S P R I N G / / S U M M E RS S 1 4

A B O U T

Danish born David Andersen debuted his eponymous collection in 2007 to instant success, both critically and commercially. Approaching its third year, the collection is represented in 18 countries expanding abroad Eu-rope, and entering the markets of Japan and the US. Every year, the David Andersen shows at Copenhagen Fashion Week keep surprising the critics and fashion followers, with girls modeling the mens-wear collection, or the stunning performers that give every show a different, almost engaging feeling.

David Andersen graduated from Glasgow School of Art 2003, where he was awarded “Best Costume Designer” in 2004. Subsequently, 2004 proved to be an even broader year for recognition as he was awarded “Wedding Gown of the Year” by the Royal Court Theatre in Denmark. David Andersen emerged as a fashion designer for both men and women, working at Ilmio and later on Dreams by Isabell Kristensen, while designing couture for artists and dance competitions in his own name.

David Andersen is now where his whole heart is at, and it is with a profound passion for architecture, music and museums that he finds inspiration to de-sign couture and ready-to-wear for both genders, though his men’s collection is most prominent on the commercial scene. David Andersen is not afraid to push the boundaries to the limit by including skin and fur, or experiment-ing with different shapes and textures, which different shapes and textures, which invites in a very daring audience. For his outspoken and androgynous clothing he was recognized with “The Golden Fur Pin” in 2007.

As a well-established brand, David Andersen, has become a talked about, known about designer, who strives towards perfection; And when given “The Government Art Award” in 2010, more nominations quickly followed such as “Design Talent of the Year” at Dansk Fashion Awards.

David Andersen has a vast pool of followers consisting of editors and world-wide fashionistas including, but not limited to, Paris Hilton, P. Diddy, Ida Corr, Lene Nystrøm, Caroline Flemming, Dúné and Mads Langer. David An-dersen lives and works out of Copenhagen, though often traveling abroad to be inspired by what the world has to offer.

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S TA F F

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Name: Soeren Schmidt. Age: 25. Occupation: Production Manager. CV: Soeren Schmidt has previously worked for the danish company Samsøe Samsøe. During the last 3 years, Soeren has been working as Production Manager at David Andersen. He is also working as a stylist and has been styling for Denmark’s largest TV-channel, “Danish Broadcasting Corpora-tion”, where he among others has styled participants, judges, hostess etc. for the Danish X-factor competition. Favourite summer item: Hats and sunglasses.

Name: Jeanette Park. Age: 25.Occupation: Design Assistant.

CV: Jeanette has graduated from Copenhagen School of Design and Technol-ogy in which she has studied Fashion Trend & strategy. While studying, she was also working at the architecture company Bjarke Ingels Group.Favourite summer item: Black dresses.

Name: Mette Uhrenholdt. Age: 40.Occupation: Couture dressmaker.

CV: Mette has graduated from London Middlesex School University and has for several years worked at some of the leading designers in couture. In 2005 she launched her own company, Mette Uhrenholdt Couture. Favourite summer item: A basic top and blue jeans.

Name: Anne-Sophie Lindvold.Age: 21. Occupation: PR intern.

CV: Anne-Sophie is currently studying PR and Marketing at Copenhagen Business School and has worked as an intern at the Danish PR-agency, 9PR. Favourite summer item: Maxi dresses.

Name: Colin Horgan. Age: 21. Occupation: Design intern.

CV: Colin is currently studying design at L.S.A.D, Limerick School of Art and Design. Additionally, he is designing under his own name. Favourite summer item: Leather Jackets.

Name: David Andersen. Age: 34. Occupation: Head designer.

CV: David Andersen graduated from Glasgow School of Arts / Design Akad-emiet and has been chief designer for “Ilmio” and later on “Dreams by Isabell Kristensen”, while he designed couture for artist and dance competitions. In 2007, he debuted with his first male’s collection in his own name and has been awarded with several awards for his designs. Favourite summer item: My sunglasses and Batavus bike.

