CURRICULUM VITAE (December 6, 2019)

Dr. John Pollini, Professor of Classical Art, Archaeology, and History,

and USC Associates Endowed Professor in Art History

University of Southern California Department of Art History 3501 Trousdale Parkway Taper Hall 324 Los Angeles, CA 90089-0351 pollini@usc.edu(213) 740-4552 Joint Professor, Department of History, USC

Director: Visual Culture in the Ancient World (Old World, New World, Asia) under the Aegis of the International Museum Institute at USC (IMI-VCAW), a consortium of institutions and museums in the Los Angeles area (J. Paul Getty Research Institute, J. Paul Getty Villa-Museum, Los Angeles County Museum of Art, Natural History Museum of Los Angeles, Cotsen Institute of Archaeology, UCLA, and International Museum Institute, USC)

DEGREES

Ph.D. Ancient History and Mediterranean Archaeology, University of California atBerkeley (1978) (interdisciplinary program involving the Departments of Art History,Classics, and History; major field: Etruscan and Roman Art and Archaeology; minorfields: Greek Art and Archaeology and Roman History; Ph.D. equivalency exams inancient Greek and Latin) [Dissertation: Studies in Augustan “Historical” Reliefs]

M.A. Ancient History and Mediterranean Archaeology, University of California atBerkeley (l973) [M.A. Thesis: Two Marble Portrait Statues of Pugilists from Carian Aphrodisias: Iconography and Third Century A.D. Sculptural Traditions in the Roman East]

B.A. magna cum laude, Classics, University of Washington (1968)

POSTDOCTORAL ACADEMIC APPOINTMENT:

Full Professor, University of Southern California, Department of Art History (1991-present), with joint appointment in the Department of History, and USC Associates Endowed Professor in Art History (2018-present)

Dean of the School of Fine Arts, University of Southern California (1993-1996)

Chairman of the Department of Art History, University of Southern California (1990-1993)

Associate Professor, University of Southern California, Department of Art History, withadjunct appointment in the Department of Classics (1987-1991)

Assistant Professor, Johns Hopkins University, Department of Classics (1980-1987) and Curator of the Johns Hopkins University Archaeological Museum (1980-1987)

Visiting Assistant Professor, Johns Hopkins University, Department of Classics (1979-1980)

Mellon Postdoctoral Fellow, Case Western Reserve University, Department of Classics(1978-1979)

INTERNATIONAL AND NATIONAL FELLOWSHIPS, GRANTS,

AWARDS, HONORS

Senior Fellowship at the International Morphomata Center for Advanced Studies in

the Humanities at the University of Cologne, Germany (2017-2018)

Loeb Classical Library Foundation Fellowship (Harvard University) (2017)

National Endowment for the Humanities Fellowship (2016)

Invited Scholar in Residence at the German Archaeological Institute in Berlin (June2016)

Getty Guest Scholar (2016)

Getty Residential Fellow (2015)

Invited Scholar in Residence at the German Archaeological Institute in Berlin (Fall2011)

National Endowment for the Humanities Fellowship for Collaborative Project,

“Creating a ‘Total Environment’ for the Caligula in the Virginia Museum of Fine

Arts” (2010-2011)

Cotsen Fellow, Cotsen Institute of Archaeology, UCLA (2010-present)

Research Associate, Cotsen Institute of Archaeology, UCLA (2009-2010)

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Kress Foundation Travel Grant (June 2009)

John Simon Guggenheim Memorial Foundation Fellowship (2006-2007, deferred to 2007-2008)

Whitehead Professorship of Archaeology, American School of Classical Studies at Athens (2006-2007)

American Council of Learned Societies Fellowship (2006-2007)

Kress Foundation Travel Grant (Summer 2006)

Taggart Foundation Grant: Campus Martius Virtual Reality Project (2005)

Kress Foundation Travel Grant (Summer 2003)

Elected Corresponding Member (for life) of the German Archaeological Institute in

Berlin (2000)

National Endowment for the Humanities Fellowship for Independent Study and

Research (1995-1996)

Kress Foundation Travel Grant (Summer 1988)

American Council of Learned Societies Fellowship (1987-1988)

Kress Foundation Travel Grant (1987)

National Endowment for the Humanities Fellowship for Independent Study and

Research (1983-1984)

Mellon Postdoctoral Fellowship, Case Western Reserve University (1978-1979)

Mabelle McLeod Lewis Memorial Fund Fellowship to Italy (1975-1976)

Fulbright Fellowship, Università di Roma, Rome, Italy (1975-1976)

UNIVERSITY FELLOWSHIPS, GRANTS, AWARDS, HONORS

USC Associates Endowed Professorship in Art History (2018-present) (in recognition of academic achievement)

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Faculty Recognition Award from the Phi Kappa Phi Honor Society for the book

From Republic to Empire: Rhetoric, Religion, and Power in the Visual Culture of

Ancient Rome (2015)

Advancing Scholarship in the Humanities and Social Sciences Initiative Grant

(2009-2010, 2014-2015) College Faculty Research Development Award (consecutive years from 2000-present)

University of Southern California Award for Excellence in Mentoring (2005)

Departmental Nominee for University Associates Award for Excellence in Teaching (2002-2005) University of Southern California Grant for Innovative Undergraduate Teaching (with Lynn Swartz Dodd and Nicholas Cipolla) for the virtual reality project “ImagingAntiquity: Creating Context through Virtual Reconstructions, Digital Resources, and Traditional Media” (2003-2004)

Grant for the “College Initiative for the Study of Political Violence” (2002)

University of Southern California Grant for Innovative Undergraduate Teaching

(with Bruce Zuckermann and Lynn Swartz Dodd) to develop a new interdisciplinary andinterdepartmental course entitled “Accessing Antiquity: Actual Objects in Virtual Space”(2000-2001)

University of Southern California Senior Nominee for National Endowment for the

Humanities Summer Stipend for Faculty Research (1998-1999)

Departmental Nominee for University Associates Award for Excellence in Teaching

(1998-2001)

College Awards and Grants for Research Excellence (consecutive years: 1997-2000)

Hewlett Foundation Award and Grant for General Education Course Development (1997-1998)

Faculty Research and Innovation Fund Grant, University of Southern California (1988)

University of California Traveling Fellowship (1976-1977)

Dean’s Fellowship, U.C. Berkeley (1973-1975)

Phi Beta Kappa, University of Washington (1968)

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DISTINGUISHED NAMED LECTURESHIPS

Mario Del Chiaro Lectureship, University of California at Berkeley (2020)

Martha Sharp Joukowsky Lectureship in Archaeology (14 lectures for theArchaeological Institute of America) (2012-2013)

William E. Metcalf Lectureship in Numismatics (3 lectures for the Archaeological Institute of America) (2008-2009)

Albert H. Clayburgh Lectureship, Princeton University (2008)

Distinguished Lecturer, Biblical Archaeological Society and Center for Classical

Archaeology (3 lectures), University of Oklahoma, Norman (2005)

ARCHAEOLOGICAL EXCAVATIONS

Excavation of Late Republican Mausoleum area on the Via Ostiense at Ostia Antica (fieldschool course for USC students) in conjunction with the American Institute for RomanCulture (2013-2015)

Excavations north of the Porta Marina area of Ostia Antica (field school course for USCstudents) in conjunction with the American Institute for Roman Culture (2012)

Excavation in the Area Sacra di San Omobono (at foot of the Capitoline Hill), Rome, Italy(field school course for USC students ), in conjunction with the University of Michigan, theUniversity of Calabria, and the American Institute for Roman Culture (2011)

Excavation in Porta Marina area of Ostia Antica (field school course for USC students) inconjunction with the University of Bologna and the American Institute for Roman Culturewith USC students (2010)

Underwater survey of port of Tarquinia (Gravisca), Italy: Consultant (1977)

Excavation of Etruscan site of Ghiaccio Forte, Italy (1973)

Excavation of Greco-Roman site of Aphrodisias, Turkey (1970-1972)

Excavation of Spanish Mission, Guevavi,Arizona (1965-1966)

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ADDITIONAL EDUCATIONAL PREPARATION FOR PH.D.

