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Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

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Page 1: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Davis Art Images Supplemental Image Set

ExploringVisual Design

Part 2The Principles of Design

Chapter 10 Emphasis

Page 2: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis

1. Jacques-Henri Lartigue, Avenue du Bois de Boulogne, Paris, January 15, 1911, gelatin silver print, 23 x 37 cm, France Photo © Davis Art Images

Page 3: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

2. Ancient Rome, Mosaic: Orpheus Taming Wild Animals, 204 CE, marble tesserae ©Dallas Museum of Art

Page 4: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

3. Gustave Klimt (Austrian, 1862-1918), Baby (Cradle), 1917/1918, oil on canvas, 110.9 x 110.4 cm (43 3/4 x 43 1/2") ©National Gallery of Art, Washington, Gift of Otto and Franciska Kallir with the help of the Carol and Edwin Gaines Fullinwider Fund 1978.41.1

Page 5: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

4. Andô Hiroshige, From an untitled series of views of the provinces: Hanging Silk Waterfall in Settsu Province, 1854, color woodcut on paper, 33.1 x 10.9 cm (13 1/16 x 4 5/16") ©Museum of Fine Arts, Boston

Page 6: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Emphasizing Line, Shape and Form

5. Egon Schiele (Austrian, 1890-1918), Dancer (Die Tänzerin), 1913, watercolor and gouache over graphite on wove paper, 47 x 30.5 cm (18 5/8 x 12") ©National Gallery of Art, Washington, Gift of Liselotte Millard, in Honor of the 50th Anniversary of the National Gallery of Art 1990.112.1

Page 7: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Emphasizing Line, Shape and Form

6. Liubov Popova, Architectonic Painting, 1917, oil on canvas, 80 x 98 cm (31 1/2 x 38 5/8") ©The Museum of Modern Art, New York

Page 8: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Emphasizing Line, Shape and Form

7. Japan, Guardian Figure, from Shiga prefecture, 1200s, chestnut and cypress wood, height: 167.9 cm (66 1/8") ©Cleveland Museum of Art

Page 9: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Emphasizing Value, Color, Space or Texture (value)

8. Childe Hassam, Manhattan's Misty Sunset, September, 1911, oil on canvas, 46 x 81 cm (18 1/8 x 32") ©Butler Institute of American Art, Youngstown, Ohio

Page 10: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Emphasizing Value, Color, Space or Texture (color)

9. Grueby Faience Company, Vase, c1898-1902, pottery with "Grueby celadon" glaze, height: 20 cm (7 7/8") ©The Museum of Modern Art, New York

Page 11: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10Emphasis

Emphasizing Value, Color, Space or Texture (space)

10. Allan d'Arcangelo, Highway US 1, Number 5, 1962, synthetic polymer paint on canvas, 178 x 207 cm (70 1/8 x 81 5/8") ©The Museum of Modern Art, New York

Page 12: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Emphasizing Value, Color, Space or Texture (texture)

11. Chimú Culture, Ancient Peru, Panel, probably 1000-1476 CE, plain weave cotton and feathers, 139 x 111 cm (54 3/4 x 43 11/16") ©Museum of Fine Arts, Boston

Page 13: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Using Simplicity

12. Mochizuki Gyokusen Shigeteru, Rising Sun, 19th century, hanging scroll, ink and color on silk, image: 35 x 56.9 cm (13 3/4 x 22 3/8") ©Museum of Fine Arts, Boston

Page 14: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Using Simplicity

13. Unknown, Armadillo Mask, painted wood, Mexico

Page 15: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Using Simplicity

14. Brice Marden, Avrutun, 1971, oil and wax on canvas, 183 x 91 cm, United States ©The Museum of Modern Art, New York, Gift of Werner and Elaine Dannheisser

Page 16: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Using Simplicity

15. Calima Culture, Ancient Colombia, Ceremonial Mask, 500-1 BCE, gold ©Dallas Museum of Art

Page 17: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Using Placement and Grouping

16. Nagasawa Rosetsu, Bamboo, 1790s, ink on paper mounted as a six-fold screen, 128.9 x 261.1 cm (50 3/4 x 102 3/4") ©Worcester Art Museum, Worcester, Mass.