Name: Martine Christiansen. Age: 22.Occupation: Design Intern.

CV: Martine is studying at the Copenhagen School of Design and Technol-ogy. She is studying design technology with marketing as her major subject. Favourite summer Item: Ray-Ban’s and orange-red lipstick.

Name: Janus Højgaard. Age: 27. Occupation: Design assistant.

CV: Janus is currently studying design technology at Copenhagen School of Design and Technology while working at Louis Vuitton and David Anders-en. He used to intern at David Andersen in which one of his many tasks were to assist during Copenhagen Fashion Week. Favourite summer item: knee-high shorts.

Name: Margit Martens. Age: 52.Occupation: Tailor.

CV: Educated in 1983, Margit is one of David Andersen’s most experienced tailors. In 1993, she opened her own tailor shop “Shhhy vi sy’r” and she has sewn dresses for several celebs.Favourite summer item: Sandals.

Name: Lene Bertung.Age: 53Occupation: CEO of Holm & Bertung Fashion and Lifestyle PR

CV: Throughout most of her life, Lene has been working with fashion and lifestyle as a salesperson, a shopkeeper and last but not least as a PR Man-ager. Lene Bertung was the first person in Denmark to open a fashion and lifestyle PR-agency. Nowadays, the PR-agency has existed for 18 years and is situated in a fashionable apartment from 1798 in the heart of CopenhagenFavourite summer item: Silk dresses, as they can be worn with sneakers and high heels.

Name: Karsten Keinicke.Age: 43.Occupation: Senior PR Coordinator at Holm & Bertung Fashion and Life-style PR. CV: Karsten has a Master in Design and Communication from CBS and The Royal Danish Academy of Fine Arts - The School of Design and has since then worked with marketing and retail at the major Danish fashion company Sand. Additionally, he has worked as an account manager at a couple of advertising agencies. Favourite summer item: Sunglasses – lots of them (because he always seem to misplace them).

Name: Mathias Lagoni. Age: 21. Occupation: Shop Manager. CV: Since 2010 Mathias has been working as Shop Manager for David An-dersen. Further more Mathias is also involved with purchasing etc. Favourite summer item: Haribo candy and shorts from David Andersen.

B M W

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The BMW Group is the leading premium manufacturer of automobiles and motorcycles in the world with its BMW, MINI and Rolls-Royce brands. As a global company, the BMW Group operates 28 production and assem-bly facilities in 13 countries and has a global sales network in more than 140 countries.

In 2012, the BMW Group sold about 1.85 million cars and more than 117,000 motorcycles worldwide. The profit before tax for the financial year 2012 was euro 7.82 billion on revenues amounting to euro 76.85 billion. At 31 December 2012, the BMW Group had a workforce of 105,876 employees.

The success of the BMW Group has always been built on long-term think-ing and responsible action. The company has therefore established ecological and social sustainability throughout the value chain, comprehensive product responsibility and a clear commitment to conserving resources as an inte-gral part of its strategy. As a result of its efforts, the BMW Group has been ranked industry leader in the Dow Jones Sustainability Indexes for the last eight years.

The BMW Group is a company that looks to the future and gears its actions towards the long term.That is the focus of our Strategy Number ONE. Sustainability is an important aspect of our corporate strategy – and we regard it as an investment in our fu-ture.

As the automotive industry’s top-selling premium car company, we strive to take a leading role in advancing individual mobility. We believe in sustainable mobility and paved the way for it early. In late 2013, we will take the next logical step with our entry into the field of emission-free electromobility.

We have been reducing the CO2 emissions of our vehicles for years through our Efficient Dynamics technology package; while our Clean Production concept, for example, reduces energy and water consumption at our plants. In 2012, we made significant progress in integrating sustainability aspects into our supply chain management. This illustrates our holistic approach – from the application of innovative materials and technologies to brand-new vehicle concepts, the use of renewable energy in our production, right up to new working environments for our employees and our global corporate social responsibility activities. This is how we implement sustainability along the entire value chain.