Field trips sponsored by the American Academy in Rome, German Archaeological Institute, and Comune di Roma (1975-1978)

Research in Rome, Italy for dissertation (1975-1978), as well as further study of Greekand Roman art and architecture in Italy and elsewhere in Europe during this period

Internship in Greek and Roman Art with J. Frel at the J. Paul Getty Museum (1973-1975)

Course in Greek art and archaeology at the Universität München, Munich, Germanywith E. Homann-Wedeking (1971)

Study of the German language at the Goethe Institute, Grafing (Munich), Germany (1971)

Course work in Roman, Etruscan, and Italic art and architecture, Università di Roma,with G. Becatti, M. Pallottino, F. Castagnoli, and M. Squarciapino (1970-1971)

LANGUAGES

Ancient: Latin and Greek

Modern: German, Italian, French, Spanish, Modern Greek, Turkish

BOOKS

PUBLISHED:

I) The Portraiture of Gaius and Lucius Caesar (Fordham University Press, New York 1987) (with a subvention from the National Endowment for the Humanities). [online: http://independent.academia.edu/JohnPollini]

II) Roman Portraiture: Images of Character and Virtue, with graduate student participation (Fisher Gallery, Los Angeles 1990).

III) Gallo-Roman Bronzes and the Process of Romanization:The Cobannus Hoard (Monumenta Graeca et Romana IX) (Brill, Leiden 2002).

IV) The de Nion Head: A Masterpiece of Archaic Greek Sculpture (Philipp von Zabern, Mainz 2003).

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V) Terra Marique: Studies in Art History and Marine Archaeology in Honor of Anna Marguerite McCann on the Receipt of the Gold Medal of the Archaeological Institute of America (editor, designer, and contributor of introduction, publication list, and one of 19 essays) (Oxbow Publications, Oxford 2005).

VI) From Republic to Empire: Rhetoric, Religion, and Power in the Visual Culture of Ancient Rome, with support from the Anne and Henry Zarrow Foundation and the National Endowment for the Humanities (University of Oklahoma Press, Norman 2012) (recipient of book award from the Phi Kappa Phi Honor Society). [partly available online: http://independent.academia.edu/JohnPollini]

IN PROGRESS

VII) Augustus Caesar: From Image to Icon

VIII) Christian Destruction and Desecration of Images and Temples of Classical Antiquity

ARTICLES [most online: http://independent.academia.edu/JohnPollini]

PUBLISHED

1) “A Flavian Relief Portrait in the J. Paul Getty Museum,” in Getty Museum Journal 5 (1977) 63-66.

2) “Gnaeus Domitius Ahenobarbus and the Ravenna Relief,” in Römische Mitteilungen 88 (1981) 117-40.

3) “A Pre-Principate Portrait of Gaius (Caligula)?” in Journal of the Walters Art Gallery 40 (1982) 1-12.

4) “Damnatio Memoriae in Stone: Two Portraits of Nero Recut to Vespasian in American Museums,” in American Journal of Archaeology 88 (1984) 547-55. 5) “The Meaning and Date of the Reverse Type of Gaius Caesar on Horseback,” in American Numismatic Society Museum Notes 30 (1985) 113-17.

6) “Response to E. Judge’s ‘On Judging the Merits of Augustus,’” in Center for Hermeneutical Studies: Colloquy 49 (1985) 44-46.

7) “Ahenobarbi, Appuleii and Some Others on the Ara Pacis,” in American Journal of Archaeology 90 (1986) 453-60.

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8) “The Findspot of the Statue of Augustus from Prima Porta,” in Bullettino della Commissione Archeologica Comunale di Roma 92 (1987/88) 103-108.

9) “Two Acrolithic or Pseudo-Acrolithic Sculptures of the Mature Classical Period in the Archaeological Museum of the Johns Hopkins University,” in Classical Marble: Geochemistry,Technology, Trade (NATO ASI Series E vol. 153), edd. N. Herz and M. Waelkens (Dordrecht 1988) 207-17.

10) “Man or God: Divine Assimilation and Imitation in the Late Republic and Early Principate,” in Between Republic and Empire: Interpretations of Augustus and His Principate, edd. K.A. Raaflaub and M. Toher (Berkeley 1990) 333-63.

11) “The Marble Type of the Augustus from Prima Porta: An Isotopic Analysis,” in Journal of Roman Archaeology 5 (1992) 203-208.

12) “The Tazza Farnese: Principe Augusto ‘Redeunt Saturnia Regna’!” in American Journal of Archaeology 96 (1992) 249-55, 283-300.

13) “The Cartoceto Bronzes: Portraits of a Roman Aristocratic Family of the Late First Century B.C.,” in American Journal of Archaeology 97 (1993) 423-46.

14) “The Gemma Augustea: Ideology, Rhetorical Imagery, and the Construction of a Dynastic Narrative,” in Narrative and Event in Ancient Art, ed. P. Holliday (Cambridge 1993) 258-98.

15) “The Acanthus of the Ara Pacis as an Apolline and Dionysiac Symbol of Anamorphosis, Anakyklosis and Numen Mixtum,” in Von der Bauforschung zur Denkmalpflege, Festschrift für Alois Machatschek, edd. M. Kubelik and M. Schwarz

(Vienna 1993) 181-217.

16) “The ‘Trojan Column’ at USC: Reality or Myth?” in Trojan Family (May, 1994) 30-31.

17) “The Augustus from Prima Porta and the Transformation of the Polykleitan Heroic Ideal,” in Polykleitos, the Doryphoros, and Tradition, edd. B. Hughes and W.G. Moon (Madison 1995) 262-82.

18) “The ‘Dart Aphrodite’: A New Replica of the ‘Arles Aphrodite Type,’ the Cult Image of Venus Victrix in Pompey’s Theater at Rome, and Venusian Ideology and Politics in the Late Republic - Early Principate,” in Latomus 55 (1997) 757-85.

19) “Parian Lychnites and the Prima Porta Statue: New Scientific Tests and the Symbolic Value of the Marble” (with N. Herz, K. Polikreti, and Y. Maniatis), in Journal of Roman Archaeology 11 (1998) 275-84.

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20) “The Warren Cup: Homoerotic Love and Symposial Rhetoric in Silver,” in The Art Bulletin 81 (1999) 21-52.

21) “Ein mit Inschriften versehener Legionärshelm von der pannonisch-dakischen Grenze des römischen Reiches: Besitzverhältnisse an Waffen in der römischen Armee,” in M. Junkelmann, Römische Helme VIII Sammlung Axel Guttmann, ed. H. Born (Mainz 2000) 169-88. 22) “The Marble Type of the Statue of Augustus from Prima Porta: Facts and Fallacies, Lithic Power and Ideology, and Color Symbolism in Roman Art,” in Paria Lithos:

Parian Quarries, Marble and Workshops of Sculpture (Proceedings of the First International Conference on the Archaeology of Paros and the Cyclades, Paros, 2-5 October 1997), edd. D.U. Schilardi and D. Katsonopoulou (Athens 2000) 237-52.

