Dan Weymouth CV

8/9/2019 Dan Weymouth CV

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CURRICULUM VITAE

DANIEL ALLEN WEYMOUTH Department of Music86 Oneida Ave State University of New YorkSouth Setauket, NY 11720 Stony Brook, NY 11794-5475Tel: 1.631.751.5747 Tel: 1.631.632.7330email: [email protected]

EDUCATION

1992 UNIVERSITYOFCALIFORNIA,BERKELEYPh.D. in music composition: Olly Wilson, Richard Feliciano

1984-1985 UNIVERSITE DE PARIS I. Paris, FranceCourse in probability theory and music, Iannis Xenakis, Instructor

1984 UNIVERSITY OF CALIFORNIA, BERKELEY.M. A. in music composition: Andrew Imbrie, Olly Wilson

Summer 1983 STANFORD UNIVERSITYCCRMA Workshop in Computer Music

1981 MICHIGAN STATE UNIVERSITY, East LansingB. M. degree with High Honor: H. Owen Reed, Charles Ruggiero

EMPLOYMENT/PROFESSIONAL EXPERIENCE

1989- STATE UNIVERSITY OF NEW YORK AT STONY BROOKInterim Director, cDACT (Consortium for Digital Arts, Culture and

Technology, from 2010)Co-Director of Computer Music Studio (from 2007; Director from 1989-2007)Chair, Department of Music (2006-2009)Graduate Program Director (2002-2006)Associate Professor (from 1997)

2008 KONKUK UNIVERSITY, SEOUL, KOREA

Invited composer for 6 days: conducted piece in concert, rehearsals,colloquia, private lessons with composition students.

2006 CENTRAL CONSERVATORY OF MUSIC, BEIJING, CHINAInvited composer to China Electronic Music Center: piece presented onMusicacoustica Festival, Master Class at Beijing Technology University.

1999 CHRISTOPHER NEWPORT UNIVERSITY, NEWPORT NEWS, VAInvited composer for 2-day Conversations with a Composerseries:workshops, coachings, critiques and concert.

1996 UNIVERSITY OF MISSOURI, KANSAS CITY CONSERVATORY OF MUSICComposer-in-residence for 2-day intensive workshop: lectures,presentations, private lessons, coaching and concert.

Nov., 94 20.Festival

Helmut W. Erdmann, Director. Lneburg, GermanyInvited composer and concert curator to this celebration of the founding ofthe city of Lneburg and Ensemble Neue Musik Lneburg.

April, 1992 Internationalen Studienwoche fr zeitgenssische MusikHelmut W. Erdmann, Director. Lneburg, Germany. Electronic andexperimental music, lectures and concerts; Composer in residence.

1986-87 San Francisco Contemporary Music PlayersJean-Louis LeRoux, director. Musical Assistant and Assistant Conductor.

1986-87 New Music Bay AreaCo-founder/Board Member of San Francisco Area new music calendar.


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DANIEL A. WEYMOUTHCURRICULUM VITAE, page 2

1984-1986 INSTITUT DE RECHERCHE ET COORDINATION ACOUSTIQUE/ MUSIQUE (IRCAM).Pierre Boulez, Director. Paris, France.Independent researcher in the Groupe de Recherche Musicale.

1984-1986 CENTRE D'ETUDES DE MATHEMATIQUE ET AUTOMATIQUE MUSICALES (CEMAMu).Iannis Xenakis, Director. Paris FranceIndependent work in computer composition.

March, 1986 Internationalen Studienwoche fr zeitgenssische MusikHelmut W. Erdmann, Director. Lneburg, Germany; composer in residence.

