SET-A

U/2015/14/III/A2

1. Name the morning Raga in which KomalNishad is also used—(A) Mian Ki Tori (B) Ram Kali(C) Gun Kali (D) Bhatiar

2. How many Jatis are used in Karnatak taalsystem ?(A) Four (B) Three(C) Two (D) Five

3. Which was the golden period of music ?(A) Humanyu period(B) Akbar period(C) Jahangir period(D) Aurangzeb period

4. Who was the pattern of ‘Thumri’ ?(A) Man Singh Tomar(B) Jahangir(C) Akbar (D) Wajid Ali Shah

5. Founder of Farukhabad Gharana of Tabla—(A) Modu Khan (B) Sitab Khan(C) Vilayat Ali (D) Meeru Khan

6. On what is Murchana based—(A) Shruti (B) Nada(C) Gram (D) Raga

7. Vadi-Samvadi of raga ‘Bhimplasi’ is—(A) Ga-Dha (B) Ra-Pa(C) Ma-Sa (D) Ga-Ni

8. Vishwabharati was established in—(A) 1916 (B) 1917(C) 1918 (D) 1919

9. In solfa notation system ’Gandhar’ swardenotes—(A) Fa (B) Sol(C) Do (D) Me

1. izkr% dkyhu jkx ftlesa dksey fu"kkn dk iz;ksx Hkhgksrk gSµ(A) fe;ka dh rksM+h (B) jkedyh(C) xq.kdyh (D) HkfV;kj

2. dukZVd rky i)fr esa fdruh tkfr dk iz;ksx fd;ktkrk gS \(A) pkj (B) rhu(C) nks (D) ik¡p

3. laxhr dk ^Lo.kZ;qx* fdl dky dks ekurs gSa \(A) gqek;w¡ dky (B) vdcj dky(C) tgk¡xhj dky (D) vkSjaxt+sc dky

4. ^Bqejh* ds vkJ;nkrk dkSu Fks \(A) eku flag rksej (B) tgk¡xhj(C) vdcj (D) okftn vyh 'kkg

5. rcys ds Q#[kkckn ?kjkus ds laLFkkid dkSu Fks \(A) eksnw [kk¡ (B) flrkc [kk¡(C) foyk;r [kk¡ (D) eh: [kk¡

6. ewPNZuk fdl ij vk/kkfjr gSµ(A) Jqfr (B) ukn(C) xzke (D) jkx

7. jkx Hkheiyklh dk okfn&laokfn gSµ(A) x&/k (B) js&i(C) e&l (D) x&fu

8. ^fo'oHkkjrh* dh LFkkiuk dc gqbZµ(A) 1916 (B) 1917(C) 1918 (D) 1919

9. lksYQk Loj i)fr esa ^xka/kkj* Loj fdldk lwpdgS \(A) Qk (B) lksy(C) Mks (D) eh

SET-A

U/2015/14/III/A3

10. In which book term ‘Raag’ was defined forthe first time ?(A) Sangeet Makrand(B) Brihadeshi(C) Sangeet Sar(D) Chaturdandi Prakashika

11. How many parts are in ‘Padam’ in Karnatakmusic ?(A) 2 (B) 3(C) 4 (D) 5

12. To which century Sharang Deva belong—(A) Fifteenth (B) Seventeenth(C) Thirteenth (D) Tenth

13. Who is the founder of Punjabi Gharana ofTabla ?(A) Kadir Baksh (B) Malang(C) Fakir Baksh (D) Bakshu Khan

14. What was the name of shruti in ancient Tamilmusic ?(A) Yaaz (B) Sur(C) Alagu (D) Ushi

15. The number of Jati Lakshana is—(A) 5 (B) 10(C) 15 (D) 20

16. Pt. Siya Ram Tiwari is well-known for—(A) Dhrupad (B) Khyal(C) Thumri (D) Tappa

17. Who is the author of ‘chaturdandiprakashika’—(A) Bhavbhatt (B) Tulajirav(C) Lochan (D) Venkatmakhi

18. Which is the folk dance of Punjab—(A) Ghumar (B) Gidda(C) Bihu (D) Chhamm

10. fdl xzUFk esa lcls igys jkx 'kCn dks ifjHkkf"krfd;k x;kµ(A) laxhr edjan(B) c`gns'kh(C) laxhr lkj(D) prqnZ.Mh izdkf'kdk

11. dukZVdh laxhr ds ^ine~* esa fdrus Hkkx gksrsgSaµ(A) 2 (B) 3(C) 4 (D) 5

12. 'kkjaxnso fdl 'krkCnh esa gq;sµ(A) iUnzgoha (B) l=kgoha(C) rsjgoha (D) nloha

13. rcys ds iatkch ?kjkus ds laLFkkid dkSu gSaµ(A) dkfnj cD'k (B) eyax(C) Qdhj c['k (D) c[k'kw [kk¡

14. izkphu rfey laxhr esa Jqfr dk uke Fkkµ(A) ;kt (B) lqj(C) vyxq (D) m"kh

15. tkfr y{k.k dh la[;k gSµ(A) 5 (B) 10(C) 15 (D) 20

16. ia- fl;k jke frokjh fdlfy, izfl) gSa \(A) /kzqin (B) [;ky(C) Bqejh (D) VIik

17. prqnZf.Mizdkf'kdk ds ys[kd dkSu gSaµ(A) HkkoHkV~V (B) rqykthjko(C) ykspu (D) osadVef[k

18. iatkc dk yksd u`R; dkSu lk gSµ(A) ?kwej (B) fxn~nk(C) chgw (D) Ne

SET-A

U/2015/14/III/A4

19. Karnataki ‘Tillana’ is similar to—(A) Thumri (B) Khyal(C) Dhamar (D) Tarana

20. What is ‘Tenak’ is Prabandh—(A) Dhatu (B) Anga(C) Matra (D) Laya

21. How many varieties of Gamak are describedin Sangit-Ratnakar—(A) 10 (B) 12(C) 14 (D) 15

22. ‘Nati’ Folk Style is related to—(A) Arunachal Pradesh(B) Uttar Pradesh(C) Madhya Pradesh(D) Himachal Pradesh

