1
i i. 1 Danny Alguire Remembered by Chris Tyle Danny Alguire, cornetiet and vo caligt, died July 8. He was 29 years old. A.lguin ie beet remember€d for hig long association with the Fbehow Five PIus Tvp, from 194$lf7r. His tenure with that band is available on many GoodTime Jazz recordince.In addition to hie nDrk with the-Fire house5+2,he wag a member of Bob Wille'Texas PlayboyB in l94l-{2. dur- ing which time he recorded "Hoie in $gn..4gton{' a hit record during World \4rarT\o, which is now availl ableon a Rhinocompilation of Wills' On a visit to hie parentein Oklaho na City in 1941, Alguire went to eee the Bob Willg band, ae a good friend and felloq, trumpet€r, Benny Strickler, had recently joined them. Although the Wille band waa enone ouely thought by margr musicians to be a "hillbilly band," Bob Wills' fa. voritp music was jnzz and his band was becoming well knonrn ag a 6ne jazz group in addition to plqying "\lteetemSwing." Wills was riding high on a crest of popularity hie band frequently packedballmms, and thie was the caee t}le night Alguire went to hdar them-it took hin l5 minutee to reach the bandgtand! Alguire was very impresaed with the band. that night, Willg hired him, trmpetcr AIex Brashear. and clarinetiet Woody Woode. The effect of trumpeter Benny Strickler on both Alguirc and Alel Brashear was immens€. Strickler in. fluenced both men'eplaying for the remainder of their pmfeesional ca- reers (Brashear diea in th€ l9?0s afur a brief comeback plrving with Merle Hageard).In a writlen tribute to Strickler, AlSuire recalled Strickler emphaei"ing a cooperative band epirit, which he termeda "meet ing of the min& for a meeting of music" Strickler etated "If vou don't thinl together,you can't pliy togeth- er." Alguire commnted that Shickler "bmugbt to tbe bandgtand each nigbt an entlrugiagm that actu- ally permeated tbroughorit the band. It was a feeling that we *rre all going to play good- and we did " The Wills band brcke uo in 1942 due to the mr, ud Alguire joined the Navy aea radiomm, etationedin the South kcific. During his 8tint, h€ and hia shipmates heard Willg' re cording of "Home in San Antone" playedon a radio show.Althouctr his ehipmatcs didn't believe il was Al. guire einging, the fac'twaeconfimed by the radio announcer! No doubt Al. guLe was very proud to knw that lryills'record wasa hit Folloring the war, Alguire epent time in San FYucieco, playing ".lime grinde" (dance hall jobe where a daace with a female employee cost t€n cents) with Harry Mordecai (banjo) and Bun Balea (piano).He also visit€d Hambone Kelly'e to hear Lu Watters'band-eometimes sitting 1 : i I Tlp €ttlistsiprli 4s in, but more often just listenind. Al- guire alro played a ees8ion with Tlrk Murphy (trombone), Bob Helm (cla. rinet), Burt Bales, Bill Dart (drume) of whicb private rcordinge exirt. Retuming to loe AngeleaAlguire playedfor awhile with T. Texas'I)1. er'sWest€m Swing Band,but evenlu. ally left firll-time music to work u a fingerprint expert with the los An. gBles PoliceDepartment and lacerag a .listributor of claesicaland jazz re cordrng& Alguire joined the Firehouse l'ive Plus Trrc in 19,19, played and re corded extensively with them. Through the band's associationwith Walt Disney Studioehe secured a job as an assistant director of Dieney films (mostly cartoon *ork). Hl dayd with Dirney until the mid. 1970s,when he retired and mwed with hie wife to Beaverton.Oregon. While in the Portland area. he ion. tinued- to play music occaeionally, with Monte Ballou's Castle Jaz Band, the Jim Beatty Jazz Band and picL-upgroupe. He madefitquent ap qearanoeq at meetingeof the Oregon City Traditiond Jazz Society, even after he quit playing (for medical rea. sone) in the early 1980e. During the time Danny Alguire lived in the Portland area I had the pleasureof getting to know him, and t}re first time I playedcornetin public was in a band with him in 1975. Al- guire was a coneummate musician - he knew exactly what he want€d to do and played everything from the heart Personally, he was a down.to earth man, and he had an infectious sense of humor. Although he lovei and lived jazz, he knewhowto enter- tain. and his venion of the 1930s radio thene "Little Orphan Annie" was an ofbrequested farorite. Although the Firehoirse 5+2 has been criticized by some writers for the occaeionaluse of various sound effec'ts(a tongueincheek approach that wag actually ueed eparingly), the band was totally dedicatcd to playing good jazz, *rd Alg:rlirc's input regardingtempo and pacing, based on his experience with Bob Wille, wa8 invaluable. Alguire's re coded sork with the band illuetrata his style - a simple, direct, nenon- sense appmach to plrving jazz - which *orked perfectly. Standout performances cen be heard on his rolo on "San Antonio Rose,"and his ensemble r*ork on his onrn composi- tion "Firechief Rae" Oased on the Bob Wills compoeition, 'Beaumont Ras'). FirehoureS+2 pianigt K.O. Eckland commented in the NOJC News, "Danny Alguire played a straight aheadleadand the front o6ce did lib tle circles around him, all tlie eetto a firm boom+hick beat. In revierving Danny's aound, I realized that he probably neverplayed arrything past a quarl€r note. He didn't have to, He wae relaxed. The whole damn band was relaxed. And what the relua. tion brought about wae time for fun." In a letter to Hal Smith turc year8 ago, Alguire etated his intention of "just riding it out to the coda" - an apprcpriate sentiment fron a former TexaePlayboy. rStrickler died in 1946. In the 1950e Good Time Jazz iesued four eides from airshots of the band he led at the Dawr Club in San Francieco in 1942. (Thanhs to Hal Smith for reference ass$tance) Drnrry Al$ft!, worrlng hls Flr€hos!. Flu. outtlt, Junoi90A r|cf,;lrl rtrE3r Hm N\\$. #sKJlJf, 'TntE ts wnERE I GAME tN. Wtthhl3'SummaOcfrestn teaturlngDan Banott, Marty Grosz, Bobby Gordon, Keith - Ingham, Jon-Erik Kellso, Peter Ecklund, Greg Cohenand Hal $nllh TIE ac d|. sn& dut @tcd ft6 $dl ditt a '!ai.*f .rd TddL Condd9 in Nd Yqf! Ctawi($ WLgs...,.' FL'rd lant - Rld Fryt'l,lEMoRIES OF Y()|," (ARl9l03/ AnCDl9lo3) rc rcJercd u m of thc Top Ts Rddr of l99l by Jlz Critic 0116 cordlc in dE Madr ttz isE of JAAZME! and Td WYtrdhen in thc JsiYFcb t'2 bt@ of gE! @8.ziG 1992 - page 24

