colour is one of the most important considerations you will make in your practice. �is introductory course is ideal for anyone who wants to understand the principles of colour theory and effectively apply those principles to their body of work. You will investigate the creative use of colour in a variety of mediums and explore its use in developing observational and painting skills as well as creating compositional structure.


PAINTING

:Some of our courses may include working with a live undraped model.

http://www.connect.ecuad.ca/programs/courses/CEPN

http://www.connect.ecuad.ca/programs/courses/CEPN/160/SU01








THE BUILT SURFACE: PAINT AND COLLAGEExplore non-traditional art materials and ways of working in this introductory course on paint and the built surface. Projects introduce you to image-transfer techniques, collage, spackle and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining and separation effects. �emes, symbols and concepts related to the object or the place it was found will be developed through discussion and critiques.


MIXED MEDIA PAINTING TECHNIQUESFor both beginner and experienced painters, this course introduces the process of image-making on a variety of surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal and various papers, you will explore expression and emotion through layering, drawing and brushwork.


Jeanne Krabbendam

CEPN 165 SU01

Jun 1 - 4

Wed - Sat

9:00 am - 4:00 pm


$330

Register by May 27

Ian Forbes

CEPN 169 SU01

Jun 11 - Aug 13

Sat 9:30 am - 12:30 pm


$300

Register by Jun 6


Ian Forbes

CEPN 169 SU01

Jun 11 - Aug 13

Sat 9:30 am - 12:30 pm


$300

Register by Jun 6


Lori Goldberg

CEPN 260 SU01

Jul 25 - 28

Mon - �u

9:00 am - 4:00 pm


$310

Register by Jul 20

PAINTING FUNDAMENTALS IIIn this intermediate course, you will expand your exploration of painting techniques, tools, materials and their applications. You will become more sophisticated in your ability to convey messages, ideas, emotions and issues. While traditional techniques and systems will be explored, the emphasis will be on contemporary painting strategies.

Prerequisite(s): CEPN 160 Painting Fundamentals I: Composition/Process, CEPN 161 Fundamentals of Acrylic Painting, CEPN 164 Using Colour, or equivalent

part-time certificate inpainting : . 4

PAINTING (CONT’D)





ACRYLIC PAINTING II�is intermediate course is designed to further your exploration of acrylic painting as an expressive medium. You will explore and experiment with materials and a variety of conceptual and technical approaches to painting with acrylics. Emphasis will be on your individual development and on enhancing your technical skills and personal expression. �e course will move fluidly between traditional applications, and abstract and expressive ones.

Prerequisite(s): CEPN 161 Fundamentals of Acrylic Painting or equivalent

USING COLOUR II�is intermediate course allows you to further expand your understanding of colour by exploring intense and diminished colour as well as discords and spatial effects. Focus will be on supporting you to develop a personal colour palette, as well as practical skills and imaginative approaches to colour in your personal work.

Prerequisite(s): CEPN 164 Using Colour or equivalent

Karen Yurkovich

CEPN 271 SU01

Jun 22 - Aug 10

Wed 6:30 pm - 9:30 pm


$325

Register by Jun 17

Andrea Taylor

CEPN 352 SU01

Jun 6 - Jul 11

Mon 6:00 pm - 10:00 pm


$305

Register by Jun 1

PAINTING TECHNIQUESMove beyond technical deficiencies keeping you from reaching your full painting potential as you work through this intensive circuit of exercises designed to explore the full muscle power of your brush and palette. Great for the beginner just starting out, as well as for advanced artists wanting to refine skills and gain greater confidence in paint application. Course work will be done using acrylic paints.

Prerequisite(s): Any 100-level painting course or equivalent

PAINTING THE PORTRAITLearn to draw and paint a portrait while working from a live model. As you gain an understanding of the proportions and forms of the human head and skull, you will learn to analyse and depict facial features and to mix a range of warm and cool skin colours. Use of materials, mediums, brushes, finishes and approaches will also be discussed. Contemporary and historical portraiture will be referenced and demonstrations and feedback will be provided throughout the course.

Prerequisite(s): Any 100-level painting course or equivalent. Experience in drawing or painting the face is recommended

PAINTING OPEN STUDIO�is self-directed course is intended to provide support for work on your independent projects. You will benefit from individual guidance from the instructor as well as group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal style.

Prerequisite(s): Any 100-level painting course or equivalent is required; 200-level painting experience is strongly recommended

Elizabeth Barnes

CEPN 360 SU01

Jun 14 - Jul 5

Tue + Fri 1:00 pm - 5:00 pm


$305

Register by Jun 9

No class Jul 1

Lori Goldberg

CEPN 261 SU01

Aug 8 - 10

Mon - Wed

9:00 am - 1:00 pm


$260

Register by Aug 3

Elizabeth Barnes

CEPN 264 SU01

Jul 12 - 15

Tue - Fri 9:00 am - 1:00 pm


$260

Register by Jul 7







Jeanne Krabbendam

CEPN 365 SU01

Jun 5 - 8

Sun - Wed

9:00 am - 4:00 pm


$340

Register by May 31

Elena Underhill

CEPN 372 SU01

Jul 18 - 22

Mon - Fri

10:00 am - 2:30 pm


$290

Register by Jul 13

No class Jul 20

Lori Goldberg

CEPN 902 SU01

Aug 10

Wed 6:00 pm - 9:00 pm


$65

Register by Aug 5

PAINTING (CONT’D)

LANDSCAPE AND NATURAL ELEMENTS EN PLEIN AIR�is intensive, exercise-structured course introduces students to the element of painting en plein air, or working out-of-doors and in nature. With a focus on approaches to painting natural elements, creating landscapes and narrative paintings, this course allows you to test your skills in a different environment and challenge yourself by painting living subjects.

Prerequisite(s): CEPN 271 Painting Techniques or equivalent

PAINTING SURFACES: THICK, TEXTURED, GLOSSY AND TRANSPARENT�is workshop will look at ways to achieve dynamic multi-layered affects using different applications of acrylic mediums, gesso and paint. �rough hands-on exploration, students will gather knowledge about the different types of mediums that can be used with acrylic paint.

OPEN STUDIO LAYERING TECHNIQUES�is open studio course will allow you to create your own work in mixed media layering techniques while being supported and coached by a mixed media art instructor. Students will further develop their painting and layering techniques as well as receive the opportunity to use new and different materials and tools. �rough discussion, critiques and individual guidance, you will be challenged to develop your style and grow in your art practice, to prepare for an exhibit or art school application.

Prerequisite(s): CEPN 165 �e Built Surface: Paint and Collage and CEPN 265 Exploring the Built Surface: Gels + Wax or equivalent experience in mixed media painting





BLACK AND WHITE FILM PHOTOGRAPHY I + II�is course is for students seeking a robust introduction to the manual operation of a 35mm camera and black-and-white darkroom techniques. Topics include: principles of exposure, use of natural light in photographic imagery, film processing, enlargement techniques and the machine processing of prints. You will be encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests. More importantly, you will have the opportunity to work in the university’s photography studios under the guidance of expert instructors. You must supply your own 35mm camera.