RECORDINGS

in (all) the time we have left, for clarinet and string quartetEscher Quartet and Oskar Espina-RuizStony Brook Soundings, Volume 1, Bridge Records9318 (2010)

Unexpected Things, for violin, piano, computer-altered sounds and audience participationDuo Diorama (Minghuan Xu, violin; Winston Choi, piano)Music from SEAMUS volume 17, SEAUMS EAM-2008 (2008)

Rare Events, for bass clarinet and computer-altered tapeMichael Lowenstern, bass clarinetSpasm, New World Records 80468-2 (1996)

Rare Events, for bass clarinet and computer-altered tapeMichael Lowenstern, bass clarinetMusic from SEAMUS volume 5, SEAMUS EAM-9601 (1996)

Another Violin, for MIDI violin and computer-interactive electronicsTodd Reynolds, violinMusic from SEAMUS volume 4, SEAMUS EAM-9501 (1995)

This Time, This, for MIDI violin and computer-interactive electronicsTodd Reynolds, violinAudio Excerpt and MAX programming on CD-ROM with Interactive Music Systems: Machine

Listening and Composing, by Robert Rowe, MIT Press, 1992.

Appearing also in translated as Systmes Musicaux Interactifs, by Robert Rowe,International Thompson Publishing, France, 1996.

PUBLISHED WORKS

Rare Events (1994) bass clarinet and computer-altered tape

JOMAR Press, 1995

COMMISSIONS

Commissions by Gilbert Kalish and Christina Dahl, piano (2008), Winston Choi, piano(2007), Duo Diorama (2006), Guild Trio (1995), Stony Brook Contemporary ChamberPlayers (1995), Ensemble Neue Musik Lneburg (1994), Michael Lowenstern, bassclarinet (1994), San Francisco Chamber Players (1989 and 1987), Ensemble des DeuxMondes (1987), Helmut W. Erdmann, bass flute (1985).


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OTHER SELECTED ACCOMPLISHMENTS

2011 Unexpected Things ranked among to 10 pieces in juried selection forInternational Computer Music Conference (ICMC 2011) Conference; included onConference CD.

2011 SBU/BNL Seed Grant awarded ($44,000) to The Data Sensorium: Multi-ModalExplorations of Scientific Data, as Principle Investigator. Project focused on thedevelopment, evaluation and implementation of multimodal visual and auditoryinterfaces for the analysis of large scale data sets.

2010 Co-Chair of ICMC 2010 (International Computer Music Conference), the annualconference of the International Computer Music Association, June 1-5, in NewYork City and Stony Brook. 13 concerts, 14 paper sessions, installations, video,listening room; approximately 350 attendees; conference budget of c. $90,000.

2006- Co-author of successful proposal to create cDACT (Consortium for Digital Arts,Culture and Technology) at Stony Brook. Continue as only original member still

on Executive Board of cDACT. On hiring committee of cluster hires; helpeddevelop curriculum for existing DIA minor and proposed major.

1997- Helped to establish, and continue to advise for emediaMultimedia SINC Site, amultimedia general use site and computer-ready classroom, collaboration withthe Departments of Music, Theater Arts, Art and Teaching, Learning+Technology.Duties include selecting hardware and software and advising on its installationand maintenance, running workshops and teaching courses.

1992-2006 Helped to establish, and co-directed, the Laboratory for Technology in the Arts(LTA) at the State University of New York at Stony Brook: a multi-media cross-discipline studio and teaching space under the auspices of the Departments ofMusic, Theater Arts, and Art. The progenitor of cDACT.

1989- Established and continue to co-administer the Computer Music Studio at SBU.Duties include raising funds, selecting and installing equipment, establishingcurriculum, teaching, supervising technological concert support, and overseeingdaily studio activities, productions, and graduate assistants.

1994- Established, continue to co-organize, program and present annual EarFest tapemusic concerts at State University of New York at Stony Brook.

1991- Established, continue to co-organize, program and present annual ComputerMusic at Stony Brookconcerts, now renamedAural Architecture.