23) “The Riace Bronzes: New Observations,” in Kölner Jahrbuch 33 (2000) 37-56. 24) “Two Bronze Portrait Busts of Slave-Boys from a Shrine of Cobannus in Roman Gaul,” in Studia Varia II: Occasional Papers on Antiquities of The J. Paul Getty Museum 10 (2001) 115-52. 25) “A New Portrait of Octavian/Augustus Caesar,” in Roman Sculpture in the

Art Museum, Princeton University (Princeton 2001) 6-11. 26) “Two Gallo-Roman Bronze Portraits of Sacrificial Ministrants in the J. Paul Getty Museum,” in From the Parts to the Whole 2: Acta of the 13th International Bronze Congress, Cambridge, Massachusetts, May 28 - June 1, 1996, edd. C.C. Mattusch, A. Brauer, and S.E. Knudsen (Portsmouth, Rhode Island 2002) 89-91.

27) “ ‘Frieden-durch-Sieg’ Ideologie und die Ara Pacis Augustae: Bildrhetorik und die Schöpfung einer dynastischen Erzählweise,” in Krieg und Sieg: Narrative Wanddarstellungen von Altägypten bis ins Mittelalter (Internationales Kolloquium 23. - 30. Juli 1997 im Schloss Heindorf, Langenlois; Österreichischen Akademie der Wissenschaften XXIV), edd. M. Bietak und M. Schwarz (Vienna 2002) 137-59.

28) “A New Portrait of Octavia and the Iconography of Octavia Minor and Julia Maior,” Römische Mitteilungen 109 (2002) 11-42.

29) “Slave-Boys for Sexual and Religious Service: Images of Pleasure and Devotion,” in Flavian Rome: Culture, Image, Text, edd. A.J. Boyle and W.J. Dominik (Leiden 2003) 149-66.

30) “The Caelian Hill Sacrificial Minister: A Marble Head of an Imperial Slave-Boy from the Antiquarium Comunale on the Caelian Hill in Rome,” in Römische Mitteilungen 111 (2004) 1-28.

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31) “A New Head of Augustus from Herculaneum: A Marble Survivor of a Pyroclastic Surge,” in Römische Mitteilungen 110 (2003) 303-318.

32) “The Armstrong and Nuffler Heads and the Portraiture of Julius Caesar, Livia, and Antonia Minor in Terra Marique: Studies in Honor of Anna Marguerite McCann on the Receipt of the Gold Medal of the Archaeological Institute of America, ed. J. Pollini (Oxbow Publications, Oxford 2005) 89-122.

33) “A New Marble Portrait of Tiberius: Portrait Typology and Ideology,” in Antike Kunst 48 (2005) 57-72.

34) “A North African Portrait of Caracalla from the Mellerio Collection and the Iconography of Caracalla and Geta,” in Revue Archéologique (2005) 55-77.

35) “A Bronze Gorgon Handle Ornament of the Ripe Archaic Greek Period,” in Annuario della Scuola Archeologica Italiana di Atene e delle Missioni Italiani in Oriente 83 (2005) 235-47.

36) “Problematics of Making Ambiguity Explicit in Virtual Reconstructions: A Case Study of the Mausoleum of Augustus” (with L. Swartz, K. Kensek, and N. Cipolla). Electronic publication of the international conference, Computer Technology and

the Arts: Theory and Practice, sponsored by the British Academy and the University of London (www.chart.ac.uk/chart2005/papers/pollini.html).

37) “Ritualizing Death in Republican Rome: Memory, Religion, Class Struggle, and the Wax Ancestral Mask Tradition’s Origin and Influence on Veristic Portraiture” in Performing Death: Social Analyses of Funerary Ritual in the Ancient Near East and Mediterranean (Oriental Institute Seminars 3, University of Chicago), ed. N. Laneri (Chicago 2007) 237-85.

38) “A New Bronze Portrait Bust of Augustus,” in Latomus 66 (2007) 270-73.

39) “Christian Desecration and Mutilation of the Parthenon,” in Athenische Mitteilungen 122 (2007) 207-228. 40) “Gods and Emperors in the East: Images of Power and the Power of Intolerance,” in The Sculptural Environment of the Roman Near East: Reflections on Culture, Ideology, and Power (Interdisciplinary Studies in Ancient Culture and Religion ), edd. E.A. Friedland, S.C. Herbert, and Y.Z. Eliav (Leuven 2008), 165-196.

41) “A New Bronze Lar and the Role of the Lares in the Domestic and Civic Religion of the Romans,” in Latomus 67 (2008) 391-98.

42) “A New Portrait Bust of Tiberius in the Collection of Michael Bianco,” in Bulletin Antieke Beschaving 83 (2008) 133-38.

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43) “Augustus: Portraits of Augustus,” in Oxford Encyclopedia of Ancient Greece and Rome (2009).

44) “Lovemaking and Voyeurism in Roman Art and Culture: The House of the Centenary at Pompeii,” in Römische Mitteilungen 116 (2010) 289-319.

45) “Recutting Roman Portraits: Problems in Interpretation and the New Technology in Finding Possible Solutions,” in Memoirs of the American Academy in Rome 55 (2010) 23-44.

46) “Computer Technology and Three-Dimensional Models in Determining the Recutting of Roman Portraits: The Getty Augustus,” in Interdisciplinary Studies on Ancient Stone, Proceedings of the IX ASMOSIA Conference (Tarragona 2009), edd. A. Gutierrez Garcia, P. Lapuente, and I. Rodà de Llanza (Documenta 23, Institut Català d’Arqueologia Classical) (Taragona 2012) 31-37.

47) “The Archaeology of Destruction: Christians, Images of Classical Antiquity, and Some Problems of Interpretation,” in The Archaeology of Violence: Interdisciplinary Approaches (IEMA Proceedings 2), ed. S. Ralph (Albany 2013) 241-65. [republished with corrigenda and addenda in Chaos e Kosmos XIV (2013) 1-29: www.chaosekosmos.it/pdf/2013_19.pdf].

48) “A New Winged Goat Table Leg Support from the House of Numerius Popidius Priscus at Pompeii and the Rediscovery of Related Finds Lost for a Century and a Half,” in Vesuviana 4 (2012) 143-55.

49) “Re-immaginando l’immagine di Caligola: Un’indagine fra l’uomo e il mito,” in Caligola: La trasgressione al potere (Rome 2013) 257-66.

50) “The Image of Caligula: Myth and Reality,” electronically published as part of the Digital Sculpture Project: Caligula ( Proceedings of a Symposium on Caligula, “Creating a Total Environment for the Caligula in the Virginia Museum of Fine Arts,” held at the Virginia Museum on Art in December 2011): http://www.digitalsculpture.org/papers/pollini/pollini_paper.html.

51) “I parenti e gli eredi di Augusto,” in Augusto, edd. E. La Rocca, C. Parisi Presicce, A. Lo Monaco, D. Giroire, D. Roger (Verona 2013) 164-71.

52) “Observations on Augustus’ Obelisk, Meridian, and Ara Pacis and their Symbolic Significance in the Bildprogramm of Augustus,” in The Horologium of Augustus: Debate and Context, ed. L. Haselberger, Journal of Roman Archaeology Suppl. 99 (2014) 53-61.

53) “La parenté d’Auguste,” in Auguste, edd. E. La Rocca et al. (Paris 2014).

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54) “Some Observations on the Use of Color on Ancient Sculpture, Contemporary Scientific Exploration, and Exhibition Displays,” in Interdisciplinary Studies on Ancient Stone: Asmosia X. Proceedings of the Tenth International Conference of ASMOSIA), edd. P. Pensabene and E. Gasparini (Rome 2015) II, 901-910.

55) “The God from Cape Artemision: Zeus or Poseidon? An Old Question, a New Approach,” in Proceedings of the XVIIth International Congress of Ancient Bronze, Izmir, Turkey (May 2011). Monographie Instrumentum 52, edd. A. Giumlia-Mair and C.C. Mattusch (Autun: Éditions Mergoil, 2016) 219 – 230.