Diane Evans

CEPH 148 SU01

Jul 10 - Aug 14

Sun 10:00 am - 5:30 pm


$425

Register by Jul 5

No class Jul 31. Last class

(Aug 14) 9:00am - 5:30pm

Kathryn Mussallem

CEPH 235 SU01

Jul 20 - Aug 8

Mon + Wed

6:30 pm - 9:30 pm


$300

Register by Jul 15

No class Aug 1, last class

(Aug 8) 6:00pm - 10:00pm

TWILIGHT TO NIGHT PHOTOGRAPHYTwilight provides an exciting opportunity to observe the changing conditions of light and weather, and to play with its possibilities in the medium of photography. In this course, you explore this transitional moment of the day where dramatic narrative, colour saturation and mystery seem heightened. Field trips will take you out of the classroom to explore the city shrouded in the light of the magic hour moving into the theatre of the night. Note: this course does not involve printing.

Prerequisite(s): CEPH 148 Black and White Film Photography, CEPH 250 Introduction to Digital Photography, or equivalent

:Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access due to the chemicals involved.

PHOTOGRAPHY

part-time certificate inphotography

: . 4

http://www.connect.ecuad.ca/programs/courses/CEPH

http://www.connect.ecuad.ca/programs/courses/CEPH/148/SU01



Josh Hite

CEPH 250 SU01

Jun 28 - Aug 2

Tue 6:00 pm - 10:00 pm


$315

Register by Jun 23

Kathryn Mussallem

CEPH 340 SU01

Aug 2 - 5

Tue - Fri 10:00 am - 2:00 pm


$240

Register by Jul 28

INTRODUCTION TO DIGITAL PHOTOGRAPHY�is course is designed for those beginning to explore photography using a digital camera or for those wanting to add digital techniques to their current photographic practice. While focusing on the specific nature of digital photography, you will also be exposed to larger considerations of composition, lighting and framing. Additionally, you will learn basic image editing and printing techniques. �e course is organized around a series of projects, but also offers you the opportunity to work on your independent projects.

Prerequisite(s): Experience using a Mac computer; students must bring their own digital camera

CONTEMPORARY PORTRAITURE�e ability to create a compelling portrait is an important skill for any photographer. �is practical and theoretical introduction to photographic portraiture is an opportunity for any student wanting to expand their photographic portrait style and techniques. Exploring the history and evolution of photographic portraiture and the practical techniques used for producing a contemporary portrait, this course will include the use of natural and studio lighting and working with live models, as well as photographing your own subjects. �is course is for both analog and digital photographers. �is course does not include darkroom access.

Prerequisite(s): Foundation in photographic principles and practical knowledge of your own camera

THE CONSTRUCTED IMAGEA constructed image is a photo-based image that has been altered through the use of digital manipulation, drawing, painting or collage to create a specific visual experience. In this course, you will investigate classic themes from art history and reinterpret them through the combination of analog and digital processes. You will learn advanced Photoshop tools and techniques that you can apply to making work that is cleverly constructed and conceptually compelling. Note: �is course is Mac lab-based and does not involve darkroom techniques.

Prerequisite(s): Basic Photoshop experience

BASIC LIGHTING I�is course explores the aesthetic, narrative and creative possibilities of photographic lighting. You will be encouraged to expand the conceptual boundaries of your work through experimenting with studio lighting and flash. A variety of techniques and exercises will include studio workshops and independent projects, alongside lectures and discussions. You will be exposed to contemporary and historical practices that further experiment with lighting in photography. �is course provides a solid foundation in technical skills while introducing you to the creative potential of photographic lighting.

Prerequisite(s): CEPH 250 Introduction to Digital Photography or equivalent

Kathryn Mussallem

CEPH 248 SU01

Aug 15 - 18

Mon - �u

9:30 am - 4:30 pm


$315

Register by Aug 10

Kathryn Mussallem

CEPH 246 SU01

Jun 7 - 23

Tue + �u

6:00 pm - 10:00 pm


$315

Register by Jun 2

PHOTOGRAPHY (CONT’D)






COLOUR PRINTING FROM NEGATIVE FILMMany photographers prefer printing from color negative film because of its flexibility, simplicity and the superb reproduction of both subtle and brilliant colours. �is intermediate course introduces photographers who have experience with correct film exposure and black-and-white darkroom techniques to the color printing process. Students will learn how to color balance their printed photographs and to better understand how to shoot and exposure colour film. As the focus of this course is on printing, the majority of time will be spent in the darkroom.

Prerequisite(s): CEPH 148 Black and White Film Photography I + II or equivalent

INTERMEDIATE DIGITAL PHOTOGRAPHYBuilding on CEPH 250 Introduction to Digital Photography, you will apply your technical skills towards creating contemporary artistic projects and developing your understanding of contemporary photographic practices and methods of display. Topics will include seriality, multiples, and moving images. You will critique the work of established artists as well as the work created in class. Students are required to bring their own digital camera, USB cable and external drive.

Prerequisite(s): CEPH 250 Introduction to Digital Photography or equivalent

BASICS OF STUDIO LIGHTING�is workshop explores lighting techniques for still-life and portrait situations using studio strobe lights. Students will learn the safe and effective use of strobes in a studio environment, and touch on the narrative, conceptual and aesthetic possibilities of using light in a controlled environment.

Diane Evans

CEPH 341 SU01

Jul 4 - 28

Mon + �u

6:30 pm - 9:30 pm


$350

Register by Jun 29

Kathryn Mussallem

CEPH 901 SU01

Jun 22

Wed 6:00 pm - 9:00 pm


$65

Register by Jun 17

Kathryn Mussallem

CEPH 350 SU01

Jul 19 - Aug 16

Tue + �u

6:30 pm - 9:30 pm


$300

Register by Jul 14

No class Aug 11





LETTERPRESS ICome and learn to hand set metal and wood type, mix ink, use letterpress printing presses, determine paper grain, pull proofs, print and distribute type. You can print cards or broadsides, short poems or other short text of your choice using the selection of wood and metal type and ornaments available in our letterpress room. �is course focuses on the traditional methods of typesetting and also includes an opportunity to try linocut printmaking and hot foil stamping. Our rich printing history comes to life as you discover the origins of design methods and language we all use in the digital world today.


INTRODUCTION TO RELIEF PRINTMAKINGExplore ways of creating striking images with this simple yet powerful print medium process. In this foundational course, you will be introduced to relief and woodblock printmaking using linoleum, wood and collograph techniques. You will explore printing by hand and press while working with up to three colours. You will also create your own linoleum and wood blocks to continue printing at home.