WORKS

2012 Echo Location clarinet 4 min

2010/11 Three Electroacoutic Miniatures fixed media 3 minA Breath for Rob(computer-altered percussion sounds)

[included as part of 60x60 Magenta Mix for ICMC 2010] No Rest(computer-altered piano sounds) Having to do with motion(computer-altered voice sounds)


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2008/2009 For Hands Piano four hands (in two movements) 20 minWritten for Gilbert Kalish and Christina Dahl

1995/2008 everything leaves a trace chamber orchestra (15 instruments) 10 minVersion for full orchestra, 2008Commissioned by Stony Brook Contemporary Chamber Players

2008 in (all) the time we have left string quartet and clarinet 13 minfor Jack Lessard

2007 Metronome Etudes piano and electronic metronome (in 6 movements) 14 minCommissioned by Winston Choi

2006 Unexpected Things violin, piano and computer-altered sound 12 minCommissioned by Duo Diorama

2005 there are no for guard, speakers, drone and bodies variable ~ 8 minElectroacoustic and performance anti-war agitprop

2004 .X. sixxen and oboe 13 minWritten for the Open Ears Marathon Concert

2001 Music and sound design forA Macbeth 1 hour, 45 mincomputer-interactive and live percussion and actors with

Computer-manipulated soundCommissioned by the Department of Theatre Arts, SUNY Stony Brook

2000 Inside flute (alto flute/piccolo) and percussion 11 minCommissioned by P. Vaillancourt, A. Martin of the Furious Band

2000 for leaving (originally titled Collecting Memories) 4 min

fixed media (computer-altered sounds)Commissioned by the Sullivan Dance Project

2000 Bread-Table Music/to the bringers of lullabies 9 mincomputer-interactive table and vocalistCommissioned by the Sullivan Dance Project

1999 in memoriam A.D. flute and bass drum 4 minProtest music on the occasion of the killing of Amadu Dialo

1996 in no particular time at all violin, cello and piano 8 minCommissioned by the Guild Trio

1994 Waiting to Return 9 minMIDI-flute, bass clarinet and computer-interactive electronicsCommissioned by Helmut W. Erdmann for City of Lneburg, Germany

1994 Rare Events bass clarinet and computer-generated tape 5.5 minCommissioned by Michael Lowenstern

1992 in memory Concerto for Cello and Orchestra 15.5 min

1992/3 Another Violin MIDI violin and computer-interactive electronics 6 - 7 min


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1991 This Time, This MIDI violin and computer-interactive electronics 5 - 6 min

1989 Point of Contact clarinet and large chamber ensemble 12 minCommissioned by the San Francisco Contemporary Chamber Players.

1989 Choreography in three movements conductor and unspecified ensemble 7 min

A (visual) concerto for conductor.

PERFORMANCES (indicates premiere)

2011 Three Acoustmatic Miniatures Veritas Musicae Music Festival, Seoul Korea, November 11. Aural Architectures, Stony Brook, November 18.

Metronome Etudes Jacob Rhodebeck, pno, Electronic Music Midwest, Kansas City, October 1.

Unexpected Things Darraugh Morgan, vln, Sebastian Berweck, pno, International Computer Music

Conference, University of Huddersfield, England, August 4Rare Events

Robert Hoin, IV Festival de Musica Contemporanea Ramiro Guerra, Moterrey,Mexico, April 13

This Time, This and Another Violin Claudia Schear, Staller Center, April 29

2010 Unexpected Things Duo Diorama, Groundswell Series, Eckhardt-Gramatt Hall, University of

Winnipeg, March 13Metronome Etudes

Veritas Musicae Festival, Seoul, Korea, November 31A Breath for Rob (as part of Vox Novus 60x60 Magenta Mix)

EMF (Electronic Music Foundation), NYC, June 1, 2 At ICMC 2010, Stony Brook University, June 3, 4, 5 Rhode Island College, Providence, Rhode Island, June 18 Department of Musical and Sonic Arts IUNA, Buenos Aires, October 1 4th Annual Kentucky New Music Festival, Lexington, October 14 National University of Bucharest, Romania, December 21

2009 in memoriam A.D. Veritas Musicae Festival, Seoul, Korea, November 26

in (all) the time we have left Treetops Chamber Music Society, Oscar Espina-Ruiz and Calla Quartet,

Treetops, Stamford CT, May 3

Treetops Chamber Music Society, Oscar Espina-Ruiz and Calla Quartet,Stamford CT, May 10For Hands