The BMW Group has been one of the top-rated companies in all major sus-tainability ratings and rankings for some years: we are considered the world’s most sustainable car company. At the same time, we recognise the challenges for the future of our society. We intend to play our part in finding solutions and, at the same time, enhance our future viability.

Our company signed the United Nations Global Compact many years ago and has since implemented its Ten Principles at all our locations worldwide – be-cause premium comes with responsibility, today and in the future.

T H E B M W G R O U P

S WA K A R AB Y

D AV I D A N D E R S E N

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S U S TA I N A B I L I T Y

According to David Andersen sustainability is a stand that should be reflected in production and action rather than the number of eco-certifications on the website. That is why it is unthinkable that David Andersen should release an “eco-col-lection”. He does not believe in such publicity-stunts. For him sustainability is merely a natural and integrated part of his work with design and clothes, simply because it is humane and responsible to care about where your goods come from and how they are transported.

“For me as a private person of the topic is not on the top of my mind every day, although I do think about the environment. I think that a lot of people feel the same way, of course we want to take a stand for the environment but we don’t know where to start. Professionally the topic is constantly on my mind. The whole of our production is controlled. We are in control of everything we can be in control of in such a production, therefore business-wise we do everything to be as eco-sustainable as possible for a company of modest size”.

He is also part of the project MODEZONEN/FASHIONZONE that in collab-oration with DAFI (Danish Fashion Institute) where 10-12 Danish Businesses, recently have brainstormed on how to increase sustainability and ecology and not least how to work together on the job, the different businesses in between, this should spark the sustainability thought in Danish fashion industry. According to David Andersen it is in fact symptomatic for the entire debate that sustainability is a topic that is so very talked about, everyone wants to do something about it but no one seems to know how. “We need to have the big companies with financial resources take a responsi-bility and assist the minor businesses with shared shipping of merchandise. This initiative should however come from the larger companies and the ques-tion remains if they will be willing to do so – it is both a question of opinion and time and ultimately economy.” (Financial resources)

“There is a big responsibility in the choice of textiles. We are very aware of the textiles we are using. In our jersey-collection we use Tencel, a natural fiber that is easily dyed, which means we can use less dye. As being a designer it pays off to take into consideration what textiles to use with regards to print-ing and coloration. This is something that we – even though we are a small business – are very aware of.

What other sustainable thoughts does he have for the future – how does he see David Andersen 5 years from now – professionally?“Every season you have to do better. You can always do better. And we intend to do so through our work with textiles and with the coloration and printing. We will maintain our focus on the production assuring ourselves that it is in fact eco-sustainable. The whole topic is so vast that there continues to be room for improvement – and that is my agenda.

A lot of businesses use the eco-sustainability and the ecology as a PR strategy and I think it is wrong. We do not market ourselves on it – we do it, because this is what you should do, and with time we will come to a point where everyone of us can be satisfied with our work. But we must still try to do bet-ter and I urge all to do so – not making into a publicity stunt. Everyone ought to care about where their merchandise is produced and how it was transported here, it is humane and responsible to do so.

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Z E R O WA S T ESustainable fashion is vast and dynamic. Many consumers and com-panies want to take a stand, but do not know where to start. Eventually sustainability is a question of opin-ion, time and economy. At David Andersen, sustainability is a normal and integrated part, when working with design and clothes. It is simply human and responsible behavior to care about the origin, production and maintenance of your clothes. It should be a common way of think-ing and behaving, and not some-thing new and fashionable. Beside designing and producing fashion clothes, made from materials that have been chosen with maximum regard for the environment and sus-tainability, David Andersen is also aiming to zero-waste.

The new line is to change the way we think and design fashion. Creat-ing a strong garment that enhances both society and nature through its design. This makes it an innovative garment. Creating such garment re-quires brand new ideas and skills. First step is elimination waste from textiles. David Andersen is now de-voting his effort to develop a new line, which will provide new oppor-tunities in the design process. By creating smart designs, which are based on the sustainable principles from the beginning, it will be pos-sible to create a new trend within fashion.