Andrea Taylor

CEPR 112 SU01

Jun 4 - 25

Sat 10:00 am - 5:00 pm


$395

Register by May 30

Andrea Taylor

CEPR 112 SU02

Jul 17 - Aug 14

Sun 10:00 am - 5:00 pm


$395

Register by Jul 12

No class Jul 31

Madeleine Sauvé

CEPR 160 SU01

Jun 4 - 25

Sat 10:00 am - 4:30 pm


$250

Register by May 30

PRINT MEDIA

http://www.connect.ecuad.ca/programs/courses/CEPR

http://www.connect.ecuad.ca/programs/courses/CEPR/160/SU01




Vanessa Hall-Patch

CEPR 162 SU01

Jun 6 - 9

Mon - �u

9:00 am - 3:30 pm


$310

Register by Jun 1

Aimée Brown

CEPR 170 SU01

May 31 - Jul 19

Tue 6:30 pm - 9:30 pm


$370

Register by May 26

Eleanor Hannan

CEPR 264 SU01

Jun 4 - Jul 16

Sat 1:00 pm - 5:00 pm


$420

Register by May 30

No class Jul 2

Vanessa Hall-Patch

CEPR 280 SU01

Jun 20 - 23

Mon - �u

9:00 am - 3:30 pm


$310

Register by Jun 15

Andrea Taylor

CEPR 901 SU01

Jul 10

Sun 10:00 am - 4:30 pm


$130

Register by Jul 5

Claire Schagerl

CEPR 905 SU01

Aug 14

Sun 10:00 am - 4:30 pm


$130

Register by Aug 9

INTRODUCTION TO SCREEN PRINTINGScreen-printing techniques provide artists with a simple method of applying their images and ideas to a wide variety of materials and surfaces. Expand your image-making options by learning the basics of screen-printing to print your hand-drawn and photographic images onto paper and alternative surfaces. Lessons in concept development, screen and surface preparation, registration and preservation culminate in learning howto establish a studio practice for continued art production and explorations.


BASICS OF BOOK MAKING�is course introduces you to a variety of book structures you can make by hand. From folded books to zines and hardcovers, you will learn to create unbound book structures. �is hands-on class will also look at incorporating mixed media techniques and two- and three-dimensionality as well as type applications and image transfer techniques.


TEXTILE PRINTING IITextile printing is the application of colour in definite patterns or designs to fabrics. �is course is a continuation of Textile Printing I and is designed to take students further into establishing a home practice set-up for fabric painting. Students will explore new concepts and creative approaches while refining their technical skills and expanding their knowledge of dyes, pigments and fabrics.

Prerequisite(s): CEPR 164 Textile Printing I or equivalent

ADVANCED SCREEN PRINTINGStudents who have completed Introduction to Screen Printing or who have previous screen-printing experience can expand their knowledge and technique in this advanced course. Focusing on technical skills and image development, this course will help students specialize in screen printing. Learn techniques in digital editing to prepare an image for transparency output and print multi-colour editions using the pin registration technique. You will also create half-tone colour separations and convert your photographic images into full-colour screen prints with the CMYK printing process.

Prerequisite(s): CEPR 162 Introduction to Screen Printing or equivalent

WATERCOLOUR MONOTYPE PRINTSPainterly printmaking without a press is possible with some forms of monotype printmaking. Explore the possibilities of the lift print, and water-based ink monotypes. Also discover methods of incorporating monotypes into your paintings.

RECYCLED PAPERMAKINGLearn how to create recycled paper in this lively, hands-on chemical-free workshop. You’ll learn the basics from making recycled paper pulp to using a mould and deckle, and then get creative by embedding flowers and seeds, laminating layers of colours, and incorporating designs into your sheets.








THE BUSINESS OF ART PRACTICE�is practical course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. �is course focuses on the business of art practice: record keeping; seeking representation and exhibition; pricing; marketing; publicity and legal considerations. You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of finding financial support, studio space, equipment and other professional resources.


THE BUSINESS OF DESIGN PRACTICEHow you present yourself to the public can make or break your design practice. �rough lecture and discussion, this practical course will introduce strategies and techniques for the profitable marketing of your creative design services. Determining who your clients are, identifying your distinctive qualities as a creative professional, crafting your communications to connect effectively with your potential clients, discovering professional resources, developing a marketing plan and making a winning presentation will be covered. �is course is ideal for those involved in design practice or for students just discovering design.


Aimée Brown

CEPD 190 SU01

Jun 16 - Aug 11

�u 6:30 pm - 9:30 pm


$260

Register by Jun 11

No class Jun 30

Paul Swanson

CEPD 210 SU01

Jun 7 - Jul 26

Tue 6:30 pm - 9:30 pm


$260

Register by Jun 2

PROFESSIONALISING YOUR PRACTICE

KADENZE

ONLINE COURSE:

Project Management for Designers�is non-credit course guides students through the business side of design, including how to get organized and stay on track with timeline projections, cost estimates and workflow charts. From working in a small or mid-size design studio to more independent roles, students will learn the strategies behind administrative processes that support their design practices and help to ensure their success and profitability. Learn how to make a business run cleanly and efficiently, how to manage yourself and your workflow, and how to keep client relationships productive and clear.

Register online: kadenze.com

https://www.kadenze.com/courses/project-management-for-designers/info

http://www.connect.ecuad.ca/programs/courses/CEPD

http://www.connect.ecuad.ca/programs/courses/CEPD/190/SU01

http://www.connect.ecuad.ca/programs/courses/CEPD/210/SU01


SMALL-SCALE MODELINGExplore the fundamental techniques of modeling in this hands-on studio course. Using Plastalina and clay, you will be introduced to the additive process of modeling, where the basic shape is blocked out and the surface form is built up gradually over the entire sculpture. �rough demonstrations, exercises and projects, you will learn how to create small-scale sculpture and relief sculpture using the basic sculptural elements of mass, space, plane, line, scale, movement and texture. Techniques and skills learned will appeal to animators, sculptors, potters, product designers and many others.


Vicki Israel

CESC 179 SU01

Jun 11 - Aug 13

Sat 1:30 pm - 4:30 pm


$265

Register by Jun 6


SCULPTURE + INSTALLATION

http://www.connect.ecuad.ca/programs/courses/CESC/179/SU01


INTRODUCTION TO METAL SCULPTURE�is hands-on course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. After you evaluate and refine these concepts and technology, you will use them effectively to create a modestly-sized metal sculpture. Topics include techniques for material cutting, shaping and joining, general shop and equipment safety, work flow and material characteristics. Hand tools, stationary equipment and MIG/oxyacetylene welding are also examined. Note: All consumables (gasses, welding/brazing rod, and fabrication materials) will be supplied for in-class assignments. All projects must be vetted and approved by the instructor.

Prerequisite(s): Prior art-making experience is required, experience in three-dimensional art is recommended

INTRODUCTION TO METAL CASTING: THE MOLD�is intensive, hands-on course explores initial workflows in the lead-up to metal casting. You will design, model, mold and cast in wax a moderately sized object in preparation for metal casting. �is course explores many of the fundamental creative, material and technical processes needed in the creation of successful wax objects for metal casting.

