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DOUGLAS KLAHR Associate Professor, School of Architecture University of Texas at Arlington 601 W. Nedderman Drive, Arlington TX 76019 [email protected] EDUCATION Brown University Ph.D., History of Art and Architecture, 2002 University of Virginia, School of Architecture M.A., Architectural History, 1998 BOOK CHAPTERS AND PEER REVIEWED JOURNALS “Stereoscopic Photography Encounters the Staircase: Traversing Thresholds, Borders and Passages,” Archimaera 5 “Grenzwertig” Issue (July 2013), 89-97 http://www.archimaera.de/2012/grenzwertig/stereoscopic_encounters/archimaera005_Klahr.pdf. “The Radically Subversive Narrative of Stereoscopic Photography,” Kunsttexte.de Bild/Wissen/Technik “Die Grenzen der Narration im Bild” Issue (April 2013) http://www.kunsttexte.de/index.php?id=361. “The Elusive Challenge of Photographing Urban Spaces: Nineteenth Century Berlin as Exemplar.” In Documenting History, Charting Progress, and Exploring the World: Architecture in Nineteenth Century Photographs, edited by Micheline Nilsen (London: Ashgate Press, 2013), 155-171. "Sustainability for Everyone: Trespassing Disciplinary Boundaries." In Teaching Sustainability/Teaching Sustainably, edited by Kirsten Bartels and Kelly Parker (Sterling, Virginia: Stylus Press, January 2012), pp. 19-30. Opening chapter of a new textbook featuring essays by twenty scholars. "Symbiosis between Caricature and Caption at the Outbreak of War: Representations of the Allegorical Figure Marianne in Kladderadatsch," Zeitschrift für Kunstgeschichte, Heft 4 (October 2011), 537-558. "Luxury Apartments with a Tenement Heart: The Kurfürstendamm and the Berliner Zimmer," Journal of the Society of Architectural Historians 70, no. 3 (September 2011), 290-307. "Munich as Kunststadt, 1900-1937: Art, Architecture and Civic Identity," Oxford Journal of Art 34, Issue 2 (June 2011), 179-201. “Becoming Builders again in an Age of Global Crisis," trans ETH Zurich 18 (March 2011): 78-85. "Wilhelm II’s Weisser Saal and its Doppelthron," German History 27, no. 4 (October 2009): 490-513. “Le développement des rues parisiennes pendant la monarchie de Juillet.” In Modernité avant Haussmann: Formes de l’espace urbain à Paris 1801-1853, edited by Karen Bowie. (Paris: Éditions Recherche, 2001), 217-230.

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Page 1: Curriculum Vitae April 2015

DOUGLAS KLAHR

Associate Professor, School of Architecture University of Texas at Arlington

601 W. Nedderman Drive, Arlington TX 76019

[email protected]

EDUCATION Brown University Ph.D., History of Art and Architecture, 2002 University of Virginia, School of Architecture M.A., Architectural History, 1998

BOOK CHAPTERS AND PEER REVIEWED JOURNALS “Stereoscopic Photography Encounters the Staircase: Traversing Thresholds, Borders and Passages,” Archimaera 5 “Grenzwertig” Issue (July 2013), 89-97 http://www.archimaera.de/2012/grenzwertig/stereoscopic_encounters/archimaera005_Klahr.pdf. “The Radically Subversive Narrative of Stereoscopic Photography,” Kunsttexte.de Bild/Wissen/Technik “Die Grenzen der Narration im Bild” Issue (April 2013) http://www.kunsttexte.de/index.php?id=361. “The Elusive Challenge of Photographing Urban Spaces: Nineteenth Century Berlin as Exemplar.” In Documenting History, Charting Progress, and Exploring the World: Architecture in Nineteenth Century Photographs, edited by Micheline Nilsen (London: Ashgate Press, 2013), 155-171. "Sustainability for Everyone: Trespassing Disciplinary Boundaries." In Teaching Sustainability/Teaching Sustainably, edited by Kirsten Bartels and Kelly Parker (Sterling, Virginia: Stylus Press, January 2012), pp. 19-30. Opening chapter of a new textbook featuring essays by twenty scholars. "Symbiosis between Caricature and Caption at the Outbreak of War: Representations of the Allegorical Figure Marianne in Kladderadatsch," Zeitschrift für Kunstgeschichte, Heft 4 (October 2011), 537-558. "Luxury Apartments with a Tenement Heart: The Kurfürstendamm and the Berliner Zimmer," Journal of the Society of Architectural Historians 70, no. 3 (September 2011), 290-307. "Munich as Kunststadt, 1900-1937: Art, Architecture and Civic Identity," Oxford Journal of Art 34, Issue 2 (June 2011), 179-201. “Becoming Builders again in an Age of Global Crisis," trans ETH Zurich 18 (March 2011): 78-85.

