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This is the second edition of the DEE magazine in which pages designed by Nicolas Bourquin, illustrations by Stina Fisch and Mik Muhlen, and photo contributions by Jessica Theis, Jan Hanrion & Antonello Di Pinto can be appreciated; the cover photo was created by Julien Becker. On the menu there is a retrospective look at Design Friends’ season 4, as well as a presentation of the coming programme.
Citation preview
Dee 1
A magazine published
by Design Friends
Issue 2, 2013
www.designfriends.lu
Dee 2 Dee 3
A story we are proud to tell
This is the second edition of the DEE magazine in which pages designed by Nicolas Bourquin, illustrations by Stina Fisch and Mik Muhlen, and photo contributions by Jessica Theis, Jan Hanrion & Antonello Di Pinto can be appreciated; the cover photo was created by Julien Becker. On the menu there is a retrospective look at Design Friends’ season 4, as well as a presentation of the coming programme. What can we remember from last season?
The eclecticism illustrated by conferences on designer products, designer food, graphic design, art & design and automobile design, which meant Design Friends was able to invite big names in international design to Luxembourg. The association was also approached by P&T Luxembourg to create a stamp. Furthermore, it conducted quite substantial and enrich-ing work with a number of secondary schools in the Grand Duchy, which concluded with the organisation of a postcard competition.
In 2013-2014, Design Friends has programmed five conferences, still keep-ing a wish for the eclecticism that is so dear to the association. It kicks off with the a talk by olfactory designer Sissel Tolaas. This will be followed, in November 2013, by products by French designer, Christophe Pillet. In 2014, it will be the turn of graphic and editorial designer Mirko Borsche, followed by Klaus-Peter Siemssen, a specialist in urban light design. Bruce Duckworth, a figure recognised in packaging design, will discuss this subject at the end of the season. Over the entire year, special events will be organised by the association, such as, for example, film projections. You will find information and the complete calendar on our Internet site. Silvano Vidale, the very first President of Design Friends, is now entrusting “his” D to fellow founding member Nadine Clemens. The entire committee would like to thank Silvano for contributing wonderful years full of passion, enthusiasm and leadership.
Illustration: Stina Fisch
Dee 4 Dee 5
Nadine
Anabel
Guido
Mik
PitBye
Mike Stéphanie
Silvano
Heikewith the
help of
The success and survival of an association like Design Friends is greatly due to the pas-sionate and voluntary commitment of its or-ganising committee. Quite apart from the stimulating contact that we have with the guest designers, it is important to highlight that an enormous amount of administra-tive and organisational management for the smooth running of events is part of each committee member’s daily work.
From its very beginnings, the Design Friends committee was made up of designers and “non-designers”, thus opening up the per-spective to other fields which are both tradi-tional and unexpected in design. By incorpo-
rating a panel with different competences, the association ensured it could cover a number of activities, such as the supervision of print-outs, event organisation, accounting, spon-soring, drafting and uploading to the Inter-net site and newsletters, and much more.
One year after the creation of Design Friends, the founding committee, made up by Silvano Vidale, Arnaud Mouriamé, Nadine Clemens and Mike Koedinger, hads grown by 6 peo-ple to strengthen the team: Heike Fries, who held the post of treasurer for 3 years, Anabel Witry (secretary since 2012), Stéphanie Rol-lin, Serge Ecker (2010-2011), Pit Kuffer and Guido Kröger.
During the last general assembly, on 5 July 2013, there was, among other things, a reor-ganisation of the Design Friends committee. This is when Silvano Vidale left his post as president after 4 years of activity. This post has been entrusted to Nadine Clemens, for-mer vice-president, whose former tasks will now go to Mike Koedinger. Anabel Witry re-mains the association secretary and Guido Kröger becomes treasurer.
Today, the board is supported by a close committee of counselors, made up of Heike Fries, Stéphanie Rollin and Silvano Vidale, to whom certain tasks, which are vital to the life of the association, such as the organisa-
tion of conferences, are entrusted. It is op-portune to thank the counselors, who con-tinue to play a fundamental role in the life of the association. Mik Muhlen has joined Design Friends as a graphic designer to as-sure the graphical follow-up and printing process.
With this remodelled committee, a new, freshly published edition of the DEE maga-zine, as well as an appetizing and very varied new season – offering olfactory design, prod-uct design, graphic design, urban light de-sign and packaging design – the non-profit-making association Design Friends launches its 5th season, in October 2013.