Staller Center, Gilbert Kalish and Christina Dahl, April 16

2008 for leaving. Brooklyn College, 19th Biannual International Electroacoustic Music Festival,

November 13Clear

Eclat Ensemble, Sejong Chamberhall, Seoul, Korea, July 1Unexpected Things


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Duo Diorama, Bowling State Green University, March 16Metronome Etudes

Veritas Musicae Music Festival, Seoul Korea, November 21 Thatre des Bouffes Do Nord, IRCAM, Paris, April 7

in (all) the time we have left Staller Center Recital Hall, Premieres Series, February 25

everything leaves a trace Staller Center, Stony Brook Symphony Orchestra, February 23

[premiere of full orchestra version]

2007 Unexpected Things New Ear, Kansas City, November 2 New Ear, Sacramento Festival of New Music, California, November 9

Metronome Etudes Prince Albert, SK, October 29 Yorkton, SK, October 30 Swift Current, SK, November 1 Pincher Creek, AB, November 2

Bragg Creek, AB, November 3 Fort Saskatchewan, AB, November 4 Moose Jaw, SK, November 6 Minnedosa, MB, November 8 Virtuosi series, Winnipeg, CA, November 10 Snow Lake, MB, November 12 Northwestern University, Chicago, November 13 Montreal, December 6 Bowling Green State University, January 30

Lorca Songs Veritas Musicae Music Festival, Seoul, Korea, November 12

2006 Unexpected Things

Weill Recital Hall/Carnegie Hall, NYC, February 12 Alumni Hall, Tufts University, April 28 Staller Center, Emerson Chamber Music Festival, May 5 SoundaXis Festival, Toronto, Canada, June 3 Electronic Music Midwest, Romeoville, Illinois, Oct. 12

for leaving Stony Brook, April 20

Another Violin and This Time, This Stony Brook, March 6 MusicaAcoustica 2006, Beijing, China. October 28

2005 Another Violin and Another Violin Stony Brook, December 18

there are no Music for Peace, Stony Brook, October 19

2004 a.X Open Ears Marathon Concert, Suffolk, NY, March 31 [premiere] Percussion Plus, Stony Brook, May 5

Rare Events Hofstra University, NY, April 21

In Memoriam A.D. Music for Peace, Stony Brook, Dec. 1 Music for Peace, Stony Brook, Feb. 5


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for leaving Hofstra University, NY, April 21 Electronic Music Midwest, Romeoville, IL, Sept. 17

2003 Rare Events Electronic Music Midwest, Kansas City, Oct 30

for leaving Electronic Bscuit, March 19

Another Violin Broadcast, WGDR FM, March 15

2001 for leaving Long Island Composers Alliance, Massapequa, February 11 SUNY Oswego, Oswego, NY, March 11 Veritas Musicae Music Festival, Seoul, Korea, November 19

Music and Sound Design forA Macbeth Theater II, SUNY Stony Brook, April 26-29, May 3-6

Pocket Music

Pomona College, March 29Correspondances EarFest, SUNY Stony Brook, February 7

2000 Correspondances Hofstra University, NY, November 15

for leaving As part of "Our Mothers" Dance Project, SUNY Stony Brook, NY, May 7 Computer Music at Stony Brook, October 29 Hofstra University, NY, November 15

Inside Furious Band; Suffolk Community College, NY; November 1 SUNY Stony Brook, December 12

Bread-Table Music/to the bringers of lullabies As part of "Our Mothers" Dance Project, SUNY Stony Brook, NY, May

Another Violin Brandon Christensen; Stony Brook, NY, April 25

This Time, This Brandon Christensen; Stony Brook, NY, April 25

1999 Rare Events Michael Lowenstern, CELT, SUNY Stony Brook, NY, March 24 Michael Lowenstern, Christopher Newport University, Newport News, VA, April 3 Michael Lowenstern, Broadcast on WHRO-FM, Norfolk VA. April Michael Lowenstern, Science, Technology and Western Society Conference,