Prerequisite(s): �is course is labour-intensive; students must be physically capable and must be able to lift 15 kg

METAL CASTING: THE POUR�is intensive, hands-on course explores the dynamics of the foundry process, from the wax object to the finished bronze. An extension of Introduction to Metal Casting: the Mold, this course is centered around Emily Carr University’s induction furnace. You will explore ways of correctly preparing a moderately sized mold, its investment, casting, clean up and patination. Note: Bronze costs for the production of individual projects are not included in the tuition and will be dependent on the size and weight of the finished cast.

Prerequisite(s): CESC 190 Introduction to Metal Casting: the Mold, or permission from the Continuing Studies office. �is course is labour-intensive; students must be physically capable and must be able to lift 15 kg

MIG WELDING FOR BEGINNERS: AN INTRODUCTIONAn intensive, hands-on introduction to MIG welding mild steel. �e workshop will cover the history and development of the process as well as the practical hands-on process and welding technique. Health and safety and personal protective equipment will also be covered.

Ian Rhodes + Philip Robbins

CESC 200 SU01

Jul 26 - Aug 4

Tue + �u

6:00 pm - 10:00 pm


$280

Register by Jul 21

Ian Rhodes

CESC 901 SU01

Jul 13

Wed 6:00 pm - 9:00 pm


$65

Register by Jul 8

SCULPTURE + INSTALLATION (CONT’D)

Ian Rhodes

CESC 180 SU01

Jul 16 - Aug 14

Sat + Sun 1:00 pm - 5:00 pm


$455

Register by Jul 11


Ian Rhodes + Philip Robbins

CESC 190 SU01

Jun 28 - Jul 21

Tue + �u

6:30 pm - 9:30 pm


$420

Register by Jun 23

part-time certificate in

sculpture : . 4






LEATHER WORKING BASICSMake a simple leather wallet in this hands-on workshop. �rough discussion andhands-on components, students will be introduced to types of leather, traditional tooling equipment, hand construction methods, pattern making and various finishing techniques. Tuition is inclusive of the cost of supplies.

INTRO TO NEEDLE FELTINGLearn how to create needle felted objects in this hands-on workshop. Using existing fabric, participants will learn to needle felt 3D sculptural forms and small flat items. Students will leave with an understanding of the marvelous versatility of needle felting and at least one small completed project to take home.

NATURAL PLANT DYEING�is workshop will introduce you to the basics of natural dyeing for cloth. Simple techniques will be shown in order to pull color from nature, using plant species native to BC as well as more exotic plant material. Students will learn how to modify shades and gain a full spectrum of colors from each plant. Each student will take home a length of cotton dyed with the shades they produce.

PATTERN MAKING FOR CLOTHING AND SOFT PRODUCT REPLICATIONLearn to copy your favourite ready-made garment or soft product in this hands-on workshop! Participants will learn techniques for drafting paper patterns and templates, as well as ways to manipulate the patterns to modify designs. Participants should have some previous sewing or pattern making experience before taking this workshop.

TEXTILES + TEXT: LETTERS, WORDS AND STORIES IN SURFACE DESIGN�is workshop explores techniques for using text in fibre and textile projects. Learn about the ways type design impacts and informs visual language and develop a variety of techniques for applying typography to your work, including: various stitching methods, stencils, drawing and painting, printmaking, and collage.

Heather Martin

CETA 903 SU01

Jul 27

Wed 6:00 pm - 9:00 pm


$85

Register by Jul 22

Jen Hiebert

CETA 905 SU01

Jun 19

Sun 10:00 am - 4:30 pm


$130

Register by Jun 14

Heather Martin

CETA 907 SU01

Jul 24

Sun 10:00 am - 4:30 pm


$130

Register by Jul 19

Zed Payne

CETA 904 SU01

Jun 5

Sun 10:00 am - 4:30 pm


$130

Register by May 31

Linda Coe

CETA 908 SU01

Jul 20

Wed 6:00 pm - 9:00 pm


$65

Register by Jul 15

TEXTILE ARTS

http://www.connect.ecuad.ca/programs/courses/CETA

http://www.connect.ecuad.ca/programs/courses/CETA/903/SU01






COMMUNICATION DESIGN – PAGE 6CECD 110 SU01 BASICS OF COMMUNICATION DESIGN JUN 4 - JUL 16 S 1:30 PM - 4:30 PM COE $290 CECD 110 SU02 BASICS OF COMMUNICATION DESIGN JUN 20 - JUN 23 M - TH 10:00 AM - 3:00 PM BIRD $290 CECD 112 SU01 THE ART OF FONTS JUN 1 - JUN 22 W 6:30 PM - 9:30 PM COE $240 CECD 280 SU01 DESIGN: IDEATION AND CRITICAL THINKING JUN 6 - JUN 29 M + W 6:30 PM - 9:30 PM SAGER $300

CORE SKILLS – PAGE 7CEFA 160 SU01 BASICS OF COMPOSITION AND FORM JUN 20 - JUN 23 M - TH 9:30 AM - 4:30 PM GRAFTON $340 CEFA 160 SU02 BASICS OF COMPOSITION AND FORM JUN 28 - AUG 16 T 6:30 PM - 9:30 PM TAYLOR $340 CEFA 170 SU01 MATERIALS AND MEDIA IN FINE ART PRACTICE JUN 13 - JUN 16 M - TH 9:00 AM - 1:00 PM KAZMER $265 CEFA 170 SU02 MATERIALS AND MEDIA IN FINE ART PRACTICE JUL 28 - AUG 18 TH 6:00 PM - 10:00 PM FORBES $265

CULTURAL STUDIES – PAGE 8CESE 110 SU01 ISSUES IN CONTEMPORARY DESIGN MAY 29 - JUL 24 SU 1:30 PM - 4:30 PM HODGKINSON $330 CESE 160 SU01 ISSUES IN CONTEMPORARY ART MAY 28 - JUL 23 S 10:30 AM - 1:30 PM KUBICEK $295 CESE 176 SU01 WALKING TOURS AUG 6 - 27 S 10:00 AM - 3:00 PM ALSTON-O’CONNOR $225 CESE 180 SU01 A SURVEY AND HISTORY OF ART MAY 25 - JUL 13 W 6:30 PM - 9:30 PM GILL $295