Zero-waste design practice embrac-es uncertainty and is a different and more sustainable approach to design. It aims to eliminate the pro-duction of waste from the produc-tion of clothing, which means you have to work with what you have and get the most out of it. Working with zero-waste has its limitations and encourage risk taking in the de-sign process, which challenges the designer to use its entire creative ap-pear which gives the designer a cre-ative advantage and makes the de-sign more exciting and spontaneous.

100 % sustainable and organic couture dress, curently displayed at The Science Museum in London

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B ATAV U SB Y D AV I D A N D E R S E N

C o p e n h a g e n i s w o r l d - f a m o u s f o r i t s m a n y b i k e r s . W h e n e v e r a C o p e n h a g e n c i t i z e n i s g o i n g t o a j o b , c a f é , c o c k t a i l b a r e t c . , t h e b i k e i s t h e f r o n t r u n n e r i n t r a n s p o r t a t i o n .

T H E B I K E I S T H E N O . 1 G R E E N FA S H I O N I T E M

Luckily, the Copenhagen bikers will now get the opportunity to run their bike fashionably, as the leading company in stylish bicycles, Batavus, is collaborating with the leading man in stylish fashion, David Andersen. The collaboration shows how the term “fashion” continues to expand to a broader audience, as most people own a bike. The bike has become a lifestyle product in the sense that it reflects each individual’s personality, in which the thousands of bikers in Copenhagen exemplify, as every bike looks different from one another. As a result, the collaboration’s vision is to create special designed bikes that are “Design for the people”, which will be launched in the spring of 2014.

Both companies share the same philosophy when it comes to design: At Bat-avus, it is crucial that the bicycles are comfortable and in a proper quality. At the same time, the Batavus bike has to be a product that identifies the custom-er and the latest tendencies. The same point of view can be seen in David An-dersen’s design, as it combines his own sense for high quality and aesthetics with the latest trends. Finally, both companies produce design with the aim that it sustains for a long time and is environmental friendly. Batavus does among other things use water-based paint. The water that the factory uses is treated on their own factory, which in itself runs on renewable green energy.

“The bikes are going to express David’s signature style with elements that we, at Batavus, think are important: classic with and edge, an urban touch and a reflection of the latest fashion trends. We hope that we, as a bicycle mak-er, can add elements of an active and healthy lifestyle with fun and movement to David’s universe. On the other hand, we are certain that we will adopt the glamorous and fashionable elements from David’s world, and by doing so make our bikes an even more striking lifestyle product”, Lotte Bundgaard Sommer, Country Manager from Batavus Denmark, states.

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C A N D Y W I T H A S C E N T O F FA S H I O N

H A R I B OB Y D AV I D A N D E R S E N

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The two creative businesses Haribo and David Andersen have joined forces in a unique collaboration where candy and fashion come together - cre-ating a fusion that has never been seen before.

In this union, Haribo and David Andersen will illustrate that candy and fash-ion is not as different as one might consider it to be: They are both striving to be innovative season after season and they continuously design new and exciting products. The collaboration will end up with multiple products that range from candy packing to couture pieces.

Firstly, David Andersen has designed a new fashion packing to the classic Haribo candy “Labre Laver”. The new packing is a limited edition that only will be distributed during Copenhagen Fashion Week in August. Around Copenhagen, it will be possible to get a hold of the new fashion candy that comes in 50.000 samplings. The Haribo candy will be distributed at different venues such as fashion shows, fairs and shopping streets.

Additionally, there will be a possibility to participate in a competition in or-der to get the exclusive Haribo unisex t-shirt, special designed by David An-dersen. The t-shirt holds David Andersen’s characteristic black colour and the same “Labre Laver”-print as the candy packing. People, who want to partici-pate, only need to scan the barcode placed on the Haribo “Labre Laver”-pack-ing or go to Haribo Denmark’s Facebook site.