Smithtown, NY, May 28 Peter Josheff, UC Davis, Davis, CA, October 22 Peter Josheff, Berkeley Contemporary Chamber Players, CA, November 22

Clear Long Island Composers Alliance; Centerreach, NY, November 3

Pocket Music (12 tape decks and personal percussion) CNU Players, Christopher Newport University, Newport News, VA, April 3

in memoriam A.D. Andre Martin, Paul Vaillancourt, SUNY Stony Brook, NY, April 22

1998 in no particular time at all Long Island Composers Alliance, SUNY Stony Brook, NY November 9


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1997 Lorca Songs Broadcast on WGDR-FM, Kalvos and Damians New Music Bazaar,

simultaneous webcast, August 30This Time This, Another Violin, in no particular time at all

Broadcast/webcast on WGDR-FM, July 28

in memory, Rare Events, Another Violin Broadcast/webcast on WGDR-FM, July 12

This Time, This and in no particular time at all Broadcast/webcast on WGDR-FM, July 28

Rare Events: bass clarinet and computer generated tape. Michael Lowenstern, bassclarinet.

SCI Region III Conference, Elizabethtown PA, October 18

1996 Pocket Music University of Virginia, Charlottesville, November 18 University of Missouri, Kansas City Conservatory of Music, March 27

Rare Events

Michael Lowenstern, Computer Music at Stony Brook VI, NY, October 20Tom Aber, University of Missouri, Kansas City Conservatory of Music, March 27

in no particular time at all Guild Trio, Science and Arts Series, Health Sciences Center, State University of

New York, Stony Brook, May 5

1995 Rare Events: Michael Lowenstern, bass clarinet SEAMUS National Convention, Ithaca College, Ithaca, New York, March 23

CW Post, Long Island, New York, March 30 Middlebury College, Middlebury, Vermont, April 11 Southern Illinois University, Carbondale, November 14 Webster University, St. Louis, November 15

University of Illinois, Champagne-Urbana, November 17 University of Indiana, Bloomington, November 18 HotHouse, Chicago, November 19

everything leaves a trace Stony Brook Contemporary Chamber Players, Stony Brook, April 12 Miller Theater, New York, May 4

Point of Contact: large mixed ensemble and clarinet. Avanti! Chamber Orchestra,Charles Neidich, clarinet

Helsinki, Finland, January 10 Broadcast on Finnish National Radio, January

1994 Waiting to Return Helmut W. Erdmann, flute, Michael Lowenstern, bass clarinet, D. Weymouth,

electronics20.Festival of New Music, Lneburg, Germany, November 25of Breath and Hope (bass flute and quadraphonic tape)

Helmut W. Erdmann, Neue Musik in Lneburg, Lneburg, Germany, November19

Interactive Music Box (real-time interactive music installation) Long Island Technology Fair, State University of New York, Stony Brook,

October 21-22 Computer Music at Stony Brook IV, October 23

Rare Events: Michael Lowenstern, bass clarinet International Clarinet Society Convention, DePaul U., Chicago, July 14 Computer Music at Stony Brook IV, October 23


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Long Island Composers Alliance, Bethpage, New York, November 6 Festival of New Music, Lneburg, Germany, November 25

This Time This/Another Violin Todd Reynolds, violin, Studio of Electronic Music, Inc., Hartford, Connecticut,

November 11Correspondances

Long Island Composers Alliance, Woodmere, New York, July 7.This Time, This (only)

Catherine Beeson, violin, Crane Festival of New Music: Crane School of Music,Potsdam, New York, April 22

Another Violin (only) Todd Reynolds, violin, Society for Electro-Acoustic Music in the U.S. National

Convention: Middlebury College, Middlebury, Vermont, April 9Lorca Songs: tenor and piano.

Mark Lowenstein, tenor, Pomona College, Pomona, California, February 13

TALKS/PAPERS/COLLOQUIA/MASTERCLASS (from 1994)

2012 Music of Iannis Xenakis. Pre-concert lecture for all-Xenakis program; IktusPercussion and LoadBang, AC Institute, NYC, April 27.

