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Davis Art Images Supplemental Image Set
ExploringVisual Design
Part 2The Principles of Design
Chapter 10 Emphasis
Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis
1. Jacques-Henri Lartigue, Avenue du Bois de Boulogne, Paris, January 15, 1911, gelatin silver print, 23 x 37 cm, France Photo © Davis Art Images
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
2. Ancient Rome, Mosaic: Orpheus Taming Wild Animals, 204 CE, marble tesserae ©Dallas Museum of Art
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
3. Gustave Klimt (Austrian, 1862-1918), Baby (Cradle), 1917/1918, oil on canvas, 110.9 x 110.4 cm (43 3/4 x 43 1/2") ©National Gallery of Art, Washington, Gift of Otto and Franciska Kallir with the help of the Carol and Edwin Gaines Fullinwider Fund 1978.41.1
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
4. Andô Hiroshige, From an untitled series of views of the provinces: Hanging Silk Waterfall in Settsu Province, 1854, color woodcut on paper, 33.1 x 10.9 cm (13 1/16 x 4 5/16") ©Museum of Fine Arts, Boston
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Emphasizing Line, Shape and Form
5. Egon Schiele (Austrian, 1890-1918), Dancer (Die Tänzerin), 1913, watercolor and gouache over graphite on wove paper, 47 x 30.5 cm (18 5/8 x 12") ©National Gallery of Art, Washington, Gift of Liselotte Millard, in Honor of the 50th Anniversary of the National Gallery of Art 1990.112.1
Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Emphasizing Line, Shape and Form
6. Liubov Popova, Architectonic Painting, 1917, oil on canvas, 80 x 98 cm (31 1/2 x 38 5/8") ©The Museum of Modern Art, New York
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Emphasizing Line, Shape and Form
7. Japan, Guardian Figure, from Shiga prefecture, 1200s, chestnut and cypress wood, height: 167.9 cm (66 1/8") ©Cleveland Museum of Art
Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Emphasizing Value, Color, Space or Texture (value)
8. Childe Hassam, Manhattan's Misty Sunset, September, 1911, oil on canvas, 46 x 81 cm (18 1/8 x 32") ©Butler Institute of American Art, Youngstown, Ohio
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Emphasizing Value, Color, Space or Texture (color)
9. Grueby Faience Company, Vase, c1898-1902, pottery with "Grueby celadon" glaze, height: 20 cm (7 7/8") ©The Museum of Modern Art, New York
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10Emphasis
Emphasizing Value, Color, Space or Texture (space)
10. Allan d'Arcangelo, Highway US 1, Number 5, 1962, synthetic polymer paint on canvas, 178 x 207 cm (70 1/8 x 81 5/8") ©The Museum of Modern Art, New York
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Emphasizing Value, Color, Space or Texture (texture)
11. Chimú Culture, Ancient Peru, Panel, probably 1000-1476 CE, plain weave cotton and feathers, 139 x 111 cm (54 3/4 x 43 11/16") ©Museum of Fine Arts, Boston
Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Using Simplicity
12. Mochizuki Gyokusen Shigeteru, Rising Sun, 19th century, hanging scroll, ink and color on silk, image: 35 x 56.9 cm (13 3/4 x 22 3/8") ©Museum of Fine Arts, Boston
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Using Simplicity
13. Unknown, Armadillo Mask, painted wood, Mexico
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Using Simplicity
14. Brice Marden, Avrutun, 1971, oil and wax on canvas, 183 x 91 cm, United States ©The Museum of Modern Art, New York, Gift of Werner and Elaine Dannheisser
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Using Simplicity
15. Calima Culture, Ancient Colombia, Ceremonial Mask, 500-1 BCE, gold ©Dallas Museum of Art
Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Using Placement and Grouping
16. Nagasawa Rosetsu, Bamboo, 1790s, ink on paper mounted as a six-fold screen, 128.9 x 261.1 cm (50 3/4 x 102 3/4") ©Worcester Art Museum, Worcester, Mass.
Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Using Placement and Grouping
17. Alfred Stieglitz, The Hand of Man, 1902, photogravure on paper, 16 x 22 cm (6 5/16 x 8 5/8") Photo © Davis Art Images
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Using Placement and Grouping
18. Adolphe Mouron Cassandre, Poster: Normandie, 1935, color lithograph on paper, 99.7 x 61.9 cm (39 1/4 x 24 3/8") ©The Museum of Modern Art, New York
Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Using Placement and Grouping
19. Alberto Giacometti, City Square, 1948, bronze, 22 x 65 x 44 cm (8 5/8 x 25 5/8 x 17 3/8") ©The Museum of Modern Art, New York
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Emphasis Through Isolation
20. Laylah Ali, Untitled, 2004, gouache on paper, 27 x 20.3 cm (10 3/4 x 8") Photo Courtesy Miller Block Gallery, Boston
Exploring Visual Design Part 2 The Principles of DesignChapter 10 Emphasis Emphasis Through Isolation
21. Kiki Smith, Untitled, 1987-1990, 12 silvered glass water bottles in a row, each bottle, 52 x 29 cm (20 1/.2 x 11 9/16") ©The Museum of Modern Art, New York
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Emphasis Through Isolation
22. Japan, Kimono, with koto, go board, scroll painting and calligraphy designs (the Chinese example of "the four accomplishments"), late 19th century, silk with resist-dyed, stenciled imitation tie-dyed, and embroidered decoration, length (center back): 170 cm (67") ©Philadelphia Museum of Art
Exploring Visual Design
Part 2 The Principles of Design
Chapter 10 Emphasis
Studio Experience - Emphasis in Photomontage
23. Herbert Bayer, Lonely Metropolitan, 1932, photomontage, 36 x 28 cm (14 1/4 x 11 1/8") Photo courtesy of the Artist
Exploring Visual Design Set 116K
Part 2 The Principles of Design, 10 -- Emphasis
1. Jacques-Henri Lartigue, Avenue du Bois de Boulogne, Paris, January 15, 1911, gelatin silver print, 23 x 37 cm, France Photo © Davis Art Images 20771
2. Ancient Rome, Mosaic: Orpheus Taming Wild Animals, 204 CE, marble tesserae ©Dallas Museum of Art DMA-80
3. Gustave Klimt (Austrian, 1862-1918), Baby (Cradle), 1917/1918, oil on canvas, 110.9 x 110.4 cm (43 3/4 x 43 1/2") ©National Gallery of Art, Washington, Gift of Otto and Franciska Kallir with the help of the Carol and Edwin Gaines Fullinwider Fund 1978.41.1 NGA-P0733
4. Andô Hiroshige, From an untitled series of views of the provinces: Hanging Silk Waterfall in Settsu Province, 1854, color woodcut on paper, 33.1 x 10.9 cm (13 1/16 x 4 5/16") ©Museum of Fine Arts, Boston MFAB-969
Emphasizing Line, Shape or Form5. Egon Schiele (Austrian, 1890-1918), Dancer (Die Tänzerin), 1913, watercolor and gouache over graphite on wove
paper, 47 x 30.5 cm (18 5/8 x 12") ©National Gallery of Art, Washington, Gift of Liselotte Millard, in Honor of the 50th Anniversary of the National Gallery of Art 1990.112.1 NGA-P1025
Emphasizing Line, Shape or Form6. Liubov Popova, Architectonic Painting, 1917, oil on canvas, 80 x 98 cm (31 1/2 x 38 5/8") ©The Museum of Modern
Art, New York MOMA-P2203
Exploring Visual Design, Part 2 The Principles of Design, Chapter 10 Emphasis
Emphasizing Line, Shape or Form7. Japan, Guardian Figure, from Shiga prefecture, 1200s, chestnut and cypress wood, height: 167.9 cm (66 1/8")