"Wilhelm II’s Weisser Saal and its Doppelthron," German History 27, no. 4 (October 2009): 490-513. “Le développement des rues parisiennes pendant la monarchie de Juillet.” In Modernité avant Haussmann: Formes de l’espace urbain à Paris 1801-1853, edited by Karen Bowie. (Paris: Éditions Recherche, 2001), 217-230.

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PUBLISHED CONFERENCE PROCEEDINGS “The Stereoscopic Photo Album as Nazi Propaganda: Ephemerality of Image in Vienna, The Pearl of the Reich”, in VI congresso AISU InvisibleVisible. Percepirela città tra descrizioni e omission, edited by S Adorno, G. Cristina and A. Rotondo. (Catania: Scrimm Edizioni, 2014), 1903-1911.

REVIEWS AND EDITORIALS “Heroic Maneuvers in a Straitjacket,” Guest Editorial, E-Architect Newsletter 160, 26 June 2012. http://www.e-architect.co.uk/articles/heroic_architecture.htm “It’s Still a Box in Search of a Crown,” Guest Editorial, E-Architect Newsletter 107, 31 May 2011. http://www.e-architect.co.uk/articles/8_spruce_street.htm “Vertigo as Subtext: Ambiguity, Vulnerability and Risk in a Home,” Guest Editorial, E-Architect Newsletter 151, 24 April 2012. http://www.e-architect.co.uk/articles/ambiguity_vulnerability_risk.htm

Douglas Klahr, review of When Buildings Speak: Architecture as Language in the Habsburg Empire and Its Aftermath, 1867-1933, by Anthony Alofsin, Arris: The Journal of the Southeast Chapter of the Society of Architectural Historians 20 (2009): 90-91.

NEWSPAPER ARTICLES “Was ist, wozu dient ein Berliner Zimmer? Das störrische Beharren der Kurfürstendamm-Bewohner,” in Frankfurter Allgemeine Zeitung, 4 January 2001. PRESENTATIONS & CONFERENCES European Association for Urban History, Lisbon, September 2014: “Nazi Stereoscopic Photo Books of Vienna and Prague: Geopolitical Propaganda collides with a Distinctive Visual Medium”

The ambiguities that the medium of stereoscopic photography presented as a propaganda tool were analyzed in stereoscopic photo books of two cities that were geopolitically important to Hitler: Vienna and Prague. The precise political and cultural contexts within these cities that frames the books’ publications – 1941 and 1943, respectively – were examined.

Associazione Italiana di Storia Urbana Biannual Conference, Catania (Italy), September 2013: “The Stereoscopic Photo Album as Nazi Propaganda: Ephemerality of Image in Vienna, The Pearl of the Reich”

In a panel entitled "The City in Photographic Albums", the 1941 Nazi book Vienna, The Pearl of the Reich, was analyzed as an ambiguous work of propaganda due to the distinctive visual medium of stereoscopic photography that it utilized. The Associazione Italiana di Storia Urbana is Italy’s national association for global urban history, and the conference drew scholars from around the world, including Australia, India, and the United States.

German Studies Association Annual Conference, Milwaukee, October 2012: “The Raumbildalbum During the Third Reich: Stereoscopy and its Relation to Cinema as Propaganda”

The creation of stereoscopic photo albums as propaganda venues is examined within the context of stereoscopy as a quasi-cinematic medium.

German Studies Association Annual Conference, Milwaukee, October 2012: Moderator for the session “Framing Weimar Architecture in the Viewfinder: On Photography and Das Neue Bauen”.

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College Art Association 100th Annual Conference, Los Angeles, February 2012: “Urban Space as a Visual-Haptic Experience: Stereoscopic Views of German Cities, 1880-1910”

An analysis of the challenges facing stereoscopic photographers filming urban spaces and streets and how they departed from established, iconic views to accommodate this distinctive medium.

Southeastern College Art Conference, Savannah, November 2011: “The Carnegie Library Phenomenon: Civic Spaces Produced by Corporate Patronage”

Presentation that focused upon the paradox of Carnegie libraries becoming an unintended corporate brand that produced vibrant civic spaces throughout early twentieth-century America.

ACES Sustainability Across the Curriculum Symposium, UT Arlington, March 2011:

• Panel moderator. Association for Integrative Studies Annual Conference, San Diego, October 2010: “Sustainability for Everyone: Trespassing Disciplinary Boundaries”

Presentation about creating an interdisciplinary course that examined the environmental, economic, societal, and philosophical aspects of sustainability. Became the basis for a chapter in the forthcoming textbook Teaching Sustainability and Teaching Sustainably.

Structures for Inclusion 9 Annual Conference, Dallas, March 2009

Panel moderator for this national conference about community-based architectural practice. Nineteenth Century Studies Association Annual Conference, Miami, April 2008: “Political Satire in the Cartoon and Caricatures of Kladderadatsch during Wartime”

An analysis of political themes examined in cartoons and caricatures published in the German satirical magazine from early 1914 through mid-1915.