2011 Recent Compositions. Colloquium, University of Nebraska, Lincoln, October 4.2008 Recent Compositions. Master Class/Lecture delivered to students at Brooklyn

College, November 13.2008 Composition Masterclass with advanced composition students at Konkuk

University, Seoul, South Korea, June 27.2006 Recent Compositions. Master Class/Lecture delivered to students at Beijing

Technology University, Beijing, China, October 26. Endless War, Ceaseless Resistance, talk delivered for Music and Peace Project,

Stony Brook, March 31.2005 Militaristic Culture, Musical Resistance, talk delivered for Music and Peace

Project, Stony Brook, April 8,2004 Music and Peace, talk, Music and Peace Project, Stony Brook, February 6.2002 Panelist, The State of ElectroAcoustic Music. Society of ElectroAcoustic Music

in the United States National Convention, Iowa City, April 5.2001 HyperReality. Paper delivered at the Society of Electro-Acoustic Music National

Convention, Louisiana State University, Baton Rouge, March 3.2000 HyperReality. Paper delivered at Singing the Body ElectricSymposium,

Humanities Institute, Stony Brook, NY, March 31.1998 Marketplace Music. Published inJournal SEAMUS, Volume XIII, No. 2, Fall.

Marketplace Music. Paper delivered to the Society of Electro-Acoustic Music inthe United States, Dartmouth College, New Hampshire, April 16.

Marketplace Music. SUNY Stony Brook, April 13.

1997 The Laboratory for Technology in the Arts: A Deep-Collaboration Approach toMulti-Media Education. Paper delivered to the Society of Electro-Acoustic Musicin the United States, Kansas City, Conservatory of Music, April 5.

1996 Gave colloquium on recent compositions at University of Missouri, Kansas CityConservatory of Music in conjunction with Composer-in-Residency, March 27.

1994 Gave colloquium on recent electro-acoustic compositions at Crane School ofMusic/State University of New York, Potsdam, in conjunction with performanceof This Time, This for MIDI violin and computer-interactive electronics at theSecond Crane New Music Festival, April 22.


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CURATED CONCERT SERIES

1994- Established, continue to co-organize, program and present annual EarFest tapemusic concerts at State University of New York at Stony Brook.

1991- Established, continue to co-organize, program and present annual ComputerMusic at Stony Brookconcerts.

1994 Organized, helped rehearse and present opening concert in 20.Festival tocommemorate the Lneburg 1000-year Jubilee and the 10th Anniversary of thefounding of Ensemble Neue Musik Lneburg. Concert consisted of all electro-acoustic music, live-electronics and computer-interactive.

GRANTS/FELLOWSHIPS/HONORS

2011 Principle Investigator on successful SBU/BNL Seed Grant ($44,000): The DataSensorium: Multi-Modal Explorations of Scientific Data

2007 Residency: Leighton Artists Colony, Banff Music Centre, Banff, Canada, June1992- ASCAP Special Awards (every year)1998 Academy of Teacher-Scholars Award (Writer and Principle Investigator), Music

Technology: Creating a Teaching Cadre and New Curriculum.1994 Two NYS/UUP Professional Development and Quality of Working Life grants for

travel to SEAMUS National Conventions: March (Middlebury, Vermont:presentation of Another Violin) and October (Ithaca, NY: presentation of RareEvents).

1994 This Time This/Another Violin awarded first prize in open call for scores. Studioof Electronic Music, Inc., Hartford, CT. Cash prize and performance (November11).

1994 Summer stipend for curriculum development, State University of New York atStony Brook (for LTA).

1993 NYS/UUP Professional Development and Quality of Working Life grant forpreparation of parts and score of in memory (Concerto for Cello and Orchestra).

1990 Merit Award for Teaching and Curriculum Development, State University of NewYork at Stony Brook.

TEACHING AT STONY BROOK (1989-2009)

Newly designed courses under existing numbers are marked Newly created curricula are marked

CompositionMUS 439: Composition (undergraduate).MUS 487: Independent Projects (undergraduate). Private composition lessons.MUS 523: Advanced Composition (graduate). Lessons for Masters students.MUS 623: Directed Study in Composition (graduate).