56) “A Short Note on the Archaeometric Study of Two Sculptures in the Gabinetto Segreto of the Naples National Archaeological Museum: The ‘Pan and the She-Goat’ Group and the ‘Bikini Venus,’” with F. Antonelli and S. Cancelliere, in Archaeological and Anthropological Sciences 9 (2017) 685-91.

57) “The Birth of Augustus, the Solarium Augusti, and the Life-Giving Aspects of Apollo and Sol in Augustan Visual Culture,” in “New Light on the Relationship

between the Montecitorio Obelisk and Ara Pacis of Augustus,” with N. Cipolla, in Studies in Digital Heritage 1.1 (2017) 51-59: Published online: https://scholarworks.iu.edu/journals/index.php/sdh/article/view/23331

58) “Aeneas, Augury, and Dynasty and Destiny in the Ideology of Augustan Visual Culture,” in “New Light on the Relationship between the Montecitorio Obelisk and Ara Pacis of Augustus,” in Studies in Digital Heritage 1.1 (2017) 60-63: Published online: https://scholarworks.iu.edu/journals/index.php/sdh/article/view/23331

59) “The Bronze Statue of Germanicus from Ameria (Amelia),” American Journal of Archaeology 121 (2017) 425-437.

60) “Burning Rome, Burning Christians,” in The Cambridge Companion to the Age of Nero, edd. S. Bartsch, K. Freudenburg, C. Littlewood (Cambridge: Cambridge University Press 2017) 213-36.

61) “The ‘Lost’ Nollekens Relief of an Imperial Sacrifice from Domitian’s Palace on the Palatine: Its History, Iconography, and Date,” Journal of Roman Archaeology 30 (2017) 97-126.

62) “Contact Point: The Image and Reception of Egypt and Its Gods in Rome,” in Beyond the Nile: Egypt and the Classical World, edd. J. Spier, T. Potts, and S.E. Cole (Los Angeles: Getty Publications 2018) 211-17.

63) “A New Roman Imperial Relief Said to Be from Southern Spain: Problems of Style, Iconography, and Marble Type in Determining Provenance” (with P. Lapuente, T. Nogales-Basarrate, and J. Podany), in ASMOSIA XI Interdisciplinary Studies of Ancient Stone (Proceedings of the Eleventh International Conference of ASMOSIA,

Split, 18–22 May 2015, University of Split/ Arts Academy and Faculty of Civil

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Engineering, Architecture and Geodesy) (Split 2018) 377-89.

64) “A Hellenistic Bronze Statuette of a Dwarf Artisan in the Metropolitan Museum of Art,” in EXCELLENCE: Studies in Honor of Olga Palagia (Internationale

Archäologie, Studia Honoria 38), edd. C. Dobiat, F. Fless, and E. Stauch (Rahden/Westf. 2019) 211-20.

65) “The Statue of Germanicus from Amelia: New Discoveries,” with Alessandra Giumlia-Mair, American Journal of Archaeology 123 (2019) 675-86.

FORTHCOMING:

66) “Die Umarbeitung von römischen Kaiserbildnissen: Deutungsprobleme und neue Lösungsansätze durch die digitale Technologie,” in Revisionen des Porträts: Jenseits der Repräsentation (Morphomata-Reihe), ed. T. Greub (Leiden 2019).

67) “The Image of Caligula: Myth and Reality,” in New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, edd. Bernard Frischer and Peter Schertz (Leiden 2019).

68) “Past and Recent Metal Analyses of the Germancius Statue from Amelia,” with Alessandra Giumlia-Mair, Proceedings of the XXth International Congress on Ancient Bronzes at Tübingen, Germany (April 2018) 25-34. REVIEW ARTICLES [online: http://independent.academia.edu/JohnPollini]

D. Boschung, Die Bildnisse des Augustus Das römische Herrscherbild I.2) (Berlin 1993), in Art Bulletin 81 (1999) 723-35. E. Varner, Mutilation and Transformation: Damnatio Memoriae and Roman Imperial

Portraiture (Monumenta Graeca et Romana 10) (Leiden 2004), in Art Bulletin 88 (2006) 591-98.

BOOK REVIEWS [online: http://independent.academia.edu/JohnPollini]

PRINCIPAL PUBLISHED REVIEWS:

M. Torelli, Typology and Structure of Roman Historical Reliefs, in American Journal ofArchaeology 87 (1983) 572-73.

J. Ganzert, Das Kenotaph für Gaius Caesar in Limyra, in American Journal ofArchaeology 90 (1986) 134-36.

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R. Brilliant, Visual Narratives. Storytelling in Etruscan and Roman Art, in AmericanJournal of Philology 107 (1986) 523-27.

T. M. Kristensen, Making and Breaking the Gods: Christian Responses to Pagan Sculpture

in Late Antiquity, in Bryn Mawr Classical Review (bmcr.brynmawr.edu/2014/2014-08-61.html)

K. Fittschen and P. Zanker, Katalog der Römischen Porträts in den Capitolinischen

Museen und den anderen Kommunalen Sammlungen der Stadt Rom, in Gnomon 88 (2016)639-43.

A. Scholl (ed.), Katalog der Skulpturen in der Antikensammlung der Staatlichen Museen

zu Berlin I: Griechische und römische Bildnisse, in Gnomon 90 (2018) 152-57.

ADDITIONAL REVIEWS:

45 short reviews published in CHOICE

Numerous reviews as referee for professional journals and academic presses for manuscripts submitted to them for publication

PRINCIPAL INSTRUCTIONAL MATERIAL

Greek Art and Archaeology: Course Manual: online version of 113 page manual withdigitized images

Roman Art and Archaeology: Course Manual: online version of 158 page manual withdigitized images

Digging into the Past: Material Culture and the Civilizations of the Ancient Mediterranean: Course Manual (43 pages)

Proseminar Guide to General and Specific Works on Greek and Roman Art andArchaeology and Related Disciplines (50 pages) and online version

Website for AHIS 425, “Introduction to Interdisciplinary Research and Methodology in Classical Art and Archaeology and Related Disciplines” with links to other importantwebsites in the fields of Art, Archaeology, Classics, and Ancient History

Website for AHIS 201g: “Digging into the Past: Material Culture and the Civilizations of the Ancient Mediterranean” (with digitized images)

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PAPERS PRESENTED AT INTERNATIONAL AND NATIONAL

CONFERENCES AND SYMPOSIA

“On Judging the Merits of Augustus”: Center for Hermeneutical Studies: Colloquy,Berkeley (April, 1985)

“Investigating Hellenistic Sculpture”: Center for Advanced Study in the Visual Arts,National Gallery of Art (October, 1986)

“Augustus: Monuments, Arts, and Religion”: Brown University (March, 1987) “Aspects of Ancient Religion”: University of California at Berkeley (April, 1987)

“Marble and Ancient Greece and Rome”: International conference sponsored byNATO at Il Ciocco (Tuscany), Italy (May, 1988)

“Polykleitos, the Doryphoros and Its Influence”: University of Wisconsin, Madison(October, 1989)

UCLA-USC Seminar in Roman Studies: UCLA, Los Angeles (December, 1992)

XIIIth International Bronze Congress: Harvard University (May 28 - June 1, 1996)

UCLA-USC Seminar in Roman Studies: Roman Representations: Subjectivity, Powerand Space: USC, Los Angeles (March, 1997)

International Symposium at Cuma (Naples): “Flavian Poets, Artists, Architects andEngineers in the Campi Flegrei” (July, 1997)

International Symposium at the University of Vienna: Interdisziplinäres KolloquiumHistorische Architekturreliefs vom Alten Ägypten bis zum Mittelalter (July, 1997)

First International Conference on the Archaeology of Paros and the Cyclades: Paros, Greece (October, 1997)

Getty Research Institute Colloquium: Work in Progress (November, 1997)

