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INTERNATIONAL CONCERT SERIES
FEBRUARY - JUNE 2018
Mu
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We are delighted to offer you asweeping range of music for 2018.Highlights include the Orchestra of theAge of Enlightenment, Marin Alsopand soloist Nicola Benedettiperforming with an all-Beethovenevening. This concert has now soldout, but please look out on our websitefor news of any late-release tickets.
We join with SJE Arts on Iffley Road to hear Erik Satie’s famous pianomusic woven together with his hugelyentertaining writings, showing the fullscope of this quirky composer’s mind,before marking the final concert of theVilliers Quartet Oxford Residency.Please see page 4 for a specialinvitation.
Spring brings glorious penitentialmusic for Eastertime from TheCardinall’s Musick, followed by violconsort Fretwork and actor SimonCallow, with a programme basedaround the travels of Francis Drake. In May, Rachel Podger and her virtuosoensemble, Brecon Baroque, performVivaldi’s The Four Seasons.
We will be at the Oxford Playhouse on 27 May as part of the AshmoleanMuseum’s American Modernismprogramme. In one packed day, weexplore the wit of Dorothy Parker inwords and music, and the brilliance ofearly film and its pianists withbroadcaster and writer Neil Brand.
Our season finishes in June with fourenticing but very different concerts:Handel’s clavichord music is acurtain-raiser for the Oxford Bach Choirperformance of his Dixit Dominus;Merton College Choir gives a galaperformance of Elgar’s The Apostles;and finally Trevor Pinnock conducts acrack orchestra of musicians from theRoyal Academy of Music and Japanesecounterpart, Tokyo Geidai.
Presenting concerts of this calibre hasalways been expensive; ticket incomefrom a full house rarely covers thecosts of an event. If you would like tohelp us continue our work, please readpage 15 to learn how you can do so.Thank you.
I hope that you will find ourforthcoming concerts appealing; Music at Oxford programmes artists of international quality, and strives tobring a rich musical choice to ouraudience.
Warmest wishes,
WelcOMeABOuT usMusic at Oxford is a concertseries, so rather like a musicfestival, only with our concertsspread over many months, rather than concentrated in one or two weeks.
We do not have our own venue, butinstead utilise several glorious buildingsaround the City, such as the SheldonianTheatre, the Holywell Music Room,Christ Church Cathedral, SJE Arts at St. John the Evangelist, the Jacquelinedu Pré Music Building, and a number of other venues.
Our mission is to bring the very bestclassical music to Oxford, in terms ofboth repertoire and internationallyrenowned artists. In many respects,therefore, our not being tied to certaindates or to a particular venue is to ouradvantage, allowing us to make themost of all our artists’ availability.
We have our own box office for telephone bookings: 01865244806. Please see our website forfurther information and onlinebooking: www.musicatoxford.comRebecca Dawson
General Manager, Music at Oxford
Front cover photo: Rachel Podger by Theresa PewalBOX OFFICE 01865 244806
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© Simon Fowler
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erik sATie: MeMOirs Of A peAr-shAped life
Anne lOveTT piAnOdAvid BAMBernArrATOr
Erik Satie was acomplex, eccentric andlonely man. Devisedand written by MeurigBowen, Memoirs of apear-shaped lifeshowcases the full,startling breadth of thecomposer’s pianooutput andinterweaves Satie’sdiaries and reflectionson his riotously varied,chaotically creativeand intermittentlydysfunctional life.
The music includes many of Satie’s most enduring keyboard works –Gymnopédies, Gnossiennes, Je te veux, Le piège de Méduse, Avant-dernièrespensées, Le Piccadilly and Heures séculaires.