Board Season 4
Silvano Vidale (President)Nadine Clemens (Vice-president)Anabel Witry (Secretary)Heike Fries (Treasurer)Mike Koedinger (Board member)Guido Kröger (Board member)Pit Kuffer (Board member)Stéphanie Rollin (Board member)
Board Season 5
Nadine Clemens (President)Mike Koedinger (Vice-president)Anabel Witry (Secretary)Guido Kröger (Treasurer)
Counselors:Heike Fries, Mik Muhlen, Stéphanie Rollinand Silvano Vidale
Illustration: Mik Muhlen
Dee 6 Dee 7
The piece of design I like...In our everyday life we are surrounded by many design objects. They prove to be practical, aesthetical or useful. Some have a – personal – history, others are brand new. What’s YOUR favourite? Design Friends asked this question to its members.
Mäin ‘I like’ geet un dem Paul Kirps säi Wierk Hifi 80. Grafik-design, Designobjet, Konscht-wierk, Hifi 80 verbënnt eng ganz Rei vu mengen haitegen Interessen an erënnert mech un déi Zäit wou d’Stereo-Anlag de wichtegsten Objet a menger Kummer war.
Fine arts teacher at theLycée Classique de Dieckirch
PaulSchwebach
‘Ok, as a pure self-promotion I will have to chose the armchair ElSan-toLibre, the first piece I designed for the brand ‘Dante Goods and Bads’ co-founded with my wife Aylin Langreuter in 2012. This arm-chair is a quite unique set up of the classic cantilever typology. The unsuspecting comfort of this arm-chair is given by bending a sturdy leather shed into shape, fixed on its metal base and resulting in a ham-mock like configuration. The new version is completed with an otto-man in kilim and fur finishes.
Product designer
Architect
Christophede la Fontaine
TatianaFabeck
Le Binder Clip : Fonctionnel, super efficace, simple et esthétique. Je l’utilise tous les jours, depuis des années, et je suis quasi cer-taine qu’il ne changera jamais et ce sera difficile de faire mieux.
Dee 8 Dee 9
The piece of design I like for the moment is the Droog Tattoo.Droog was commissioned by Rijks Studio to use a piece from the Rijks- museum collection to cre-ate a new, contemporary design. Droog created a tattoo inspired by a flower painting from the collection called ‘Still life with flowers and glass vase’ by Ja Davidszn de Heem from the 17th century. I’ve always admired tattoos on people and catch myself staring at them ever and again! I could imagine wearing this one for a night or two ...
Senior Art Director at Binsfeld
MiriamRosner
Aspect fluide, élégant, froid, sexy, inaccessible et ... ludique. Le chausse-pied de Manolo Blanik est agréable au regard et au toucher. Un synonyme de la femme.
Présenté à Milan (Lambrate) lors du « Salon du meuble design 2013 » par Established & Sons – , la table Udukuri montre la capacité de Jo Nagasaka de créer un objet éternellement moderne. En utilisant des techniques japonaises traditionnelles, le con-cepteur manipule la surface du sommet de sapin « Douglas » en le pelant pour exposer le grain et créer une surface inégale.Le designer applique un traite-ment de résine « Epoxyde » vive-ment coloré, créant une surface élégante et lisse, d’un style mini-maliste japonais.
Fine arts teacher at theLycée Classique d’Echternach& Artist
Architect and interior designer at below
DanyDickes
Mauro Doro
I like the Lancia Stratos! The shape, the proportions are real Italian tailoring. The car is an icon of innovation of the 70’s industry. And, it is small and sexy!
The PH 5, designed by Poul Henningsen in 1926. It just incorporates good design on so many levels and inspires me in my lamp designs. A balance of direct, indirected and reflected light exactly where it is needed, at a perfect intensity, with no glare, lighting itself, rendering its simple yet iconic forms. It is refined, pure, unobtrusive and elegant yet shows character, honesty and soul and I guess that’s what makes this piece time-less, yet so modern ... and all these Scandinavians with the PH5 above their kitchen table can’t be wrong.
Product and Interior Designer (studiodellealpi & morethanpurple)
Designer
Anne Kieffer
OlafRecht
The Faceture design by Phil Cut-tance. A great example of a design object on the borderline of indus-try and crafts – a combination that represents a solution to many global problems. Its beauty emerges from the manufacturing process, the shape follows its function. Everything about this design makes sense to me!
Industrial designer (gdesign) &Arts teacher at the Lycée technique des Arts et Métiers Luxembourg
GillesGardula
Dee 10 Dee 11
My office-chair Aeron designed by Herman Miller. It makes every-day-life more comfortable. It fits different moods as well as locations and users. Last but not least it’s a product which comes with a nice manual …
Objet design utile par excellence à notre époque : la souris. C’est devenu le prolongement du bras et du cerveau. C’est un des outils qui participe à la continuité et à l’évolution du design lui-même.