College Art Association Annual Conference, Dallas, February 2008: “Mockingbird Station and West Village: Two Examples of New Urbanism in Dallas”

A critique evaluating the projects within the notion of brandscapes or architecture as brand, as opposed to formal design issues.

Renaissance Society of America Annual Conference, Miami, March 2007: “Court Space, Common Space, and Schlosstopographie: The Creation of Unter den Linden”

Presentation of research about the origins and dynastic context of Berlin’s major boulevard. Humboldt Universität, Berlin, July 2006: “Verstossen gegen Richtlinien der UNESCO in Bezug auf die Berliner Museumsinsel”

Presentation in German of violations regarding UNESCO Operational Guidelines with regard to planned construction on Berlin’s Museum Island, a UNESCO World Cultural Heritage Site.

School of Architecture, University of Texas at Arlington, November 2005: “Berlin 1900: Architecture, Power and the Law,” Fall 2005 Lecture Series.

Presentation of three projects examined in dissertation. The Tate Modern, London, January 2005 : “Heaven and Earth, King and Emperor: Dualities of Prussian-German Rulership in Visual Culture,” at Heaven and Earth, An Interdisciplinary Conference in Collaboration with the London Consortium and the Goethe-Institut London.

Representations of Prussian-German rulership in academic painting and satiric illustration. University of Glasgow, April 2004: “Munich as Second City: The Museum as a Prism of History,” at Second Cities: An Interdisciplinary Symposium.

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Munich’s status as a second city examined within context of a Kunststadt. Gesellschaft Historisches Berlin, June 2003: “Kaiserbauten in Berlin – Wilhelm II. baut in Mitte.”

Architectural, political and legal ramifications of a building project analyzed in dissertation. European Association of Urban Historians Annual Conference, Berlin, August 2000: “Hotels as Determinants of Public Behavior in Wilhelmine Berlin,” at European Cities: Crossroads and Networks.

The grand hotel as determinant and manifestation of Weltstadt cosmopolitanism. German Historical Institute Annual Conference, Washington, March 2000: “Hotels as Public Spaces in Berlin and Washington,” at Berlin-Washington, 1800-2000: Capital Cities, Cultural Representation, and National Identities.

Differences in programmatic space within grand hotels in Washington and Berlin. École d’Architecture de Versailles, Paris, June 1999: “Social and Political Aspects of Street Development in Paris during the July Monarchy,” at Modernity before Haussmann: Forms of Urban Space in Paris 1801-1853.

Political analysis of Parisian street development, based on analyses of 5,218 streets.

NEW RESEARCH PROJECT Wohnungsgenossenschaften are German housing coops, a housing model with origins in the late Nineteenth Century. Today there are over 2,000 housing coops today in Germany with 3,000,000 members. This is the largest model of housing coops in democratic societies and offers a third way toward residency between renting on the free market and purchasing a co-op, condominium, or house. Recognized as distinctive legal entities under German law, they are promoted as offering the security of owning an apartment but without the necessary financial investment or risk. Structured as largely self-administered organizations, with a strong emphasis upon collective responsibility, they often also feature a neighborhood-focused business enterprise. They have a documented role in promoting neighborhood formation/revitalization in urban areas, especially regarding stable, inter-generational housing, and increasingly are founded upon a guiding ethos of sustainability, centered about an urban garden or food coop. Wohnungsgenossenschaften differ from the limited American experiments in coop or collective housing because they have no association with an “alternative” lifestyle and therefore are free of any residue of housing “communes” that made a brief appearance in American during the 1970s. By comparison, the German model is urban-based, targeted toward middle and lower-middle class residents of German cities, and often quite large in scale. This research project endeavors to see if an American model can be synthesized from the century-long record of the German model, learning from both the successes and challenges that the German model has had. The overarching mission guiding this research project is the search for an American “third way” regarding housing, and three major factors comprise the raison d’être of the project. (1) The Great Recession exploded the myth of ever-increasing property values, prompting millions of American to reconsider long-term renting as a viable choice. Rapidly increasing rental markets in many cities have increased the sense of tenant vulnerability, and many low-income groups are locked into renting apartments of low standards. (2) Atomization and anonymity in large portions of American society continue to increase, regardless of whether one rents or owns. Housing coops offer a route away from atomization and anonymity on account of the shared responsibilities that are needed to make them successful. (3) The collapse of the so-called “third place” in America has produced a largely dualistic society divided between places of work and dwellings. The venues that are often part of German housing coops augur well for the reemergence of a “third place” in which a cast of regular participants is a defining feature, often serving as a neighborhood anchor for social interaction. Potential obstacles to a workable American version can be grouped into four categories. Legal obstacles would include possible issues regarding required duties/responsibilities of members and possible issues regarding the guiding focus of a coop., e.g., sustainability, being used as an exclusionary policy regarding membership. Societal