End time c. 9.15pmDrinks will be available for purchase when doors openTickets £32 £25 £18 £15 | Students and under 18s £10 off
FRIDAY 16 FEBRUARY, 8.00PMSJE ARTS
GENEROUSLY SUPPORTEDBY YVONNE PYE
PRESENTED IN ASSOCIATION WITH SJE ARTS
BOX OFFICE 01865 244806
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villiers quArTeTMendelssohn Quartet no. 6 in F minor, op. 80Hubert Parry Quartet no. 3 in GBeethoven Quartet in E minor, op. 59 no.2 Razumovsky
The culmination of the Villiers’ residency in Oxford, thanks tothe Faculty of Music with support from the Radcliffe Trust, istonight’s glorious concert of two much-loved worksinterspersed with a lesser-known quartet by Hubert Parry.Mendelssohn’s op. 80 – with its dramatic opening movementand searing Adagio – was composed as an homage to hissister Fanny, who had recently died. Mendelssohn himselfthen died just two months after finishing the work.Beethoven’s Razumovsky quartets, of which there are three,were a commission from the Russian ambassador to Vienna,and as such utilize Russian themes. (In fact the Russianfolk-song quoted in the work in this concert was also laterused by Mussorgsky, Rachmaninov and Stravinsky.) Parry’sthird string quartet is lesser-known for good reason: it wentmissing among the manuscripts in the Bodleian Library, finallyto be re-discovered among Finzi’s papers in 1992.
There will be interval drinks, and a post-concert reception at anearby location; do join us to thank the members of the VilliersQuartet for their engaging Oxford concerts, and to wish themluck in their future career.
End time c. 9.15pmTickets £15 | Students £5
FRIDAY 23 FEBRUARY 2018, 7.30PMHOLYWELL MUSIC ROOM
‘...marvellously sympathetic, well-preparedperformances from the Villiers Quartet...’ Gramophone Magazine
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Der R
osen
kavalie
r (Filmarchiv Austria)
ThecArdinAll'sMusickcrucifixus
Lotti CrucifixusPalestrina Stabat MaterVictoria Tenebrae Responsories for Good FridayAllegri Miserere meiScarlatti Stabat Mater
FRIDAY 2 MARCH 2018, 7.30PMPRE-CONCERT TALK 6.30PMSHELDONIAN THEATRE
This programme is an emotional snapshot of theevents of Good Friday when Christ’s mother stoodweeping as her son was nailed to the Cross.
Lotti’s searing Crucifixus contrasts with the eleganteight-part Stabat Mater of Palestrina. Victoria’sTenebrae Responsories place the scene in the contextof Holy Week in a setting without equal for emotionaldirectness and clarity.
Allegri’s famous setting of the Miserere with its high soprano Cs and Scarlatti’s fabulous ten-partStabat Mater complete this programme devised by multi-award winning Cardinall’s Musick on awelcome return visit to Oxford.
‘...a display of the best ensemble singing talent Britain can produce.’International Record Review
www.cardinallsmusick.com
End time c. 9.25pmTickets £42 - £10Students £5 off & Under 18s 50% off
BOX OFFICE 01865 244806
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freTWOrkThe WOrldencOMpAssedMusic By OrlAndO GOuGh, pArsOns And picfOrTh
siMOn cAllOW nArrATOr
When Drake set sail fromPlymouth in 1577, he took withhim four viol players who hadlittle clue that this would be suchan epic journey. They playedmusic to accompany Drake’sworship and sang hymns to theviols; they entertained him whilehe ate and he also used theirplaying to impress the natives ofSouth America and Java, where
the king returned the favour by sharing his own music.
Composer Orlando Gough has created a sound journeycharting Drake’s remarkable feat, weaving music of the 16thcentury into his score, and illuminated by readings fromDrake’s account of the voyage, given by Simon Callow.
www.fretwork.co.uk
End time c. 9.35pmTickets £42 - £10Students £5 off | Under 18s 50% off
SATURDAY 28 APRIL 2018, 7.30PMSHELDONIAN THEATRE
‘Fretwork is thefinest viol consorton the planet.’ Stephen Pettitt, London Evening Standard
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rAchel pOdGer BrecOn BArOqueVivaldi The Four SeasonsJ S Bach Concerto for harpsichord, strings, continuo (after Vivaldi no. 9 op. 3) BWV 972Vivaldi Concerto for lute, strings, continuo in D
Vibrant, dynamic performances are the hallmark of Brecon Baroque, and overthe last decade they have delighted many audiences thanks to their tours ofEurope and Japan. For Music at Oxford they will bring a tantalizingprogramme including The Four Seasons. Bach’s transcription of Vivaldi’s violinconcerto from the famous L’estro armonico collection shows off his masteryand understanding of the harpsichord - in the days preceding copyright laws,composers regularly ‘borrowed’ the music of their peers in order to make newversions of them. Led by Gramophone Award winner Rachel Podger, thesepeerless players bring their skill and musicality to this delightful programme.Expect an evening full of energy and exuberance.