A very intelligent and simple design that makes it almost im-possible to spill the oil is the setrillera Marquina. For those who use oil for cooking daily, it’s very unpleasant to grab a splipery oil bottle covered with oil, or anything covered with oil. When you use this oil bottle, you see (feel) the difference. It’s one of those designs that make your life easier. Design by Rafael Marquina.
The design object that I choose: Poporo from Quimaya aborigins in Colombia (around 300 BC) from the Gold museum collection in Bogotá. Its primary use was as a ceremonial device in religious ceremonies. The ancient cultures around the world give us a proof that design and design objects are not a trend matter but more a useful tool that exists since thousands of years; there is noth-ing new under the sun ...
Junior Graphic Designer at Binsfeld
Senior Art Director at Binsfeld
Graphic Designer
Graphic Designer
Cares Xiberta
Camilo Matiz
ClaudiaEustergerling
ArnaudMouriamé
I fell in love with Trade Gothic at college, and we’ve been together ever since!
Artist &Graphic Designer
SumoGgSara and Paul’s Coffee maker is the design I like at the moment. Besides the coffee makers’ iconic shape, the simple functional prin-ciple of the machine is quite easy to understand; and that’s hard to find in many of today’s objects.After using it for some time, it became a personalised item that travelled the world with its own-ers and provided a cheerful mug of coffee every morning. This coffee maker proudly wears its signs of use, it became a part of the family.
Architect at witry-witry
PitKuffer
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz
Dee 12 Dee 13
My favourite design piece for the moment is the Vieux Luxembourg collection of Villeroy & Boch. The reason is the fact that this is a Luxembourg design classic and we should develop more “Made & Designed in Luxembourg” products. This put Luxembourg on the world map and will increase business for the Luxembourg creative industries.
Le sucrier design surprend l’esprit, charme l’œil, titille le toucher, laisse entendre le beau – sans ou-blier de combler le palais. L’objet design, en alliant esthétique et fonction, technologie et tradition, s’impose dans la routine quoti-dienne tout en affirmant sa per-sonnalité extraordinaire.
Toyo 810m2 Cette chambre photographique épurée, con-struite en métal, offre un design modulaire. Le plaisir esthétique est redoublé dans la manipula-tion de cet objet d’une grande stabilité. La sensation de liberté est totale avec le spectacle re-nouvelé du monde sur le grand dépoli. Alec Soth témoigne de cette formidable expérience dans « portraits – the ground glass » : http://www.youtube.com/watch?v=SwEAxrmBz64
Innovation Management, Creativity & Design Promotion at Luxinnovation.
Fine arts teacher at theLycée Aline Mayrisch Luxembourg& Artist
Independant photographer
Jan Glas
Claire Flammang
Eric Chenal
My favourites are the Chuck Tay-lor’s All Stars. They have been on my feet for 20 years now: different pairs, different colours, different sizes, one design.
My favourite piece of design is the Smartstreets-cyclepark, a quick-to-install bike parking system. It should encourage local authorities to increase official bike parking systems that are nice and easy to use! It was designed by Andrew Farish and Chris Garcin. It won a Red Dot Design Award in 2012.
Fashion designer
Key Account Executive at Faber
Anne-Marie Herckes
Anne-Françoise Bechet
Favourite design object: Citroën C3 Pluriel. Design sollte die Funktionalität und Handhabung vereinfachen. Der Pluriel kann sein Dach in verschiedenen Etappen öffnen. Auch wenn etwas Arbeit für Etappe 2 und 3 erfor-derlich ist, finde ich alles sehr gut durchdacht und die einzelnen Teile sehr gut adaptiert. Zusätz-lich dient die Ladeklappe als kleiner PicknickPlatz.
Art Director at Binsfeld
Anja Thielen
Flashback Season 4
1 Kick-Off Event 5 Talks1 Film Screening 2 Member Projects
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4 5 6
7 8 9
Dee 16 Dee 17
Born in 1969, British industrial designer Sam Hecht studied at the Royal College of Art and, after working briefly for the architect David Chipperfield, travelled in the US and Japan before returning to London as head of design at IDEO. In 2002 he established the design studio Industrial Facility with his partner Kim Colin. Both designers are convinced of “the importance of design as a means of simplifying our lives in an inspirational way”.
