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DBA Deconstructing Beauty in Architecture SCCV 2013

DBA Deconstructing Beauty in Architecture SCCV 2013

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Page 1: DBA Deconstructing Beauty in Architecture SCCV 2013

DBADeconstructing Beauty in Architecture

SCCV 2013

Page 2: DBA Deconstructing Beauty in Architecture SCCV 2013

Sweden’s most beautiful house?

Page 3: DBA Deconstructing Beauty in Architecture SCCV 2013

All buildings must be executed in such a way as to take account of durability, utility and beauty.

Vitruvius

Page 4: DBA Deconstructing Beauty in Architecture SCCV 2013

To describe a building as beautiful therefore suggests more than a mere aesthetic fondness; it implies an attraction to the particular way of life this structure is promoting through its roof, door handles, window frames, staircase and furnishings. A feeling of beauty is a sign that we have come upon a material articulation of certain ideas of a good life.

Alain de BottonThe Architecture of Happiness, 2006, p72

Page 5: DBA Deconstructing Beauty in Architecture SCCV 2013

The IdeaThe contemporary contextAssumption of societyAssumption of the human beingA way of life

The BuildingScale, color, light, textures, materials, form, proportions, symmetryCostExpression of the ideaReferences/ associations

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The MaterialUsefulness, work performed; shelter, activities

The AestheticIndividual level, experience, reactions, emotions, feelings

The SymbolicSocial level, social/ cultural context, associations, meaning, identity, communication

Page 7: DBA Deconstructing Beauty in Architecture SCCV 2013

"Architecture is always marshalling possibilities from all directions to do something that hasn't happened before,” … "Not for the hell of it, not for your ego but to create a degree of progress and make life more adventurous and give a sense of drive to society as a whole.”

Rem Koolhaas

Page 8: DBA Deconstructing Beauty in Architecture SCCV 2013
Page 9: DBA Deconstructing Beauty in Architecture SCCV 2013

Experiencing architecture

Solids and cavitiesColorScale and proportionRhythmTextureDaylightHearing

Steen Eiler Rasmussen, Experiencing Architecture, 1959/ 1992

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Per Åman, PhD

FORMAND

FUNCTIONSUBSTANCE AND SIGNIFICANCE

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The buildings

• Chosen to represent different aspects of ’beauty’– Classicism– (Romantic)– Modernism– Post-modernism

Page 12: DBA Deconstructing Beauty in Architecture SCCV 2013

An example

Schloss Neuschwanstein, Bavaria, Germany

Page 13: DBA Deconstructing Beauty in Architecture SCCV 2013

Buildings assigned, in group order:

Page 14: DBA Deconstructing Beauty in Architecture SCCV 2013

1

Villa Rotonda, Andrea Palladio, 1570, Italy

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2

Villa Savoie, le Corbusier, 1929, Paris, France

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3

Guggenheim Museum, Frank Gehry, 1990s, Bilbao, Spain

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4

Seattle Central Library, Seattle USA, Rem Koolhaas & Joshua Prince-Ramus, 2004

Page 18: DBA Deconstructing Beauty in Architecture SCCV 2013

Fallingwater, 1935-39, Frank Lloyd Wright, Bear Run, Pennsylvania, USA

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Kölner Dom, Cologne, Germany

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Monticello, Thomas Jefferson, ca 1772, Charlottesville, Va, USA

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Farnsworth House, Plano, Illinois, USA, Mies van der Rohe, 1945-51

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The Forbidden City, Beijing, China