Annual Meetings of the Art Historians of Southern California at California State University, Northridge, California (November, 1998)

XIV. Internationaler Kongress für Antike Bronzen: Werkstattkreise, Figuren und Geräte(Sponsored by Das Römisch-Germanisches Museum der Stadt Köln und das Archäologisches Institut der Universität zu Köln [September 1999]) -- besides giving a paper, chaired the session, “Bronzestatuen und -statuetten: Fundkomplexen, Fundgruppen,Einzelstücke, und Typen”

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First International Symposium on Roman Imperial Ideology: Politics, Art, andNumismatics at the Villa Vergiliana, Cuma (Naples) -- keynote speaker and chair ofthe session, “Ideology, Historiography, and the Imperial Family” (May, 2000)

International Symposium at Emory University, Atlanta: Tyranny and Transformation(October, 2000)

Annual Meeting of the Art Historians of Southern California at the Getty Center,Los Angeles, California (November, 2000)

Getty Research Institute Colloquium: Work in Progress (December, 2000)

Second International Symposium on Roman Imperial Ideology: Politics, Art, andNumismatics at the Villa Vergiliana, Cuma (Naples) -- besides giving a paper, chaired thesession, “The Image of the Princeps and the Ruler Cult” (May, 2001)

UCLA-USC Seminar in Roman Studies: UCLA, Los Angeles (April, 2002)

Third International Symposium on Roman Imperial Ideology: Politics, Art, and Numismatics at the Villa Vergiliana, Cuma (Naples) -- besides giving a paper, chaired the session “Roman History and Ideology” (May, 2002)

Symposium on the “Age of Augustus” at UCLA -- (February, 2003)

Fourth International Symposium on “Roman Imperial Ideology: Politics, Art, and Numismatics” at the Villa Vergiliana, Cuma (Naples) -- keynote speaker and chair of session (May, 2003)

International Archaeological Congress, Harvard University (August, 2003) -- besides giving a paper, chaired the session, “Ancient Society” VIIth International ASMOSIA Conference, Thasos, Greece (September, 2003)

International Conference in the Arts and the Humanities, Honolulu, Hawaii (January, 2004) Symposium on Roman Sculpture, Minneapolis Museum of Art (organized by Richard Brilliant) (April, 2004)

International Symposium on “Interaction of Indigenous and Foreign Cults in Italy at Cuma” (Naples) (May, 2004) -- besides giving `a paper, chaired a session

International Conference at University of Michigan: “‘Sculptural Environment’ of the Roman Near East: Reflections on Culture, Ideology, and Power (November, 2004)

International Conference at Stanford University: “Seeing the Past” (February, 2005)

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International Conference at the University of London: “Computer Technology and the Arts: Theory and Practice” (November, 2005)

International Conference at the University of Chicago: “Performing Death: Social Analyses of Funerary Ritual in the Mediterranean” (February, 2006)

VIIIth International ASMOSIA Conference, Aix-en-Provence, France (June, 2006) Symposium on “Art of Warfare”: Michael C. Carlos Museum, Emory University (January, 2007) Symposium on “Erasure and Effacement: Destruction of Text and Image in Late Antiquity,” Duke University (February, 2008)

Symposium on Pompeii: National Gallery of Art, Washington DC (March, 2009) International Conference on “The Archaeology of Violence: An Integrated Approach to the Study of Violence and Conflict,” Institute for European and Mediterranean Archaeology, University of Buffalo (April, 2009)

Symposium on “Recutting Ancient Sculptural Portraits”: Creighton University, Omaha, Nebraska (April, 2009)

IXth International ASMOSIA Conference, Tarragona, Spain (June, 2009)

XVIIth International Congress on Ancient Bronzes: Izmir, Turkey (May, 2011)

Keynote Speaker at International Conference on “The Afterlife of Roman Sculpture II: Late Antique Response and Reception,” University of Aarhus, Denmark (March, 2011) Conference on “Creating a Total Environment for the Caligula in the Virginia Museum of Fine Arts,” sponsored by the Virginia Museum of Fine Arts and the University of Virginia, Charlottesville, VA (December, 2011) Keynote address, “The Dual Life of Hieroglyphs: Textuality, Materiality, Power, and Control,” at an international conference at Yale University on “Double Stories – Double “Lives: Reflecting on Textual Objects in the Pre-Print World” (April, 2012). Keynote Speaker at Xth International ASMOSIA Conference, Rome, Italy (May, 2012)

Conference on “Religious Violence in the Ancient World,” Society for Ancient Mediterranean Religions, San Diego (November, 2014)

XIth International ASMOSIA Conference, Split, Croatia -- besides giving a paper, chaired special themed session, “The Use of Marble and Limestone in the Adriatic Basin in

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Antiquity” (May, 2015)

XIXth International Congress on Ancient Bronzes, J. Paul Getty Museum (October, 2015) Presentation at the National Gallery of Art in conjunction with the exhibit “Power and Pathos: Bronze Sculpture of the Hellenistic World” (March, 2016)

XXth International Congress on Ancient Bronzes, Tübingen, Germany (April, 2018)

Annual Conference of the International Morphomata Center for Advanced Studies in the Humanities at the University of Cologne, Germany -- presentation of paper and moderator (July, 2018)

Director and Organizer of Symposia and Special Lectures for the Visual

Culture in the Ancient World Initiative under the Aegis of the International

Museum Institute at USC (IMI-VCAW) [Consortium Members: J. Paul Getty Research Institute, J. Paul Getty Villa-Museum, Los Angeles County Museum of Art, Natural History Museum of Los Angeles, Cotsen Institute of Archaeology, UCLA, and International Museum Institute, USC]

1. Dr. Dyfri Williams, Research Keeper of Greek and Roman Antiquities at the British Museum and J. Paul Getty Museum Visiting Scholar: "The Parthenon Sculptures: Ownership, Display and Understanding" (USC, March 8, 2010) and “Greek Potters in Society: From Status and Gender to Marketing and Migration” (USC, March 22, 2010)

2. Dr. Trinidad Nogales Basarrate, Curator-Director of Research at the National Museum of Roman Art, Mérida, Spain: "The Image of Roman Hispania: From the Past to the Present" (USC, April 7, 2010) and "Mérida: The Archaeological Discovery of Augusta Emerita, a Roman Capital in Spain" (Getty Villa, April 8, 2010)

3. First International Kucha and Silk Road Symposium (USC, November 13, 2010)

4. Second International Kucha and Silk Road Symposium, (USC, February 18, 2011)

5. Prof. Dr. Manfred Bietak, Emeritus, Department of Egyptology, University of Vienna, and Director Emeritus of the Austrian Archaeological Institute in Cairo (1973-2009), (Cotsen Institute of Archaeology, UCLA, April 18 and 19, 2011)

6. Dr. Faya Causey, National Gallery of Art, “Ornaments and Amulets: Ancient Carved Ambers for Women, by Women?” (Getty Villa, November 28, 2012)

7. Symposium on “The Colors of Imperial Rome”: Dr. Peter Schertz, Jack and Mary Ann Frable Curator of Ancient Art, The Virginia Museum of Fine Arts (“Ancient Polychromy and Colorizing the Virginia Caligula: A University-Museum Collaborative Project”) and Dr. Steven Fine,

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Pinkhos Churgin Professor of Jewish History, Yeshiva University (“The Arch of Titus: Polychromy, Exhibition, and the Experience of the Flavian Triumphus”) (USC, March 11, 2015)

8. Symposium on “New 3-D Technologies in Old World and New World Archaeology”: Keynote Speaker, Dr. Bernard Frischer, Professor of Informatics & Classics, Indiana University, Bloomington, “How 3D Technologies are Transforming Old and New World Archaeology: Rome, Tivoli, Atzompa” (USC, April 19, 2016)

