CU Presents Magazine Artist Series Fall 2015, Sept. 27, 2015

Twyla Tharp 50th Anniversary Tour, Sept. 27

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Contents

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Dean Robert Shay: the College of Music Advantage ......................6Calendar ........................................8Takács Quartet: “music we adore”..........................10Cinderella (La Cenerentola): “a story of transcendence”.........12Faculty Tuesdays ........................20Artist Series donors .....................22Takács Quartet donors ...............26Eklund Opera donors ..................28Personnel lists .............................30

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CU PresentsSabine Kortals, Editor

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Fiske Planetarium

Macky Auditorium

Museum of Natural History

Colorado Shakespeare Festival

Old Main and Norlin Quad

Continuing Education

Cooperative Institute for Research in Environmental Sciences (CIRES)

Institute of Arctic & Alpine Research (INSTAAR)

Renewable Sustainable Energy Institute (RASEI)

Center for Energy and Environmental Security

Laboratory for Atmospheric & Space Physics (LASP)

Alliance for Technology, Learning & Society (ATLAS)

Discover what’s here. Institute of Arctic and Alpine Research (INSTAAR)

Center of the American West

JILA | Center for Environmental Journalism

Industry/University Cooperative Projects Center (I/UCPC)

Center for Environmental Technology (CET)

BUENO Center for Multicultural Education

With US

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5| 303-492-8008 | cupresents.org | Get Soci@cupresents |

2015-16 SEASON OF REMEMBRANCE

Mozart & Larry GrahamNovember 20 & 21, 2015

Shostakovich: DedicationJanuary 22 & 23, 2016

Mozart Requiem w/St. Martin’s Chamber Choir

April 8 & 9, 2016

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Dean Robert Shay: the College of Music AdvantageChanges are afoot at CU-Boulder’s College of Music, thanks to the vision of its new leader.

Dean Robert Shay, a veteran music administrator with 15 years’ experience, began his tenure here in August 2014. “This is one of the great music schools in the country,” he says. “The excitement for this place is palpable.”

Shay is inspired by opportunities to strengthen and expand on the College of Music’s traditions of excellence. To achieve a common vision for the college among faculty, staff, students, alumni and supporters, he launched faculty-driven taskforces to delve more deeply into areas of improvement – from diversity, technology and identifying professional settings for students outside the classroom and abroad, to growing alumni engagement and positioning the college as a leader in national and international spheres of influence.

“Our greatest chance for success is to rally around a clear vision,” says Shay, who previously served as Director of the University of Missouri School of Music, and as Vice President for Academic Affairs and Dean of the Longy School of Music. “Buy-in builds momentum to accomplish what I call the College of Music advantage."

“The College of Music advantage is our edge—it's what sets us apart. At our core, we offer an amazingly rich, traditional education. But we also provide many layers of innovative and hands-on experiences that aren’t necessarily happening elsewhere.”

This year, Shay anticipates progress toward realizing the College of Music advantage, with a particular emphasis on alumni engagement and student diversity. “We want to ensure pathways to success for underrepresented students and well-qualified international students,” he says. “We want this to be a place without boundaries.”

In addition to his responsibilities as dean, Robert Shay continues his passion for teaching and research. Visit www.colorado.edu/music for more information about Shay’s previous faculty appointments, professional affiliations and published writings.

Shay earned a doctorate and a master’s degree in musicology from the University of North Carolina at Chapel Hill, a master’s in choral conducting from the New England Conservatory of Music and a bachelor’s degree in vocal performance from Wheaton College.

>30 alumni, students and faculty with Grammy Awards

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6 | Get Soci@cupresents | cupresents.org | 303-492-8008 |


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Twyla Tharp 50th Anniversary Tour Sunday, Sept. 27, 2015, 7:30 p.m.Twyla Tharp Dance returns to Boulder for the first time since 1979 to celebrate the 50th anniversary of the choreographer’s incomparable career, featuring new works set to Bach, Henry Butler, Steven Bernstein and John Zorn.

SFJAZZ Collective, The Music of Michael JacksonFriday, Oct. 9, 2015, 7:30 p.m.The brilliant San Francisco-based ensemble takes the next step in its “transforming, expanding” tributes (New York Times) to pop and jazz legends—Coltrane, Monk, Stevie Wonder and others — with all-new originals and arrangements celebrating Michael Jackson.

Irish Chamber Orchestra, Gábor Takács-Nagy, conductorFriday, Nov. 6, 2015, 7:30 p.m.The “razor-sharp, fully-seasoned” Irish Chamber Orchestra (Chicago Tribune), returns to Boulder by popular demand, conducted by original Takács Quartet member Gábor Takács-Nagy and featuring internationally renowned cellist Istvan Vardai.

Soweto Gospel ChoirFriday, Dec. 11, 2015, 7:30 p.m.South Africa’s 24-voice Soweto Gospel Choir—“Nothing less than an international treasure” (JazzTimes)—will bring light and spirit to your holiday season with classic Christmas songs and moving African gospel.

DiavoloThursday, Jan. 21, 2016, 7:30 p.m.Equal parts Cirque de Soleil, brilliant choreography and “architecture in motion,” Diavolo turns death-defying dancers free in super-sized playground of wheels, bowls and walls in a unique display of kinetic drama.

BODYTRAFFICSunday, Feb. 14, 2016, 7:30 p.m.Drop gritty, contemporary New York and European choreographers into the fast-paced, freeway world of Los Angeles, sprinkle with energetic young talent, and you get the “super-fast, super-sexy, super-expressive intensity” (Dance View Times) of BODYTRAFFIC.

Rising Stars of The Metropolitan OperaTuesday, March 1, 2016, 7:30 p.m.The Met has launched the careers of opera greats Renée Fleming, Thomas Hampson and many others. Don’t miss this chance to hear the brightest new stars performing arias, duets and ensembles by the world’s greatest composers.

Indigo Girls with the CU Symphony OrchestraThursday, March 31, 2016, 7:30 p.m.Amy Ray and Emily Saliers, the platinum-selling duo Indigo Girls, enrich a stellar quarter-century career with a symphonic performance of their moving, melodic music, including such hits as "Closer to Fine" and "Land of Canaan."