DIGITAL SKILLS, MEDIA AND TECHNOLOGIES – PAGE 9CEAN 152 SU01 INTRODUCTION TO MAYA MAY 14 - MAY 15 S + SU 10:00 AM - 4:30 PM GROPPI $205 CECS 130 SU01 ADOBE ILLUSTRATOR: THE BASICS JUN 6 - JUL 25 M 6:30 PM - 9:30 PM CLAY $415 CECS 131 SU01 PHOTOSHOP: THE BASICS JUN 11 - AUG 13 S 9:30 AM - 12:30 PM CLAY $445 CECS 133 SU01 INDESIGN: THE BASICS JUN 28 - AUG 16 T 6:30 PM - 9:30 PM COGGINS $415 CECS 136 SU01 THE ADOBE SUITE FOR DESIGN AND PRODUCTION JUN 16 - AUG 11 TH 6:00 PM - 10:00 PM HIEBERT $520 CECS 152 SU01 ANIMATION WITH PHOTOSHOP AUG 15 - AUG 18 M - TH 10:00 AM - 3:00 PM CLAY $370 CEDA 232 SU01 INTRODUCTION TO WEB DESIGN JUN 4 - JUN 25 S 9:00 AM - 4:00 PM RYANT $405 CEDA 332 SU01 ADVANCED WEB DESIGN JUN 14 - JUL 12 T + TH 6:30 PM - 9:30 PM RYANT $415

DRAWING – PAGE 12CEDR 160 SU01 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS MAY 24 - JUL 12 T 6:30 PM - 9:30 PM SAGER $300 CEDR 160 SU02 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS MAY 28 - JUL 23 S 9:30 AM - 12:30 PM JONES $300 CEDR 160 SU03 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JUN 7 - JUL 5 T + TH 6:30 PM - 9:30 PM GUDERNA $300 CEDR 160 SU04 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JUN 19 - JUL 17 SU 9:30 AM - 4:30 PM LANGERGRABER $300 CEDR 160 SU05 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JUN 27 - JUN 30 M - TH 9:30 AM - 4:30 PM GRAFTON $300 CEDR 162 SU01 PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS JUN 12 - AUG 14 SU 9:30 AM - 12:30 PM O’REGAN $330 CEDR 163 SU01 CREATIVE DRAWING AND ARCHITECTURE JUN 12 - AUG 14 SU 1:30 PM - 4:30 PM O’REGAN $315 CEDR 167 SU01 DRAWING WITH PEN AND INK: BLACK AND WHITE JUN 11 - AUG 13 S 9:30 AM - 12:30 PM HUNC $315 CEDR 220 SU01 ANATOMICAL DRAWING I JUN 16 - AUG 11 TH 6:30 PM - 9:30 PM STARLING $310 CEDR 230 SU01 DRAWING TECHNIQUES OF ARTISTS JUN 19 - AUG 14 SU 1:30 PM - 4:30 PM STARLING $300 CEDR 252 SU01 DRAWING THE PORTRAIT JUN 8 - JUL 27 W 6:30 PM - 9:30 PM SAGER $330 CEDR 261 SU01 DRAWING THE FIGURE AND FACE JUL 7 - JUL 28 TH 6:00 PM - 10:00 PM UNDERHILL $245 CEDR 263 SU01 INTRODUCTION TO LIFE DRAWING JUN 7 - JUL 26 T 6:30 PM - 9:30 PM HUNC $365 CEDR 270 SU01 COGNITIVE DRAWING AND CRITICAL THINKING JUN 20 - JUL 13 M + W 6:30 PM - 9:30 PM LANGERGRABER $285 CEDR 271 SU01 DRAWING TECHNIQUES JUN 8 - JUL 27 W 6:30 PM - 9:30 PM HUNC $315 CEDR 310 SU01 DRAWING OPEN STUDIO AUG 4 - AUG 11 TH 6:00 PM - 10:00 PM SAGER $125 CEDR 363 SU01 DRAWING: HANDS, FACE AND FEET JUL 11 - AUG 8 M + W 6:30 PM - 9:30 PM STARLING $315 CEDR 367 SU01 ADVANCED DRAWING: PEN + INK MAY 28 - JUL 9 S 1:30 PM - 5:30 PM HUNC $315

GRAPHIC NOVEL – PAGE 16CEGN 160 SU01 THE CONTEMPORARY COMIC: AN INTRODUCTION JUN 7 - JUL 26 T 6:30 PM - 9:30 PM LAWRENCE $250

ILLUSTRATION – PAGE 17CEIL 110 SU01 BOTANICAL ILLUSTRATION: THE DRAWING STUDIO JUL 11 - JUL 14 M - TH 9:30 AM - 2:00 PM YURKOVICH $310 CEIL 170 SU01 INTRODUCTION TO ILLUSTRATION MAY 25 - JUL 13 W 6:30 PM - 9:30 PM THOMPSON $310 CEIL 200 SU01 ILLUSTRATING NATURE JUL 19 - AUG 4 T + TH 9:30 AM - 2:00 PM YURKOVICH $310 CEIL 210 SU01 BOTANICAL ILLUSTRATION: THE PAINTING STUDIO AUG 8 - AUG 11 M - TH 9:30 AM - 4:00 PM MANCINI $310 CEIL 215 SU01 ILLUSTRATION ICONOGRAPHY JUN 4 - JUN 25 S 1:00 PM - 5:00 PM SAGER $290 CEIL 230 SU01 COMMERCIAL ILLUSTRATION JUN 6 - JUL 25 M 6:30 PM - 9:30 PM THOMPSON $295

COURSES + WORKSHOPS


ILLUSTRATION (CONT’D)CEIL 240 SU01 ILLUSTRATION FOR PICTURE BOOKS JUN 6 - JUL 25 M 6:30 PM - 9:30 PM CINAR $295 CEIL 340 SU01 ILLUSTRATION FOR PICTURE BOOKS II JUN 28 - AUG 16 T 6:30 PM - 9:30 PM CINAR $310 CEIL 901 SU01 BASICS OF BOTANICAL ILLUSTRATION JUN 29 W 6:00 PM - 9:00 PM MANCINI $65

INDUSTRIAL DESIGN – PAGE 19CEID 120 SU01 BASICS OF INDUSTRIAL DESIGN JUN 4 - JUL 16 S 1:30 PM - 4:30 PM CHAN $310 CEID 122 SU01 BASICS OF ARCHITECTURAL DESIGN JUN 11 - AUG 13 S 9:30 AM - 12:30 PM O’REGAN $330 CEID 160 SU01 RAPID VISUALIZATION AND PRODUCT RENDERING JUL 20 - AUG 17 M + W 6:30 PM - 9:30 PM CHAN $340 CEID 223 SU01 ARCHITECTURAL MODELING AND MAQUETTES JUN 11 - AUG 13 S 1:30 PM - 4:30 PM O’REGAN $340 CEID 224 SU01 INTRODUCTION TO MODEL MAKING JUN 23- AUG 18 TH 6:30 PM – 9:30 PM CHAN $450 CEID 235 SU01 INTRODUCTION TO RHINO JUN 4 - JUN 5 S + SU 10:00 AM - 4:30 PM GROPPI $205 CEID 260 SU01 3D DESIGN SKETCHING JUN 6 - JUL 18 M 6:30 PM - 10:00 PM CHAN $290 CEID 350 SU01 URBAN CARTOGRAPHY MAY 30 - JUN 22 M + W 6:30 PM - 9:30 PM KOZAK $265 CEID 363 SU01 3D RENDERING FOR DESIGN PRESENTATION JUN 29 - AUG 17 W 6:30 PM - 9:30 PM KOWAL $345