23. What is the sthayi Bhav of Adbhuta Rasa ?(A) Nirveda (B) Utsaha(C) Vismay (D) Jugupsa

24. To which place ‘Baul’ geet belongs ?(A) Punjab (B) Himachal(C) Bengal (D) Rajasthan

25. Where is I.T.C. Music Research Academysituated ?(A) Delhi (B) Mumbai(C) Kolkata (D) Chennai

26. Which string instrument is without frets—(A) Sitar (B) Dilruba(C) Rudra-Veena (D) Vichitra-Veena

27. The prominent swara in sarang raganga is—(A) Dhaiwat (B) Rishabh(C) Madhyam (D) Gandhar

28. How many singing styles are in Dhrupad-Gayaki—(A) 5 (B) 4(C) 3 (D) 6

19. dukZVdh ^frYykuk* fdlls lkE; j[krk gSµ(A) Bqejh (B) [;ky(C) /kekj (D) rjkuk

20. izcU/k esa ^rsud* D;k gSµ(A) /kkrq (B) vax(C) ek=kk (D) y;

21. laxhr jRukdj esa xed ds fdrus izdkj of.kZrgSaµ(A) 10 (B) 12(C) 14 (D) 15

22. ^ukVh* yksd fo/kk dk lEcU/k fdl izns'k ls gS \(A) v#.kkpy izns'k(B) mÙkj izns'k(C) e/; izns'k(D) fgekpy izns'k

23. vn~Hkqr jl dk LFkkbZ Hkko D;k gSµ(A) fuosZn (B) mRlkg(C) foLe; (D) txqIlk

24. ^ckmy xhr* fdl LFkku ls lEcfU/kr gSµ(A) iatkc (B) fgekpy(C) caxky (D) jktLFkku

25. I.T.C. laxhr fjlpZ vdkneh dgk¡ fLFkr gS ?(A) fnYyh (B) eqEcbZ(C) dydÙkk (D) psUubZ

26. dkSu lk ok| fcuk insZ dk gSµ(A) flrkj (B) fny#ck(C) #nzoh.kk (D) fofp=koh.kk

27. lkjax jkxkax esa egRoiw.kZ Loj dkSu lk gSµ(A) /kSor (B) _"kHk(C) e/;e (D) xkU/kkj

28. /kzqin&xk;dh dh fdruh 'kSfy;k¡ gSaµ(A) 5 (B) 4(C) 3 (D) 6

SET-A

U/2015/14/III/A5

29. With which instrument Abdul Halim ZafarKhan associated ?(A) Shehnai (B) Sitar(C) Sarod (D) Sarangi

30. Who is Oscar Award winner ?(A) R. D. Burman(B) Sajid-Wajid(C) A. R. Rehman(D) Vishal-Shekhar

31. Of which Hindi film Pt. Ravi Shankar wasMusic Director—(A) Mausam (B) Kala Pathar(C) Anuradha (D) Anupama

32. Which is ‘Ritukaleen-raga’—(A) Hindol (B) Todi(C) Puriya (D) Khamaj

33. Which raga is of Shadav-Shadav Jati—(A) Adana (B) Poorvi(C) Marwa (D) Deshkar

34. The Pen name of Ustad Bade Ghulam AliKhan is—(A) Ada Rang (B) Har Rang(C) Man Rang (D) Ram Rang

35. Who is Grammy Award winner ?(A) Ustad gulam Sadiq Khan(B) Pt. Ravi Shankar(C) Pt. Bhimsen Joshi(D) Ustad Amjad Ali Khan

36. Which classical singer was awarded ‘BharatRatna’ ?(A) Omkar Nath Thakur(B) Bheem Sain Joshi(C) Amir Khan(D) Gangu Bai Hangal

29. vCnqy gyhe t+kQj [kk¡ fdl ok| ls lEcfU/krgSa \(A) 'kgukbZ (B) flrkj(C) ljksn (D) lkjaxh

30. ^vkLdj fotsrk* dkSu gSaµ(A) vkj- Mh- ceZu(B) lkftn&okftn(C) ,- vkj- jgeku(D) fo'kky&'ks[kj

31. ia- jfo'kadj us fdl fgUnh fQYe esa laxhr funsZ'kufd;kµ(A) ekSle (B) dkyk iRFkj(C) vuqjk/kk (D) vuqiek

32. _rqdkyhu jkx dkSu lk gSµ(A) fg.Mksy (B) rksM+h(C) iwfj;k (D) [kekt

33. "kk<+o&"kk<+o tkfr dk jkx dkSu lk gSµ(A) vM+kuk (B) iwohZ(C) ekjok (D) ns'kdkj

34. mLrkn cM+s xqyke vyh [kk¡ dk miuke D;k gSµ(A) vnk jax (B) gj jax(C) eu jax (D) jke jax

35. ^xzeh&vokMZ* thrus okys dkSu gSa \(A) mLrkn xqyke lkfnd [kk¡(B) ia- jfo 'kadj(C) ia- Hkhelsu tks'kh(D) mLrkn vetn vyh [kk¡

36. fdl 'kkL=kh; xk;d dks Hkkjr jRu dk lEeku fn;kx;kµ(A) vksedkj ukFk Bkdqj(B) Hkhe lsu tks'kh(C) vehj [kk¡(D) xaxwckbZ gaxy

SET-A

U/2015/14/III/A6

37. Whcih taal has same number of vibhag as ofteen taal ?(A) Ektaal (B) Jhaptaal(C) Roopak (D) Adachartaal

38. In which Giti ‘Auhati Kriya’ is used ?(A) Vesara(B) Sadharani(C) Bhinna(D) Gaudi

39. 4–3–2–4–4–3–2 Shruti interval pertains towhich Grama ?(A) Shadaj Gram(B) Madhyam Gram(C) Gandhar Gram(D) None of these