‘...stylish...instrumental playing of BreconBaroque; led with characteristic verve andsensitivity by Rachel Podger on the violin...’Wales Arts Review
www.rachelpodger.com
End time c. 9.35pmTickets £42 - £10Students £5 off | Under 18s 50% off
FRIDAY 18 MAY 2018, 7.30PMSHELDONIAN THEATRE
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dOrOThy pArkerTAkes A TripAcTOr/sOprAnO sArAh GABrielpiAnO iAin fArrinGTOndirecTOr richArd WilsOn
A musical and dramatic foray into the verbally lacerating, gildedbut wasted, ardently political world of Dorothy Parker and herera in letters, essays and poems, with live music and songs byGeorge Gershwin, Harold Arlen, Cole Porter, Rodgers & Hart,Hoagy Carmichael and others.
Dorothy Parker Takes a Trip was commissioned by and premieredat Dartington International Festival. Sarah Gabriel co-wrote thepiece with Richard Williams, who also directs. Also featuring:Dorothy Parker’s lawyer’s assistant and a filing cabinet.
Produced by Music at Oxford.
‘Sarah Gabriel: as fine an actress as she is a singer' Le Monde
Go to www.TicketsOxford.com for full details and tickets.
SUNDAY 27 MAY 2018, 3PMOXFORD PLAYHOUSE
IN COLLABORATION WITH
Sarah Gabriel ©
Raphaelle Photography
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The silenT piAnisT speAks
neil BrAnd piAnO
Neil Brand, musician, writer and broadcaster (BBC’s The FilmProgramme, Sound of Cinema, Music that made the Movies)welcomes us to the world of early cimema. The Silent Pianist Speaks is one of the most unique and memorable shows you will see, celebrating the great filmmakers of the Silent Era and the magicof the accompanists who breathed life and sound into their work.
From the earliest, earthiest comedies and thrillers, through a silent cine-verité classic shot by a young Billy Wilder, to the glories of Hollywood glamour and the sublime Laurel and Hardy, Neilprovides improvised accompaniment and laconic commentary oneverything from deep focus to his own live cinema disasters.
Produced by Music at Oxford.
www.neilbrand.com
Go to www.TicketsOxford.com for full details and tickets.
SUNDAY 27 MAY 2018, 7.30PMOXFORD PLAYHOUSE
IN COLLABORATION WITH
Both events are part of ‘American Cool’; a month long festival celebrating American art,literature, music, drama and film from the 1920s – 1940s coinciding with the Ashmolean’sexhibition ‘America’s Cool Modernism: O’Keeffe to Hopper’.www.ashmolean.org/americascoolmodernism
BOX OFFICE 01865 244806
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BAGATelles AfTer BeeThOvenTiM hOrTOn piAnO
Berg Piano Sonata op. 1Beethoven Piano Sonata in A no. 2 op. 2Martin Butler, Michael Zev Gordon, Cheryl Frances Hoad, GabrielJackson, David Knotts, Jack Sheen Bagatelles after BeethovenBeethoven Six Bagatelles op. 126
Pianist Tim Horton plays major works by Beethoven and Berg. Takinginspiration from Beethoven’s much-loved Six Bagatelles which end thisprogramme, we feature six specially commissioned Bagatelles by composersMartin Butler, Michael Zev Gordon, Cheryl Frances Hoad, Gabriel Jackson,David Knotts and Jack Sheen (winner of a 2016 Royal Philharmonic Societycomposer award). The new set of pieces is in celebration of PresteigneFestival’s 35th anniversary and is a part of its outstanding record incommissioning new music. A beautifully constructed programme from anexceptional performer which we look forward to sharing with you.