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obstacles would include an American emphasis upon individualism versus the collective endeavors that make housing coops successful that are more easily accepted within the more consensus-driven German society. Likewise, an American emphasis upon mobility regarding relocating for employment as compared with German society challenges the long-term stability and security that housing coops offer. Cultural obstacles would include the general American resistance to notions of collective/shared responsibilities on account of their association with socialism and communism, and the strong American desire to own property, although this has decreased somewhat since the Great Recession. Economic obstacles would include municipal, financial and development entities opposed to offering a “third way” between ownership and free-market renting and the challenges that German housing coops have faced competing with free-market rentals. The current state and direction of research: due to the fact that literature about German housing coops is not available in American libraries, a comprehensive collection of books about the topic was assembled during a trip to Germany in 2010 and updated in 2014. Due to another research project (architectural/stereoscopic photography) occupying the past several years, the summer of 2015 will be spent reviewing the material assembled and extracting the major legal, societal, cultural and economic points of Wohnungsgenossenschaften so that these can be presented to potential American co-investigators. The search for colleagues will initially focus upon: (1) A scholar familiar with the legal aspects of housing policy and real estate development. (2) A scholar familiar with the societal and cultural aspects of the Latino community in the DFW/Texas area with the possibility of designing a model targeted toward this community. There are four thoughts driving this initial path of inquiry regarding a model for the Latino community: (1) The extended family situation in Latino communities, with its lineal and collateral members, produces an expansive family dynamic that augurs well regarding the notion of shared responsibilities. (2) The multi-generational nature of extended families is a good fit for housing coops, which often function particularly well as multi-generational communities. (3) Strong ties to a community augur well for establishing housing coops with missions and venues that are neighborhood-oriented, such as food co-ops, urban gardens, etc. (4) CBOs (community-based organizations) and housing coops often form long-lasting alliances, and can have substantial positive impacts upon neighborhoods. (5) Going one step further than the German precedent: an American model might also be able to incorporate HBEs (home-based enterprises) into its structure, providing another neighborhood-oriented economic resource. There are two other potential target demographics, which might necessitate the inclusion of more co-investigators. There are three aspects that might make housing coops attractive to empty-nesters: (1) The aspect of security without the financial burden of property ownership might prove attractive to this demographic segment, aligning with desires to downsize. (2) Housing coops give this segment a “third way” to move from suburban single-family life to living in urban areas. (3) As the notion of “retirement” continues to change, the responsibilities and business venues of housing coops offer means of personal involvement outside a dualistic work-or-leisure framework. There are three aspects that might make housing coops attractive to millennials: (1) The aspect of security without the financial burden of property ownership might prove attractive, aligning with a documented de-emphasis upon the acquisition of material goods (e.g., home and auto ownership) present in this demographic segment. (2) The ability to organize a housing coop around core issues such as sustainability might appeal to the need often expressed for purposeful involvement. (3) The blurring between work and non-work documented within this demographic segment suggests perhaps a greater willingness to participate in shared responsibilities, governance and administration of a housing coop than other generations.

CONCLUDING RESEARCH PROJECT For the past four years, I have been researching general photography and stereoscopic photography of the nineteenth and twentieth centuries, with a focus upon buildings and cities. My point of departure is that stereoscopic photography, often dismissed as a nineteenth-century amusement and novelty by scholars, was a

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profoundly subversive medium, challenging the monocular norm of pictorial depiction that commenced with the Renaissance and continues to this day in non-stereoscopic photography and cinema. My research also explored how the Nazi regime documented cities through stereoscopic photo albums intended as works of propaganda, continuing a focus that was presented recently at the Associazione Italiana di Storia Urbana. Two cities that were geopolitical victories for Hitler – Vienna and Prague – were the subjects of this branch of research, which analyzed not only how iconic buildings and urban fabrics were captured via the stereoscopic process, but also the specific temporal, cultural and political contexts in which the books were conceived and published. The overall research project led to four presentations at peer-reviewed academic conferences: The College Art Association and German Studies Association in 2012, the Associazione Italiana di Storia Urbana in 2013, and the European Association for Urban History in 2014. One book chapter and two essays in peer-reviewed online journals have been published, as well as one conference paper, and a second conference paper currently is in press.

PRIOR RESEARCH Dissertation: “The Kaiser Builds in Berlin: Expressing National and Dynastic Identity in the Early Building Projects of Wilhelm II.” An architectural agenda is shown to have played a critical role in the establishment of a young monarch’s modus operandi of rulership, antedating other factors heretofore studied by historians. It is this connection that defines the methodological thrust of this interdisciplinary study, wherein a complex web of architectural, political, and legal issues is reconstructed from building reports, ministerial correspondence and parliamentary records. Exercise of power is the focus, and it is through the earliest building projects of the German sovereign Wilhelm II (1888-1918) that this is analyzed: the process of building, as an expression of power, is scrutinized to the same extent as the finished object, thereby revealing the nascent stages of a monarch’s political apparatus.

