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Cornell Institute for Digital Collections 1
Copyright and Distributed Learning
Peter B. Hirtle
Director
Cornell Institute for Digital Collections
Cornell Institute for Digital Collections 2
Overview of Presentation
• Scope of issues• In-class vs. distributed teaching• Strategies for using material
DON’T EXPECT DEFINITE ANSWERS
IANAL
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Distributed Learning and Copyright
• Three potential areas of concern:– Using material in a DL course– Protecting your own investment in a course– Providing library services to DL
We’ll focus on the first
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What are the exclusive rights of the copyright owner?
• Reproduction• Distribution• Derivative works• Public performance and display• Transmission• Moral rights for art • Technological protection systems
Movie example…
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Educational Exemptions
• 3 of importance to distributed learning:– Display in face-to-face teaching [110(1)]– Distance learning [110(2)]– Fair Use (107)
Note that the first two are very limited
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Face-to-face teaching
• Section 110(1) permits:– Performance of any work, regardless of medium in
face-to-face teaching– Must be part of systematic instructional activities– Directly related to teaching content– Can be broadcast to people with disabilities– Copy must be lawfully made
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Distributed Learning
• Section 110(2) permits:– “Performance of a nondramatic literary or
musical work or display of a work”– “Display” of a still image– Must be to a classroom– Part of systematic instruction
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“Leave Logic at the Door…”
• Showing the same movie to students here and elsewhere requires different permissions
• Reading from Moby Dick is ok; showing the movie is not
• A dramatic reading of Moby Dick to distant students may not be legal…
• You can play a popular song but not an opera– But what about Pinball Wizard?
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Can you ignore the law?
• Potential copyright damages– $150,000 per instance for willful violation
• Criminal liability
• Limited protection from the University– University has protection under DMCA– Violation of acceptable use policy
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So how can you use copyrighted materials in modern distance ed
courses?
• First, determine scope of your course– Limited to university or commercial?
• Confirm copyright status of material– Make sure material really is copyrighted!– Many people claim copyright when none
exists– Copyright may have expired
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How long do copyrights last?• Works created during or after 1978
– Life of the author plus 70 years– Work for hire: 95 years from publication
• Works published before 1978– Generally 95 years maximum– Shorter if the work was not registered/renewed
• Works created but not published before 1978– Life of the author plus 70 years– Delayed until 1 January 2003
See <http://www.unc.edu/~unclng/public-d.htm>
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2nd approach: fair use
• Judicially interpreted doctrine –– Purpose– Nature– Amount– Effect on market
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Fair use guidelines
• Little agreement
• Common elements included:– One time exemption– Limited to classrooms– Removed after 15 days
See Cornell’s Guidelines for Web Pages…
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3rd approach: seek permission
• Mandatory for commercial use
• Often complicated…
Resources licensed by the library may be an easy solution
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Future solutions?
• TEACH Act– Brings current law into 21st century– Uncertain future…
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Summary
• Past practices are not a good guide to this new world
• Distributed learning will require new approaches to copyright management
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For More Information…
• The Copyright Law– http://www4.law.cornell.edu/uscode/17/
• Cornell web page guidelines <http://www.cit.cornell.edu/computer/www/guidelines/copyright.html>
• The Public Domain : How to Find and Use Copyright-Free Writings, Music, Art & More by Stephen Fishman. Nolo Press, 2001