www.timhortonpianist.co.uk
End time c. 9.30pmTickets £20 Gallery £15 StallsStudents 5 off | Under 18s 50% off
FRIDAY 25 MAY 2018, 7.30PMJdP MUSIC BUILDING
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hAndel's ATTicJuliAn perkins clAvichOrd
Handel, Frescobaldi, Froberger and PachelbelA selection of toccatas and suites
Used throughout the Baroque and Classical eras as a private tool for composing,practice and meditation, the clavichord remained in regular use into thenineteenth century. The last thirty years have witnessed a quiet musicalrevolution: the clavichord is no longer the Cinderella of the keyboard world. Jointhe conductor and keyboardist Julian Perkins to share the enchantment of thisexquisite instrument, so beloved of the young Handel that he ‘found means to geta little clavichord privately conveyed to a room at the top of the house’ for secretnight-time practice.
'It seems as if the clavichord was Handel’s firstMuse… Small wonder given that its intimate tonescompel the player to cultivate a singing tone andbewitch all those who encounter it.' Julian Perkins
This programme includes works by Handel as well as works he may have studiedduring his youth, such as toccatas and suites by Frescobaldi, Froberger andPachelbel.
‘Exuberantly stylish’ The Times
www.julianperkins.com
End time c. 9.15pmTickets £20 | Students £5 off | Under 18s 50% off
FRIDAY 1 JUNE 2018, 7.30PMHOLYWELL MUSIC ROOM
OxfOrd BAch chOirinsTruMenTs Of TiMe And TruTh
pAul spicer cOnducTOr
sOprAnO elizABeTh skinnerAlTO cATherine cArBy TenOr dAniel AuchinclOss BAss TrisTAn hAMBleTOn
Haydn Nelson Mass (Missa in Angustiis)Handel Dixit Dominus
Music at Oxford is thrilled to host Oxford Bach Choir’s performanceof these two cornerstones of the choral repertoire. Under conductorPaul Spicer, we can look forward to the sheer scale andmagnificence of these impressive and much-loved works. Haydn’sNelson Mass, arguably the composer’s greatest single composition,was originally entitled Missa in Angustiis or ‘Mass for TroubledTimes’, which indeed they were. Austria at the time was underthreat from Napolean, and Haydn himself was suffering from illnessand exhaustion. Handel’s first important church work Dixit Dominusexceeds the scope and design of his other Latin psalm settings in itsvirtuosity and luminosity.
www.oxfordbachchoir.org | www.timeandtruth.co.uk
End time c. 9.15pmTickets £42 - £10Students £5 off | Under 18s 50% off
SATURDAY 9 JUNE 2018, 7.30PMSHELDONIAN THEATRE
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MerTOn cOlleGechOir GAlAMerTOn cOlleGe chOir & AluMnirOyAl philhArMOnic OrchesTrABenJAMin nichOlAs direcTOr
sOprAnO sOphie BevAnMezzO sOprAnO virGinie verrexTenOr dAvid BuTT phillipBAss MArcus fArnsWOrThBAss Ashley richesBAss JuliAn eMpeTT
Elgar The Apostles
FRIDAY 15 JUNE 2018, 7.30PMSHELDONIAN THEATRE
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Believed by many, including his close friend andpublisher Jaeger, to contain some of Elgar’s veryfinest writing, The Apostles tells the story of Christ’slater life and passion through the experience of thosearound him, most tellingly perhaps Mary Magdaleneand Judas Iscariot.
Despite the huge forces it requires – a largeorchestra and chorus, plus no fewer than six solosingers – Elgar’s deeply felt oratorio tells aprofoundly human story in every gloriously scored bar.
A rare opportunity to hear this magnificent work,given as part of the celebration of the tenthbirthday of Merton College’s phenomenallysuccessful choir.