9. Symposium on “Iconoclasm: The Destruction of Religious Material Culture in the Old World and New World”: Dr. John Pollini (Introduction and “Christian Destruction and Desecration of Images and Temples of Classical Antiquity”) (USC); Dr. Diana Magaloni, Deputy Director, Dr. Virginia Fields Curator of the Art of the Ancient Americas, and Director of Conservation (LACMA) (“The Indigenous History of the Conquest of Mexico in Book 12 of the Florentine Codex”); Dr. Alka Patel, Associate Professor of Art History and Visual Studies of South Asia and the Islamic World (UC Irvine); Dr. Sonya Lee, Associate Professor of Art History and East Asian Languages and Culture (USC), Moderator (USC, October 23, 2019)

PARTICIPATION IN OTHER COLLOQUIA AND SYMPOSIA

Roman Sculpture and Architecture: German Archaeological Institute, Rome (January, 1978)

Roman Architecture: Center for Advanced Study in the Visual Arts, National Gallery of Art(January, 1981)

The Age of Augustus. The Rise of Imperial Ideology: Brown University (April, 1982)

Pictorial Narratives in Antiquity and the Middle Ages: The Johns Hopkins University andthe Center for Advanced Study in the Visual Arts, National Gallery of Art (March, 1984)

Villa Gardens of the Roman Empire: Dumbarton Oaks (May, 1984)

Retaining the Original -- Multiple Originals, Copies, and Reproductions: Center forAdvanced Study in the Visual Arts, National Gallery of Art (March, 1985) Investigating Hellenistic Sculpture: Center for Advanced Study in the Visual Arts,National Gallery of Art (October, 1986)

Marble -- Art Historical and Sculptural Perspectives on Ancient Sculpture: J. Paul GettyMuseum (April, 1988) International Conference on Roman Archaeology and Latin Epigraphy: University ofRome and the French School of Rome (May, 1988) Roman Portraits in Context: Emory University (January, 1989)

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Small Bronze Sculpture from the Ancient World: J. Paul Getty Museum (March, 1989) Alexandria and Alexandrianism: J. Paul Getty Museum (April, 1993)

International Symposium: “Rome Reborn” Visual Reality Program at UCLA (December,1996)

History of Restoration of Ancient Stone Sculptures, J. Paul Getty Museum (October, 2001)

Re-Restoring Ancient Stone Sculpture, J. Paul Getty Museum (March, 2003)

ASMOSIA Marble Conference on Thasos, Liman, Thasos (September, 2003) The Getty Commodus and the Afterlife of Roman Portraiture, J. Paul Getty Museum, Malibu (April, 2006) Athenian Potters and Painters, American School of Classical Studies at Athens, Greece (March, 2007)

Representations of the Alien, J. Paul Getty Museum (March, 2008)

Rediscovering Color: New Perspectives on Polychrome Sculpture, Getty Villa, Malibu (May, 2008) Cultural Identity and the Peoples of the Ancient Mediterranean, Getty Villa, Malibu (June, 2008) The Aztec Pantheon and the Art of Empire -- chair and moderator of session, “Altera Roma: Art and Empire from the Aztecs to New Spain,” Getty Villa, Malibu (April - May, 2010)

Workshop on “Creating a Total Environment for the Caligula in the Virginia Museum of Fine Arts,” sponsored by the Virginia Museum of Fine Arts and the University of Virginia, Charlottesville, VA (November, 2010)

The Berthouville Treasure and Roman Silver, Getty Villa, Malibu (October, 2014)

The Classical World in Context: Egypt, Getty Villa, Malibu (May, 2017)

19th International Congress of Classical Archaeology, Bonn/Cologne, Germany-- chair and discussant (May, 2018)

International Morphomata Center for Advanced Studies in the Humanities at the University of Cologne, Germany -- moderator of special session, “Revisionen des Porträts: Jenseits der Repräsentation” (June, 2018)

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International Morphomata Center for Advanced Studies in the Humanities at the University of Cologne, Germany -- moderator for symposium “Intermediality” (June, 2018)

Egypt, Greece, Rome: Cross-Cultural Encounters in Antiquity: J. Paul Getty Museum (August, 2018)

PAPERS PRESENTED AT ANNUAL CONVENTIONS OF THE

ARCHAEOLOGICAL INSTITUTE OF AMERICA AND THE COLLEGE

ART ASSOCIATION

Boston (AIA, December, 1979)

New Orleans (AIA, December, 1980)

San Francisco (AIA, December, 1981)

Philadelphia (AIA, December, 1982)

Cincinnati (AIA, December, 1983)

Toronto (AIA, December, 1984)

Washington, DC (AIA, December, 1985) -- invited paper, “The Promulgation of theImage of the Leader in Roman Art,” in a special AIA session on Politics and Art

San Antonio (AIA, December, 1986) -- invited paper, “Time, Narrativity, and DynasticConstructs in Augustan Art and Thought,” at a joint AIA-APA session on topicsillustrating connections between Roman art and philology

Houston (CAA, February, 1988) -- invited paper, “The Gemma Augustea and theConstruction of a Dynastic Narrative,” for a CAA session on Narrative and Event inGreek and Roman Art

Atlanta (AIA, December, 1994) -- discussant for a joint AIA-APA session on “RethinkingNero’s Legacy: New Perspectives on Neronian Art, Literature, and History”

New York (AIA, December, 1996) -- special poster session: “The Marble Type of the Statue of Augustus from Prima Porta: New Scientific Tests” (prepared in collaborationwith Norman Herz, Director of Programs, Center for Archaeological Sciences, Universityof Georgia)

Chicago (AIA, December, 1997)

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Washington, DC (AIA, December, 1998) -- invited paper, “A Portrait of a Sex-Slave ‘Stud’ (?) in the Metropolitan Museum of Art in New York,” for a special colloquium in honor of Anna Marguerite McCann on the receipt of the “Gold Medal” of the Archaeological Institute of America

San Francisco (AIA, January, 2004) -- joint paper with N.Cipolla and L. Swartz Dodd

Anaheim (AIA, January, 2010)

MARTHA SHARP JOUKOWSKY LECTURESHIP OF THE

ARCHAEOLOGICAL INSTITUTE OF AMERICA (2012-2013)

University of Georgia, Athens, GA (September, 2012)Emory University, Atlanta, GA (September, 2012)University of Montreal, Montreal, Quebec, Canada (October, 2012)Yale University, New Haven, CT (October, 2012)Montclair State University, Montclair, NJ (October, 2012)Brown University, Providence, RI (October, 2012)Brock University, St. Catharines, Ontario, Canada (October, 2012)University of Buffalo, Buffalo, NY (October, 2012)Parthenon Museum, Nashville, TN (April, 2013)University of Virginia, Charlottesville, VA (April, 2013)University of Pittsburgh, Pittsburgh, PA (April, 2013)University of Louisville, Louisville, KY (April, 2013)Johns Hopkins University, Baltimore, MD (April, 2013)Temple University, Rome, Italy Campus (June, 2013)

OTHER ACADEMIC AND PUBLIC LECTURES/TALKS

American Academy, Rome, Italy (March, 1976)

Cleveland Society AIA, Cleveland, Ohio (April, 1979)

Johns Hopkins University, Baltimore, MD (September, 1980)

Institute of Fine Arts, New York, NY (October, 1980)

Metropolitan Museum of Art, New York, NY (January, 1983)

New York Society AIA, New York, NY (January, 1983)

Baltimore Society AIA, Johns Hopkins University, Baltimore, MD (February, 1983)

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University of Toronto, Toronto, Canada (March, 1987)

University of Southern California, Los Angeles (March, 1987)

Columbia University, New York, NY (April, 1987)

Classical Archaeological Society of Southern California, UCLA (November 1989)

Tulane University, New Orleans, LA (February, 1990)

Classical Archaeological Society of Southern California, USC, Los Angeles (February1990)

Los Angeles Society AIA, Los Angeles (March, 1990)

Fisher Gallery and School of Fine Arts, University of Southern California, Los Angeles(March, 1990)

Institute of Fine Arts, New York, NY (April, 1990)

American Academy, Rome, Italy (May, 1990)

University of Vienna and Kunsthistorisches Museum, Vienna, Austria (June, 1990)

San Diego Society AIA, San Diego, CA (September, 1990)

Classical Archaeological Society of Southern California, Getty Museum, Malibu, CA (November, 1990).