40. Who is the author of ‘Bharat Bhashyam’ ?(A) Bharat(B) Nanya Dev(C) Sinhbhupal(D) Kalinath

41. Who described the concept of ‘Dwadeshwar-murchava-vad’ ?(A) Matang(B) Bharat(C) Sharangdev(D) Ramamtya

42. Where is India Kala Sangeet Vishwavidyalayasituated ?(A) Rajgarh(B) Bahadurgarh(C) Khairagarh(D) Kishangarh

43. How many strings are in ‘Mattkokila Veena’ ?(A) 20 (B) 21(C) 22 (D) 23

37. fdl rky esa foHkkxksa dh la[;k rhu rky ds lekugSa \(A) ,drky (B) >irky(C) :id (D) vkMkpkjrky

38. ^vksgkVh fØ;k* fdl xhfr esa iz;ksx dh tkrh gS \(A) osljk(B) lk/kkj.kh(C) fHkUuk(D) xkSM+h

39. 4–3–2–4–4–3–2 Jqfr;ksa dk vUrjky fdl xzkeesa gSµ(A) "kM~t xzke(B) e/;e xzke(C) xkU/kkj xzke(D) dksbZ ugha

40. ^Hkkjr Hkk";e* dk ys[kd dkSu gS \(A) Hkjr(B) ukU; nso(C) flabHkwiky(D) dkfyukFk

41. ^}kn'kLojewPNZuk&okn* fl)kUr fdl dk gS \(A) erax(B) Hkjr(C) 'kkúZnso(D) jkekekR;

42. bafnjk dyk laxhr fo'ofo|ky; dgk¡ fLFkr gSµ(A) jktx<+(B) cgknqjx<+(C) [kSjkx<+(D) fd'kux<+

43. ^eVdksfdyk&oh.kk* esa fdrus rkj gksrs gSa \(A) 20 (B) 21(C) 22 (D) 23

SET-A

U/2015/14/III/A7

44. Which raga has Vakra Chalan ?(A) Patdeep(B) Bhairav(C) Gaud-sarang(D) Kirwani

45. Which rag is similar to ‘Dhirshankarabharnam’ :(A) Todi(B) Khawaj(C) Malkauns(D) Bilawal

46. Which raga was invented by Amir Khusro—(A) Zilaf(B) Jaunpuri(C) Hameer(D) Bilaskhani Todi

47. Which term is not applied in Dhrupad—(A) Non-Tom Alap(B) Gamak(C) Laykari(D) Murki

48. To which Ghrana does Hira Bai Basodkarbelong—(A) Gwalior(B) Kirana(C) Jaipur(D) Agra

49. With which style Pakhwaj is used ?(A) Kawwali(B) Thumri(C) Dhrupad(D) Khyal

50. Which is evening raga ?(A) Patdeep(B) Bairagi(C) Multani(D) Yaman

44. oØpyu ;qDr jkx dkSu lk gS \(A) iVnhi(B) HkSjo(C) xkSM+&lkjax(D) dhjok.kh

45. jkx ^/khj'kadjkHkj.ke~* fdlls lkE; j[krk gSµ(A) rksM+h(B) [kekt(C) ekydksal(D) fcykoy

46. vehj [kqljks }kjk fdl jkx dk vfo"dkj fd;k x;kµ(A) thyQ(B) tkSuiqjh(C) gehj(D) fcykl[kkuh rksM+h

47. /kzqin esa fdldk iz;ksx ugha gksrk gSµ(A) ukse&rkse vkyki(B) xed(C) y;dkjh(D) eqdhZ

48. ^ghjkckbZ cM+ksndj* fdl ?kjkus ls lEcfU/kr gSµ(A) Xokfy;j(B) fdjkuk(C) t;iqj(D) vkxjk

49. i[kkot fdl 'kSyh ds lkFk iz;ksx dh tkrh gS \(A) dOokyh(B) Bqejh(C) /kzqin(D) [;ky

50. lk;adkyhu jkx dkSu lk gS \(A) iVnhi(B) cSjkxh(C) eqyrkuh(D) ;eu

51. On which Tal ‘Nutan Dao’ is based ?(A) Dhamar (B) Trital(C) Chautal (D) Thaptaal

52. Sukhahim Nishadini is based on the Raga—(A) Gaur Malhar (B) Bilaskhani Tori(C) Mian Ki Malhar (D) Surdasi Malhar

53. ‘Din Jaye Re Din Jaye’ is based on Tala ?(A) Teen Tal (B) Chautal(C) Madyaman (D) Jat

54. “Prabhu Khelachi Anek” is based on whichRaga ?(A) Deshkar (B) Desh(C) Jhijhit (D) Shankara

55. ‘Ke Janito Tumi Dekhive’ is which type ofSong—(A) Kirtan (B) Baul(C) Sarigan (D) Jhamur

56. “Bani Tabo Dhaye Ananta” is based on Raga ?(A) Adana (B) Darbair Kanhra(C) Sohni (D) Paraj

57. ‘Kemono Rakhibe Tora’ is based on Raga—(A) Mand (B) Jhinjhoti(C) Sindura (D) Nat

58. ‘Bhuvan Hoite Bhuwan Bashi’ is based onRaga—(A) Sarang (B) Barahansa Sarang(C) Sud-Sarang (D) Brindavani Sarang

59. ‘Bai Hote Baba Abhye’ is based on which Tal ?(A) Teental (B) Chautal(C) Jhap Tal (D) Gajhamptal

51. ^uwru nkvks* fdl rky ij vk/kkfjr gS \(A) /kekj (B) f=krky(C) pkSrky (D) >i rky

52. ^lq[kkfne fu'kfnu* fdl jkx ij vk/kkfjr gSµ(A) xkSM+ eYgkj (B) fcykl[kkuh rksM+h(C) fe;ka dh eYgkj (D) lqjnklh eYgkj

54. ^fnu tk;s js fnu tk;s* fdl rky ij vk/kkfjr gS \(A) rhu rky (B) pkSrky(C) e/;eku (D) tr

54. ^izHkq [ksysNh vusd* fdl jkx ij vk/kkfjr gSµ(A) ns'kdkj (B) ns'k(C) f>f>V (D) 'kadjk

55. ^^ds tkfurks rqeh nsf[kos** ;g laxhr dk dkSu lkizdkj gSµ(A) dhrZu (B) ckÅy(C) lkfjxku (D) >qewj