Page 18: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Using Placement and Grouping

17. Alfred Stieglitz, The Hand of Man, 1902, photogravure on paper, 16 x 22 cm (6 5/16 x 8 5/8") Photo © Davis Art Images

Page 19: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Using Placement and Grouping

18. Adolphe Mouron Cassandre, Poster: Normandie, 1935, color lithograph on paper, 99.7 x 61.9 cm (39 1/4 x 24 3/8") ©The Museum of Modern Art, New York

Page 20: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design Part 2 The Principles of Design, Chapter 10 Emphasis Using Placement and Grouping

19. Alberto Giacometti, City Square, 1948, bronze, 22 x 65 x 44 cm (8 5/8 x 25 5/8 x 17 3/8") ©The Museum of Modern Art, New York

Page 21: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Emphasis Through Isolation

20. Laylah Ali, Untitled, 2004, gouache on paper, 27 x 20.3 cm (10 3/4 x 8") Photo Courtesy Miller Block Gallery, Boston

Page 22: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design Part 2 The Principles of DesignChapter 10 Emphasis Emphasis Through Isolation

21. Kiki Smith, Untitled, 1987-1990, 12 silvered glass water bottles in a row, each bottle, 52 x 29 cm (20 1/.2 x 11 9/16") ©The Museum of Modern Art, New York

Page 23: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Emphasis Through Isolation

22. Japan, Kimono, with koto, go board, scroll painting and calligraphy designs (the Chinese example of "the four accomplishments"), late 19th century, silk with resist-dyed, stenciled imitation tie-dyed, and embroidered decoration, length (center back): 170 cm (67") ©Philadelphia Museum of Art

Page 24: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design

Part 2 The Principles of Design

Chapter 10 Emphasis

Studio Experience - Emphasis in Photomontage

23. Herbert Bayer, Lonely Metropolitan, 1932, photomontage, 36 x 28 cm (14 1/4 x 11 1/8") Photo courtesy of the Artist

Page 25: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Exploring Visual Design Set 116K

Part 2 The Principles of Design, 10 -- Emphasis

1. Jacques-Henri Lartigue, Avenue du Bois de Boulogne, Paris, January 15, 1911, gelatin silver print, 23 x 37 cm, France Photo © Davis Art Images 20771

2. Ancient Rome, Mosaic: Orpheus Taming Wild Animals, 204 CE, marble tesserae ©Dallas Museum of Art DMA-80

3. Gustave Klimt (Austrian, 1862-1918), Baby (Cradle), 1917/1918, oil on canvas, 110.9 x 110.4 cm (43 3/4 x 43 1/2") ©National Gallery of Art, Washington, Gift of Otto and Franciska Kallir with the help of the Carol and Edwin Gaines Fullinwider Fund 1978.41.1 NGA-P0733

4. Andô Hiroshige, From an untitled series of views of the provinces: Hanging Silk Waterfall in Settsu Province, 1854, color woodcut on paper, 33.1 x 10.9 cm (13 1/16 x 4 5/16") ©Museum of Fine Arts, Boston MFAB-969

Emphasizing Line, Shape or Form5. Egon Schiele (Austrian, 1890-1918), Dancer (Die Tänzerin), 1913, watercolor and gouache over graphite on wove

paper, 47 x 30.5 cm (18 5/8 x 12") ©National Gallery of Art, Washington, Gift of Liselotte Millard, in Honor of the 50th Anniversary of the National Gallery of Art 1990.112.1 NGA-P1025

Emphasizing Line, Shape or Form6. Liubov Popova, Architectonic Painting, 1917, oil on canvas, 80 x 98 cm (31 1/2 x 38 5/8") ©The Museum of Modern

Art, New York MOMA-P2203

Exploring Visual Design, Part 2 The Principles of Design, Chapter 10 Emphasis

Page 26: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Emphasizing Line, Shape or Form7. Japan, Guardian Figure, from Shiga prefecture, 1200s, chestnut and cypress wood, height: 167.9 cm (66 1/8")

©Cleveland Museum of Art CL-218

Emphasizing Value, Color, Space or Texture (value)8. Childe Hassam, Manhattan's Misty Sunset, September, 1911, oil on canvas, 46 x 81 cm (18 1/8 x 32") ©Butler