University of Pennsylvania, Philadelphia, PA (December, 1990)

Classical Archaeological Society of Southern California, Gamble House, Pasadena, CA (March 1991)

Henry T. Rowell Lecturer: Baltimore Society AIA, Baltimore, MD (November, 1991)

Villanova University, Villanova, PA (November, 1991)

Royal-Athena Galleries, Los Angeles, CA (October, 1992)

Center for Advanced Study in the Visual Arts (CASVA), National Gallery of Art,Washington DC (November, 1992)

University of North Carolina, Chapel Hill, NC (November, 1992)

Duke University, Durham, NC (November, 1992)

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University of California, Los Angeles: UCLA/USC Seminar in Roman Studies, LosAngeles, CA (December, 1992)

University of Southern California, Los Angeles, CA (January, 1993)

J. Paul Getty Museum and Center for the History of Art and the Humanities, Malibu,CA (February, 1993)

Classical Archaeological Society of Southern California, UCLA (March 1993)

California State University, Long Beach, CA (March, 1993)

Stanford University, Palo Alto, CA (April, 1993)

University of California, Berkeley, CA (April, 1993)

California State University, Northridge, CA (April, 1993)

University of Arizona, Tucson, AZ (April, 1993)

American Academy, Rome, Italy (June, 1994)

Getty Center for the History of Art and the Humanities (Director’s Series) (December,1994)

University of California, Irvine (May, 1997)

American Academy, Rome, Italy (July, 1997)

American School of Classical Studies, Athens (October, 1997)

Los Angeles County Museum of Art, Los Angeles (March, 1998)

British School at Rome (June, 1998)

University of California, Berkeley (November, 1998)

Classical Archaeological Society of Southern California, University of California, Santa Barbara (March, 1999)

Work in Progress: Getty Research Institute, Los Angeles (December, 2000)

Classical Archaeological Society of Southern California, Getty Research Institute,Los Angeles (April, 2001)

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American Academy, Rome, Italy (May, 2001)

Loyola Marymount, Los Angeles (March, 2002)

Southern California Institute of Architecture (February, 2003)

Columbia University, New York (April, 2003)

University of Amsterdam, the Netherlands (May, 2003)

University of Nijmegen, the Netherlands (May, 2003)

American School of Classical Studies, Athens (September, 2003)

University of Oklahoma, Norman (March, 2005)

Cambridge University, Cambridge, England (November, 2005)

American School of Classical Studies at Athens, Greece (March, 2007)

University of Athens, Greece (May, 2007)

Friends of Ancient History (Southern California), California State University, Channel Islands (November, 2007)

Los Angeles Society of the AIA, Los Angeles (December, 2007)

College of William and Mary (January, 2008)

Duke University, Durham (February, 2008)

Dickinson College, Carlisle, PA (March, 2008) - two lectures

University of Nebraska, Lincoln (April, 2008)

Lincoln-Omaha Society of the AIA, University of Nebraska, Lincoln (April, 2008)

Creighton University, Omaha (April, 2008)

Yale University, New Haven (October, 2008)

Trinity College: William E. Metcalf Lecture (AIA), Hartford (October, 2008)

New York University: Center for Ancient Studies and AIA, New York (October, 2008)

Princeton University: Clayburgh Lecture (AIA), Princeton (October, 2008)

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University of Oregon: William E. Metcalf Lecture (AIA), Eugene (March, 2009)

University of California, Santa Barbara: William E. Metcalf Lecture (AIA), Santa Barbara (March, 2009)

University of Cincinnati, Cincinnati (September, 2009)

New York Society of Ethnic Greeks (YΠATO ΣYMBOYΛIO TΩN EΛΛHNΩN

EΘNIKΩN), New York, NY (February, 2010)

J. Paul Getty Museum, Malibu (March, 2010)

Italian-American Lawyers’ Association, Los Angeles (March, 2011)

University of Aarhus, Denmark (March, 2011)

University of London, London (March, 2011)

Ludwig Maxmilians Universität, Munich (October, 2011)

Freie Universität, Berlin (October, 2011)

Yale University, New Haven (October, 2012)

Museo Archeologico di Amelia, Amelia, Italy (June, 2013)

Fine Arts Museums’ Ancient Art Council and Numismatic Society of San Francisco (May, 2014)

California Classical Association and the AIA, USC (October, 2014)

J. Paul Getty Museum, Malibu (October, 2014)

Columbia University, New York, NY (March, 2016)

University of Cologne, Germany (November, 2017 & January, 2018)

California State University, Long Beach (November, 2018)

SPECIAL LECTURES AND TALKS FOR USC

Seminar for Professor Claudia Moatti, Department of Classics: “Problems in Ancient Art” (March, 2005)

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Seminar for Dr. Daniela Bleichmar, Department of Art History: Rediscovering the Classical Past: The Relationship of Art History, Archaeology, and Visual Culture (March, 2005) University of Southern California’s 125th Celebration: For Symposium on “Trojan Legends” presented paper: “USC's Trojan Column: An Ancient and Modern Myth” (October, 2005)

Talk for USC graduate students in the Department of Classics at the Ara Pacis and Mausoleum of Augustus in Rome (May 26, 2006), organized by Prof. Claudia Moatti, Department of Classics

USC-American Institute for Roman Culture: Roman Archaeological Summer Excavation and Study Program in Rome (one week of intensive walking study tours (ca. 6-7 hrs. daily) for USC students and those from other universities in the U.S. and Europe, followed by excavation (ca. 7 hrs. daily 5 days a week) (2010-2015)

MISCELLANEOUS TALKS AND PRESENTATIONS

Lectures and talks on site regarding the architecture and topography of Rome, Ostia,and Hadrian’s Villa for members of the Technische Universität für Architektur undDenkmalpflege, Vienna, Austria; the Summer School of the American Academy inRome; St. Olaf College’s Junior Year Abroad Program; and M.A. students ofarchitecture in a joint summer program of the University of Southern California and the University of Illinois; and the Intercollegiate Center for Classical Studies in Rome.