56. ^^ckuh rc /kk;s vuUr** fdl jkx ij vk/kkfjr gS \(A) vMkuk (B) njckjh dkUgM+k(C) lksguh (D) ijt

57. ^dseksuks jkf[kcs rksjk* fdl jkx ij vk/kkfjr gS \(A) ekaM (B) f>a>ksfV(C) flUnwjk (D) uV

58. Hkqou gksbZ rs Hkqouoklh fdl jkx ij vk/kkfjrgS \(A) lkjax (B) okjgal lkjax(C) lq/k lkjax (D) o`Unkouh lkjax

59. ^Hk; gksrs rc vHk;* fdl rky ij vk/kkfjr gS \(A) rhu rky (B) pkSrky(C) >irky (D) xt>kai rky

SECTION-ASET-A

U/2015/14/III/A8

SET-A

U/2015/14/III/A9

60. ‘Ichha Hobe Jaye’ is which type of song ?(A) Khyal (B) Dhrupad(C) Thumari (D) Dhamar

61. Premanande Rakho Poorna is based on Raga—(A) Kafi (B) Sindhu(C) Aarawari (D) Bibhas

62. “More Dakiloye Jao” is based on Rag—(A) Gunkeli (B) Ramkeli(C) Bhairav (D) Bibhas

63. ‘Aaman Bichar Tumi Kao’ is based on Raga—(A) Kedar (B) Bilabal(C) Behag (D) Marubihag

64. Ridya Shashi Ride Gagan is based on Raga—(A) Kalyan (B) Yaman(C) Yaman Kalyan (D) Bilabal

65. Pratidin Taba Gatha is based on Raga—(A) Jelef Barwa (B) Adana(C) Paraj (D) Sohani

66. ‘Tomari Ragini Jiban’ is based on Tal—(A) Kaharva (B) Dadara(C) Roopak (D) Teora

67. ‘Dako Moer Aaji He’ is which type of Song ?(A) Kawwali (B) Kirtan(C) Thumari (D) Khyal

68. ‘Safal Karo He Prabhu’ is based on whichRaga ?(A) Malhar (B) Surdasi Malhar(C) Mian Ki Malhar (D) Sarang

69. ‘Aanand Dhara Bahichhe Bhuwne’ is basedon Raga—(A) Chander Kauns(B) Malkauns(C) Jog Kauns (D) Kaushiki Kanra

60. ^bPNk gkscs tkos* laxhr dk dkSu lk izdkj gS \(A) [;ky (B) /kzqin(C) Bqejh (D) /kekj

61. izsekuUns jk[kks iw.kZ fdl jkx ij vk/kkfjr gS \(A) dkQh (B) flU/kw(C) vklkojh (D) fcHkkl

62. ^eksjs Mkdh y;s tkvks* fdl jkx ij vk/kkfjr gS \(A) xq.kdsyh (B) jkedsyh(C) HkSjo (D) foHkkl

63. ^vkekj fopkj rqeh djks* fdl jkx ij vk/kkfjr gS \(A) dsnkj (B) fcykcy(C) fogkc (D) ek# fcgkx

64. ^fjn~; 'k'kh fnh xxus* fdl jkx ij vk/kkfjr gS \(A) dY;k.k (B) ;eu(C) ;eu dY;k.k (D) fcykcy

65. ^izfr rc xkFkk* fdl jkx ij vk/kkfjr gS \(A) ftyQ cjok (B) vkM+kuk(C) ijt (D) lksguh

66. ^rksekjh jkxhfu ftou* fdl rky ij vk/kkfjr gS \(A) dgjok (B) nknjk(C) :id (D) rsoM+k

67. ^Mkdks eksjs vkth gs* laxhr dk dkSu lk izdkj gS \(A) dOokyh (B) fdrZu(C) Bqejh (D) [;ky

68. ^lQy djks gs izHkq* fdl jkx ij vk/kkfjr gS \(A) eYgkj (B) lqjnklh eYgkj(C) fe;ka dh eYgkj (D) lkjax

69. ^vkuUn /kkjk cfgNs Hkqous* fdl jkx ij vk/kkfjrgS \(A) pUnzdkSal (B) ekydkSal(C) tksxdkSal (D) dkSf'kdh dkUgM+k

SET-A

U/2015/14/III/A10

70. ‘Pantha Akhono Kand’ is based on whichRaga ?(A) Bilashkhani Tori(B) Lalit(C) Bhairav(D) Bibhas

71. Which song is the preface of Tagore’sGitivitan ?(A) Kanha Hansir Dol Dolan(B) Gan Aamar Jaye Bheshe(C) Tumi Kemon Kore Gan Kare He Guni(D) Prathmo Jugero Uday Degon Gane

72. Identify the very starting song of Prem (Love)—(A) Chitta Pipasit Re(B) Aamare Karo Tomar Bina(C) Se Abhar Kath(D) Tumi Kaun Kan Ner Ful

73. After alap Aalochana, dialogue was writtenby Tagore. Who was he ?(A) Romain Roland(B) Albert Einstein(C) Dilip Kumar Roy(D) Anand Kumar Goswami

74. Rabinder Nath dedicated the drama ‘TaserDesh’ to—(A) Vishnu Narayan Bhat Khande(B) Kazi Nasarul Islam(C) Subhash Chander Bose(D) Rajani Kanta Sen

75. Which is a composition of Rabinder Sangeet ?(A) Manshi(B) Geetavitan(C) Purbasi(D) Chaturang

70. ^ikUFkk vk[kks dsuks* fdl jkx ij vk/kkfjr gS \(A) fcykl[kkuh rksM+h(B) yfyr(C) HkSjo(D) fcHkkl

71. VSxksj ds ^xhfrforku* esa dkSu lk xkuk igys vkrkgSµ(A) dkUuk gklhj nksy nksyku(B) xku vkekj tk;s Hksls(C) rqeh ds eu djs xku dj gs xqfu(D) izFke tqxjs mn; fnxu xus

72. izse ij vk/kkfjr izFke laxhrµ(A) fpÙk fiikflr js(B) vkekjs djks rksekj fcuk(C) ls vkHkkj dFkk(D) rqeh dksu dku usj Qwy