Last but not least, Haribo’s famous candy will be given a new innovative function other than sweets: David Andersen will create a couture dress made of Haribo’s Chamallows candy and a male suit of Haribo’s liquorice Rotel-las. The dress and suit will be displayed during David Andersen’s Cut Cou-ture-event at Copenhagen Fashion Week SS14. In order to see the couture candy live, there will be a competition that draws tickets to David Andersen’s Cut Couture-event. Finally, it is possible to view the making of the couture pieces from the first candy piece to the final result in a short movie that will be posted on both companies Facebook pages.

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During the last couple of years, David Andersen has designed uniforms for some of the greatest companies in Denmark. One of those companies is the exclusive Hotel Marriott in which David Andersen has made special designed uniforms to their employees.

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S i n c e t h e 1 7 t h c e n t u r y, t h e i c o n i c s u i t h a s b e c o m e o n e

o f t h e m o s t p o w e r f u l t o o l s t o d e m o n s t r a t e p r o f e s s i o n a l i s m

a n d s o p h i s t i c a t i o n .

S U I T I N GTA I L O R - M A D E S U I T S

One of David Andersen’s trade-marks is his suits and tailor made outfits. During the last couple of years, David An-dersen has successfully created suits for some of the largest companies in Denmark.

Every suit is unique, as they are special-ly made from each customer’s measures. This means that the suit is not made from a standard model like made-to-measure, but entirely made to fit the customer’s own body shape. Additionally, David Andersen gives the timeless piece of garment new life with his distinct and modern touch. All of the used materials are produced in 100% pure quali-ties such as wool, silk and cashmere.

When a customer gets measured, different types of fabrics and earlier designs will be used in order to guide the customer in rela-tion to lapels, cuffs and piping before mak-ing a sketch. The suit will then be ready for the final fitting in 3-4 weeks. The suits can be created in terms of private gatherings as well as working wear in the business sector. The customer will get a unique product that will last for several years as a result of the high quality. Finally, it is possible to get the suit re-modeled should the customer’s measures change over the years.

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One of the key components in Da-vid Andersen’s DNA is the passion for designing couture dresses that captivate the spectators.

David Andersen has a special relation to couture. This unique way of designing, has given David Andersen the oppor-tunity to design visions that are mani-fested in a countless amount of pearls, lace, feathers etc. Additionally, couture creates a space in which David Andersen allows himself, as a designer, to experi-ment and design in a context where only the sky is the limit.

When designing couture, David Anders-en’s ambition and supreme skills are on its highest in order to create something beyond spectacular.

- O u t s t a n d i n g A m b i t i o n s -

C U T C O U T U R E

P R E S SD a v i d A n d e r s e n ’s d e s i g n s h a v e s e v e r -a l t i m e s b e e n o n t h e r e d c a r p e t a t g l a m -o r o u s e v e n t s s u c h a s a w a r d s s h o w s a n d p r e m i e r s . D u r i n g t h e l a s t c o u p l e o f y e a r s , D a v i d A n d e r s e n ’s o u t s t a n d i n g g o w n s h a v e d r e s s e d a c o u n t l e s s n u m b e r o f c e l e b -r i t i e s , w h i c h h a s o n l y e n h a n c e d h i s i m a g e a s a d e s i g n e r w i t h a n e x t r a o r d i n a r y s e n s e o f s t y l e . This season, one major event worth mentioning is the Elle Style Awards 2013 in which David Andersen had designed dresses to styl-ish figures such as Eva Kruse and Julie Ølgaard. Furthermore, David Andersen dressed several artists in the Danish edition of X-Factor including dresses to one of the X-Factor judges, Ida Corr.

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Sofie Lassen-Kahlke Ida Wohlert Caroline Fleming Julie Ølgaard

Lene NystrømMedinaLine Baun Danielsen Crown Princess Mary

Ida Corr

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R U N WAY

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P E T E R B E I E R C H O C O L AT I E R

X D AV I D A N D E R S E N

C H O C O L AT E M E E T S C O U T U R E

It happens that two worlds meet, both seeking a fusion that will make the two of them form a synthesis. This is exactly what has happened in the col-laboration with David Andersen and Peter Beier. The combination of luxury chocolate and couture fashion has created a coalition of extravagance.