PAINTING – PAGE 21CEPN 160 SU01 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS JUN 1 - JUL 20 W 6:30 PM - 9:30 PM GUDERNA $365 CEPN 160 SU02 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS AUG 2 - AUG 5 T - F 9:00 AM - 4:00 PM GUDERNA $365 CEPN 161 SU01 FUNDAMENTALS OF ACRYLIC PAINTING JUN 6 - JUN 29 M + W 6:30 PM - 9:30 PM GOLDBERG $325 CEPN 161 SU02 FUNDAMENTALS OF ACRYLIC PAINTING JUN 13 - JUN 16 M - TH 9:00 AM - 4:00 PM GOLDBERG $325 CEPN 162 SU01 FUNDAMENTALS OF OIL PAINTING JUN 11 - AUG 13 S 1:30 PM - 4:30 PM TBD $325 CEPN 163 SU01 FUNDAMENTALS OF WATERCOLOUR JUL 11 - JUL 15 M - F 9:00 AM - 4:00 PM UNDERHILL $325 CEPN 164 SU01 USING COLOUR JUN 19 - JUL 10 SU 9:00 AM - 1:00 PM BARNES $290 CEPN 165 SU01 THE BUILT SURFACE: PAINT AND COLLAGE JUN 1 - JUN 4 W - S 9:00 AM - 4:00 PM KRABBENDAM $330 CEPN 169 SU01 MIXED MEDIA PAINTING TECHNIQUES JUN 11 - AUG 13 S 9:30 AM - 12:30 PM FORBES $300 CEPN 260 SU01 PAINTING FUNDAMENTALS II JUL 25 - JUL 28 M - TH 9:00 AM - 4:00 PM GOLDBERG $310 CEPN 261 SU01 ACRYLIC PAINTING II AUG 8 - AUG 10 M - W 9:00 AM - 1:00 PM GOLDBERG $260 CEPN 264 SU01 USING COLOUR II JUL 12 - JUL 15 T - F 9:00 AM - 1:00 PM BARNES $260 CEPN 271 SU01 PAINTING TECHNIQUES JUN 22 - AUG 10 W 6:30 PM - 9:30 PM YURKOVICH $325 CEPN 352 SU01 PAINTING THE PORTRAIT JUN 6 - JUL 11 M 6:00 PM - 10:00 PM TAYLOR $305 CEPN 360 SU01 PAINTING OPEN STUDIO JUN 14 - JUL 5 T + F 1:00 PM - 5:00 PM BARNES $305 CEPN 365 SU01 OPEN STUDIO LAYERING TECHNIQUES JUN 5 - JUN 8 SU - W 9:00 AM - 4:00 PM KRABBENDAM $340 CEPN 372 SU01 LANDSCAPE AND NATURAL ELEMENTS EN PLEIN AIR JUL 18 - JUL 22 M - F 10:00 AM - 2:30 PM UNDERHILL $290 CEPN 902 SU01 PAINTING SURFACES: THICK, TEXTURED, GLOSSY AND AUG 10 W 6:00 PM - 9:00 PM GOLDBERG $65 TRANSPARENT

PHOTOGRAPHY – PAGE 25 CEPH 148 SU01 BLACK-AND-WHITE FILM PHOTOGRAPHY I + II JUL 10 - AUG 14 SU 10:00 AM - 5:30 PM EVANS $425 CEPH 235 SU01 TWILIGHT TO NIGHT PHOTOGRAPHY JUL 20 - AUG 8 M + W 6:30 PM - 9:30 PM MUSSALLEM $300 CEPH 246 SU01 THE CONSTRUCTED IMAGE JUN 7 - JUN 23 T + TH 6:00 PM - 10:00 PM MUSSALLEM $315 CEPH 248 SU01 BASIC LIGHTING I AUG 15 - AUG 18 M - TH 9:30 AM - 4:30 PM MUSSALLEM $315 CEPH 250 SU01 INTRODUCTION TO DIGITAL PHOTOGRAPHY JUN 28 - AUG 2 T 6:00 PM - 10:00 PM HITE $315 CEPH 340 SU01 CONTEMPORARY PORTRAITURE AUG 2 - AUG 5 T - F 10:00 AM - 2:00 PM MUSSALLEM $240 CEPH 341 SU01 COLOUR PRINTING FROM NEGATIVE FILM JUL 4 - JUL 28 M + TH 6:30 PM - 9:30 PM EVANS $350 CEPH 350 SU01 INTERMEDIATE DIGITAL PHOTOGRAPHY JUL 19 - AUG 16 T + TH 6:30 PM - 9:30 PM MUSSALLEM $300 CEPH 901 SU01 BASICS OF STUDIO LIGHTING JUN 22 W 6:00 PM - 9:00 PM MUSSALLEM $65

PRINT MEDIA – PAGE 28CEPR 112 SU01 LETTERPRESS I JUN 4 - JUN 25 S 10:00 AM - 5:00 PM TAYLOR $395 CEPR 112 SU02 LETTERPRESS I JUL 17 - AUG 14 SU 10:00 AM - 5:00 PM TAYLOR $395 CEPR 160 SU01 INTRODUCTION TO RELIEF PRINTMAKING JUN 4 - JUN 25 S 10:00 AM - 4:30 PM SAUVÉ $250 CEPR 162 SU01 INTRODUCTION TO SCREEN PRINTING JUN 6 - JUN 9 M - TH 9:00 AM - 3:30 PM HALL-PATCH $310 CEPR 170 SU01 BASICS OF BOOK MAKING MAY 31 - JUL 19 T 6:30 PM - 9:30 PM BROWN $370 CEPR 264 SU01 TEXTILE PRINTING II JUN 4 - JUL 16 S 1:00 PM - 5:00 PM HANNAN $420CEPR 280 SU01 ADVANCED SCREEN PRINTING JUN 20 - JUN 23 M - TH 9:00 AM - 3:30 PM HALL-PATCH $310 CEPR 901 SU01 WATERCOLOUR MONOTYPE PRINTS JUL 10 SU 10:00 AM - 4:30 PM TAYLOR $130 CEPR 905 SU01 RECYCLED PAPERMAKING AUG 14 SU 10:00 AM - 4:30 PM SCHAGERL $130

36

Register in a single course or several as a new or returning student in the following ways:

ONLINEecuad.ca/csSecure your spot in the courses you want through our online registration system. Registering online is easy, fast and secure and you can do it at any time and from anywhere in the world. For instructions on how to use our online registration system, InsideEC, visit our website: connect.ecuad.ca/register

BY PHONEGive us a call at 604 844 3810.