Talks on various aspects of Classical art and archaeology at meetings of theArchaeological Society of the Mid-Atlantic States (1980-1987)

Gallery talks on the ancient collections of the Archaeological Museum of the JohnsHopkins University (in capacity as curator) and of the Walters Art Gallery (1979-1987)

Gallery talks on the ancient collections of the J. Paul Getty Museum and the Los AngelesCounty Museum of Art (1987-present)

Classical Sculpture at the Joslyn Museum of Art, Omaha, Nebraska (April, 2008)

MEDIA INTERVIEWS AND CONSULTATION

New York Times, January 10, 1984: https://www.nytimes.com/1984/01/10/science/scholar-detectives-learn-how-augustus-idealized-his-image.html

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International Herald Tribune, Los Angeles Times, The New Yorker, TheHistory Channel, Arts and Entertainment Channel, KPCC Radio Los Angeles, NBC, Fox

Featured piece on my innovative work on the marble type of the statue of Augustus from Prima Porta: A. Elders, “Tracing the Stones of Classical Brilliance,” in Hermes -- Greece

Today 35 (1999) 20-24

On camera interview for documentary associated with the release of a DVD of “The Robe”(2008)

On camera interview for the television program. “The Insider,” discussing Greek efforts to secure the return of the Elgin Marbles from the British Museum (2014)

Interview about Caligula and his image for article by David Keys, Archaeology Correspondent for The Independent newspaper in the UK, for BBC History Magazine, and for other publications worldwide (2015)

ORGANIZER AND LEADER OF TOURS OF MUSEUMS AND SITES

Turkey (for Board of Councilors and donors of the School of Fine Arts, USC, 1995; for university students and the general public, 1998)

Greece (Attica and the Peloponnese) (for university students and the general public, 1999) Central Italy (for university students and the general public, 2000, 2002, 2003)

Egypt (for Alumni and Friends of the University of Southern California), Trojan Travel (2009)

UNIVERSITY COMMITTEES AND OTHER SERVICE

Faculty Senate (1988-1991)

Advisory Committee to the Dean of the School of Fine Arts (1990-1991, 1992-1993)

Chairman, Personnel Committee of the School of Fine Arts (1988-1990)

Library Liaison Officer for Art and Architecture Library (1987-present)

Search Committee for Reference Librarian of the Art and Architecture Library(1989-1990 and 2000)

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University Library Committee (1989-1990, 1998-2001)

Recruitment Committee for the School of Fine Arts (1989-1995)

Space Allocation Committee, School of Fine Arts (1989-1990)

University Research Committee (1990-1991)

Promotion Committee, School of Fine Arts (1990-1995)

University Ad Hoc Committee on Revenue Center Management (1990-1995)

Committee for University Development, School of Fine Arts (1993-1995)

Development Task Force, the School of Fine Arts (1993-1995) Consultative Committee to the Provost (Spring 1993-1995) University Galleries Advisory Committee (1993-1995)

University Committee on Transnational and Multicultural Affairs (1993-1995)

Provost’s Council at USC (formerly Council of Deans) (1993-1995)

USC Representative to the Advisory Council of the American Academy in Rome (1993-present)

Founder and Member of the Board of Councilors for the School of Fine Arts (1994-1995)

Consortium Council of Deans for Development at USC (1995)

Tenure and Promotion Committee, Department of Art History (1995-present)

Recruitment Committee for Department of Art History in the College of Letters, Arts, and Sciences (1996-2005)

Program Proposer for the Establishment of an Interdepartmental and InterdisciplinaryAncient Mediterranean Studies Program (1997-1999)

Chinese Search Committee, Department of Art History (1998-1999)

Japanese Search Committee, Department of Art History (1998-1999)

Professor-In-Charge, USC-Getty Lecture Series, Seminar, and Faculty Dinner (honoringSalvatore Settis) (1998-1999)

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Curriculum Committee (Co-Chair) (1998-1999) Chair, Committee for Selection of Departmental Chair (1999-2000)

Chair, Merit Review Committee, Department of Art History (1999-2000)

Committee for the Establishment of an Undergraduate Major in Archaeology(2002-present)

Greek Art Search Committee, Department of Art History and Classics (2001-2004)

Faculty Search Committee, Department of Art History: Senior Hiring Initiative (2003-present)

Junior Faculty Review Committee, Department of Art History (2003)

USC’s Arts and Humanities Committee (2003-2004)

Chair, Oversight Committee for the Interdisciplinary Archaeology Major (Spring, 2006)

Chair, Personnel Committee for the Promotion of Carolyn Malone to Full Professor(Spring and Fall, 2008)

Chair (elected), Oversight Committee for Interdisciplinary Archaeology Major (Fall, 2008)

Chair, Personnel Committee for the Promotion of Sonya Lee to Associate Professor with Tenure ( 2009-2011)

USC’s International Museum Institute’s Faculty Advisory Committee (2009-present)

Department of Art History Graduate Advisor (2009-2010)

Faculty Advisor for Graduate Student “Works in Progress” Lecture Series (2009-2011)

Chair, Tenured Faculty Merit Review Committee, Department of Art History (2011-2012)

Co-Chair, Graduate Student Second Year Review (2014)

Chair, Tenure Committee for Lisa Pon (2019)

OTHER PROFESSIONAL ACTIVITIES

Editorial Assistant (1968-1969) and Associate Editor (1969-1970), AGON: Journal of

Classical Studies

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Editorial Board, American Journal of Philology (January, 1982-January, 1987) Delegate from Baltimore Society AIA to National Convention (1984-1986)

Vice-President, Baltimore Society of the AIA (1985-1987)

Co-Director, Exhibition on Roman Portraiture, Fisher Gallery (1989)

Co-Founder (with Dr. Diana Buitron) of the Classical Archaeological Society of the Mid- Atlantic States (1978-87)

Founder and President of CAASC (Classical Archaeological Association of Southern California) (1987-2008): organized annual meetings

Member of the Ancient Art Council of the Los Angeles County Museum of Art (1987)

Oversaw the publication and helped edit the newsletter “ARTFACTS” of theSchool of Fine Arts (1993-1996) during my tenure as Dean of the School of Fine Arts

USC Representative to Advisory Council of the American Academy in Rome(1993-present)

Comitato di Collaborazione Culturale to the Consul General of Italy at Los Angeles (1995-1998)

Advisory Committee for the Virtual Reality Project for Ancient Rome (“Rome Reborn”) (1996-1998) Delegate from Los Angeles Society AIA to National Convention (Chicago, 1997)

Reviewer for the Getty Grant Program (1999)

Reviewer for the MacArthur Foundation Grant (2000, 2003)

Planning Committee for a Four-Year International Conference on “Roman Imperial Ideology” at the Villa Vergiliana at Cuma (Naples), organized by J. Rufus Fears (2000-2003)

Consultant for the Forum of Augustus Project: Sovrintendenza Archeologica Comunale, Direzione al Foro di Augusto (2004)

Editor of the newsletter “Musings” for the Department of Art History, USC (2005)

Chair of two sessions -- “Roman Sculpture” and “Augustan Art” -- at the annual meetingof the Archaeological Institute of America (San Diego 2007)

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Advisor to the Department of Ancient Art, Princeton University Art Museum(2007)

Advisor to the Department of Ancient Art, Virginia Museum of Fine Arts (2007-present)

Advisor to the Department of Ancient Art, Joslyn Art Museum (2007)

Organizing Committee for the International Bronze Congress in Athens, Greece (2007-2009)

Collaborating with the University of Virginia and the Virginia Museum of Fine Arts on anNEH project involving the Roman emperor Caligula (2009-2010)

Invited to serve on the International Scientific Committee of the XVIIIth InternationalCongress of Classical Archaeology on “Centro y periferia en el mundo clásico,” Mérida, Spain (May 13-17, 2013)

Invited to collaborate with an international team of scholars working on various aspects ofAugustan monuments in Rome, a project spearheaded by Prof. Bernard Frischer, Directorof the “Virtual World Heritage Laboratory” of the University of Virginia (2013)

Organizing Committee for the 19th International Congress on Ancient Bronzes at theJ. Paul Getty Museum (2015)

Organizing Committee for the public exhibition, “The Classical World in Context” at theJ. Paul Getty Museum at the Getty Center in Brentwood (2018)

MEMBERSHIPS IN NATIONAL AND INTERNATIONAL

PROFESSIONAL ORGANIZATIONS

NATIONAL:

Archaeological Institute of America

College Art Association

Society for Classical Studies (formerly the American Philological Association)

Association of Ancient Historians

American Academy in Rome

American School of Classical Studies at Athens

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Vergilian Society

Society for Ancient Mediterranean Religions

INTERNATIONAL:

Deutsches Archäologisches Institut

Associazione Internazionale di Archeologia Classica

Association for the Study of Marble and Other Stones in Antiquity (ASMOSIA)

Society for the Promotion of Roman Studies

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