Pablo Ziegler and Lara St. John, Piazzolla Central Park Concert ReduxFriday, April 15, 2016, 7:30 p.m.Composer-pianist Ziegler and violinist St. John perform beloved tunes from tango maestro Astor Piazzolla’s famous 1987 Central Park concert and originals by Ziegler, who takes the tango to heights “undreamed of by Piazzolla.” (Chicago Tribune)


Holiday Festival 2015Dec. 4-6, 2015A lively program of seasonal music and festive holiday decorations in Macky Auditorium inspire sold-out audiences and make the Holiday Festival a beloved annual tradition. Choirs, orchestra, ensembles and faculty soloists from the CU-Boulder College of Music invite you to share the joy and warmth of the season with your family and friends.

Cinderella (La Cenerentola), Sung in Italian with English surtitlesby Gioacchino RossiniOct. 23-25, 2015 First performed less than a year after the premiere of his enduring classic, "The Barber of Seville," Gioacchino Rossini’s "La Cenerentola" (Cinderella) was just as big a hit with audiences. Full of upbeat humor and containing some of Rossini’s greatest writing for solo voice and ensembles, the beloved story of a scullery-girl-turned-princess will appeal to audiences of all ages.

Dialogues of the Carmelites, Sung in Englishby Francis PoulencMarch 11-13, 2016Francis Poulenc’s dark, intense 1957 opera—based on the persecution of nuns at the convent at Campiegne during the French Revolution—fearlessly grapples with such timeless human emotions as fear, despair and faith. “As rich as a vintage port, the opera delivers a soft and melodic score that undulates with (dark) and complex themes … as tragically current as (they are) old.” (Metro Weekly)

The Tender Land, Sung in Englishby Aaron CoplandApril 21-24, 2016Copland was inspired to write his only full-length opera by the Depression-era photographs of Walker Evans and James Agee’s "Let Us Now Praise Famous Men." This classic tale of small-town America evokes everything from "The Grapes of Wrath" to "Our Town" and "Oklahoma!" “Copland in his Americana mode. … (A)n affecting, honest and musically elegant work … bustling rhythmic intensity and pungent chromatic bite.” (The New York Times)

The Takács QuartetThe Grammy Award-winning chamber quartet has been moving audiences and selling out concerts for three decades at CU-Boulder. Their irresistible blend of virtuosic technique and engaging personality has led The Guardian (London) to proclaim, “The Takács Quartet are matchless, their supreme artistry manifest at every level.”

The 2015-2016 series includes a bonus performance by the Takács' special invited guest, the Attacca Quartet.

Sunday, Sept. 20, 2015, 4:00 p.m.Monday, Sept. 21, 2015, 7:30 p.m.Sunday, Oct. 18, 2015, 4:00 p.m. (Attacca Quartet)Monday, Oct. 19, 2015, 7:30 p.m. (Attacca Quartet)Sunday, Nov. 8, 2015, 4:00 p.m.Monday, Nov. 9, 2015, 7:30 p.m.Sunday, Jan. 10, 2016, 4:00 p.m.Monday, Jan. 11, 2016, 7:30 p.m.Monday, Feb. 29, 2016, 7:30 p.m.Sunday, April 24, 2016, 4:00 p.m.Monday, April 25, 2016, 7:30 p.m.


Takács Quartet: “music we adore”The Grammy Award-winning Takács Quartet—in-residence at CU-Boulder and the first string quartet to be awarded the Wigmore Hall Medal—is gearing up for another characteristically virtuosic and musically gratifying season.

“We can’t wait to perform late Haydn and Shostakovich this fall,” says cellist András Fejer of Joseph Haydn’s String Quartet No. 3 in G minor, Op. 74, "The Rider," and Dmitri Shostakovich’s String Quartet No. 3 in F Major, Op. 73 to be performed in September—along with Antonín Dvořák’s String Quartet No.14 in A-flat Major, Op. 105, the last string quartet he composed. “Also in the first half of the season,

we’re including Brahms’ flowing and rhythmic String Quartet No. 3 in B-flat Major, Op. 67—another late work.

“This is music we adore. We love the process of returning to old favorites with renewed energy and expectations.”

Indeed, the quartet—in its 40th season—last performed Dvořák’s string quartet some 30 years ago. “It’s exhilarating to work with material that’s familiar in our hands, and reshape it into something new,” Fejer adds. “We already know the rip currents and potential pitfalls from both technical and musical perspectives. Hopefully, we’ve gained the wisdom to navigate these musical landscapes and more fully reveal the beauty that lies within.”

In addition to Brahms’ string quartet, the November program will include Joseph Haydn’s String Quartet No. 1 in C Major, Op. 74. Stay tuned for a surprise announcement from stage in November when the Takács Quartet will also present the premiere of a new work.

The chamber quartet performed some 80 concerts worldwide in the past year, coached and presented master classes in North America and Europe, and taught chamber music and individual lessons to students in Boulder.

Two sets of performances at the College of Music’s Grusin Music Hall are Sunday, Sept. 20 at 4 p.m. and Monday, Sept. 21 at 7:30 p.m.; and Sunday, Nov. 8 at 4 p.m. and Monday, Nov. 9 at 7:30 p.m. For tickets, visit cupresents.org or call 303-492-8008.

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Cinderella (La Cenerentola): “a story of transcendence”Equal parts humor, tenderness and philosophical exploration, Gioachino Rossini’s enduring classic has something for everyone.

“Right from the start, ‘Cinderella’ was a hit with audiences,” says Leigh Holman, Director of the Eklund Opera Program. “It’s hilarious, truly a comedy. But unlike the Disney version, it’s also more grounded and realistic.

“There’s no glass shoe or fairy godmother. Instead, the opera brings to life all the warmth of goodness and love.” Indeed, “Cinderella” features some of Rossini’s grandest writing for solo voice and vocal ensembles.

Sung in Italian and set at the turn of the 20th century, Holman describes this production as a “relatively traditional” rendering of the story of a scullery maid, featuring a tour de force for mezzo-soprano.