Title: Placidity Theme: Industrial DesignDate: October 5, 2012Location: MUDAMAudience: 96Coordination: Stéphanie RollinCatalogue Layout: Christophe PeifferCatalogue Interview: Merel KokhuisPicture report: Jessica Theis
1 Cantilever Piano for Yamaha (2008) (not in production)
2 Flexlamp / Droog (2003)
3 Two Timer Clock / Established & Sons (2008)
4 Enchord Table / Herman Miller US (2008)
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I invited Sam Hecht because he is a great designer and a great speaker as well. His works prove how intellectual rigour, high design values and vision can be applied to the most common products. During his lecture at Mudam he managed to share his experiences and to communicate his passion for design. Stéphanie Rollin
SamHecht
1
Dee 18 Dee 19
After organising a confer-ence about sound design I wanted to stimulate peo-ple interested in another sense: Taste. As food cul-ture is quite well developed in Luxembourg, food design seemed to me an interest-ing theme. For sure I expect-ed a strong visual aspect (“Das Auge isst mit”) when I was looking for food desig-ners, but I was intrigued by Sonja and Martin’s rather multi-sensorial approach. Analysing visual elements (forms, colours), taste, smell, the haptics of food, and just as you would for any other design object, taking a func-tional, social and cultural point of view, that made it even more appetising!Heike Fries
1 performance food operation 012 hackedmilan (2012)
2 food as symbols (2009)
3 performance APPLY TASTE! ART! MAK Vienna (2011)
4 transportationout of food design XL (2009)
5 365 days easterout of food design XL (2009)
According to the Austrian designers, “People should talk about food as an aspect of culture, as the most important good, as business, as a design product of daily life.” They founded the interdisciplinary design studio honey & bunny productions, curated the exhibition “Food Design” for Museums-quartier Vienna and performed as eat designers in Milan, Amsterdam and many other places.
Title: Von der Funktion zum Genuss Theme: Food DesignDate: November 28, 2012Location: MUDAMAudience: 102Coordination: Heike FriesCatalogue Layout: Nicolas FeltenCatalogue Interview: Mark PenfoldPicture report: Jessica Theis
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SonjaStummererMartinHablesreiter
Dee 20 Dee 21
Lernert & Sander are two Dutch artists and friends who decided that working alone was getting boring and started collaborating on art related projects. Since their first video “Chocolate Bunny” they’ve been working on commercials, leaders, art movies, docu-mentaries and installations. Their aim is to make simple and communicative works that takes little note of the existing border between contemporary art and commercial projects. Their highly aesthetic, humorous and dedicated works are often challenging the media and its viewer, in a simple but very effective way.
Lernert & Sander
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1 The Lost & Found Collectionphotography projectPhotography by Jouk Oosterhof(2011)
2 HandmadeCommissioned by Wallpaper*(2012)
3 Window displays for Selfridges(2010)
4 Blacker SheepCommissioned by de Volkskrant(2012)
5 Pink Film Days PostersCommissioned by Werner Borkes (2010/2011)
In my daily job I deal with contemporary art and I’m most interested in aesthet-ics, and how ideas can be communicated through images. What struck me first in Lernert Engelbert and Sander Plug’s work was the highly visual aspect of their designs. They create beau-tifully designed objects that easily weave through the fields of art, design and business. Their designs are very attractive, enormously efficient and all in all driven by a subtle sense of humour. Nadine Clemens
Title: Art & Design Theme: Art & DesignDate: February 13, 2013Location: MUDAMAudience: 124Coordination: Nadine ClemensCatalogue Layout: Mik MuhlenCatalogue Interview: Sven EhmannPicture report: Jan Hanrion & Antonello Di Pinto
Dee 22 Dee 23
Murat Günak started his career at Ford before moving to Mercedes where he de-signed the first C-Class and SLK. In 1994 he became head of design at Peugeot where he worked on the 206 CC, 307 and 607; as head designer of Volkswagen he designed models such as the Passat CC.Then a groundbreaking new car steered his career in a completely new direction: with the MIA-electric – a thoroughly green car – Murat Günak created a pioneering concept in the urban electric car market.MIA is a beautiful car, ultracompact, silent, economical and with zero-emissions con-ceived to simplify urban driving.
Murat Günak
As cars are probably the most common popular design ob-jects it was natural to integrate this theme into our program as an organisation which ad-dresses to the general public. But we did not want to have a conference about technical features or car brands. When I read an article about Murat Günak, who had spent many years working for different tradi-tional brands and then, some time ago, moved into electric mobility, which needs a different design approach, I felt that he would be a perfect fit for our philosophy.