73. jfoUnz ukFk VSxksj us fdlds lkFk vkyki vkykspukdjds Mk;ykx fy[kk Fkk \(A) jksesu jksysUM(B) vycVZ ,fuLVsu(C) fnfyi dqekj jk;(D) vkuUn dqekj xksLokeh

74. jfoUnz ukFk us ^rklsj ns'k* ukVd fdl O;fDr dkslefiZr fd;kµ(A) fo".kq ukjk;.k Hkkr[k.Ms(B) dkt+h ut#y bLyke(C) lqHkk"k pUnz cksl(D) jtuh dkUr lsu

75. jfoUnz laxhr dh buesa ls dkSu lh jpuk gSµ(A) ekulh(B) xhrhforku(C) iqjclh(D) prqjax

51. Which is the group Kriti composed byVeena Kuppuier in the model Ghana ragaPanchrathanam—(A) Tiruvottiyur Panchratnam(B) Sringara Panchratnam(C) Lalgudi Panchratnam(D) Kalahasthi Panchratnam

52. Assertion (A) : Padama is used for dance.Concert (R) : All the musical forms fordance concert are fast in nature.(A) Both (A) and (R) are true(B) Both (A) and (R) are false(C) (A) is true (R) is false(D) (A) is false (R) is true

53. Name the father of Pt. Tyagraj—(A) Shree Ram Braham(B) Krishnamurthi(C) Sambamurthi(D) Muttuswami Dikshitar

54. To which state Pt. Tyagrarja belongs ?(A) Tamil Nadu (B) Kerala(C) Andhra Pradesh(D) Karnataka

55. Who is the author of Rag Nidhi ?(A) Sripichu Ayyer (B) P. Sambamurthi(C) Krishnamurthi (D) Tyagaraja

56. A ‘Laghu’ is aksharkaal in Hindustanimusic—(A) 1 (B) 2(C) 3 (D) 4

57. Who taught ‘Bela Vadan’ to P. Sambamurti ?(A) Tyagraj (B) Krishnamurthi(C) Venkatrama (D) Shree Vodukrishnia

51. /ku jkx iapjRue~ ls izHkkfor oh.kk dqIi¸;j }kjkjfpr d`fr lewg dkSu lk gSµ(A) fr#oksV~Vh;wj iapjRue~(B) Ükaxkjk iapjRue~(C) ykyxqMh iapjRue~(D) dkygfLr iapjRue~

52. vfHkdFku vfHkdFku vfHkdFku vfHkdFku vfHkdFku (A) : uR; laxhr esa ine~ dk iz;ksx gksrk gSArdZ rdZ rdZ rdZ rdZ (R) : u`R; laxhr esa iz;ksx gksus okyh lHkhlaxhr 'kSfy;k¡ rhoz xfr esa gksrh gSaA(A) (A) rFkk (R) nksuksa lgh gSa(B) (A) rFkk (R) nksuksa xyr gSa(C) (A) lgh gS (R) xyr gS(D) (A) xyr gS (R) lgh gS

53. ia- R;kxjkt ds firk dk uke D;k gS \(A) Jh jkeczã(B) d`".kkewfrZ(C) lkEckewfrZ(D) eqÙkqLokeh nhf{krk

54. ia- R;kxjkt dk tUe fdl jkT; esa gqvkµ(A) rfeyukMq (B) dsjy(C) vkU/kz izns'k (D) dukZVd

55. ^jkx fuf/k* ds ys[kd dkSu gSa \(A) Jhfipq v¸;j (B) ih- lkEckewfrZ(C) d`".kkewfrZ (D) R;kxjkt

56. fgUnksLrkuh laxhr esa ,d ^y?kq* fdrus vUrj dkydk gS \(A) 1 (B) 2(C) 3 (D) 4

57. ih- lkEckewfrZ dks csyk oknu fdlus fl[kk;k \(A) R;kxjkt (B) d`".kkewfrZ(C) osadVjkek (D) Jh oksn~nwd`f"u;k

SECTION-BSET-A

U/2015/14/III/A11

SET-A

U/2015/14/III/A12

58. South Indiann Raga popular in HindustaniMusic—(A) Hansdhwani (B) Chakkarvakam(C) Revathi (D) Kalyani

59. Main Tals of Karnatak Music are—(A) Five (B) Seven(C) Nine (D) Eleven

60. The Principle of 72 malkartas waspropounded by—(A) Ahobal (B) Pundrik Vittal(C) Som Nath (D) Venkalamukhi

61. The place famous for making ‘Ghatam’—(A) Kumbhakonam (B) Madurai(C) Manamadurai (D) Thirunalveli

62. Which among the following is not anAudava-Shadva Raga ?(A) Manirangu (B) Jayantsena(C) Pratapvarali (D) Jaimanohari

63. Select a ‘Nishadantya Raga’—(A) Chanchuruti (B) Nadnamkriya(C) Navaroj (D) Punnagavarali

64. Which type of raga are selected to begin aconcert—(A) Ghana ragas (B) Desya rargas(C) Naya ragas (D) Rakthi ragas

65. Another name for the Raga Shanmukhapriya—(A) Varam (B) Gauri(C) Chamaram (D) Bhawani

66. Who has composed ‘Krishna Leela Tarangini’—(A) Papanasam Sivam(B) Kshatragya(C) Narayan Teertha(D) Thyagraja

58. fgUnqLrkuh laxhr esa izpfyr dukZVd laxhr dk ,djkxµ(A) gal/ofu (B) pØokde(C) jsorh (D) dY;k.kh

59. dukZVd laxhr ds eq[; rky gSaµ(A) ik¡p (B) lkr(C) ukS (D) X;kjg

60. 72 esydrk Z dk fl)kUr fdlus izfrikfnrfd;k \(A) vgkscy (B) iqMjhd foV~Vy(C) lkse ukFk (D) osadVe[kh

61. ^?kVe~* fuekZ.k ds fy, dkSu lk LFkku izfl) gSµ(A) dqEHkdks.ke~ (B) enqjbZ(C) euenqjbZ (D) fr#uyosyh