Make that three mezzo-sopranos. “We have so many great mezzos that we opted to triple cast the part of

‘Cinderella.’ Each of the three performances will spotlight a different mezzo in the title role,” explains Holman.

“What I enjoy most about this opera are its pervasive themes of character development. ‘Cinderella’ is neglected and oppressed by an abusive father, but she learns to let that go. Because of the glorious love she’s found, forgiveness grows before regret and resentment take root.

“It’s a story of transcendence.”

www.BoulderPhil.org • 303.449.1343 ext. 2 Tickets start at $13; Students $5!

Opening NightSun., Sep. 13—7 PM at Macky Charles Wetherbee, violinGabriela Montero, pianoWorks by Ravel, Fujiwara & Rachmaninoff

Josh RitterSat., Oct. 10—7:30 PM at Macky

Portraits In Season Sat., Nov. 14—7:30 PM at Mackywith Boulder ChoraleCharles Denler, pianoWorks by Brahms & Denler

The Nutcracker BalletFri.-Sun., Nov. 27-29 at Macky

Christmas with the PhilSun., Dec. 20—2 PM, BoulderMon., Dec. 21—6:30 PM, Beaver CreekTue., Dec. 22—7:30 PM, Lone Tree

Dance, American StyleSat., Jan. 16—7:30 PM at Mackywith Boulder BalletWorks by Schuman, Bernstein& Copland

Spheres Of Infl uenceFri., Feb. 12—7:30 PM at MackyAnne Akiko Meyers, violinWorks by Mazzoli, Tchaikovsky, Mendelssohn & Shostakovich

Cirque de la Symphonie Sat., Apr. 2—2 & 7:30 PM at MackyAcrobats perform to classical favorites

Bach’s St. Matthew Passion Sat., April 23—7 PM at MackySun., April 24—2 PM in Denverwith Central City Opera, Boulder Bach Festival & CU Choruses

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The libretto for “Cinderella” was written by Jacopo Ferretti, based on the fairy tale “Cendrillon” by Charles Perrault.

The two-act opera performed at Macky Auditorium runs:Friday, Oct. 23 at 7:30 p.m. Saturday, Oct. 24 at 7:30 p.m. and Sunday, Oct. 25 at 2 p.m.

For tickets, visit cupresents.org or call 303-492-8008.

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| 303-492-8008 | cupresents.org | Get Soci@cupresents |

TWYLA THARP50th Anniversary Tour

Choreography by Twyla TharpCostumes and Scenics by Santo Loquasto

Lighting by James Ingalls

John Selya, Rika Okamoto, Matthew Dibble, Ron Todorowski, Daniel Baker, Amy Ruggiero, Ramona Kelley, Nicholas Coppula, Eva Trapp,

Savannah Lowery, Reed Tankersley, Kaitlyn Gilliland, Eric Otto

These works were commissioned by The Joyce Theater, New York, with funds from the Estate of John L. Klebanoff, and The John F. Kennedy Center for the Performing Arts, Washington D.C. (lead commissioners); Auditorium Theatre of Roosevelt University (made possible by Phillip and Marsha Dowd) & Ravinia Festival Association, Chicago; TITAS Presents in association with AT&T Performing Arts Center, Dallas; and The Wallis Annenberg Center for the Performing Arts, Beverly Hills. This work was also made possible by the New England Foundation for the Arts National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W.

Mellon Foundation, with additional support from the National Endowment for the Arts.

Twyla Tharp Dance Foundation 50th Anniversary Tour Gratefully Acknowledges: David Herro & Jay Franke for lead funding Tam O’Shaughnessy, in memory of Sally Ride, for sponsorship of PRELUDES AND FUGUES Patsy & Jeff Tarr and the JCT Foundation for many years of support Catherine & Bill Miller for underwriting first rehearsal period Cathy & Stephen Weinroth for underwriting second rehearsal

period Vincente Wolf for his generosity Sara Rudner & Rose Marie Wright for their absolute commitment

Tonight’s performance is sponsored by Shaw Construction.

During intermission, tag us in your post or selfie and you could win a $100 CU Presents gift certificate! (facebook.com/cupresents) (Twitter: @cupresents) (Instagram: @cupresents)

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ProgramFIRST FANFARE

Choreography by Twyla TharpMusic by John Zorn

Music performed by The Practical Trumpet SocietyCostumes by Santo Loquasto


The Company

“Antiphonal Fanfare for the Great Hall” by John Zorn. Used by arrangement with Hips Road.

Pause

PRELUDES AND FUGUESDedicated to Richard Burke

Choreography by Twyla TharpMusic by Johann Sebastian Bach

Music performed by David Korevaar and Angela HewittCostumes by Santo Loquasto


The Company

“Well-Tempered Clavier” Volume 1 recorded by MSR Records, Volume 2 recorded by Hyperion Records Ltd.

--- Intermission ---

SECOND FANFAREChoreography by Twyla Tharp

Music by John ZornMusic performed by American Brass Quintet

Costumes by Santo LoquastoLighting by James Ingalls

The Company

“In Excelsis” by John Zorn. Used by arrangement with Hips Road.

Pause

YOWZIEChoreography by Twyla Tharp

Music: American JazzMusic performed by Henry Butler/Steven Bernstein and The Hot 9

Costumes and Scenics by Santo LoquastoLighting by James Ingalls

John Selya Rika Okamoto Matthew Dibble Ron TodorowskiDaniel Baker Amy Ruggiero Ramona Kelley Nicholas Coppula Eva Trapp

Savannah Lowery Reed Tankersley Kaitlyn Gilliland

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BUDDY BOLDEN’S BLUESMusic by Jelly Roll Morton

© ASCAP / Morris Edwin H & CO

WOLVERINE BLUESMusic by Jelly Roll Morton

© ASCAP / Morris Edwin H & CO / Spanish Fly Music

GIMMIE A PIGFOOTMusic by Wesley Wilson

© ASCAP / Spanish Fly Music

VIPER’S DRAGMusic by Thomas “Fats” Waller

© ASCAP / Morris Edwin H & CO / Ann Rachel Music corp

BOOKER TIMEMusic by Henry Butler

© ASCAP / Hitocracy Music

KING PORTERMusic by Jelly Roll Morton

© ASCAP / Morris Edwin H & CO / Spanish Fly Music

HENRY’S BOOGIEMusic by Henry Butler

© ASCAP / Hitocracy Music

“Buddy Bolden’s Blues,” “Wolverine Blues,” “Gimme a Pigfoot,” “Viper’s Drag,” “Booker Time,”“King Porter,” and “Henry’s Boogie” as performed by Henry Butler & Steven Bernstein (P) 2014 JAF,

Inc. / under exclusive license of impulse! Universal Music France.