Danny Alguire Remembered

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Page 1: Danny Alguire Remembered

ii.1

Danny AlguireRemembered

by Chris Tyle

Danny Alguire, cornetiet and vocaligt, died July 8. He was 29 yearsold.

A.lguin ie beet remember€d for higlong association with the FbehowFive PIus Tvp, from 194$lf7r. Histenure with that band is available onmany Good Time Jazz recordince. Inaddition to hie nDrk with the-Firehouse 5+2, he wag a member of BobWille'Texas PlayboyB in l94l-{2. dur-ing which time he recorded "Hoie in$gn..4gton{' a hit record duringWorld \4rar T\o, which is now availlable on a Rhino compilation of Wills'

On a visit to hie parente in Oklahona City in 1941, Alguire went to eeethe Bob Willg band, ae a good friendand felloq, trumpet€r, BennyStrickler, had recently joined them.Although the Wille band waa enoneouely thought by margr musicians tobe a "hillbilly band," Bob Wills' fa.voritp music was jnzz and his bandwas becoming well knonrn ag a 6nejazz group in addition to plqying

"\lteetem Swing."Wills was riding high on a crest of

popularity hie band frequentlypacked ballmms, and thie was thecaee t}le night Alguire went to hdarthem-it took hin l5 minutee toreach the bandgtand! Alguire wasvery impresaed with the band. thatnight, Willg hired him, trmpetcrAIex Brashear. and clarinetietWoody Woode.

The effect of trumpeter BennyStrickler on both Alguirc and AlelBrashear was immens€. Strickler in.fluenced both men'e playing for theremainder of their pmfeesional ca-reers (Brashear diea in th€ l9?0safur a brief comeback plrving withMerle Hageard). In a writlen tributeto Strickler, AlSuire recalledStrickler emphaei"ing a cooperativeband epirit, which he termed a "meeting of the min& for a meeting ofmusic" Strickler etated "If vou don'tthinl together, you can't pliy togeth-er." Alguire commnted thatShickler "bmugbt to tbe bandgtandeach nigbt an entlrugiagm that actu-ally permeated tbroughorit the band.It was a feeling that we *rre allgoing to play good - and we did "

The Wills band brcke uo in 1942due to the mr, ud Alguire joined theNavy ae a radiomm, etationed in theSouth kcific. During his 8tint, h€and hia shipmates heard Willg' recording of "Home in San Antone"played on a radio show. Althouctr hisehipmatcs didn't believe il was Al.guire einging, the fac't wae confimedby the radio announcer! No doubt Al.guLe was very proud to knw thatlryills'record was a hit