IN PERSONContinuing Studies office, Rm 1399 Emily Carr University of Art + Design1399 Johnston StreetVancouver, BC V6H 3R9

CONTINUING STUDIES OFFICE HOURS Monday, Wednesday + �ursday 8:30 am – 4:30 pm Tuesday 9:30 am – 4:30 pm Friday 8:30 am – 12:30 pm

Note: cash and Interac payments accepted during Accounting Office hours only: Monday to �ursday 8:30 am – 4:00 pmFriday 10:00 am – 4:00 pm

HOLIDAYSEmily Carr Continuing Studies will not run any courses on May 23 (Victoria Day), July 1 (Canada Day), or August 1 (BC Day).

COURSE MATERIALSFind a list of materials and supplies needed for your courses on your registration statement or on connect.ecuad.ca

REGISTRATION POLICIESPlease review the registration policies on pages 38-39 before registering in a course.

HOW TO REGISTER

PROFESSIONALISING YOUR PRACTICE – PAGE 30CEPD 190 SU01 THE BUSINESS OF ART PRACTICE JUN 16 - AUG 11 TH 6:30 PM - 9:30 PM BROWN $260 CEPD 210 SU01 THE BUSINESS OF DESIGN PRACTICE JUN 7 - JUL 26 T 6:30 PM - 9:30 PM SWANSON $260

SCULPTURE + INSTALLATION – PAGE 31CESC 179 SU01 SMALL-SCALE MODELING JUN 11 - AUG 13 S 1:30 PM - 4:30 PM ISRAEL $265 CESC 180 SU01 INTRODUCTION TO METAL SCULPTURE JUL 16 - AUG 14 S + SU 1:00 PM - 5:00 PM RHODES $455 CESC 190 SU01 INTRODUCTION TO METAL CASTING: THE MOLD JUN 28 - JUL 21 T + TH 6:30 PM - 9:30 PM RHODES + ROBBINS $420 CESC 200 SU01 METAL CASTING: THE POUR JUL 26 - AUG 4 T + TH 6:00 PM - 10:00 PM RHODES + ROBBINS $280 CESC 901 SU01 MIG WELDING FOR BEGINNERS: AN INTRODUCTION JUL 13 W 6:00 PM - 9:00 PM RHODES $65

TEXTILE ARTS – PAGE 33CETA 903 SU01 LEATHER WORKING BASICS JUL 27 W 6:00 PM - 9:00 PM MARTIN $85 CETA 904 SU01 INTRO TO NEEDLE FELTING JUN 5 SU 10:00 AM - 4:30 PM PAYNE $130 CETA 905 SU01 NATURAL PLANT DYEING JUN 19 SU 10:00 AM - 4:30 PM HIEBERT $130 CETA 907 SU01 PATTERN MAKING FOR CLOTHING AND SOFT JUL 24 SU 10:00 AM - 4:30 PM MARTIN $130 PRODUCT REPLICATION CETA 908 SU01 TEXTILES + TEXT: LETTERS, WORDS AND STORIES IN JUL 20 W 6:00 PM - 9:00 PM COE $65 SURFACE DESIGN

Registration opens 9:00 am on April 5, 2016.

GIFT CERTIFICATES

Give the gift of a new experienceContinuing Studies allows you to give the gift of a course, Leeway membership or credit of any amount towards our general programming.

PURCHASE THROUGH THE CS OFFICE.

connect.ecuad.ca/register [email protected] 844 3810

http://www.connect.ecuad.ca/register





DO YOU OFFER COURSES FOR TEENS?Yes! We offer many different programs specifically for teens. Visit teens.ecuad.ca for more information.

WHERE ARE THE COURSES HELD?Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. Our new campus on Great Northern Way will be open in 2017.

WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST?Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island and Petrov Arts & Crafts in North Vancouver. You must present your course registration confirmation/ receipt to receive your discount. In general, students should expect to spend between $50-$150 on supplies for each course.

AM I ELIGIBLE FOR A DISCOUNT ON COURSES?Seniors: A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification.Alumni: A discount of 10% is available for those who have completed an Emily Carr diploma or degree, the Communication Design Essentials Program, or the Interaction Design Essentials Program. Part-time certificate students who are registered in an advanced certificate and have already completed an introductory certificate will also receive a 10% discount. Note: only one discount will apply.

HOW WILL I KNOW IF A COURSE IS CANCELLED OR CHANGED? In the event of a course cancellation or a change of instructor, room, date or time, all students registered in the course will be notified by email. Please check connect.ecuad.ca/courses for the most up-to-date information.

DO I RECEIVE A TUITION TAX CREDIT FOR CONTINUING STUDIES COURSES? Yes. T2202A Tax Receipts are available to download through InsideEC from the end of February through to March each year. Please email [email protected] or call 604 844 3810 if you have any further questions.

DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR? Continuing Studies general program courses do not ladder into the University’s credit programs. Communication Design Essentials graduates can now receive transfer credits. See essentials.ecuad.ca for more information.

CAN I GO ON A TOUR OF THE CAMPUS AND FACILITIES? You will need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments and will answer any questions that you may have. To sign up, please email [email protected].

FREQUENTLY ASKED QUESTIONS

QUESTIONS?

GENERAL INFO T 604 844 3810 [email protected] F 604 630 4535

PART-TIME CERTIFICATES

[email protected]

DESIGN CERTIFICATES

[email protected]

TEEN PROGRAMS

[email protected]

Emily Carr University of Art + Design Continuing Studies Room 103 – North Building 1399 Johnson Street Vancouver BC V6H 3R9

Continuing Studies Office Hours Mon, Wed, �urs: 8:30 am – 4:30 pmTues: 9:30 am – 4:30 pmFri: 8:30 am – 12:30 pm

ecuad.ca/cs @EmilyCarrCS


http://teens.ecuad.ca/







http://www.ecuad.ca/academics/faculties-and-departments/continuing-studies

https://twitter.com/EmilyCarrCS



REGISTRATION POLICIES + GENERAL INFORMATION

Admission to individual courses is on a first-come, first- served basis. Early registration is strongly recommended as class sizes are limited. Unless otherwise indicated, students in Continuing Studies (CS) courses must be at least 18 years old by the course start date.

REGISTRATION DEADLINES You are encouraged to register at least five days before a course’s start date to ensure your seat. If seats are available, registrations may be accepted up to one day prior to the first day of the course. Students who do not appear on the instructor’s course list will not be permitted to attend. Please note that no registrations are accepted after a course has started.

FEES Your tuition fees cover the cost of the course and, in some cases, materials provided by the instructor. However, most courses require students to purchase additional materials. Fees are payable at the time of registration. Payment can be made through cash, debit and credit. Failure to make payment within 24 hours of registration will result in being removed from your course(s).

COURSE MATERIALSMost Continuing Studies courses require that you purchase supplies. A list of required and recommended items is included in your registration statement and available online at connect.ecuad.ca/courses. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.

PREREQUISITES Most Continuing Studies courses are open to everyone, regardless of their experience level. However, we also offer advanced courses for more experienced students. If a course requires a prerequisite course or its equivalent, we highly recommend that you take the prerequisite course prior to taking the advanced course. Please note: If you are not at the level required for the course, the instructor reserves the right to recommend you be transferred into a course that is more suited to your skill level.