Since graduating from Barnard College in 1963, Twyla Tharp has choreographed more than one hundred sixty works: one hundred twenty-nine dances, twelve television specials, six Hollywood movies, four fulllength ballets, four Broadway shows and two figure skating routines. She received one Tony Award, two Emmy Awards, nineteen honorary doctorates, the Vietnam Veterans of America President’s Award, the 2004 National Medal of the Arts, the 2008 Jerome Robbins Prize, and a 2008 Kennedy Center Honor. Her many grants include the John D. and Catherine T. MacArthur Fellowship. She is a member of the American Academy of Arts and Sciences, the American Philosophical Society and an Honorary Member of the American Academy of Arts and Letters. In 1992, Tharp published her autobiography PUSH COMES TO SHOVE. She went on to write THE CREATIVE HABIT: Learn it and Use it for Life, followed by THE COLLABORATIVE HABIT: Life Lessons for Working Together. She is currently working on a fourth book.

Choreographer/Director

Simply put, PRELUDES AND FUGUES is the world as it ought to be, YOWZIE as it is.The FANFARES celebrate both.

Twyla Tharp, 2015

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Rika Okamoto, originally from Japan, moved to United States in 1988 and began dancing with the Martha Graham Dance Company, where she met Twyla Tharp. Okamoto first danced for Tharp in 1993. She was an original cast member in Tharp’s Broadway Musicals Movin’ Out and Come Fly Away. Currently she teaches Tharp’s Technique class and Repertory, and assists in the development of Tharp education programs. She has been a guest Tharp teacher/ballet master at many colleges and institutions worldwide. Okamoto has worked for various productions with many choreographers, including Maryl Tankard and Pichon Baldin for Disney’s Broadway Musical Tarzan, Robert Wilson, Mark Morris, Daniel Ezralow, Jessica Lang, Buglisi/Foreman, as well as her teachers—Kazuko Hirabayashi, Pearl Lang, and Yuriko. She appeared in numerous commercials, TVs, and films, including the film Across The Universe directed by Julie Taymore. She was chosen by Steven Spielberg to play the title role for his pre-production project.

John Selya trained at the School of American Ballet. Selya went on to join American Ballet Theatre, where he danced and choreographed. Following his departure from A.B.T., Selya joined Twyla Tharp’s company. He created the role of Eddie in Tharp’s Tony Award winning Broadway musical Movin’ Out, which earned him numerous awards and nominations. Following Movin’ Out, Selya performed in other Broadway productions including Guys and Dolls and Tharp’s Come Fly Away. He directed and starred in the national tour of Come Fly Away and in 2013, he staged the work for the Royal Danish Ballet where it became an audience favorite and broke box office records. In addition to the world’s stages, Selya’s dancing can also be seen in movies such as Woody Allen’s Everyone Says I Love You, Julie Taymore’s Across the Universe and John Turturro’s Romance and Cigarettes. Selya is a recipient of a fellowship at New York University’s Center for Ballet and the Arts in the fall of 2015.

Ron Todorowski is originally from Pittsburgh, PA and has had a diverse career in concert, musical theater and commercial dance. He has been a member of Complexions Contemporary Ballet, Cedar Lake Contemporary Ballet, The Parsons Dance Company, Mia Michaels “RAW” and has guested for many others. He was most recently part of the original cast of Finding Neverland on Broadway. Other Broadway credits include Twyla Tharp’s Come Fly Away, The Times They Are A Changin’ and Movin’ Out along with Wicked, Guys and Dolls and Footloose. He starred in London’s West End production and first national tour of Movin’ Out where he received a Helen Hayes Award for Best Actor in a musical. Off Broadway and other theater credits include Andrew Lippa’s The Wild Party, Chess for the Actor’s Fund with Josh Groban, Barry Manilow’s Copacabana, Spirit and Cinderella. Some television and film credits include SNL, The Today Show, Good Morning America, The View, the Tony Awards, the VMA’s and the feature film

Matthew Dibble was born in Halifax, West Yorkshire, England, and began his training at the Royal Ballet School. After five years with the Royal Ballet, Dibble became a founding member of K Ballet in Japan, and in 2001 he joined Twyla Tharp Dance. He later danced a Principal role (James) on the Movin’ Out tour and created the role of Chanos in Come Fly Away on Broadway, both choreographed and directed by Twyla Tharp. Dibble has also danced for Scottish Ballet, Matthew Bourne, Roland Petit, Christopher Wheeldon and Benjamin Millepied. Today he dances and sets works for Twyla Tharp all around the world.

The Company

Winter’s Tale. He has choreographed original work for Wayne State University, BC Beat in NYC and worked as Assistant Choreographer for Seven Brides for Seven Brothers at the Lyric Theater in Oklahoma City as well as Celine Dion’s A New Day in Las Vegas. He recently shot a music video for Nate Ruess’s new single, “A-Ha.” Thanks to family, Ryan and Twyla for this incredible opportunity.

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Ramona Kelley is originally from California, where she began her training at Berkeley Ballet Theater under the direction of Sally Streets. She is a National Foundation for the Advancement of the Arts (NFAA) scholarship award winner and she holds a BFA in Dance from New York University’s Tisch School of the Arts. Kelley first worked with Twyla Tharp when she danced the principal role ‘Betsy’ in the North American/Japanese tour of Tharp’s Come Fly Away. She has also worked with Cherylyn Lavagnino Dance, Oakland Ballet Company and The Phantom of the Opera 25th Anniversary Tour, among others.