Institute of American Art, Youngstown, Ohio BIAA-21

Emphasizing Value, Color, Space or Texture (color)9. Grueby Faience Company, Vase, c1898-1902, pottery with "Grueby celadon" glaze, height: 20 cm (7 7/8") ©The

Museum of Modern Art, New York MOMA-D0037

Emphasizing Value, Color, Space or Texture (space)10. Allan d'Arcangelo, Highway US 1, Number 5, 1962, synthetic polymer paint on canvas, 178 x 207 cm (70 1/8 x 81

5/8") ©The Museum of Modern Art, New York MOMA-P0827

Emphasizing Value, Color, Space or Texture (texture)11. Chimú Culture, Ancient Peru, Panel, probably 1000-1476 CE, plain weave cotton and feathers, 139 x 111 cm (54 3/4

x 43 11/16") ©Museum of Fine Arts, Boston MFAB-571

Using Simplicity12. Mochizuki Gyokusen Shigeteru, Rising Sun, 19th century, hanging scroll, ink and color on silk, image: 35 x 56.9 cm

(13 3/4 x 22 3/8") ©Museum of Fine Arts, Boston MFAB-900

Using Simplicity13. Unknown, Armadillo Mask, painted wood, Mexico 21110

Exploring Visual Design, Part 2 The Principles of Design, Chapter 10 Emphasis

Page 27: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Using Simplicity14. Brice Marden, Avrutun, 1971, oil and wax on canvas, 183 x 91 cm, United States ©The Museum of Modern Art,

New York, Gift of Werner and Elaine Dannheisser MOMA-P2465

Using Simplicity15. Calima Culture, Ancient Colombia, Ceremonial Mask, 500-1 BCE, gold ©Dallas Museum of Art DMA-25

Using Placement and Grouping16. Nagasawa Rosetsu, Bamboo, 1790s, ink on paper mounted as a six-fold screen, 128.9 x 261.1 cm (50 3/4 x

102 3/4") ©Worcester Art Museum, Worcester, Mass. WAM-153

Using Placement and Grouping17. Alfred Stieglitz, The Hand of Man, 1902, photogravure on paper, 16 x 22 cm (6 5/16 x 8 5/8") Photo © Davis

Art Images 20844

Using Placement and Grouping18. Adolphe Mouron Cassandre, Poster: Normandie, 1935, color lithograph on paper, 99.7 x 61.9 cm (39 1/4 x 24 3/8")

©The Museum of Modern Art, New York MOMA-D0429

Using Placement and Grouping19. Alberto Giacometti, City Square, 1948, bronze, 22 x 65 x 44 cm (8 5/8 x 25 5/8 x 17 3/8") ©The Museum of Modern

Art, New York MOMA-S1023

Emphasis Through Isolation20. Laylah Ali, Untitled, 2004, gouache on paper, 27 x 20.3 cm (10 3/4 x 8") Photo Courtesy Miller Block Gallery, Boston

ART21AL-98

Exploring Visual Design, Part 2 The Principles of Design, Chapter 10 Emphasis

Page 28: Davis Art Images Supplemental Image Set Exploring Visual Design Part 2 The Principles of Design Chapter 10 Emphasis

Emphasis Through Isolation21. Kiki Smith, Untitled, 1987-1990, 12 silvered glass water bottles in a row, each bottle, 52 x 29 cm (20 1/.2 x 11 9/16")

©The Museum of Modern Art, New York MOMA-S1069

Emphasis Through Isolation22. Japan, Kimono, with koto, go board, scroll painting and calligraphy designs (the Chinese example of "the four

accomplishments"), late 19th century, silk with resist-dyed, stenciled imitation tie-dyed, and embroidered decoration, length (center back): 170 cm (67") ©Philadelphia Museum of Art PMA-1937

Studio Experience -- Emphasis in Photomontage23. Herbert Bayer, Lonely Metropolitan, 1932, photomontage, 36 x 28 cm (14 1/4 x 11 1/8") Photo courtesy of the Artist

822

Exploring Visual Design, Part 2 The Principles of Design, Chapter 10 Emphasis