LANGUAGE REQUIREMENTS All courses are taught in English. Students whose first language is not English should note that they are required to be proficient in written and spoken English and be able to participate in group discussions and presentations in English. As a guideline, we would expect you to have an IELTS score of 4.5 for studio courses and 6.0 for lecture courses. Please note: If you are not at an appropriate language level, Continuing Studies reserves the right to move you to a course more suitable to your skill level.

REGISTRATION STATEMENT When you register online, you will automatically receive a “Class/Payment Acknowledgement” email with links to your course timetable, room location and materials list online. If you do not receive an email, please make sure your current email address is listed on your account and then contact the CS office. If you register in person, by phone or by fax, you will receive an email with your registration statement within 24 hours. Please note: We no longer send registration statements by mail.

WAIT LISTS If a course is full, contact the CS office to be added to a wait list. If a seat opens up in the course, you will be contacted by the CS office to be enrolled in the course. �ere is no cost to be added to the wait list and you are under no obligation to register if a space becomes available. Students on wait lists cannot attend classes.

WITHDRAWAL AND REFUND POLICY No refund will be given if notification of withdrawal is received less than seven full calendar days before the start of the course. Exceptions are only considered as they pertain to extenuating circumstances on an individual basis. In such cases, a written request for refund, accompanied by appropriate documentation from a third party (e.g. subpoena), must be submitted. A refund or a tuition voucher, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received more than seven full calendar days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop. Course transfers or special requests can also not be accommodated after a course finishes. Please note that the policies listed in this calendar apply to individual courses and workshops only. For policies on our other programs, please see our website.


COURSE TRANSFER POLICY No transfers of fees will be granted if notification of transfer is received less than seven full calendar days before the start of the course. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received more than seven full calendar days prior to the start date of the course you wish to transfer out of. You must pay any additional fees at the time of transfer. You may transfer from one course to another by phone, fax or email.

CANCELLATIONS We reserve the right to cancel a course up to five days prior to the course start date if there is not sufficient registration in a course. If a course is cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants. In the event of a cancellation, CS can transfer you into a different course or provide a tuition voucher in lieu of a refund upon request. Course cancellations will be announced to each student by email. Please ensure that your email is on file and up to date.

EMERGENCY CLOSURES In the event of an emergency closure due to poor weather conditions, information will be posted on the Emily Carr website as soon as a decision is made to close.

POSTPONEMENT OF COURSES In the event that a course needs to be cancelled or postponed due to instructor illness, unscheduled school closure or other unexpected event, you will be notified by email.

WAIVER Emily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire, natural disasters or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, schedule and regulations at any time from those published in this catalogue.

STUDIO ACCESS Unless otherwise indicated, there is no additional access to studio resources outside of class time. If you require additional studio access, please consider membership at the Leeway. For more information, please visit ecuad.ca/theleeway.

STUDENT CODE OF CONDUCT A University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with respect for the rights of others and to behave responsibly at all times. You are responsible for knowing and observing student-related Emily Carr policies and procedures. For more information on the Emily Carr Code of Conduct, please visit connect.ecuad.ca/studentservices/policies. Emily Carr University reserves the right to remove students from

courses if it is felt that their behaviour is disruptive or dangerous.

EMILY CARR LIBRARY �e library is located on the ground floor of the South Building, Granville Island campus. �e library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs are entitled to a free Community Borrower card, which means that they can borrow up to 15 books, graphic novels, or Exhibition Catalogues. For information regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.

THE CONCOURSE GALLERY �e Concourse Gallery is the main showcase for work done within the curriculum at Emily Carr. It has featured shows by degree students, CS students, faculty, staff and visitors involved in generating new ways of learning. CS organizes many shows that pertain to our programming in the summer semester, and we invite you to visit and be inspired.

THE CHARLES H. SCOTT GALLERY �e Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. �e Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For more information, visit chscott.ecuad.ca.

READ AT THE CHARLES H. SCOTT GALLERY READ is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. �e focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.

Access to professional equipment, tools and materials as well as support from knowledgeable studio technicians allow Leeway members the freedom to experiment and create.

MEMBERSHIP BENEFITSX Unlimited access to �e Leeway during regular University hours (except during scheduled demos + workshops)

X Technical support and resources for a wide range of disciplines

X Access to professional equipment, small tools and basic art materials

X Storage for artwork and materials

X Up to 15% discount at Opus Framing and Art Supplies

X Community borrowers’ Library access

EQUIPMENTA multi-disciplinary studio, �e Leeway is equipped with 4 ft by 8 ft worktables (incl. one dedicated cutting surface), flat files, light table, easels, portable drafting tables, drawing boards, small tools and more.

In addition to the above amenities, Leeway members have access to the following equipment:

X iMac with Adobe CS 6

X Epson Perfection V600 Photo Scanner

X Epson Stylus Pro Wide Format Printers (up to 17” wide)

X Canon EOS Rebel T3i 18mp Digital camera

X Copy stand for 2D photo-documentation

X 500W Hensel Integra 500 kit with softbox and umbrella

X Pfaff 1040 Sewing Machine

X Showcard Table Top Proofing Press with wood and lead type

X Aaxa P300 Pico ProjectorX Charles Brand Etching Press (20”x40” bed)

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THE LEEWAY STUDIO

�e Leeway is a membership-based

community studio space where

artists and designers can explore new

techniques, work among peers

and learn from experienced instructors

through scheduled workshops.

EMILY CARR UNIVERSITY OF ART + DESIGN SUMMER 2016 T 604 844 3810 F 604 630 4535 ecuad.ca/cs

ecuad.ca/theleeway the [email protected] 844 3810

MEMBERSHIPSTANDARD MEMBERSHIP $200 month $635 term $1,750 year*

DISCOUNTED MEMBERSHIP

For alumni, seniors (60+) and staff

$150 month $465 term $1,250 year*

* Yearly and four-month term memberships start in January, May or September

VISIT THE LEEWAY

Join us for an open studio, where non-members can come and work on their own projects, or register for one of the workshops listed in our course calendar to see our studio in action.

STUDIO RESIDENCYAre you an artist or designer with an active practice? Apply for our studio residency program with four-month terms starting in May, September and January.

Become a memberONLINEecuad.ca/the leeway

BY PHONEGive us a call at 604 844 3810

IN PERSONContinuing Studies, Rm 103 Emily Carr University of Art + Design1399 Johnston StreetVancouver, BC V6H 3R9

http://www.ecuad.ca/student-life/campus-amenities/studio-space-membership


http://www.ecuad.ca/student-life/campus-amenities/studio-space-membership

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SUMMER2016M A Y - A U G U S T | continuing studies courses + programs

In 2017, Emily Carr will open it’s doors

to a new state-of-the-art campus

at Great Northern Way.

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EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9

FOLLOW OUR PROGRESS AT

ecuad.ca

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Documents

Continuing Studies at Emily Carr University: Summer 2016