Folloring the war, Alguire epenttime in San FYucieco, playing ".limegrinde" (dance hall jobe where adaace with a female employee costt€n cents) with Harry Mordecai(banjo) and Bun Balea (piano). Healso visit€d Hambone Kelly'e to hearLu Watters' band-eometimes sitting

1:i

I

Tlp €ttlistsiprli 4s

in, but more often just listenind. Al-guire alro played a ees8ion with TlrkMurphy (trombone), Bob Helm (cla.rinet), Burt Bales, Bill Dart (drume)of whicb private rcordinge exirt.

Retuming to loe Angelea Alguireplayed for awhile with T. Texas'I)1.er's West€m Swing Band, but evenlu.ally left firll-time music to work u afingerprint expert with the los An.gBles Police Department and lacer aga .listributor of claesical and jazz recordrng&

Alguire joined the Firehouse l'ivePlus Trrc in 19,19, played and recorded extensively with them.Through the band's association withWalt Disney Studioe he secured a jobas an assistant director of Dieneyfilms (mostly cartoon *ork). Hldayd with Dirney until the mid.1970s, when he retired and mwedwith hie wife to Beaverton. Oregon.While in the Portland area. he ion.tinued- to play music occaeionally,with Monte Ballou's Castle JazBand, the Jim Beatty Jazz Band andpicL-up groupe. He made fitquent apqearanoeq at meetinge of the OregonCity Traditiond Jazz Society, evenafter he quit playing (for medical rea.sone) in the early 1980e.

During the time Danny Alguirelived in the Portland area I had thepleasure of getting to know him, andt}re first time I played cornet in publicwas in a band with him in 1975. Al-guire was a coneummate musician -he knew exactly what he want€d todo and played everything from theheart Personally, he was a down.toearth man, and he had an infectioussense of humor. Although he loveiand lived jazz, he knew how to enter-tain. and his venion of the 1930s

radio thene "Little Orphan Annie"was an ofbrequested farorite.

Although the Firehoirse 5+2 hasbeen criticized by some writers forthe occaeional use of various soundeffec'ts (a tongueincheek approachthat wag actually ueed eparingly),the band was totally dedicatcd toplaying good jazz, *rd Alg:rlirc'sinput regarding tempo and pacing,based on his experience with BobWille, wa8 invaluable. Alguire's recoded sork with the band illuetratahis style - a simple, direct, nenon-sense appmach to plrving jazz -which *orked perfectly. Standoutperformances cen be heard on hisrolo on "San Antonio Rose," and hisensemble r*ork on his onrn composi-tion "Firechief Rae" Oased on theBob Wills compoeition, 'BeaumontRas').

FirehoureS+2 pianigt K.O. Ecklandcommented in the NOJC News,"Danny Alguire played a straightahead lead and the front o6ce did libtle circles around him, all tlie eet to afirm boom+hick beat. In reviervingDanny's aound, I realized that heprobably never played arrything pasta quarl€r note. He didn't have to, Hewae relaxed. The whole damn bandwas relaxed. And what the relua.tion brought about wae time for fun."

In a letter to Hal Smith turc year8ago, Alguire etated his intention of"just riding it out to the coda" - anapprcpriate sentiment fron a formerTexae Playboy.

rStrickler died in 1946. In the 1950eGood Time Jazz iesued four eidesfrom airshots of the band he led atthe Dawr Club in San Francieco in1942.

(Thanhs to Hal Smith for referenceass$tance)

Drnrry Al$ft!, worrlng hls Flr€hos!. Flu. outtlt, Juno i90A

r|cf,;lrl rtrE3r Hm N\\$. #sKJlJf,'TntE ts wnERE I GAME tN.

Wtth hl3'Summa Ocfrestnteaturlng Dan Banott, MartyGrosz, Bobby Gordon, Keith

- Ingham, Jon-Erik Kellso, PeterEcklund, Greg Cohen and Hal$nllh TIE ac d|. sn& dut @tcd ft6 $dl

ditt a '!ai.*f .rd TddL Condd9 in NdYqf! Ctawi($ WLgs...,.' FL'rd lant-Rld Fryt'l,lEMoRIES OF Y()|," (ARl9l03/

AnCDl9lo3) rc rcJercd u m of thc TopTs Rddr of l99l by Jlz Critic 0116cordlc in dE Madr ttz isE of JAAZME!and Td WYtrdhen in thc JsiYFcb t'2 bt@of gE! @8.ziG

1992 - page 24