Nicholas Coppula was born in Pittsburgh, Pennsylvania where he trained in tap and ballet from a young age. He later moved on to train with the Pittsburgh Ballet Theatre School, American Ballet Theatre, and at the Chautauqua Institute with North Carolina Dance Theatre. After high school he joined Pittsburgh Ballet Theatre for eight years. During this time he performed soloist and principal roles in Nutcracker, Swan Lake, Jorden Morris’s Moulin Rouge, George Balanchine’s Serenade and Twyla Tharp’s In the Upper Room and Nine Sinatra Songs. Coppula now lives in New York City with his wife and partner Eva Trapp where they work with the Twyla Tharp Dance Foundation.

Amy Ruggiero New York: Manon at the Metropolitan Opera (Degas Ballerina, soloist), The Radio City Christmas Spectacular (Ensemble), Heart and Lights (Ensemble, workshop and original cast), Lindsay Nelko’s Awakening the Show (Dancer); 1st National and Japan Tours of Come Fly Away (Dance Captain/Swing, u/s Babe, u/s Betsy, u/s Slim); Regional: Little Dancer at the Kennedy Center (Dance Captain/Swing, u/s Young Marie); Equity showcase: R/evolution the Musical; Companies: American Repertory Ballet, Ballet Austin (apprentice); Other theatre: Opera New Jersey’s The Merry Widow (Dancer); Film/TV: Flesh and Bone (Audition Dancer, pilot ep), Beyoncé’s The Mrs. Carter Show World Tour Opening Video (Ballerina), The Radio City New York Spring Spectacular commercial (Degas Ballerina), The Verdon Fosse Legacy LLC Archival Footage. BA in Dance with Biological Sciences from Goucher College.

Daniel Baker was born in Newcastle, Australia. He studied at the School of American Ballet the official school of the New York City Ballet. He later went on to become a soloist in the Miami City Ballet and danced for the San Francisco Ballet. Baker has performed works by Tharp, Balanchine, Cranko, Forsythe, Morris, Neumeier, Ratmansky, Robbins, Taylor, Tudor and Wheeldon. Baker was a finalist on the hit show ‘So You Think Can Dance’ and has danced alongside the Rockettes at the Radio City Music Hall. Baker has appeared in two PBS Great Performance Specials and performed Tharp’s Movin Out’ at the 2014 Gershwin Awards honoring Billy Joel. He received the New York Choreographic Fellowship Award and has choreographed for the New York Choreographic Institute in Lincoln Center.

Born in Kentucky, Eva Trapp started her professional training with Michigan Ballet Theatre and Pittsburgh Ballet School. She began her career with Ohio Ballet where she danced for four seasons. She then went to dance for eight seasons with Pittsburgh Ballet Theatre as a soloist. Trapp had the honor of being the first ballerina from an American company to perform Blanche in John Neumeier’s A Street Car Named Desire. Currently Trapp resides in New York City with her husband and fellow dancer, Nicholas Coppula, where she works for Twyla Tharp.

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Kaitlyn Gilliland began her dance training at the Minnesota Dance Theatre and continued her studies at the School of American Ballet. From 2006-2011, Gilliland danced with the New York City Ballet, receiving the company’s 2009-2010 Janice Levin Dancer Award. She has since appeared with BalletNext, Ballet Collective, Ballet Tech, Emery LeCrone Dance, Intermezzo Dance Company, JV Squad– Designated Movement, New Chamber Ballet, Pontus Lidberg Dance, Trainor Dance, and Twyla Tharp. She graduated summa cum laude, Phi Beta Kappa from Columbia University in May 2015.

Savannah Lowery was born in Largo, Florida. She began dancing at the age of three under the direction of Judith Lee Johnson at The Judith Lee Johnson Studio of Dance. At age 14, Lowery moved to New York City to attend the School of American Ballet. After two years of devout training from Balanchine experts, Kay Mazzo, Suki Schorer and Suzy Pillare, she was offered an apprenticeship with the New York City Ballet. In October 2002, Lowery officially joined the Company as a member of the corps de ballet and in December 2007 was promoted to the rank of soloist after her performance as the Dewdrop in Balanchine’s The Nutcracker– one of her favorite roles today. Lowery has had the privilege to work with many renowned choreographers including Christopher Wheeldon and Susan Stroman, and is thrilled to be working with the incomparable Twyla Tharp.

Eric Otto was born and raised in Westchester, New York. He began dancing at the age of seven with the School of American Ballet in New York City. He has danced professionally with the New York City Ballet, American Ballet Theatre, Metropolitan Opera Ballet, Cedar Lake Contemporary Ballet and Ballet X. He was an original cast member of Twyla Tharp’s Come Fly Away (Sid u/s). In 2003, Otto was invited to join the cast of Movin’ Out (James u/s). He has most recently appeared on Broadway in The Phantom of the Opera. Otto has performed an extensive repertoire including ballets by Frederik Ashton, George Balanchine, John Cranko, Jiri Kylian, Kenneth MacMillan and Jerome Robbins. He has danced roles created for him by Twyla Tharp, Paul Taylor, Matthew Neenan, Lynne Taylor- Corbett and Natalie Weir.

Reed Tankersley is a native of the San Francisco Bay Area where he began his dance training at the age of five. He attended The Juilliard School (2014) in New York where he performed works by Merce Cunningham, Twyla Tharp, Pina Bausch, Murray Louis and Alex Ketley. Tankersley has had the pleasure of working and performing internationally in works by Peter Chu, Gustavo Ramirez Sansano and Johannes Weiland. In 2012 he performed at the Edinburgh International Festival with the Juilliard Ensemble Alexander Ekman’s “Episode 31.” Shortly after graduation he began working with Twyla Tharp as well as performing with other choreographers such as Jonah Bokaer, Jonathan Royse Windham, Cheryl Copeland and Lilja Rúriksdóttir. Working with Twyla for the past year has truly been an honor and he is very excited to be a part of her 50th Anniversary Celebration.