Heike Fries
Title: Mobility is light Theme: Automotive DesignDate: April 10, 2013Location: MUDAMAudience: 93Coordination: Heike FriesCatalogue Layout: Claudia EustergerlingCatalogue Interview: Mark PenfoldPicture report: Jan Hanrion & Antonello Di Pinto
1 mia-sliding doorsPhoto © Bernd Kammerer
2 Mindset First mindset presentation (2008)
3 mia factory, Cerizay ( France)Photo © seidldesign.com
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Dee 24 Dee 25
Nicolas Bourquin is the founder of the graphic design studio onlab and co-founder of the independent Berlin-based publishing house etc. publications. Heading the onlab team working in Berlin, he works on commissioned, collaborative as well as self initiated projects. onlab explores ways to stage complex content and convey relevant topics while changing and playing with com-mon perceptions. Nicolas Bourquin is co-editor and designer of the best selling books Tres Logos and Data Flow 1 + 2 (Gestalten), and he also works as an independent artist and teacher.
Nicolas Bourquin is one of those editorial designers who really love content. He understands that great content makes great design. He has the rare capacity to understand the issues of stories and make complex data simple to understand. Nicolas Bourquin is just such a brilliant mind.Mike Koedinger
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1 DOMUS COVERS Portrait series(April 2009 – March 2010)
2 Co-editor DATAFLOW 2 Gestalten Verlag (Februray 2010)
3 WALLPAPER* MAPPING(November 2011)
4 Audi Urban Future Summit(September 2011)
Title: Datatorial Theme: Editorial DesignDate: June 12, 2013Location: MUDAMAudience: 110Coordination: Mike KoedingerCatalogue Layout: Joanna GrodeckiCatalogue Interview: Duncan RobertsPicture report: Antonello Di Pinto
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Nicolas Bourquin 4
Dee 26 Dee 27
Design & Thinking
Special events For members only
Watch the trailer
What is design thinking? How is it applied in business models? How are people chang-ing the world with their own creative minds? This film is a call to the conventional minds to change and collaborate.
Event: Private Screening Theme: Design ThinkingDate: June 12, 2013Location: CarréRotondesAudience: 65DJ set: Herr ErdmannPicture report: Jessica Theis
Dee 28 Dee 29
A short interview with Emile Espen, head of Office des Timbres of Entreprise des Postes & Télécommunications, Luxembourg.
Emile Espen, you already teamed up twice with Design Friends on a stamp design contest. How did it all start? It is part of my job to look for artists that could design postal stamps. Two years ago, I was struck by a series of postcards edited by Design Friends, and designed by pro-fessional graphic designers and illustrators. That’s why I contacted the association. I admire their work and ambition. Design has many facets and touches countless areas of creation, and Design Friends has the ability to accurately communicate these ideas.
In 2013, the Office des Timbres (Post Lux-embourg) got in touch with Design Friends for a collaboration on the new edition of their postage stamps series based on the typography theme “L”.
Together they chose 9 graphic designers from the Design Friends members’ list and invited them to participate in this project. Graphic designers Laurent Daubach, Claudia Euster-gerling, Nicole Goetz, Joanna Grodecki, Elisa Kern, Arnaud Mouriamé, Mik Muhlen, Sebastian Reiter and Sumo each submitted 2 projects for the “L” postage stamp.
The jury awarded 4 winning stamps ...
L Stamps
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Is there a tradition in Luxembourg for stamp design contests?No, we don’t usually organise stamp design contests. We simply ask the artists personally if they’d like to work with us. The “L”-stamp competition happened to be the first of that kind. It was a lot of fun working with DF on this project and the results are fantastic! Again, we’d love to continue this collaboration.
Do the “L”-stamps have a collector’s value?These stamps will be printed millions of times. I can’t say they’ll be something of a rarity. But I really believe that these stamps will make people happy who’ll notice them on a letter.
The 4 winning stamps
Laurent Daubach 2Claudia Eustergerling 3Nicole Goetz 1Mik Muhlen 2
The other submitted stamps
Laurent Daubach 5Claudia Eustergerling 1Nicole Goetz 8Joanna Grodecki 6, 10Elisa Kern 3, 4Arnaud Mouriamé 9, 13Mik Muhlen 11Sebastian Reiter 2, 7Sumo 12, 14
Member project Member project
Dee 30 Dee 31
Playful D Competition
In 2013, one of Design Friends’ main objectives was to gather a higher percentage of student members (aged 15 to 19) than the years before. In order to stimulate the teens’ interest in Design Friends, we gave them the opportunity to showcase their talent and creativity, and launched the “Playful D Competition” in 4 high schools across the country. The aim of the competition was to design a postcard on the theme of the letter “D”. The winning postcards would then be distributed by Boomerang in trendy places in Luxembourg-City, bars, restaurants, cinemas ... which all in all proved to be a particular incentive for the students to take part in the project.