©Cleveland Museum of Art CL-218
Emphasizing Value, Color, Space or Texture (value)8. Childe Hassam, Manhattan's Misty Sunset, September, 1911, oil on canvas, 46 x 81 cm (18 1/8 x 32") ©Butler
Institute of American Art, Youngstown, Ohio BIAA-21
Emphasizing Value, Color, Space or Texture (color)9. Grueby Faience Company, Vase, c1898-1902, pottery with "Grueby celadon" glaze, height: 20 cm (7 7/8") ©The
Museum of Modern Art, New York MOMA-D0037
Emphasizing Value, Color, Space or Texture (space)10. Allan d'Arcangelo, Highway US 1, Number 5, 1962, synthetic polymer paint on canvas, 178 x 207 cm (70 1/8 x 81
5/8") ©The Museum of Modern Art, New York MOMA-P0827
Emphasizing Value, Color, Space or Texture (texture)11. Chimú Culture, Ancient Peru, Panel, probably 1000-1476 CE, plain weave cotton and feathers, 139 x 111 cm (54 3/4
x 43 11/16") ©Museum of Fine Arts, Boston MFAB-571
Using Simplicity12. Mochizuki Gyokusen Shigeteru, Rising Sun, 19th century, hanging scroll, ink and color on silk, image: 35 x 56.9 cm
(13 3/4 x 22 3/8") ©Museum of Fine Arts, Boston MFAB-900
Using Simplicity13. Unknown, Armadillo Mask, painted wood, Mexico 21110
Exploring Visual Design, Part 2 The Principles of Design, Chapter 10 Emphasis
Using Simplicity14. Brice Marden, Avrutun, 1971, oil and wax on canvas, 183 x 91 cm, United States ©The Museum of Modern Art,
New York, Gift of Werner and Elaine Dannheisser MOMA-P2465
Using Simplicity15. Calima Culture, Ancient Colombia, Ceremonial Mask, 500-1 BCE, gold ©Dallas Museum of Art DMA-25
Using Placement and Grouping16. Nagasawa Rosetsu, Bamboo, 1790s, ink on paper mounted as a six-fold screen, 128.9 x 261.1 cm (50 3/4 x
102 3/4") ©Worcester Art Museum, Worcester, Mass. WAM-153
Using Placement and Grouping17. Alfred Stieglitz, The Hand of Man, 1902, photogravure on paper, 16 x 22 cm (6 5/16 x 8 5/8") Photo © Davis
Art Images 20844
Using Placement and Grouping18. Adolphe Mouron Cassandre, Poster: Normandie, 1935, color lithograph on paper, 99.7 x 61.9 cm (39 1/4 x 24 3/8")
©The Museum of Modern Art, New York MOMA-D0429
Using Placement and Grouping19. Alberto Giacometti, City Square, 1948, bronze, 22 x 65 x 44 cm (8 5/8 x 25 5/8 x 17 3/8") ©The Museum of Modern
Art, New York MOMA-S1023
Emphasis Through Isolation20. Laylah Ali, Untitled, 2004, gouache on paper, 27 x 20.3 cm (10 3/4 x 8") Photo Courtesy Miller Block Gallery, Boston
ART21AL-98
Exploring Visual Design, Part 2 The Principles of Design, Chapter 10 Emphasis
Emphasis Through Isolation21. Kiki Smith, Untitled, 1987-1990, 12 silvered glass water bottles in a row, each bottle, 52 x 29 cm (20 1/.2 x 11 9/16")
©The Museum of Modern Art, New York MOMA-S1069
Emphasis Through Isolation22. Japan, Kimono, with koto, go board, scroll painting and calligraphy designs (the Chinese example of "the four
accomplishments"), late 19th century, silk with resist-dyed, stenciled imitation tie-dyed, and embroidered decoration, length (center back): 170 cm (67") ©Philadelphia Museum of Art PMA-1937
Studio Experience -- Emphasis in Photomontage23. Herbert Bayer, Lonely Metropolitan, 1932, photomontage, 36 x 28 cm (14 1/4 x 11 1/8") Photo courtesy of the Artist
822
Exploring Visual Design, Part 2 The Principles of Design, Chapter 10 Emphasis