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Santo Loquasto (Scenic and Costume Design) is a designer for theatre, film, dance, and opera. He has received 3 Tony Awards and has been nominated 18 times. Loquasto has collaborated with Twyla Tharp since 1974 on numerous occasions including iconic works such as Push Comes to Shove, In the Upper Room, and Movin’ Out. He has collaborated with Woody Allen on 28 films including costume design for Zelig and production design for Radio Days and Bullets Over Broadway for which he received Academy Award nominations. Recent designs on Broadway include A Delicate Balance, Bullets Over Broadway, Fences, Wit, and The Assembled Parties. He received the Merritt Award for Excellence in Design and Collaboration in 2002, was inducted into the Theater Hall of Fame in 2004, received the Pennsylvania Governor’s Award for the Arts in 2006, the Robert L.B. Tobin Award for Lifetime Achievement in 2007, and the Gaudium Award in 2013.

James F. Ingalls (Lighting Designer) was the stage manger and lighting supervisor for the Twyla Tharp Dance Foundation from 1978-1980. Since becoming a lighting designer in 1980, his work has included designs for dance, ballet, opera, theatre and symphony concerts. He has designed Twyla Tharp’s Waiting at the Station for Pacific Northwest Ballet, Seattle. Recent design for ballet and dance includes The Sleeping Beauty, choreographed by Alexi Ratmansky [American Ballet Theatre at Segerstrom Center/Costa Mesa, CA and Metropolitan Opera House/NYC], Celts, choreographed by Lila York [Boston Ballet], Sea Lark and Death and the Maiden [Paul Taylor Dance Company] and the 25th anniversary production of L’Allegro, il penseroso ed il moderato [Mark Morris Dance Group at the Teatro Real/Madrid and The New York State Theatre]. Recent opera includes Henry Purcell’s The Indian Queen [English National Opera/London, Teatro Real/Madrid and Opera Perm/Russia] and John Adams’ The Gospel According to

Stephen Terry, Technical DirectorBillie Pierce, Wardrobe SupervisorJessie Ksanznak, Stage Manager

Jill DuBoff, Sound Engineer

Administrative StaffJesse Huot, Executive Director

Alexander Brady, Company ManagerChelsea Keys, Administrative Assistant

Special thanks to Ruven Afanador, Sean Kelleher, Amy Lehman, Joe Mizrahi,Kevin Posey, Norma Stevens, and Shelley Washington.

Press representation by Ellen Jacobs Associates, http://www.ejassociates.org.

Tour Management:Opus 3 Artists LLC

David V. Foster, President470 Park Avenue South - 9th F

Artistic Staff

the Other Mary [English National Opera/London], both directed by Peter Sellars. His recent work in theatre includes The DruidShakespeare, directed by Garry Hynes [Druid Theatre Company/Galway and Lincoln Center Festival/NYC], The Second Girl [Huntington Theatre Company/Boston], Long Day’s Journey Into Night [Oregon Shakespeare Festival], The Price [Mark Taper Forum/LA] and Carmen De Lavallade’s As I Remember It [Jacob’s Pillow/MA and US tour]. He often collaborates with Melanie Rios Glaser and the Wooden Floor dancers in Santa Ana, California.

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CU Theatre & Dance2015-16 Dance SeasonTickets now on sale

303-492-8008colorado.edu/theatredance

ROUND AND ROUND UP AND DOWN An MFA dance concertOct. 10-11 THE OTHERLANDAn MFA dance concert Oct. 16-18UN | COVERING MEAn MFA dance concert Nov. 13-15FRESH A student dance concertDec. 4-5BEAUTIFUL HUMAN LIESFeaturing the Rennie Harris GrassRoots ProjectFeb. 12-14OPEN SPACECurated by CU Dance ConnectionMarch 4-6THE CURRENT A faculty and guest artistdance concert April 15-17FRESHA student dance concertApril 22-23

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Inspired Again!

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In a community like ours, it’s easy to feel inspired. Just look around. Thank you to our business associates, clients and the non-profi t organizations that make our community a better place in which to live and work.

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colorado.edu/music/facultytuesday

Faculty Tuesday recitals are held throughout the academic year at 7:30 p.m. in Grusin Music Hall of the Imig Music Building on the CU-Boulder campus.

Performances are free and open to the public.Sept. 22 Woodwind Faculty: The Winds Blow! Once again, the woodwind faculty share their talents with the local audiences. Music for saxophone, clarinet, bassoon, oboe and flute with Tom Myer, Yoshiyuki Ishikawa, Peter Cooper and Daniel Silver.

Oct. 6 The Music of George Lynn: Sponsored by the American Music Research Center. Enjoy a variety of vocal and instrumental works by nationally known teacher, conductor and composer George Lynn to celebrate the 100th anniversary of his birthday. Thomas Riis is joined by Patrick Mason, Abigail Nims, Daniel Silver, Hsing-ay Hsu, Margaret McDonald, Mutsumi Moteki, Christina Jennings, Terry Sawchuk and the Altius String Quartet.

Oct. 13 Throw Down or Shut Up!: Patterns at Play Join saxophonist and flutist John Gunther, guitarist Patrick Sutton, pianist Daphne Leong and percussionist Michael Tetreault. You’ll hear the world premiere of Hunter Ewen’s “Cake of 1000 Waterfalls,” and experience an interactive exploration of adventurous, imaginative and fun pieces by Reich, Muhly, Shende, Stravinsky, Ewen and Gunther. Inspiration for these pieces ranges from the Mario Bros. video games to hero legends, cake baking and the tango.

Oct. 20 Harpist Janet Harriman and friends: 28 pedals With harpists Don Hilsberg, Kathryn Harms and Joni Martin, Janet Harriman will perform Sylvan Levin’ “Four Spanish Dances for Four Harps,” Richard Einhorn’s “New Pages for Two Harps” and Carlos Salzedo’s “Preambule et jeux.”

Oct. 27 Violinist Chas Wetherbee and friends In an evening of firsts, experience the first Boulder performance of Paul Juon’s nuanced and melodic “Violin Sonata No. 2” with piano faculty David Korevaar. New faculty members, violinist Harumi Rhodes and cellist David Requiro—along with Erika Eckert and Paul Erhard—will then join forces to present another Boulder premiere, Max Bruch’s incredible “String Octet.”