As preparation for the contest, the project’s initiator Silvano Vidale spent many days organising a “high school tour”, as he likes to call it. He personally introduced Design Friends in every school, thus building strong relationships with their students and teachers. What began as a participatory project soon grew into a facilitator for talented student graphic designers. They learned to express themselves through a given theme, while also learning first-hand from professionals how to deal with deadlines and pre-print demands. Silvano Vidale coached the students throughout the many stages of the project.
To sum up, 28 students from Lycée Aline Mayrisch, Lycée Classique Echternach, Lycée Classique Diekirch and Lycée technique des Arts & Métiers participated in the project. Among the 28 participants, we counted 27 girls and 1 boy! Congratulations to all entrants and thank you for sharing your talent with us.
A jury chose a series of 6 winning postcards to be distributed in Luxembourg by Boomerang in July 2013.
All entries were judged by a jury composed of Design Friends committee members, Boomerang, artists and teachers.
The jury members were:
Silvano Vidale Design Friends presidentGuido Kröger Design Friends committee memberArnaud Decker BoomerangStina Fisch illustrator and Design Friends memberLeslie Weissen art teacher and Design Friends member.
And the winners are:
Gina Goedert 1e E, Lycée Classique Echternach card 5Patricia Lopez 2e EG1, Lycée Aline Mayrisch card 6 Jeanne Mathes 2e EG1, Lycée Classique Echternach card 4Francesca Motter 1e E, Lycée Classique Echternach card 3Nadine Toussaint 1e E, Lycée Classique Echternach card 1Céline Wengler 2e EG1, Lycée Classique Echternach card 2
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Student member project Student member project
Dee 32 Dee 33
One of Design Friends’ favourite activities is publishing catalogues. At the end of Season 4, we counted 19 designers’ monographs, 1 book on infographics and 1 DEE magazine. Missing some on your book-shelves? All publications are available at any Design Friends event.
A nice collection
Publications
01 CHRISTOPH NIEMANN Illustration 2009 ISBN 978-99959-625-0-0
02 MICHEL MALLARD Creative Direction 2009 ISBN 978-99959-625-1-7
03 FUN FACTORY Product Design 2009 ISBN 978-99959-625-2-4
04 ANDREAS UEBELE Signage Design 2010 ISBN 978-99959-625-4-8
05 HARRI PECCINOTTI Photography 2010 ISBN 978-99959-625-6-2
06 KUSTAA SAKSI Illustration 2010 ISBN 978-99959-625-7-9
07 5.5 DESIGNERS Product Design 2011 ISBN 978-99959-625-8-6
08 NIKLAUS TROXLER Graphic Design 2011 ISBN 978-99959-625-9-3
09 JOACHIM SAUTER Media Design 2011 ISBN 978-99959-625-5-5
10 MICHAEL JOHNSON Graphic Design 2011 ISBN 978-99959-717-0-0
11 ELVIS POMPILIO Fashion Design 2011 ISBN 978-99959-717-1-7
12 STEFAN DIEZ Industrial Design 2012 ISBN 978-99959-717-2-4
13 CHRISTIAN SCHNEIDER Sound Design 2012 ISBN 978-99959-717-3-1
14 MARIO LOMBARDO Editorial Design 2012 ISBN 978-99959-717-4-8
15 SAM HECHT Industrial Design 2012 ISBN 978-99959-717-5-5
16 SONJA STUMMERER & Food Design 2012 ISBN 978-99959-717-6-2 MARTIN HABLESREITER
17 LERNERT & SANDER Art &l Design 2013 ISBN 978-99959-717-7-9
18 MURAT GÜNAK Automotive Design 2013 ISBN 978-99959-717-8-6
19 NICOLAS BOURQUIN Editorial Design 2013 ISBN 978-99959-717-9-3
DEE Magazine First Issue 2012 ISSN 2304-523X
with CarréRotondes asbl
Mapping August. An Infographic Challenge 2010 ISBN 978-99959-625-3-1
Publications Publications
Dee 34 Dee 35
Germany
LuxembourG
netherLands
Kassel
Vienna
berlinamsterdam
London
austria
unitedKinGdom
A seAson in infogrAphics
590 km
768 km
291km
297km
479km
Lernert & sander124
sam hecht96 murat
Günak93
nicolas bourquin110
stummerer & hableseiter
102
Degree of cApAcity of the AuDitorium muDAm Luxembourgmusée d’art moderne Grand-duc Jean
2425 km is, to sum up, the distance travelled by the guest lecturers to come to Luxembourg. this distance corresponds to the distance between Luxembourg and moscow.