Master’s thesis: “Apartments of the Kurfürstendamm: Ironies of Grossbürgertum Housing in Wilhelmine Berlin.” The development in the 1880s of the Kurfürstendamm, a two-mile axis of opulent apartment buildings that was designed to be Berlin’s counterpart to the Champs-Élysées, is analyzed architecturally and socio-economically within local and international contexts. The persistence of a Berlin building tradition, the so-called Berliner Zimmer, establishes an architectural basis for a cross-cultural study that compares room arrangement and function with comparable residences in Paris, underscoring differences between the Grossbürgertum of Berlin and the haute bourgeoisie of Paris. The argument within Prussian society concerning Luxus – and its relation to the discourse regarding Zivilisation versus Kultur – provides a further context in which the Kurfürstendamm as the embodiment of residential luxury is examined.

UT ARLINGTON TEACHING EXPERIENCE University of Texas at Arlington, School of Architecture Associate Professor, 2012-present Assistant Professor, 2006-2012 Visiting Professor, 2005-06 Slum Housing in the Developing World (Spring 2015): This course was a total updating of a course I first offered in 2015: 90% of the readings were new. Starting with Part I, Getting to Know Slums and their Housing Issues, the course segued to Part II, Broader Issues Regarding Slum Housing. Part III, Case Studies and Recent Student Work examined housing in Uganda, India, and Brazil, while the overall emphasis of the first two parts was on Africa in general. Drawing from a wide variety of UN documents, the readings also included John Turner’s 1976 Housing by People and Gonzalo Lizarralde’s 2014 Invisible Houses: Rethinking and Designing Low-cost Housing in Developing Countries. Recent Architecture by Building Type (Spring 2014): Studying architecture of the past decade, this course departed from standard building types and instead challenged students to examine architecture using

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unconventional classifications such as insertions, parasites, wraps, juxtapositions, weavings, “smart” facades, specific materials, and solar-oriented design considerations. Writing exercises and essay exams provided students numerous opportunities to synthesize the information and question how they viewed buildings. Modern and Contemporary Architecture of Mexico (Fall 2013): The first in what is envisioned to be a series of courses about architecture in Latin America, this course was created in the summer of 2013, which involved collecting images and readings about the work of more than 100 Mexican architects. Organized into three major parts, the course began with the end of the Mexican Revolution in 1920 and continued to the present day: Modern Mexico and Issues Modernism; Mexico Adopts and Transforms Modernism: and Architecture in Mexico since Modernism. Essay exams and writing exercises require students to make connections between readings, and in-class discussion exercises divide the class into two groups and have them debate two sides to a question about architectural practice in Mexico. Introduction to Environmental and Sustainability Studies (Spring 2012, 2013): The Spring 2012 version of this course was totally updated version of my Fall 2009 course Sustainability for Everyone. It was cross-listed as the required core course for the recently created minor in Environmental and Sustainability Studies that is under the aegis of the Interdisciplinary Studies Department housed within the School of Urban and Public Affairs. The Spring 2013 version was in turn completely revamped, pulling in new readings and instituting a series of writing exercises that function in the same manner as those that I feature in my 4000-level courses. History of Interior Design (Spring 2010, Fall 2010, 2011): At the request of the Interior Design faculty, this course (INTD 3305) was created as a companion to Interior Materials (INTD 3321). Both courses are taught back-to-back on a Tuesday/Thursday schedule, thereby providing faculty and students with two 3-hour blocks of time each week. On Tuesdays, a period in 19th-21st century interior design is covered in class regarding both history and materials. On Thursdays, the class has a site visit to document a corresponding interior through photographs, quick sketches, and extensive measuring of dimensions. Through a grant received by Susan Appleton (who teaches INTD 3321), a book is published at the end of each semester of students’ detailed drawings. Sustainability for Everyone (Fall 2009): A new upper-level course that I developed was designed for students from all units of the university, since it addressed the trans-disciplinary essence of sustainability. Four major aspects of sustainability were examined: the environmental, the philosophical, the societal, and the economic. During the course of the semester, students read approximately 1,200 pages of readings drawn from the foremost authors writing about sustainability today. China Today: Architecture + Urban Planning (Maymester 2009): A new new course that I developed was designed as a post-2008 Olympics assessment of architecture and urban planning issues being addressed by Chinese practitioners, as opposed to the Western star architects who dominated the pre-Olympic period. The unprecedented pace at which China has been creating and transforming cities was examined within the broader context of the past century of Chinese history, especially its convoluted relationship with Western powers. Slum Housing (Spring 2009): A new upper-level course that I developed concentrated exclusively upon the housing crisis as it exists today in Nairobi, Mumbai, Istanbul, Rio de Janeiro, and other cities of the developing world. The crux of the course was the reality that the vast scope of one billion people living in such slums requires responses that are suited to the magnitude of the problem. Social, economic, cultural and design issues were the contexts in which architects’ roles in this crisis were assessed. Contemporary Architecture (Fall 2006, 2008): A new upper-level course that I developed focused exclusively upon architecture of the past 10 years. First offered in Fall 2006 but substantially revised for Fall 2008 with three themes: Architecture as Spectacle, Commodity and Brandscape; Prefabricated Architecture; and Architecture as it Responds to Environmental and Sustainability Demands. These were juxtaposed against detailed examinations of structures spread across ten different building types.