Nov. 3 Pianist Jennifer Hayghe: The Art of Music Join new piano faculty member Jennifer Hayghe for an evening featuring music inspired by art and art inspired by music—including Mussorgsky’s “Pictures at an Exhibition”—performed in conjunction with a synchronized silent film of 53 original images created by visual artist Michele Tremaine. The program includes music by Bach, Granados and Liszt with artwork by Klee, Goya and Raphael.

Nov. 10 Soprano Jennifer Bird-Arvidsson and pianist Alexandra Nguyen: Cabaret Songs Grusin Music Hall will be transformed into a cabaret nightclubfor this intimate performance featuring standards of the cabaret genre interpreted through the lens of traditional classical composers such as Schoenberg and Britten. The evening won’t be complete without an engaged audience, so come join us for an unforgettable soirée!

Nov. 17 Cellist David Requiro and pianist Margaret McDonald: A Folk-Inspired Evening Join new faculty cellist David Requiro and pianist Maragaret McDonald for Kodaly’s “Sonata for Cello and Piano,” Op. 4, “Five Pieces on Folk Themes” by Tsintsadze and Brahms’ “Cello Sonata No. 2 in F-Major,” Op. 99.

Dec. 1 Violinist Harumi Rhodes and pianist David Korevaar: First Ventures Harumi Rhodes and David Korevaar embark on an exploration of “first ventures” featuring first sonatas for violin and piano by Beethoven and Bartok. Also on the program is Messiaen’s “Thème et variations,” a mystical work like none other in the repertoire.



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Artist SeriesThe Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide worldclass performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.

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In-kind SponsorsBoulder Blooms, Camera, Hotel Boulderado, KUVO, Liquor Mart, The Pines Catering

SponsorDiane and Richard DunnMary Lamy

PatronAnonymousJoan McLean BraunChris and Barbara ChristoffersenDaryl and Kay JamesRuth Carmel KahnLouise Pearson and Grant CouchScott Wiesner and Janet Ackermann

SupporterGil and Nancy BermanMark and Margaret CarsonCarson-Pfafflin Family FoundationCenter Copy Boulder, Inc.Walter DuncanMarty Coffin Evans and Robert TremblyCarol and Michael GallucciLori Lucas and Bob SchuylerHeidi and Jerry LynchRobert and Sandra McCalmonJudy and Alan MegibowJerry and Jamie OrtenMikhy and Michael RitterAlicia and Juan RodriguezTheodore and Ruth SmithLarry and Ann Thomas

ContributorMary AldersonDean and Ellen BoalPrudence Carter Norma Ekstrand and Tom CampbellHarold and Joan LeinbachSusan and Jon LounsburyJanet and Scott MartinBarbara and Irwin NeulightGary and Beth RauchAnthony and Randi StrohDouglas and Avlona Taylor

MemberDavid BeausangShirley CarnahanNoel A. and Pauline A. ClarkCatherine CloutierJoseph and Jaird de RaismesLaima and Damon HaleyJo and David HillJeannette and David HilleryGregory and Gladeane LefferdinkPam LelandJudah and Alice LevineMargaretha Maloney and Robert PalaichPaul and Kay McCormickJanet and Hunter McDanielTammy NoirotCourtland and Carolyn SpicerZoe StiversLloyd Timblin Jr.Geoffrey TyndallHeather Van DusenVince and Caroline Wayland

Artist SeriesAdvisory BoardGil BermanRudy BetancourtJoan McLean BraunJohn DavisDiane DunnMike GallucciLissy GarrisonLaima HaleyDaryl James, PresidentMaryan K. JarossRuth KahnJerry OrtenLouise PearsonErika RandallRobert ShayGregory SilvusEllen TaxmanNicholas Vocatura

BenefactorPaul Bechtner FoundationGreg Silvus and Melanie MillerEllen and Joshua Taxman


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Takács SocietyThe Takács Society is formed by the College of Music and provides the resources critical to supporting the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attracting and retaining exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.

If you would like to name a seat in Grusin Music Hall, please call the College of Music Development Office at 303-735-6070.

Make all gifts payable to the University of Colorado Foundation and mail to:

Takács SocietyCU College of Music, 301 UCB, Boulder, CO 80309-0301.

For credit card payments, questions or additional information, please call the College of Music Development Office at 303-735-6070.

BenefactorAlbert and Nancy BoggessLyle Bourne and Rita YaroushSam ErsanNorma Johnson in memory of Fay ShwayderGary and Judith Judd in memory of Fay ShwayderThe Takács Quartet

SponsorPamela Decker and Beth SapersteinCarol Lena KovnerDavid and Janet RobertsonMarion Thurnauer and Alexander Trifunac

PatronThomas and Carol CechChris and Barbara ChristoffersenAnne Heinz and Ran YaronRay and Margot LaPanseKathleen SullivanJohn and Carson Taylor

SupporterPatricia ButlerRobert R. KehoeWalter and Eileen KintschVirginia M. NewtonNewton Family Fund, Inc.Neil and Martha PalmerMikhy and Michael RitterDavid and Susan SeitzLawrence and Ann ThomasJames and Lena Wockenfuss

ContributorVirginia and Stanley BoucherWilliam and Alice BradleyMarda BuchholzBob and Lennie DamrauerCarolyn and Don EtterSteve Goldhaber and Mariana Gold-haber-VertensteinHarold and Joan LeinbachNancy and Paul LevittPatricia and Robert LisenskyAnthony and Randi StrohBerkley TaguePatricia Thompson

MemberAnonymousLois AbbottChristine Arden and David NewmanNeil Ashby and Marcia GeissingerMaria and Jesse AweidaChristopher and Margot BrauchliKevin and Diana BunnellShirley CarnahanPenny CheneryNoel A. and Pauline A. ClarkHelen Dorsey CorbettCharlotte CorbridgeRichard and JoAnn CrandallBarbara and Carl DiehlCarolyn and Don EtterBob and Jean FischerLloyd and Mary Gelman

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The George Lynn CentennialOctober 5-8, 2015 at CU Boulder

Join us to honor Colorado composer, conductor and teacher, George Lynn at concerts by CU faculty

and choirs, and a free public seminar featuring famed choral conductor, Dr. Eph Ehly.

www.colorado.edu/amrc/events303-735-3645

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Friends of the Eklund OperaThe Eklund Opera Program is recognized nationwide as one of the finest programs of its kind in the country. Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards, and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize Eklund Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting Eklund Opera, please contact our Development Office at 303-735-6070.

