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dance. The "Greek" section certainly owes its inspiration to Isadora Duncan (187-1927); the "Oriental" to the style Of Ruth St. Denis (1879-1968), With whom Laidlaw studied for several

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Page 1: dance. The "Greek" section certainly owes its inspiration to Isadora Duncan (187-1927); the "Oriental" to the style Of Ruth St. Denis (1879-1968), With whom Laidlaw studied for several
Page 2: dance. The "Greek" section certainly owes its inspiration to Isadora Duncan (187-1927); the "Oriental" to the style Of Ruth St. Denis (1879-1968), With whom Laidlaw studied for several
Page 3: dance. The "Greek" section certainly owes its inspiration to Isadora Duncan (187-1927); the "Oriental" to the style Of Ruth St. Denis (1879-1968), With whom Laidlaw studied for several
Page 4: dance. The "Greek" section certainly owes its inspiration to Isadora Duncan (187-1927); the "Oriental" to the style Of Ruth St. Denis (1879-1968), With whom Laidlaw studied for several
Page 5: dance. The "Greek" section certainly owes its inspiration to Isadora Duncan (187-1927); the "Oriental" to the style Of Ruth St. Denis (1879-1968), With whom Laidlaw studied for several
Page 6: dance. The "Greek" section certainly owes its inspiration to Isadora Duncan (187-1927); the "Oriental" to the style Of Ruth St. Denis (1879-1968), With whom Laidlaw studied for several
Page 7: dance. The "Greek" section certainly owes its inspiration to Isadora Duncan (187-1927); the "Oriental" to the style Of Ruth St. Denis (1879-1968), With whom Laidlaw studied for several

A Century of

Page 8: dance. The "Greek" section certainly owes its inspiration to Isadora Duncan (187-1927); the "Oriental" to the style Of Ruth St. Denis (1879-1968), With whom Laidlaw studied for several

DAnCe in PortlAnD

Page 9: dance. The "Greek" section certainly owes its inspiration to Isadora Duncan (187-1927); the "Oriental" to the style Of Ruth St. Denis (1879-1968), With whom Laidlaw studied for several