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Performance Practice ReviewVolume 4Number 2 Fall Article 10
Contributors/End Matter
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Part of the Music Practice Commons
This End Matter is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusionin Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please [email protected].
(1991) "Contributors/End Matter," Performance Practice Review: Vol. 4: No. 2, Article 10. DOI: 10.5642/perfpr.199104.02.10Available at: http://scholarship.claremont.edu/ppr/vol4/iss2/10
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Contributors
MALCOLM S. COLE is Professor of Musicology at the University ofCalifornia, Los Angeles. Currently he is investigating Viennese magicoperas contemporary with Zauberflote.
DONALD GILL authored the entries on bandore, colascione,gallichone, (early) guitar, mandola, mandore, vihuela, and viola da manofor the New Grove.
JAMES HAAR, Professor of Music at the University of North Carolinaat Chapel Hill, has recently co-authored with Iain Fenlon a volume onsources of the madrigal in the early 16th century.
GEORGE HOULE, Professor of Music at Stanford University, hasrecently prepared an edition and study of Ockeghem's Missa cuiusvis toni(to be published by Indiana University Press) and an article for theFestschrift for Leonard Ratner.
CHARLES JACOBS, Distinguished Professor of Music in the CityUniversity of New York, has authored numerous studies concerning16th-century Spanish music.
LEWIS E. PETERMAN, JR. directs the Collegium Musicum at SanDiego State University and has special expertise in the performance ofhistorical recorders and viols.
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Le Ballet des FacheuxBeauchamp's Musicfor Moliere's ComedyBy George Houle
Pierre Beauchamp's collaboration withMoliere resulted in a small masterpiece, thecome'die-ballet Les Facheux (The Bores),the music for which is published here forthe first time.Publications of the Early Music Institutepaper $15.00
Dance and the MusicofJ.S.BachBy Meredith Little and Natalie JenneLittle and Jenne present all the dance formsused by Bach, providing information fromchoreographies, harmony, theorists'writings, and the music of other 17th- and18th-century composers.Music; Scholarship and Performance$35.00
Accompaniment onTheorboand HarpsichordDenis Delairs Treatise of 1690A Translation with Commentaryby Charlotte MattaxDenis Delair's Traits d'accompagnementpour k thec-rbe, et le clavessin is one of theearliest French manuals on basso continuorealization. Respected and well known in itsday, it is equally valuable now for Baroqueperformance practice.Publications of the Early Music Institutepaper $14.95
A New Treatise onAccompanimentWith the Harpsichord,the Organ, and with OtherInstrumentsBy Monsieur de Saint LambertTranslated and edited byJohn S. PowellSaint Lambert's 1707 treatise is a methodbook specifically designed for theaccompanist rather than the solo performer.It offers practical suggestions for simplifyingthe accompanist's job and describes ways ofcreating not merely a correct but an artisticaccompaniment.Publications of the Early Music Institutepaper 814.95
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The Southeastern Historical Keyboard Societyis a non-profit, regional organization committed to the promo-tion of interest in and the study of early keyboard instruments,principally harpsichord, clavichord, fortepiano, and organprior to 1860, and the music intended for these instruments.
SEHKS provides a forum for all aspects of early keyboardmusic through its meetings and publications. Membership isopen to all interested persons including performers, builders,musicologists, educators, composers, and enthusiasts.
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Hie interpreter should be like the moon, which simply reflects the
light of the sun.
Der Interpret soil sein wie der Mond, der nur das Lichi der
Sonne wiedergfbt
Goethe, Anweisungen
Performance Practice ReviewContributors/End MatterContributors/End Matter