Luxembourg moscow
124highest attendance
105average attendance
93Lowest attendance
mALe / femALe AverAge cAtegories schooL AffiLiAtion
7 speAkers
525 visitors 219 membersregular123
students63
Lernert & sander124
0 0 0
50 50 50
75 75 75
125 125 125
25 25 25
100 100 100
sam hecht96
Female108
male111
murat Günak93
nicolas bourquin110
12.05.201310.04.201326.09.2012 28.11.2012 12.02.2013
stummerer & hablesreiter 102 18 LCe
(Lycée classique echternach)
13 LamL (Lycée aline mayrisch Luxembourg)
12 others
11 LCd (Lycée Classique dieckirch)
9 Ltam (Lycée technique des arts et métiers)
Gold 33
Season 4 in numbers Thanks Our special thanks go to graphic designer Nicolas Bourquin who accepted our invitation to create an infographic résumé of our last season.
In 2013, Design Friends invited Nicolas Bourquin for a lecture. He presented his work in the field of info-graphics, giving an insight into the design process from the initial stages to the final printed or animated result and showed projects commissioned by many clients. Here are some examples of his projects.
DADI Magazine La Chaise: d’une forme à l’autre (May 2013)
From Rietveld to Grcic and from Perriand to Panton: a short his-tory of chair in the 20th century. This infographic displays some of the most famous designs of the last century, showing and comparing their shapes, origins, materials, innovations in a full spread timeline.
Tramelan Energies (June 2013)
To produce and consume clean yet affordable energy: these are the main goals of the City of Tramelan, which are explained, visualized and compared in this newspaper distributed for free to each household of the municipality.
Reflex MagazineTrack & Field: The Best Results (June 2012)
Experts predict that the human body will reach its physiologi-cal limits by 2068. Even before then, sports fans will have fewer opportunities to cheer. Technical innovations, rule changes and the professionalization of sports brought new records in the 20th century. How much longer can athletes keep improving?
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Consommation d’ÉnergieLe graphique ci-dessous indique la provenance 2013 de l’électricité pour la commune de Tra-melan. On y remarque la prépondérance de la source hydraulique grâce aux certifi cats d’ori-gine. Pour le Jura bernois dans son ensemble, le nucléaire atteint 2/3 de la consommation.
Source: Services Techniques Tramelan, 2013
80
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Tramelan
Tramelan consomme moins d’électricité que les villes de Moutier et Delémont, ce qui va de soi étant donné la dimension des localités. En plus, Tramelan est économe en regard de la consom-mation par habitants. Ces chiffres sont aussi in-fl uencés par les industries des trois communes.
Source: www.fi stat.ch
Villes:comparaison
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productiond’énergie
Ci-contre, on remarque les 40 GWh qui pour-raient être produits par le parc éolien de la Mon-tagne de Tramelan. Ci-dessous apparaissent le projet solaire chez EMP SA et la production de bois de chauffage.
Energie solaire chez EMP SA: 740 m2 de pan-neaux, devrait produire 90’000 kWh/an pour un investissement de 300’000 francs.
La commune de Tramelan exploite la totalité de ses forêts. Quatre chaudières alimentent des bâtiments publics et la piscine. Une partie de ce bois étant utilisé par l’industrie, le part du bois de chauffage pourrait facilement être doublée.
STADE DEs LOVIÈRESSurface: 6’634 m2
ÉCOLE SECONDAIRE
SERVICES TECHNIQUES
Piscine
Cip
PANNEAUX SOLAIRES EMP SASurface: 740 m2
Bois de chauffage
Projet de production solaire
3‘200 m3
de copeaux produits par année
13.0 s 12.5 s 12.0 s 11.5 s 11.0 s 10.5 s 10.0 s 9.58 s
3.10 h 3.00 h 2.50 h 2.40 h 2.30 h 2.20 h 2.10 h
19601970
19801990
20002010
19301940
1950
TRACK & FIELD: THE BEST RESULTS Technical innovations, rule changes and the professionalization of sports brought new records in the 20th century. How much longer can athletes keep improving?