About the Eklund Opera ProgramRecognizing the importance of the arts and live vocal performance in an increasingly distracted world, long-time Boulder resident Paul Eklund made a generous gift in October 2014 to help establish a $2 million endowment at the CU-Boulder College of Music. Funding from the endowment will help support three opera productions each academic year, the CU New Opera Workshop and an opera-scenes program for new students.

From left: Paul Eklund Leigh Holman, Director of OperaRobert Shay, College of Music Dean

BenefactorAnonymousDavid Allen and Carol DeBacaBoulder Rotary ClubPaul EklundAnn OglesbyAlan and Martha StormoThe Academy Charitable Foundation, Inc.

PatronChris and Barbara ChristoffersenLloyd and Mary GelmanAlbert and Betsy HandBob and Mikee KapelkeAntoinette and Douglas Shaller

SupporterAnonymousMark and Margaret CarsonCarson-Pfafflin Family FoundationMikhy and Mike RitterTheodore and Ruth SmithLawrence and Ann ThomasKen and Ruth Wright in memory of Mayme LacyWright Family Foundation

ContributorJim and Judith BowersRobert and Lenore DamrauerMaryann Dimand and Sheeyun ParkMartha Coffin Evans and Robert TremblyHarold and Joan LeinbachJanet and Scott MartinDenise McCleary and Paul Von BehrenDave and Ann PhillipsRichard and Caroline Van PeltPeter WallMichael and Linda Weatherwax in memory of Allene Cash

GrantsDenver Lyric Opera Guild Galen & Ada Belle Spencer Foundation Louis and Harold Price Foundation Roser Visiting Artist Endowment The Schramm Foundation

MemberShannon Bee in memory of Allene CashSara-Jane and Bill CohenCatherine Compton in honor of Tom RobbinsEleanor DePuyDonald and Beverly EklundJoseph and Beverly ElinoffEllen and John GilleJanet HanleyDavid and Janet HummerFrank and Marion KreithMelinda Leach and David BallKenneth L. Levinson and Shauna Titus LevinsonPatricia and Robert LisenskyHeidi and Jerry LynchBruce MackenzieMarian MathesonByron and Cathy McCalmonCorinne McKay and Daniel UristRichard and Donna MeckleyKathleen and John NessRobert and Marilyn PeltzerKim and Rich PlumridgeGail Promboin and Robert BurnhamByron and Sylvia RileyJuan and Alicia RodriguezRuth SchoeningRuth ShanbergeCarol and Randall ShinnCarol and Art SmootHelen StoneWalter TaylorJames and Nurit Wolf



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Personnel

Patron Info CU Presents Box Officecupresents.org303-492-8008

College of Music CabinetRobert Shay, DeanJames Austin, Associate Dean of U.G. StudiesJames Brody, Interim Dean for U.G. StudiesSteven Bruns, Associate Dean for Grad. StudiesJohn Davis, Associate Dean for AdministrationJoan McLean Braun, Assistant Dean for Concerts and Strategic CommunicationsLissy Garrison, Assistant Dean for AdvancementAlexander George, Executive Assistant to the Dean

Honorary Directors:Dean Boal, Bob Charles, Eileen Cline, Donna Erismann and Dave Grusin

StaffJoan McLean Braun, Executive DirectorLaima Haley, Marketing and P.R. DirectorSabine Kortals, Interim Director of CommunicationsDaniel C. Leonard, Marketing ManagerJessie Bauters, Assistant Director of Communications and Web AdministratorMel Plett, Publications ManagerKaren Schuster, Graphic DesignZachary Barger, Abbey Engrav, Helen Slivinski, Colin Wichman, Jackson Xia, P.R. AssistantsNick Vocatura, Operations DirectorAndrew Metzroth, Box Office ManagerMichael Casey, Box Office Services ManagerCiara Glasheen-Artem, Elise Campbell, Starla Doyal, Adrienne Havelka, Chris Ruiz, Melanie Shaffer, Box Office AssistantsKevin Harbison, Recording EngineerNancy Quintanilla, Financial ManagerTed Mulcahey, Piano Technician

Macky Auditorium StaffRudy Betancourt, DirectorJohn Jungerberg, Operations ManagerSara Krumwiede, Assistant DirectorJP Osnes, Technical DirectorRhett Snyder, Assistant Technical DirectorRojana Savoye, House ManagerNicole Anderson, Assistant House Manager

Program Editor: Sabine KortalsProgram Design/Layout: Mel Plett

Accessibility and ParkingMacky Auditorium is fully wheelchair accessible; ADA-Accessible parking is available nearby. Please call the Box Office as early as possible to make arrangements.

Paid parking is available in the Euclid Avenue Auto-park, Lot 310 and Lot 204. Contact the Box Office, or check the CU Presents website for more information.

Photography and video recordings of any type are strictly prohibited during the performance.

Food is permitted in the seating areas of Macky Auditorium, but is prohibited in other campus venues unless otherwise noted.

Smoking is not permitted anywhere. CU- Boulder is a smoke-free campus!

Ticket Sales are final; no refunds.Exchanges subject to availability and must be made at least one business day prior to the day of performance. Subscribers may exchange tickets for free. Single ticket exchanges are subject to a $3 exchange fee. Upgrade fees may apply in all cases.Please return your tickets to the Box Office prior to the performance, if you are unable to use them.

College of Music Advisory BoardRobert Shay, DeanChris BrauchliBob BuntingJan BurtonPaul EklundBill ElliottMartha Coffin EvansJonathan FoxDavid FulkerGrace GammLloyd GelmanDoree Hickman

David HummerDaryl JamesCaryl KassoyRobert KorenblatErma ManteyJoe NeglerSusan OlenwineMikhy Ritter, co-chairBecky Roser, co-chairMark TezakJeanne ThompsonJack Walker


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Documents

CU Presents Magazine Artist Series Fall 2015, Sept. 27, 2015