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Architecture and Politics: Expressing National Identity (Spring 2007): A new upper-level course that I developed examined the interface between buildings of state and issues of national identity over the past 150 years. The course was divided into three major segments: Part I examined both democratic and imperial capitals of the 19th and early 20th centuries; Part II examined the capitals of Fascism, Nazism, Communism, and the New Deal in the USA; and Part III examined post-WWII developments, from the effects of Communism to new capitals and new governments. Building types such as parliaments, courthouses, national libraries, and memorials were examined, as well as urban planning issues. History of Architecture and Design I (Fall 2005-2013; Spring 2006, 2011): This is survey course that covers prehistoric through medieval architecture and is required for architecture and interior design majors. As with all my courses, lectures are comprehensive PowerPoints that feature significant amounts of text and images, which are then uploaded to MavSpace, a secure website only open to students enrolled in the course. Students then download, save, and print the lectures, thereby actively taking part in the learning process by assembling their own “textbook” throughout the semester. History of Architecture and Design II (Spring 2007-2010): This is a survey course that covers Renaissance through contemporary architecture and is required for architecture and interior design majors. Modern Architecture I (Fall 2005, 2007, Summer 2010, Fall 2012): This is upper-level course about architecture from the 1850s through the 1940s that I substantially revamped by featuring an extensive array of readings that offered students a far greater variety of viewpoints than any of the current standard textbooks. Modern Architecture II (Spring 2006, 2008, 2011, 2013, 2015): This is upper-level course about architecture from the 1950s through the present that I substantially revamped by featuring an extensive array of readings that offered students a far greater variety of viewpoints than any of the current standard textbooks. Substantially revised in 2008 and again in 2011 with completely new textbooks each time. The Bright Green Movement (Maymester 2008): This was new course that I developed that focused upon the books Worldchanging and Design Like You Give a Damn: Architectural Responses to Humanitarian Crises. Architectural and non-architectural issues related to climate change and sustainability were addressed.

UT ARLINGTON UNIVERSITY SERVICE

President’s Advisory Board

Member, 2009-present Program Review Team

Member, appointed April 2015 Dean of the School of Architecture and School of Urban and Public Affairs Search Committee

Member, appointed by the provost, April 2014 University Strategic Plan 2013-2020 Guiding Aspiration #4 Work Group (Faculty Excellence)

Member, volunteered Subcommittee on Principles of Community

Member, appointed by the president, November 2014 Conceived the idea of creating a series of principles of community that were interconnected and

interdependent upon one another. Composed the initial draft, which was approved by the subcommittee with minor revisions. Subsequently approved by the president for release for public commentary.

Faculty Senate Secretary, 2013-present Parliamentarian, 2009-2013 Senator, 2009-present

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University Undergraduate Curriculum Committee Member, 2008-October 2013

President’s Committee on Sustainability Member, 2008-present, Curriculum, Research & Community Engagement Work Group Member, 2009-10, Communications Work Group

Unit Effectiveness Process (UEP) Responsible for creating the 2012-13 UEP for the B.S. and M.S. Architecture Programs, using the NAAB

Matrix to create an Undergraduate Architecture Rubric and a Graduate Architecture Rubric. Compiled and analyzed data from the 2012-13 rubrics to identify strengths and weaknesses, which were presented to the Dean. After consultation with the Dean and Assistant Dean, the Graduate Architecture Rubric was expanded for 2013-14 and Intended Outcomes were adjusted for both programs. These updated rubrics and data were then inputted into the UEP OATS system.

Dean of the Library Search Committee Member, 2011-12

Provost Search Committee Member, 2007-08

Review of Dean Committee Member, 2009

School of Architecture Tenure and Promotion Committee Chair, 2012-14

OneBook Program: 2008: Kickoff Speaker, Conversations Series, “The History of Love New York Locations” 2007: Kickoff Speaker, Conversations Series, “The Nature of Prejudice” 2006: Convocation Faculty Address, “Power through the Eyes of a Historian”

Annual Celebration of Excellence by Students (ACES) Abstracts Editor, 2005-10 Sustainability Judging Coordinator, 2010-12

Committee on Diversity and Inclusion Member, 2011-12

Committee on the Status of Women and Minorities Member, 2007-10

Committee on Higher Order Thinking and Active Learning Member, 2007-10

Faculty Spotlight Lecture

Invited Faculty Speaker, 26 April 2012, lecture “Stereoscopic Photography: The Original 3-D Experience. How an Architectural Historian uses this 19th-Century Invention”