62. fuEufyf[kr esa ls dkSu lk vkSMo&"kkMo jkx ugha gSµ(A) ef.kjaxw (B) t;Ur lsuk(C) izrkiojkyh (D) t;euksgjh

63. fuEu esa ls fu'kknkUR;k jkx pqfu,µ(A) psapq:Vh (B) uknuke fØ;k(C) uojkst (D) iqUukxojkyh

64. xk;u ds izkjaHk esa fdl izdkj ds jkxksa dk p;u gksrkgSµ(A) ?kuk jkx (B) ns'; jkx(C) u;k jkx (D) jfDr jkx

65. jkx "k.keq[k fiz;k dk nwljk uke gSµ(A) oje~ (B) xkSjh(C) pkeje~ (D) Hkokuh

66. ^d`".k yhyk rjafx.kh* ds jpukdkj dkSu Fksµ(A) ikikukle~ floe~(B) {ks=kKk(C) ukjk;.k rhFkkZ(D) R;kxjktk

SET-A

U/2015/14/III/A13

67. Who composed Navratri Keerthans—(A) Swati Tirunal(B) Gopala Krishna Bharti(C) Syama Shashtri(D) Puramdara Das

68. Which is the menimonical name of raga‘Mayamalavgaul’—(A) Netra-Sri (B) Agni-Go(C) Ritu-Pa (D) Bana-Sha

69. The name of Shruti in Ancient Tamil NaduMusic—(A) Yazh (B) Sur(C) Alagu (D) Ushi

70. Which is the similar Raga of Regupti inHindustani Music—(A) Bhoopali (B) Malkauns(C) Vibhas (D) Vairagi

71. What is the real name of BhadrachalamRamdas—(A) Linganna (B) Sheshana(C) Gopanna (D) Ramanna

72. What was the meaning of word ‘Karuvi’ inancient Tamil Music—(A) Music Instrument(B) Raga(C) Tala (D) Shruti

73. Which is the Swaranthara Rag introduced byDr. M. Balamuralikrishna—(A) Sumukham (B) Sarvasri(C) Lavangi (D) Varavalli

74. A music pattern without any particular orderis known as—(A) Damaru Yati (B) Vishama Yati(C) Sama Yati (D) Mridanga Yati

75. Which tala was adopted from MarathaBhajan Paddhati—(A) Chapu tala (B) Desadi tala(C) Roopaka tala (D) Adi tala

67. uojk=kh dhrZu lewg ds jpf;rk gSaµ(A) Lokfr fr#uky(B) xksiky d`".kk Hkkjrh(C) ';kek 'kkL=kh(D) iqjUnj nkl

68. jkx ek;kekyoxkSy ds fy, lw=k ladsr D;k gSaµ(A) us=k&Jh (B) vfXu&xks(C) _rq&ik (D) cuk&'kk

69. izkphu rfey ukMq laxhr esa Jqfr dk ukeµ(A) ;kt+ (B) lqj(C) vyxq (D) m"kh

70. ^jkx jsxqfIr* ds leku fgUnqLrkuh jkx gSµ(A) Hkwikyh (B) ekydkSUl(C) foHkkl (D) oSjkxh

71. Hknzkpye jkenkl dk vlyh uke gSµ(A) fyax..kk (B) 'ks"k..kk(C) xksi..kk (D) jke..kk

72. izkphu rfey laxhr ls ^d#oh* 'kcn dk vFkZ D;kgSµ(A) laxhr ok| (B) jkx(C) rky (D) Jqfr

73. MkW- ,e- ckyeqjyh d`".k us fdl LojkUrj jkx dhjpuk dh \(A) lqeq[ke (B) loZJh(C) yokaxh (D) ojkyh

74. fuEufyf[kr esa ls dkSu lh laxhr 'kSyh esa dksbZ Li"VØe ugha gksrkµ(A) ne# ;fr (B) fo"kek ;fr(C) lkek ;fr (D) e`nax ;fr

75. dkSu lk rky ^ejkBk Hktu i)fr* dh nsu gSµ(A) pkiq rky (B) nslknh rky(C) :id rky (D) vkfn rky

SET-A

U/2015/14/III/A15

59. Who was famous for playing ‘Na Dhin DhinNa’—(A) Kishan Maharaj(B) Anokhe Lal(C) Alla Rakha (D) Kanthe Maharaj

60. Name the father of Ustad Inam Ali Khan—(A) Nathu Khan (B) Nathan Khan(C) Munnu Khan (D) Game Khan

61. Match the artists with their instruments—(a) Kumar Bose (1) Pakhawaj(b) Rama Kant Pathak (2) Tabla(c) Vikku Vinayak Ram (3) Ghattam(d) Shiv Mani (4) Western Drum

Code—(a) (b) (c) (d)

(A) 2 1 3 4(B) 1 2 4 3(C) 1 4 3 2(D) 4 2 1 3

62. Name the founder of Banaras Gharana—(A) Kanthe Maharaj(B) Bikku Ji(C) Ram Sahay (D) Bhairo Sahay

63. What is the number of Basic taal of KarnatakTaal system—(A) Five (B) Seven(C) Six (D) Eight

64. Farukhabad Gharana is famous for—(A) Kayada (B) Paran(C) Peshkara (D) Gat

65. What is the number of beats in one circle ofFarmaishi Chakrardar of teen taal—(A) Twenty one (B) Twenty seven(C) Seventeen (D) Ninteen

66. In which other taal farmaishi chakkardar ofteen taal can be used—(A) Ektaal (B) Roopak(C) Jhap taal (D) Pancham Sawari

59. ^uk f/k f/k uk* cukus ds fy, dkSu izfl) Fkkµ(A) fd'ku egkjkt (B) vkuks[ks yky(C) vYyk jD[kk (D) d.Bs egkjkt

60. mLrkn buke vyh [kk¡ ds firk dk uke crkb,µ(A) uRFkq [kk¡ (B) uRFku [kk¡(C) eqUuq [kk¡ (D) xkes [kk¡