The result is a delicious chocolate truffle with a taste of the fashionables’ pref-erable drink: champagne.The chocolate will be launched during this season’s Copenhagen Fashion Week SS14 in a special designed top hat created by David Andersen.

“The customer, who will buy the chocolate top hat, is the customer that is seeking something more than just chocolate, they are seeking the superb ex-perience and I am taking my hat off to those customers so to speak”, Peter Beier states. The top hat illustrates this statement as the chocolate box had to be some-thing more than just the regular flat square. The customer will not only get an exquisite chocolate but also a couture experience presented in the special designed top hat.

Peter Beier established his business in 2001. Since then, his company has spread to 14 different Peter Beier shops. The delicious chocolate is produced on an estate in a scenic area in the country outside Elsinore. It is safe to say that chocolate has become fashionable in this unique mix of luxury chocolate couture.

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A R E T R O D R I N K W I T H A H I N T O F M O D E R N B L A C K N E S S

S Ø B O G A A R D XD AV I D A N D E R S E N

During Copenhagen Fashion week, Søbogaard and David Ander-sen will release a limited edition of Søbogaard’s timeless elderflower drink. In the collaboration, David Andersen will present his take on the tasteful elderflower drink as he has designed a new label to the Søbogaard bottle.

The classic bottle has been giv-en a modern look with the use of the characteristic elderflower as a graphic decoration on the bottle. Furthermore, the bottle holds Da-vid Andersen’s characteristic black color, which gives it the final touch.

Søbogaard was established in 1976 by Poul Egede Hansen, which makes Søbogaard one of the oldest producers of organic juice in Den-mark. Søbogaard was the first com-pany to introduce the elderflower juice to the Danish people and has launched lots of other products to the Søbogaard brand, counting more than 130 organic products. During its more than three decades of ex-

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istence, Søbogaard has expanded to produce delicious beverages such as juice concentrates, fruit and flower wines, beer and spirits etc.

It seems like a match made in heav-en as both companies has a great interest in environmental sustain-ability, which has had a big influ-ence on their products; Søbogaard’s beverages are without any preserv-atives, which make them 100% or-ganic. David Andersen’s collections do among other things follow the zero-waste philosophy which aim to eliminate waste from the production of clothing.

”We really liked the idea of work-ing together with David Andersen and our expectations were only in-creased when we brainstormed all the different ideas together. We are looking forward to take the ideas and make them reality and we hope that both Søbogaard and David An-dersen will gain a positive experi-ence from our collaboration”, Ellen Nielsen from Søbogaard says.

L O O K SS S 1 4

The design is distinct. It is permeated of the city´s clash of rigor and underground, and is certainly characterized by David Andersen´s sense for beautiful and significant design. Sophisticated and classic with an eye for details – so simple.

The SS14 collection silhouette is a personal mix of volume and fitted items that draw close to the body, which are David Andersen´s signature – the tailored fit.On the more casual side of the collection, the choices of materials put a soft draping to the oversized pants and printed t-shirts.The material used is natural, well known and of best quality. In the collection of the clothes there are especially blazers that combine black and grey “to die for”, and this is only one out of many candidates for the dream wardrobe.

The collection shows the designers signature, and at the same time bursts the frames with oversized cuts, new colors and a print which creates a playfulness combined with the textures and the material composition.

David Andersen’s inspiration has its roots in original tailor techniques. The silhouette is clean but it is his details that demonstrate a remarkable sense of craftsmanship. Da-vid Andersen’s work is as always innovative while remaining classic. The garments are presented in a new light with David Andersen’s use of asymmetric lines and un-expected cuts.

Followers of David Andersen’s work will know that his predominant colour of choice is black. However, customers will be introduced to awakening new tones such as pure white and smudged charcoal grey. By combining the classic tailoring together with his known aesthetic, David Andersen brings to mind a new era of modern sophistication.