Fall Parents Weekend Invited Faculty Speaker (one of four), 24 October 2009, lecture “Sustainability, Climate Change and

You: A Look at the Facts and Your Future” Fall Student Leadership Retreat

Invited Faculty Speaker, 11 August 2009, lecture “Leading for a Sustainable Future” School of Architecture Undergraduate Curriculum Committee

Member, 2007-present Architecture Graduate Admissions, Scholarship & Assistantship Committee

Member, 2007-present Faculty Search Committee

Member, 2006-07 Student Publications Committee

Member, 2006-2011

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Guest Lecturer, Political Science 4362, April 11, 2014 “Architecture in the Soviet Union: Selected Projects and Buildings, 1919-1951”

Guest Lecturer, Environmental and Sustainability Studies 2300, April 21, 2011 “The Walls that Surround You: Sustainable Architecture”

Guest Lecturer, Earth and Environmental Sciences 6300, April 13, 2011 “Architecture and LEED Certification: Is Being Less Bad Really Good Enough?”

STUDENT ADVISING Honors College thesis advisor for student Sarah Dignan, “The Illuminating Dead: Three Washington

Memorials and the Lost Cemeteries of the Korean War.” Honors Undergraduate Research and Creative Activity, Spring 2012.

Graduate school admissions essay reviewer and recommendation letter-writer for student Angela Johnson,

graduated May 2012, matriculated Fall 2012 at Northeastern for urban planning.

Graduate school admissions essay reviewer and recommendation letter-writer for student Ana Matijevic, graduated May 2011, matriculated Fall 2012 at Arizona State University.

Graduate school admissions essay reviewer and recommendation letter-writer for student Brett Keese,

graduated December 2011, matriculated Fall 2012 at Harvard. Member, M. Arch Thesis Committee for student Wendy Dyba, Department of Architecture, Kevin Sloan,

committee chair. Other committee member: Madan Mehta. Graduated May 2011. Member, MFA Thesis Committee for student Michael Mazurek, Department of Art + Art History, Darryl

Lauster, committee chair. Other committee members: Stephen Lapthisophon, Benjamin Lima, David Keens. Graduated May 2011.

Graduate school admissions essay reviewer and recommendation letter-writer for student Varia Smirnova,

graduated May 2011, matriculated Fall 2011 at Rice.

Graduate school admissions essay reviewer and recommendation letter-writer for student Alex Dahm, graduated May 2011, matriculated Fall 2011 at SCI-Arc.

Graduate school admissions essay reviewer and recommendation letter-writer for student Sumaia Almoudi,

cum laude May 2009, matriculated Fall 2010 at Harvard. Graduate school admissions essay reviewer and recommendation letter-writer for student Michael Peguero,

cum laude May 2009, matriculated Fall 2010 at Harvard. Graduate school admissions essay reviewer and recommendation letter-writer for student Anthony Sunga,

magna cum laude May 2008, matriculated Fall 2010 at Columbia. Graduate school admissions essay reviewer and recommendation letter-writer for student Boback

Firoozbakht, magna cum laude December 2008, matriculated Fall 2009 at RISD. Graduate school admissions essay reviewer and recommendation letter-writer for student Lauren Field,

magna cum laude December 2008, matriculated Fall 2009 at Washington University in St. Louis. Graduate school admissions essay reviewer and recommendation letter-writer for student Amir Safvat,

summa cum laude December 2008, matriculated January 2009 at UT Arlington.

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Graduate school admissions essay reviewer and recommendation letter-writer for student Ricardo Muñoz, matriculated Fall 2008 at Harvard.

Graduate school admissions essay reviewer and recommendation letter-writer for student Runo Okiomah,

magna cum laude December 2006, matriculated Fall 2008 at MIT. Graduate school admissions essay reviewer and recommendation letter-writer for student Samuel Odamah,

matriculated Fall 2007 at University of Wisconsin at Milwaukee. Graduate school admissions essay reviewer for student Amin Gilani, cum laude December 2006,

matriculated Fall 2007 at Cornell. Independent study project advisor for student Jung-Hyun An, magna cum laude May 2008, during Summer

2007. Project: Korean Domestic Architecture.

Independent study project advisor for Austrian foreign exchange student Michael Edler, Fall 2005. Project: The Philosophical Writings of Michael de Landa.

PROFESSIONAL SERVICE Dallas Center for Architecture Foundation

Member, Board of Directors 2007-10 2009-10, Chair of the Scholarship Committee

The Prince of Wales’s Urban Task Force, Berlin, August-September 1997

Member. Commission invited by the Berlin Senate under the aegis of Prince Charles to function as an independent, non-governmental body assigned to propose future development of the city's Schlossplatz. Architectural historian for the commission of 17 architects and urban planners invited from 10 nations. Assembled a data bank of historical images for the commission and wrote the history text for the public exhibition at the commission's conclusion.