MUS 698: Directed Dissertation Research.Music and Technology

MUS 340: Introduction to Music Technology (undergraduate). MUS 517: Introduction to Computer Music (graduate). MUS 518: Advanced Projects in Computer Music (graduate).

Multimedia (AMT designator indicates a multidisciplinary course: Art, Music, Theater.) AMT 208: Technology in the Arts (undergraduate). AMT 317: Interactive Performance, Media and MIDI (undergraduate).

Theory/HarmonyMUS 222: Modal Counterpoint (undergraduate).MUS 321: Tonal Harmony I (undergraduate).


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MUS 322: Tonal Harmony II (undergraduate).MUS 323: Late 19th/20th Century Techniques (undergraduate).MUS 316: Structural Principles of Music II (undergraduate non-majors).MUS 432: Tonal Counterpoint (undergraduate, some graduates).MUS 434: Orchestration (undergraduate, some graduates).MUS 501: Compositional Skills of Tonal Music (graduate).

AnalysisMUS 421: Analysis of Tonal Music (undergraduate).MUS 422: Analysis of 20th-Century Works (undergraduate).MUS 502: Analysis of Tonal Music (graduate). MUS 504: Analysis of 20th Century Works: The 20th-Century String Quartet

(graduate). CEH 563: Musical Analysis (graduate and continuing education). MUS 559: Proseminar: Topics and Analysis: Xenakis and Ligeti (graduate). MUS 559: Proseminar: Topics and Analysis: Spectral Music (graduate).MUS 599: Independent Studies (graduate).MUS 696: Doctoral Colloquium (graduate).

Music History

MUS 309: Music of the 20th Century (undergraduate non-majors).EnsemblesMUS 391: Chamber Music (undergraduate) as a guest instructor.MUS 596: Contemporary Chamber Players (graduate) as a guest instructor.MUS 611: Workshop in Composition and Performance (graduate).

MiscellaneousMUS 696: Doctoral ColloquiumMUS 591: Practicum in TeachingMUS 599: Independent Study

CONDUCTING (selected)

2010 Conducted and performed in Untitled Poem in 16 Stanzas by Keith Moore ArunChandra, composer for six amplified singers. International Computer MusicConference, Stony Brook, June 1.

2008 Conducted Asian premiere of my Clear for small ensemble. Eclat Ensemble,Sejong Chamberhall, Seoul, Korea, July 1.

2004 Conducted my A.X. for Sixxen (constructed percussion instrument) and Oboe.Percussion Plus, Stony Brook, May 5, Open Ears Marathon Concert, Suffolk, NY,March 31 (premiere).

1997 Premiered Twittering Machine for large mixed ensemble by Perry Goldstein.Contemporary Chamber Players, at State University of New York, Stony Brook,and Miller Theater, New York City April 16 and 24.

1997 Oiseaux Exotiques for piano and small orchestra by Olivier Messiaen.

Contemporary Chamber Players at Stony Brook, April 14 and May 2.1995 Premiered my commissioned work, everything leaves a trace for chamberorchestra, at State University of New York, Stony Brook, and Miller Theater, NewYork, April 12 and May 4.

1994 Premiered Janus Gate, by Armand Qualliotine, at State University of New York,Stony Brook, and Miller Theater, New York, March 23 and April 12.

1993 Premiered The Seasons, for soprano and mixed ensemble by John Lessard, atGreenwich Music House, New York, March 11.

1991-1994 Conducted for the Contemporary Chamber Players, State University of New York,Stony Brook. Works included several by graduate student composers, my ownPoint of Contact, and Shadows by Richard Felciano.