S S 1 4

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STYLE JACKO 06-0114Colour BlackQuality 60% polyester, 25% rayon, 15% wool 95% cotton, 5% spandexSizes xs - xxl

STYLE JACKO 07-0114Colour BlackQuality 60% polyester, 25% rayon, 15% wool 95% cotton, 5% spandexSizes xs - xxl

STYLE JACKO 08-0114Colour BlackQuality 60% polyester, 25% rayon, 15% wool 100% puSizes xs - xxl

STYLE TEEMA 09-0114Colour BlackQuality 96% rayon, 4% spandex 100% puSizes xs - xxl

STYLE TEEMA 10-0114Colour BlackQuality 96% rayon, 4% spandex 100% puSizes xs - xxl

STYLE BLACK 13-0114Colour BlackQuality 100% woolSizes xs - xxl

STYLE BLACK 12-0114Colour BlackQuality 96% wool 4% silkSizes xs - xxl

STYLE BLACK 14-0114Colour Black / WhiteQuality 100% woolSizes xs - xxl

STYLE BLACK 15-0114Colour Black / GreyQuality 100% woolSizes xs - xxl

STYLE SHIRE 01-0114Colour White/BlackQuality 64% cotton, 32% nylon, 5% spandexSizes xs - xxl

STYLE SHIRE 02-0114Colour White/BlackQuality 64% cotton, 32% nylon, 5% spandexSizes xs - xxl

STYLE SHIRE 03-0114Colour BlackQuality 64% cotton, 32% nylon, 5% spandex 96% rayon, 4% spandexSizes xs - xxl

STYLE TROYE 04-0114Colour BlackQuality 60% polyester, 25% rayon, 15% woolSizes xs - xxl

STYLE TROYE 05-0114Colour BlackQuality 60% polyester, 25% rayon, 15% woolSizes xs - xxl

STYLE BLACK 17-0114Colour Black / WhiteQuality 100% cottonSizes xs - xxl

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STYLE BAG 18-0114Colour Black / Grey dip dyeQuality 100% lamb leatherSizes OS

STYLE BLACK 16-0114Colour Black / grey / light greyQuality 100% woolSizes xs - xxl

STYLE BLACK 11-0114Colour BlackQuality 96 % wool 4 % silkSizes xs - xxl

S P R I N G / S U M M E R 2 0 1 4 C O L L E C T I O N

STYLE SHIRE 03-0114Colour WhiteQuality 64% cotton, 32% nylon, 5% spandex 96% rayon, 4% spandexSizes xs - xxl

STYLE BLACK 12-0114Colour Grey Quality 96% wool 4% silkSizes xs - xxl

O F F I C E / S H O W R O O M D KH y s k e n s t r æ d e 1 2 , s t . t h

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Fashion Exclusive is a production com-pany rooted in the fashion and lifestyle industries. Combining a graceful Scan-dinavian flair with a boutique approach to production and promotion, Fashion Exclusive introduces a direction to the production of shows, events and visuals, which highlights exclusivity above all.Founded by Danish business partners Ann Hertha and Anette Kjærgaard, Fash-ion Exclusive is built on experience from all corners of the fashion and lifestyle platforms. Between the founders, Fashion Exclusive draws on qualifications from media and publishing, public relations, and the hospitality industry.

Since its launch in 2009, the company has produced and managed a string of niche shows and events during Copenhagen Fashion Week, including its diffusion in-itiative FASHION EXCLUSIVE at NIMB, a selection of directional designers show-cased at Copenhagen’s iconic Hotel NIMB.

From 2010, Fashion Exclusive has further overseen the production and PR of Mus-cat Fashion Week, the first of its kind in Oman. In weighing an innate attention to detail above all, Fashion Exclusive ap-proaches production in innovative and sophisticated ways, while constantly maintaining an effortless refinement in all aspects of its work.

E V E N T P R O D U C T I O NB Y