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Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

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Page 1: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Contours of Inclusion:

The Intersection between the Arts and

Universal Design for Learning

Page 2: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

What is Universal Design?

"The term 'universal design' means a concept or philosophy for designing and delivering products and services that are usable by people with the widest possible range of functional capabilities, which include products and services that are directly accessible (without requiring assistive technologies) and products and services that are interoperable with assistive technologies."

(Section 3(17)of Assistive Technology Act of 1998)

Page 3: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

What is Universal Design?

• Not one size fits all – but alternatives for everyone.

• Not added on later – but designed from the beginning.

• Not access for some – but access for everyone.

Page 4: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

What do we mean byWhat do we mean by UniversalUniversal ??

Page 5: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

What do we mean by Design?

Page 6: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Affect

Skills

KnowledgeMultiple representations of information

Multiple optionsfor expression and action

Multiple meansof engagement

What do we mean by Learning?

Page 7: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

BarriersBarriers• We find barriers

to our goals many places in nature.

Page 8: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

BarriersBarriers

Page 9: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning
Page 10: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Universal Design in Architecture

“Consider the needs of the broadest possible range of users from the beginning”

Architect, Ron Mace -Center for Universal Design at North Carolina State University, 1989

– Translate to Universal Design for Learning – The “danger” the retrofit (fixing up after the

design is complete)

Page 11: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Technology Can Technology Can Support Learning Support Learning

in Thoughtful, Elegant Ways

Page 12: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning
Page 13: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

What is the link between architecture and curriculum?

“Consider the needs of the broadest possible range of users from the beginning”

-- Architect, Ron Mace

Page 14: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

• Barrier “free” architecture usually benefits all users

• curb cuts• ramps, elevators• door handles

• Accessible schools and accessible tools are needed – benefits observed for many

• Frequently, curriculum presentation creates barriers

Page 15: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

A UDL approach assumes that students with varying needs will be involved in learning, and that the curriculum:

the goals,the instructional methods,the assessments, andthe materials

need to address this diversity.

Page 16: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Universal Design for Learning

• Curricula and tools designed to meet the needs of all learners

• Supports for diverse learners built in from the start

• Frequently more effective for all learners, even “typically developing”

Page 17: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

UDL PrinciplesUDL Principles

1. Provide alternative formats for presenting information (multiple or transformable accessible media).

2. Provide alternative means for action and expression (write, draw, speak, switch, graphic org., etc.).

3. Provide alternative means for engagement (background knowledge, options, challenge and support).

Page 18: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Representation

• How is content presented?

• How do students create meaning?

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Page 21: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

IT WAS the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way- in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.

IT WAS the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair,

Tale of Two Cities…It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of wisdom,

Tale of Two Cities…It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of wisdom,

Page 22: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Examples in CAST WorkExamples in CAST Work

Representation

“Google Project”www.cast.org

Page 23: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Guidelines in Representation

• Extract important information

• Rely on context and background

• Make connections

• Give meaning to abstract representations

Page 24: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

• multiple formats and media

• multiple examples

• critical features

• context and background knowledge

Represent information in multiple ways

Page 25: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

2 + 3 = 5

6 + 4 = 10

7 + 2 = 9

4 + 3 = 7

5 + 8 = 19 + 8 = 5

What’s the Sum?What’s the Sum?

2 + 9 =

4 + 9 =

11

1

Strategic

Page 26: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

What’s the Sum?What’s the Sum?

9 + 1 = 10

9 + 2 =

9 + 3 =

9 + 4 =

9 + 5 =

9 + 6 =

1112

1

2

3

Page 27: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

12

6

39

Page 28: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning
Page 29: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning
Page 30: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Expression & Action

• Provide motor control for skilled actions

• Plan strategies for solving problems– Use feedback to modify

• Active during learning or “effort”

• Monitor routines

Page 31: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Examples in CAST WorkExamples in CAST Work

www.cast.org

Page 32: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Supporting Strategic

Provide multiple pathways for action and expression

• flexible ways to demonstrate learning

• models

• feedback

• practice (with supports)

• problems to solve

Page 33: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Engagement Engagement

• What will make this interesting?

• What will make this challenging?

Page 34: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

How do you like this?

Page 35: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

How tall is a female if her femur is 46.2 centimeters long? (h = height)

Bone Male Female

Femur h = 69.089 + 2.238F

h = 61.412 + 2.317F

Tibia h = 81.688 + 2.392T

h = 72.572 + 2.533T

Humerus h = 73.570 + 2.970H

h = 64.977 + 3.144H

Radius h = 80.405 + 3.650R

h = 73.502 + 3.876R

Page 36: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Affect

• Influence choices

• Filter out unimportant

• Focus us toward challenging, enjoyable

Page 37: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Examples in CAST WorkExamples in CAST Work

www.cast.org

Page 38: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Supporting Engagement

Provide multiple ways to engage

• Choices – Content

– Tools

– Rewards

– Context

• Levels of challenge

Page 39: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning

Principles of UDL

Provide multiple…• representations of content

(Recognition)

• pathways for action and expression (Strategic)

• ways to engage

(Affective)

Page 40: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning
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www.cast.org

Page 42: Contours of Inclusion: The Intersection between the Arts and Universal Design for Learning