61. dykdkj dk muds ok| ls esy dhft,µ(a) dqekj cksl (1) i[kkot(b) jek dkUr ikBd (2) rcyk(c) foDdw fouk;d jke (3) ?kV~Ve(d) f'ko e.kh (4) ik'pkR; Mªe

dwVdwVdwVdwVdwV—(a) (b) (c) (d)

(A) 2 1 3 4(B) 1 2 4 3(C) 1 4 3 2(D) 4 2 1 3

62. cukjl ?kjkus ds laLFkkid dkSu Fksµ(A) d.Bs egkjkt (B) fcDdw th(C) jke lgk; (D) HkSjksa lgk;

63. dukZVd rky i)fr dh ewy rkyksa dh la[;k fdruhgSaµ(A) ik¡p (B) lkr(C) N% (D) vkB

64. Q#[kkckn ?kjkuk fdlds fy, izfl) gSµ(A) dk;nk (B) iju(C) is'kdkj (D) xr

65. rhurky dh Qjekb'kh pDdjnkj esa ,d pDdj esafdruh ek=kk gksxhµ(A) bDdhl (B) lÙkkbZl(C) l=kg (D) mUuhl

66. rhurky dh Qjekb'kh pDdj fdl vUl rky esaiz;ksx dh tk ldrh gSµ(A) ,d rky (B) :id(C) >irky (D) iape lokjh

51. How many vikrit Swaras are described inNatyashastra—(A) 2 (B) 3(C) 4 (D) 6

52. Name the first Murchana of Madhyam Gram—(A) Uttarmandra (B) Shudhshadja(C) Shudhmadhya (D) Sauviri

53. How many versions of Rag-Ragini Vargikaranare there—(A) 5 (B) 6(C) 4 (D) 3

54. What is Sthayee Bhava of Shringar Rasa—(A) Shok (B) Harsha(C) Rati (D) Kshama

55. What is effect of Rock Music on plants—(A) Plants turn green(B) Plants grow fast(C) Plants germinate flowers(D) Growth stops and plants die

56. How many angas of alap have been describedin Dhrupad Singing style—(A) Twelve (B) Twenty(C) Eight (D) Five

57. Popular Sitar player Ustad Mushtaqe AliKhan belongs to—(A) Mehar Gharana(B) Senia Gharana(C) Bhindi Bazar Gharana(D) Delhi Gharana

58. The phrase ‘Re Ma Re –, Ni Sa Re ...., isrelated to Raganga—(A) Malhar (B) Kanhra(C) Bilawal (D) Sarang

51. ukV~;'kkL=k esa fdrus fod`r Loj crk, x, gSaµ(A) 2 (B) 3(C) 4 (D) 6

52. e/;e xzke dh izFke ewPNZuk dk uke crkb;sµ(A) mÙkjeUnzk (B) 'kq)"kM+tk(C) 'kq)e/;k (D) lkSohjh

53. jkx&jkfxuh oxhZdj.k ds fdrus er gSaµ(A) 5 (B) 6(C) 4 (D) 3

54. Ükaxky jl dk LFkk;h Hkko D;k gSµ(A) 'kksd (B) g"kZ(C) jfr (D) {kek

55. ^jkd laxhr* dk isM+ ikS/kksa ij D;k izHkko iM+rk gSµ(A) isM+ ikS/ks gjs gks tkrs gSa(B) ikS/kksa dk fodkl rsth ls gksrk gS(C) ikS/kksa esa Qwy tYnh vkrk gS(D) fodkl #d tkrk gS vkSj ikS/ks ej tkrs gSa

56. /kzqin xk;u 'kSyh esa vkyki ds fdrus vax crk;s x;sgSaµ(A) ckjg (B) chl(C) vkB (D) ik¡p

57. fo[;kr flrkjoknd mLrkn eq'rkd vyh [kk¡ dkfdl ?kjkus ls lEcU/k gSµ(A) eSgj ?kjkuk(B) lsfu;k ?kjkuk(C) fHkaMh cktkj ?kjkuk(D) fnYyh ?kjkuk

58. ^js e js µ fu lk js ----* ;g Lojkofy fdl jkxkax lslEc) gSµ(A) eYgkj (B) dkUgM+k(C) fcykoy (D) lkjax

SECTION-DSET-A

U/2015/14/III/A17

SET-A

U/2015/14/III/A18

59. William Jones and N Augustus Willeardwrote the look—(A) Music of Hindustan(B) Hindustani Music(C) Music of India(D) Introduction to the study of Indian Music

60. Name the Raga in Hindustani Sangeet whichresembles with the Raga Hindolam of KarnaticMusic—(A) Bhinnshadaj (B) Bhupali(C) Bhairavi (D) Malkauns

61. Who is not an artist of Agra Gharana—(A) Ustad Ameer Khan(B) Ustad Faiyaz Khan(C) Ustad Ghagge Khuda Baksh(D) Ustad Vilayat Hussain Khan

62. Who is a renowned Sarod Maestro of India—(A) Pt. Shiv Kumar Sharma(B) Ustad Amjad Ali Khan(C) Pt. Hari Prasad Chaurasia(D) Pt. Ram Narayan

63. Recognise Raga Vilaskhani Tori—(A) Sa, Ga M' a–, M' a Ga M' a Ga Re Sa(B) Pa Dha, Ma Pa, Ga Ma, Re – Sa(C) Re Ni Dha Sa Re Ga, Re Ga, Re Sa(D) Re Ma, Pa Dha, Ma Pa Ga–, Re Sa

64. Rag Puria Kalyan belongs to—(A) Poorvi That (B) Marwa That(C) Kalyan That (D) Tori That

65. Which is the right match—(A) Chaturdandi Prakashika — Pandit Lochan(B) Rag Vibodh — Som Nath(C) Ras Kaumidi — Tulaji Rao Bhonsle(D) Swarmail Kala Nidhi — Ahobal

66. Which of the following is correctly matched—(A) Vadali Brothers — Sufi Sangeet(B) Pt. Bhim Sen Joshi — Vadhya Sangeet(C) Ustad Asad Ali Khan — Violin Vadan(D) Ustad Mehmood Dhaulpuri — Tappa Sangeet