PUBLIC LECTURES AND TELEVISION INTERVIEWS Goethe Center + PDNB Gallery, Dallas

Guest Lecturer, 9 August 2012, “Stereoscopic Photographs of German Cities, 1880-1930”. Fort Worth Center for Architecture

Guest Lecturer, 10 July 2012, “Beauty in Contemporary Texas Architecture: Where and How to Find It, from the Vantage Point of a Classicist”. Part of a monthly lecture series entitled “Design Talk”.

Pan American Round Table II, Fort Worth

Guest Lecturer, 12 January 2011, “An Architectural Tour of Europe: Contemporary Examples” Time Warner Television, Arlington Guest Interviewee, 20 April 2010

“On Exhibit” Program. Host: Dorothy Rencurrel. Topic: Preservation and Sustainability. Goethe Center, Dallas

Guest Lecturer, 9 August 2012, “Stereoscopic Views of German Cities in the Late-Nineteenth and Early-Twentieth Centuries”

Guest Lecturer, 7 November 2009, “The Influence of the Bauhaus”

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Guest Lecturer, 24 February 2008, “Violations of UNESCO Guidelines with Regard to Berlin’s Museum Island”

Arlington Public Library,

Arlington Reads Program, 3 March 2007: ““Power through the Eyes of a Historian” Kick-off speaker for a month-long reading program.

Dallas Public Television Guest Interviewee, 28 September 2006

“Freedom to Read” program. Host: Sally Hansen. Topic: Books about Architecture for the General Public. Fidelity Investments, Marlborough, MA Guest Lecturer, Spring 2004

“The Paradigm of Prospect versus Refuge: Three Houses by Frank Lloyd Wright” Guest Lecturer, Fall 2003

“Social and Gender Contexts of Impressionist Painting in France” Brown University, The Harriet W. Sheridan Center for Higher Education Graduate, Fall 2001

Professional Development Seminar for Advanced Graduate Students Graduate, 1999-2000

Teaching Seminar Program for Graduate Students

PRIOR TEACHING EXPERIENCE Assumption College, Worcester, MA Visiting Assistant Professor, 2003-04, 2004-05 Adjunct Professor, Spring 2003

History of Architecture: A survey course of Western architecture. Islamic Art and Architecture: Developed curriculum and taught course. Ceramics, architecture, textiles,

manuscripts. Art and Politics: Team taught with a faculty member of the political science department. Realism to Impressionism: Revised curriculum and taught course. French, German, British and American

painters. History of Photography and Film: Developed curriculum and taught course. Technical, historical and

cultural contexts. Senior Art History Seminar: Revised curriculum and taught course. Art history methodology. History of Western Art and Architecture I & II: A survey course.

Brown University, Providence, RI Visiting Assistant Professor, Summer Institute 2005 Visiting Assistant Professor, Summer Institute 2004

Introduction to the History of Art and Architecture Teaching Assistant, 1999-2002

Contemporary Architecture Modern Architecture Film Architecture

Salve Regina University, Newport, RI Adjunct Professor, Spring 2003

Introduction to Art

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Northeastern University, Boston, MA Adjunct Professor, Fall 2002

Introduction to Art

OTHER TEACHING EXPERIENCE Worcester Initiative for Senior Education Instructor, Spring 2004

Two Capitals: The Architecture of Paris and Berlin Brown Learning Community Instructor, Fall 2002

Six Canvases that Shaped Painting: Velázquez, Courbet, Manet, Cézanne, Picasso, Pollock.

AWARDS Piper Professor Nominee

2010 The 2006-07 Kalpana Chawla S.T.A.R. Award

Awarded 8 May 2007 for contributions in service, teaching, advising, and role modeling University Travel/Professional Development Award

Awarded April 2007 University Travel/Professional Development Award

Awarded May 2008 to assist in developing a course about low-income mass housing around the world

GRANTS, STIPENDS AND FELLOWSHIPS University of Texas at Arlington, Faculty Excellence Award, Spring 2010 Service Learning Center Fellow, Fall 2009 – Spring 2010 University of Texas at Arlington, Travel/Professional Development Award, Spring 2008 University of Texas at Arlington, Travel/Professional Development Award, Spring 2007 Brown University, Morgan Edwards Fellowship, fall semester 2001. Deutscher Akademischer Austausch Dienst, One-Year Research Fellowship in Berlin, 2000-2001. Samuel H. Kress Foundation, Travel Fellowship, summer 2000. Brown University, Research Stipend, summer 1999.

LANGUAGES German: fluent in reading, writing and speaking. French: basic reading, writing and speaking ability. Spanish: basic reading, writing and speaking ability.

PROFESSIONAL MEMBERSHIPS European Association for Urban History Society of Architectural Historians College Art Association European Association of Urban Historians Nineteenth Century Studies Association