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SELECTED UNIVERSITY SERVICE: DEPARTMENTAL

2006-2009 Chair of Music Department20022006 Graduate Program Director2000-2009 Member, Graduate Studies Committee2005-current Faculty sponsor for Hi Cs (male a cappella choir)2002-2007 Faculty sponsor and advisor for Musicians Alliance for Peace2000-current Produce two yearly concerts,Aural Architectures, (formerly Computer Music

at Stony Brook), andEarFest: Festival of Tape Music1998-1999 Member, Task Force for Undergraduate Curriculum Revision1990-current Member, Equipment Committee2007-current Co-Director of Computer Music1989-2007 Director of Computer Music1996-1998 Chair, Colloquium Committee1998-2007 Yearly workshops/presentations for Prime Time week (Computer Music

Studio)

SELECTED UNIVERSITY SERVICE: UNIVERSITY

2010-current Interim Director, cDACT (Consortium for Digital Arts, Culture, andTechnology)

2009-2010 Member of interdepartmental tenure committee for Raiford Guins,Department of Comparative Literature and Cultural Studies

2009-current Member of UUP (Union) Executive BoardMember of UUP Technology Committee since 2011

2006, 2008 Taught ACH 102 (Freshman Seminar)2008-current Member of Arts Advisory Committee, Simons Center for Geometry and

Physics

2008-2010 Member of Provosts Strategic Advisory Committee2006-current Member of Executive Board for cDACT (Center for Digital Arts and Culture)2006-2009 Member, FAHSS (Fine Arts, Humanities, Social Sciences Steering Committee)2008 Adjudication of submitted pieces for Sonic Residues (cDACT) festival, call for

portable media2007 Member of search committee for cDACT Administrative Assistant and Digital

Arts Minor Advisor2005 Member of Fine Arts Tech Support Search Committee1999-2000 Member of core group developing Center for Digital Arts and Culture (cDACT,

eventually became cDACT) proposal, including long-range planning,curriculum, budget. May be seen at http://emedia.art.sunysb.edu/new/

1999-2001 Member, Faculty Senate Committee on Computers and Communication.1998 Guest Lecturer for LSE 310-H: Issues in Science and Engineering

1997-1998 Member CAS Assistant Dean Search Committee.1997-2006 Member, Orientation Planning Board1997-2006 Advisor for emediaSINC site.1996-2006 Yearly workshop/presentations for open houses and Experience Stony

Brook in LTA and emediasite.1996-2006 Member, HFA Consortium Committee. (Chair from 1996 - 2004) Coordination

between humanities computer laboratories and supervision of technicalassistant to the computer laboratories.

1994-2002 General Faculty Advisor. For undergraduate incoming and transfer students,summer and intercession.

1992-2006 Co-Director, Laboratory for Technology in the Arts.


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PROFESSIONAL MEMBERSHIP AND SERVICE

International Computer Music Association (ICMA) Co-Chair of ICMC 2010 (International Computer Music Conference), New York City and

Stony Brook, June 1-5, 2010Veritas Musicae, Korea

Advisory Council since 2000Society of Electro-Acoustic Music in the United States (SEAMUS)

Member since 1990 2000: Served on Selection Board (Music) for 2001 National Conference 1999: Judge for SEAMUS/ASCAP Young Composers Commissioning Award 1998: Nominee for President 1996-current: Member of Advisory Board 1994-1996: Vice President for Membership 1994-1995: Chair of paper selection committee for 1995 Conference 1992-1993: Member of Election Committee

American Society of Composer, Authors and Publishers (ASCAP)

Member since 1991 1998 Judge for ASCAP Foundation 1999 Morton Gould Young Composer Awards.

Society of Composers Incorporated (SCI) Member since 1994 1998-current: Regional Co-Chair of SCI Region II 1998: Co-Host of SCI Region II Annual Conference, December 4-5.

Long Island Composers Alliance Member 1996 - 2005 1998: Co-hosted and organized concert at SUNY Stony Brook, November 9.

Electronic Music Foundation Charter Member since 1996

COMMUNITY INVOLVEMENT

From 1992: Unitarian Universalist Fellowship at Stony Brook Member of Worship Music Committee Chair of Classical Music Committee Frequent musician for worship services Composed several musical works for worship

LANGUAGES

French: Reading, good; Speaking, conversant.Italian: Reading, fair.

Documents

Dan Weymouth CV