59. fofy;e tksUl rFkk ,u- vkWxLVl fofy;kMZ }kjkfyf[kr iqLrdµ(A) n E;qftd vkQ fgUnqLrku(B) fgUnqLrkuh E;qftd(C) E;qftd vkQ bf.M;k(D) bUVªksMD'ku Vw nh LVMh vkQ bfUM;u E;qftd

60. dukZVdh laxhr ds jkx fgUnksye dks fgUnqLrkuh laxhresa fdl uke ls tkuk tkrk gSµ(A) fHkUu"kMt (B) Hkwikyh(C) HkSjoh (D) ekydkSal

61. buesa vkxjk ?kjkus ds dkykdkj dkSu ugha gS \(A) mLrkn vehj [kk¡(B) mLrkn QS;kt+ [kk¡(C) mLrkn /kXxs [kqnk c['k(D) mLrkn foyk;r gqlSu [kk¡

62. buesa izfl) ljksn ds Hkkjrh; dkykdkj dkSu gSa \(A) ia- f'ko dqekj 'kekZ(B) mLrkn vet+n vyh [kk¡(C) ia- gfj izlkn pkSjfl;k(D) ia- jke ukjk;.k

63. jkx foykl[kkuh rksM+h dh igpku djsaµ(A) lk] x es iµ] e' x e' x js lk(B) i /k] e i] x e] jsµ lk(C) js fu /k lkµ js x] js x js lk(D) js e] i /k e i x µ] js lk

64. jkx iqfj;k dY;k.k dk lEcU/k fdl FkkV ls gS \(A) iwohZ FkkV (B) ekjok FkkV(C) dY;k.k FkkV (D) rksM+h FkkV

65. fuEufyf[kr esa dkSu lqesfyr gSµ(A) prqnZ.Mh izdkf'kdk µ ia- ykspu(B) jkx fooks/k µ lkseukFk(C) jl dkSeqnh µ rqykth jko Hkksalys(D) Loj esy dykfuf/k µ vgkscy

66. fuEufyf[kr esa dkSu lqesfyr gSµ(A) oMkyh cU/kq µ lwQh laxhr(B) ia- Hkhelsu tks'kh µ ok| laxhr(C) mLrkn vlnvyh [kk¡ µ ok;fyu oknu(D) mLrkn egewn /kkSyiqjh µ VIik laxhr

SET-A

U/2015/14/III/A19

67. Who invented Tappa Gan Shaili ?(A) Man Singh Tomer(B) Moreshwar Khare(C) Soda Rang(D) Shori Mian

68. Anup Sangeet vilas was written in—(A) Between 7-9 century(B) Between 17-18 century(C) Between 5-7 century(D) Between 12-14 century

69. Which instrument is played with Kirtan inBengal ?(A) Pakhawaj (B) Tabla(C) Khol (D) Dholak

70. Write Ragang in Rag Hansdhwani—(A) Kalyan Ang (B) Pooravi Ang(C) Khamaj Ang (D) Tori Ang

71. If we consider Madhyama as Shadaj in RagAheer Bhairav which Raga can be obtained ?(A) Charukeshi (B) Bhairvi(C) Nat-Bhairav (D) Basant Mukhari

72. Swarawali of which Raga will be obtained ifSudh Gandhar is used in place of KomalGandhar in Raga Madhuwanti ?(A) Pattdeep (B) Bihaga(C) Marubihaga (D) Multani

73. Music affects plants too who proved it ?(A) Dr. Subhash Chandra Bose(B) Dr. Jagdish Chandra Bose(C) Dr. Jagdish Prasad(D) Dr. Chandrakant Bose

74. How much is Shadj-Pancham Shruti interval ?(A) 13 Shruties (B) 14 Shruties(C) 9 Shruties (D) 17 Shruties

75. Salient feature of Tappa Gan Shaily is—(A) Nom Tom Alap (B) Swara Vaichitrya(C) Vilambit Laya (D) Gambheerya

67. VIik xku 'kSyh ds vkfo"dkjd dkSu Fksµ(A) eku flag rksej(B) eksjs'oj [kjs(C) lnk jax(D) 'kksjh fe;ka

68. vuwilaxhr foykl dc fy[kk x;k \(A) 7 ls 9 'krkCnh esa(B) 17 ls 18 'krkCnh esa(C) 5 ls 7 'krkCnh esa(D) 12 ls 14 'krkCnh esa

69. caxky esa dhrZu ds lkFk dkSu lk ok| ctk;k tkrkgS \(A) i[kkot (B) rcyk(C) [kksy (D) <ksyd

70. jkx gal/ofu esa jkxkax dkSu lk gS \(A) dY;k.k vax (B) iwohZ vax(C) [kekt vax (D) rksM+h vax

71. jkx vghj HkSjo esa e/;e Loj dks "kM~t ekuus lsfdl jkx dh izkfIr gksxh \(A) pk#ds'kh (B) HkSjoh(C) uV&HkSjo (D) clUr eq[kkjh

72. jkx e/kqoarh esa xU/kkj Loj dks 'kq) djus ls fdljkx dh Lojkofy izkIr gksxh \(A) iVnhi (B) fcgkx(C) ek#fcgkx (D) eqyrkuh

73. isM+ ikS/kksa ij Hkh laxhr dk izHkko iM+rk gSA ;gloZizFke fdlus izekf.kr fd;k \(A) MkW- lqHkk"k pUnz cksl(B) MkW- txnh'k pUnz cksl(C) MkW- txnh'k izlkn(D) MkW- pUnzdkUr cksl

74. "kM~t&iape Jqfr vUrjky fdruk gS \(A) 13 Jqfrdk (B) 14 Jqfrdk(C) 9 Jqfrdk (D) 17 Jqfrdk

75. VIik xk;u 'kSyh dh fo'ks"krk gSµ(A) ukserkse vkyki (B) Loj oSfp=;(C) foyfEcr y; (D) xkEHkh;Z

SET-A

U/2015/14/III/A

[SPACE FOR ROUGH WORK / dPps dke ds fy, i=kddPps dke ds fy, i=kddPps dke ds fy, i=kddPps dke ds fy, i=kddPps dke ds fy, i=kd]