‘This choir is a 2008 creation,yet has quickly gaineddistinction.’ Sunday Times
‘...one of the UK's finest choralensembles.’ Gramophone
End time c. 9.45pmTicketsChairs £45 | Lower Gallery £30Semi-Circle £20 | Upper Gallery £15Students £5 off | Under 18s 50% off
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rOyAl AcAdeMy Of MusicchAMBer OrchesTrAWiTh plAyers frOM TOkyO GeidAiTrevOr pinnOck cOnducTOr
viOlin Julie svecenAviOlA yuGO inOue
Beethoven Overture to The Creatures of PrometheusMozart Sinfonia Concertante K364Beethoven Symphony no. 3 op. 55 in E flat Eroica
The Royal Academy of Music collaborates with many eminent international partners, such as theJuilliard School in New York. This concert celebrates the Academy’s friendship with Japan and, in particular, its close links with Tokyo Geidai. A joint orchestra from both institutions will beperforming in London, Oxford and Tokyo under the esteemed conductor Trevor Pinnock. Pinnock is a regular visitor to all of the major orchestras in the world and has established himself as thepre-eminent figure in marrying an informed historical performance style with modern orchestralpractice. The Eroica Symphony is one of the most radically compelling masterpieces of the early19th century and inhabits a world where struggle and resolution laid the path for large-scalestructure from that point on. It also shares thematic material with the composer’s ballet Creatures of Prometheus, of which we will hear the overture. Mozart’s well-known and beguilingSinfonia Concertante - a concerto for violin and viola - completes this stimulating programme.
End time c. 9.25pmTickets Chairs £25 | Lower Gallery £18 | Semi-Circle £15 | Area Balcony Upper Gallery £8 | Students £5 off | Under 18s 50% off
FRIDAY 22 JUNE 2018, 7.30PMSHELDONIAN THEATRE
Bringing world-class international artists, ensemblesand orchestras to the City is increasingly expensive,and Music at Oxford relies heavily on support fromtrusts and individual donors, so that we can avoidraising ticket prices. Please consider becoming a Friendor Patron of Music at Oxford. By doing so, you will beactively enabling us to continue bringing the very bestclassical music to Oxford’s glorious and historic venues.We have enhanced our scheme as follows:
pleAsesuppOrTMusic AT OxfOrd
FRIEND £35+ Joint membership £45+• Priority booking• Free programmes at all concerts (please show your membership card to a steward)
PATRON £100+Joint membership £125+All of the above plus:• Named reservation signs in unreserved areas• Invitations to drinks receptions• Acknowledgement in concert programmes
PRINCIPAL PATRON £500+ All of the above plus:• Special recognition in concert programmes• The opportunity to support a specific concert
We also offer LIFE PATRONAGE, for a single payment of £10,000.
Many of the membershipcontributions we receive areeligible for Gift Aid, whichmeans the value of a gift isconsiderably increased at noadditional cost to the donor.
leGAciesLeaving a legacy to Music atOxford is a significant way toensure that future generationsare able to benefit fromworld-class music-making.
If you wish to consider leavinga legacy, being recognised as aPATRON IN PERPETUITY, please contact RebeccaDawson in confidence, on 01865 242865.
ANNUAL MINIMUM DONATIONS
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BOX OFFICE 01865 244806
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OXFORD PLAYHOUSE SEATING PLAN
CIRCLEFIRST FLOOR
STALLSGROUND FLOOR
STAGE
Go to www.TicketsOxford.com to purchase tickets and for full details of these concerts.
G1 F1 E1 D1 B1 A1C1
F27 E27 D27 B27 A27C27
G5
G27
G23
AA9A8
B7C6
D5E4F4
G2J1
H1L1
K1N1
M2
Q1P1
S1R1
U1T1
N27M26
Q27P26
S27R26
T27H26 G26K26
J27L27
F25E25
D24C23
B22A21
U26
W23
W27
U7
U23
U6
U18AA20
WC
WC
WC
WC
WC
WC
WC
WC
For reference when booking for 27 May 2018 concerts through www.TicketsOxford.com.
