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Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections [email protected]

Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections [email protected]

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Page 1: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

Cornell Institute for Digital Collections 1

Copyright and Distributed Learning

Peter B. Hirtle

Director

Cornell Institute for Digital Collections

[email protected]

Page 2: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

Cornell Institute for Digital Collections 2

Overview of Presentation

• Scope of issues• In-class vs. distributed teaching• Strategies for using material

DON’T EXPECT DEFINITE ANSWERS

IANAL

Page 3: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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Distributed Learning and Copyright

• Three potential areas of concern:– Using material in a DL course– Protecting your own investment in a course– Providing library services to DL

We’ll focus on the first

Page 4: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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What are the exclusive rights of the copyright owner?

• Reproduction• Distribution• Derivative works• Public performance and display• Transmission• Moral rights for art • Technological protection systems

Movie example…

Page 5: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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Educational Exemptions

• 3 of importance to distributed learning:– Display in face-to-face teaching [110(1)]– Distance learning [110(2)]– Fair Use (107)

Note that the first two are very limited

Page 6: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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Face-to-face teaching

• Section 110(1) permits:– Performance of any work, regardless of medium in

face-to-face teaching– Must be part of systematic instructional activities– Directly related to teaching content– Can be broadcast to people with disabilities– Copy must be lawfully made

Page 7: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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Distributed Learning

• Section 110(2) permits:– “Performance of a nondramatic literary or

musical work or display of a work”– “Display” of a still image– Must be to a classroom– Part of systematic instruction

Page 8: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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“Leave Logic at the Door…”

• Showing the same movie to students here and elsewhere requires different permissions

• Reading from Moby Dick is ok; showing the movie is not

• A dramatic reading of Moby Dick to distant students may not be legal…

• You can play a popular song but not an opera– But what about Pinball Wizard?

Page 9: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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Can you ignore the law?

• Potential copyright damages– $150,000 per instance for willful violation

• Criminal liability

• Limited protection from the University– University has protection under DMCA– Violation of acceptable use policy

Page 10: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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So how can you use copyrighted materials in modern distance ed

courses?

• First, determine scope of your course– Limited to university or commercial?

• Confirm copyright status of material– Make sure material really is copyrighted!– Many people claim copyright when none

exists– Copyright may have expired

Page 11: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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How long do copyrights last?• Works created during or after 1978

– Life of the author plus 70 years– Work for hire: 95 years from publication

• Works published before 1978– Generally 95 years maximum– Shorter if the work was not registered/renewed

• Works created but not published before 1978– Life of the author plus 70 years– Delayed until 1 January 2003

See <http://www.unc.edu/~unclng/public-d.htm>

Page 12: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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2nd approach: fair use

• Judicially interpreted doctrine –– Purpose– Nature– Amount– Effect on market

Page 13: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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Fair use guidelines

• Little agreement

• Common elements included:– One time exemption– Limited to classrooms– Removed after 15 days

See Cornell’s Guidelines for Web Pages…

Page 14: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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3rd approach: seek permission

• Mandatory for commercial use

• Often complicated…

Resources licensed by the library may be an easy solution

Page 15: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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Future solutions?

• TEACH Act– Brings current law into 21st century– Uncertain future…

Page 16: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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Summary

• Past practices are not a good guide to this new world

• Distributed learning will require new approaches to copyright management

Page 17: Cornell Institute for Digital Collections 1 Copyright and Distributed Learning Peter B. Hirtle Director Cornell Institute for Digital Collections pbh6@cornell.edu

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For More Information…

• The Copyright Law– http://www4.law.cornell.edu/uscode/17/

• Cornell web page guidelines <http://www.cit.cornell.edu/computer/www/guidelines/copyright.html>

• The Public Domain : How to Find and Use Copyright-Free Writings, Music, Art & More by Stephen Fishman. Nolo Press, 2001