ALL SEATING AREAS ARE UNRESERVED
SIDE AISLE £15
SOME RESTRICTED VIEW SEATS
SIDE AISLE £15
SOME RESTRICTED VIEW SEATS
REAR CENTRE £18
FRONT CENTRE£32
MIDDLECENTRE £25
STAGE
SJE ARTS SEATING PLAN
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STAGE
GALLERY£20
STALLS£15
JdP MUSIC BUILDING SEATING PLAN
BOX OFFICE 01865 244806
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Chairs and Row A £42*Unreserved except Row A
Lower Gallery £28*Reserved seating, cushioned benches, with a backrest
Semi-Circle £18*Reserved seating, cushioned benches, no backrest
Upper Gallery £10*Unreserved seating, wooden benches, no backrest
Area Balcony £10*Reserved seating, cushioned benches, no backrest
Restricted view/access £10 Reserved seating, cushioned benches
*Prices differ for Merton College Choir Gala and Royal Academy of Music Chamber
See pages 13 and 14 for prices
SHELDONIAN THEATRE SEATING PLAN
HOW TO BOOKTelephone 01865 244806Online www.musicatoxford.com
MUSIC AT OXFORD BOX OFFICE OPENING TIMESMonday to Friday, 9.30am-5pmA venue box office opens for door sales and pre-paid collection one hour before the concert start time, or 15 minutes before a pre-concert talk.
CONCESSIONS (maximum of one per ticket)Under 18s* 50% discount Students & JSA (Job Seeker’s Allowance) £5 off any ticketLimited Mobility** 50% discount up to 2 tickets*We regret that children under 6 cannot be admitted except where specified.**You may be asked for written proof.
DISCOUNTSMaO Bonus: 3+ concerts in any brochure 15% discount*The same number of tickets per concert must be booked in one transaction. Please notethat some concerts may be excluded from this discount. Find full concert details online. Group Discount: 10+ tickets 15% discount**Please call the Box Office; these discounts are not available online.
VENUESSheldonian Theatre Broad Street, Oxford OX1 3AZHolywell Music Room Holywell Street, Oxford OX1 3SDJdP Music Building, St Hilda’s College, Cowley Place, Oxford, OX4 1DYSJE Arts St John the Evangelist Church, Oxford OX4 1EH Oxford Playhouse 11-12 Beaumont St, Oxford OX1 2LW
Join our mailing list: Call 01865 244806 or visit musicatoxford.com to sign up.
BOOKING & INFORMATION PostageWe charge 75p per transaction. We posttickets to the UK only, up to 5 days beforethe event. There are no other bookingcharges.
RefundsTickets cannot be refunded. Exchanges areoffered to Patrons and Principal Patrons.We reserve the right to change artists,programmes, and venues.
AccessAll venues have disabled access andfacilities; please book early as wheelchairspaces are limited. The SheldonianTheatre is fitted with a hearing loopsystem.
Unreserved SeatingUnreserved seating guarantees you aspace in your chosen area but not aspecific seat. Please arrive in good time tochoose your seat. Please note thatsponsors, patrons, and those withdisabilities are entitled to reserved seatsin unreserved areas, allocated at thediscretion of Music at Oxford.
Doors OpenDoors open half an hour before theadvertised start time, or 15 minutes beforea pre-concert talk.
LatecomersStaff will do their best to admit latecomerswhen possible and at the artists’ consent.Please arrive in good time to avoiddisappointment, especially whencollecting tickets.
Conditions of SaleTickets cannot be refunded. Music atOxford reserves the right to refuseadmission; we regret that children under 6cannot be admitted except wherespecified. All information is correct at thetime of going to press; we reserve theright to change the advertised programme,venue or artists. Music at Oxford reservesthe right to cancel without refund formatters beyond its reasonable control.
AdministrationGeneral Manager Rebecca DawsonArtistic Planning Alison GilesSales and Marketing Manager Rebecca Ritchie-TimmsArtists and Venues Camilla ScarlettStewards’ Manager Susannah Lambe
Life PresidentYvonne Pye
TrusteesRobin Barker (Chairman), Edwin Antill,Julie Bond, Ralph Waller
Music at Oxford Registered Charity No. 289324
Contact usTelephone 01865 242865Email [email protected] www.musicatoxford.comPost Music at Oxford, Osney LockBoathouse, Osney Lock, Bridge Street,Oxford OX2 0AX
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INTERNATIONAL CONCERT SERIES
FEBRUARY - JUNE 2018
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