10.6 s
DonALD
LIppInCoTT
USA
1912
FIRST oFFICIAL
RECoRD
100 mETERS
+11%ImpRovEmEnT 1890-2011
USAIn BoLT pULvERIzED
RECoRDS In 2009. WILL HIS
RECoRD EvEnTUALLy BE BEATEn?
+19%ImpRovEmEnT 1890-2011
THE LAST RECoRD WAS
SET In 1988 By FLoREnCE
GRIFFITH-JoynER
+26%ImpRovEmEnT 1890-2011
WILL THE 2-HoUR
LImIT BE BRoKEn
SomEDAy?
mARATHon
2.04 h
HAILE
GEBRSELASSIE
KEn
2011
RACE TImETHE GRApHIC SHoWS THE EvoLUTIon
oF THE 10 BEST yEARLy pERFoRmAnCES.
1.00 m
2.00 m
0.00 m
3.00 m
4.00 m
5.00 m
6.00 m6.14 m
2010
1890
2010
1890
1.00 m
2.00 m2.45 m
0.00 m
13.0 s 12.5 s 12.0 s 11.5 s 11.0 s 10.5 s 10.0 s 9.58 s
1940
1950
1960
1970
1980
1990
2000
2010
193019201910
1900
1949: The first fiberglass poles
1943: Aluminum poles
1961: NASA develops carbon-fiber
poles
1900: Oak, pine or beech poles;
bamboo poles
6.14 m
SERGEy
BUBKA
UKR
1994
2.45 m
JAvIER
SoTomAyoR
CUB
1993
1978: Vladimir Yaschenko does a
record-breaking jump of 2.34m with
the old technique (straddle).
1968: Dick Fosbury jumps 2.24m using a new
technique, adding a twist as he clears the bar.
9.95 s
JIm HInES
USA
1968FIRST mAn
UnDER
10 SEConDS
9.74 s
ASAFA
poWELL
JAm2007
9.58 s
USAIn
BoLT
JAm2009
AvERAGE SpEED:
37.58 Km/H
9.79 s
mAURICE
GREEn
USA
1999
10.49 s
FLoREnCE
GRIFFITH-
JoynER
USA
1988
9.83 s
BEn
JoHnSon
USA
1987RECoRD
RESCInDED
DUE To DopInG
1975: Electronic stopwatches produce more
precise timing. Records get tighter.1939–1945: Performances leveled
during World War II.
2008: Irmes 2008 prediction that humans will
never break the 9.67s barrier was proven wrong
by Usain Bolt.1972–1999: Relatively little improvement in
performance despite the professionalization of track
and field and technical improvements like spikes
and synthetic track surfaces.
HIGH JUmp
+30%ImpRovEmEnT 1890-2011
pERFoRmAnCE
HAS LEvELED SInCE
THE 1990S
poLE vAULT
+71%ImpRovEmEnT 1890-2011
pERFoRmAnCES
HAvE DECLInED
SInCE 2000
1984–1994: Sergey Bubka sets
35 world records
34 | DA D I DA D I | 35 DA D I | 35
INFOGRAPHIE : LARGENETWORK JOURNALISTE : BENJAMIN BOLLMANNGRAPHISME : ONLAB
SOURCES : RAYMOND GUIDOT, HISTORIEN DU DESIGN BASÉ À PARIS ; FABRICANTS RESPECTIFS.
MATÉRIAU
Bois courbéINNOVATION
Industrialisation de la technique du bois courbé UTILISATION INITIALE
Bistros d’Europe centrale
MATÉRIAU
BoisINNOVATION
Réinterprétation de la chaise Thonet n°16UTILISATION INITIALE
Exposition Unlimited de la galerie Nilufar à Milan
MATÉRIAU
Bois stratifiéINNOVATION
Courbe du dossier qui se prolonge en accoudoirsUTILISATION INITIALE
Echec commercial par manque de bonnes techniques de fabrication
MATÉRIAU
Bois contreplaquéINNOVATION
Nouvelle utilisation du contreplaqué moulé grâce aux dernières techniques de fraisage CNCUTILISATION INITIALE
Commercialisé par Wogg
MATÉRIAU
BoisINNOVATION
Réinterprétation d’une ancienne chaise pliable produite par ThonetUTILISATION INITIALE
Exposition Casa Abitata à Florence
MATÉRIAU
Résine epoxyINNOVATION
Produite par impression 3D, qui permet de créer des formes impossibles à sculpter autrement UTILISATION INITIALE
Edition limitée
MATÉRIAU
Aluminium suisseINNOVATION
Surface renforcée par une série de perforations dont le pourtour est repliéUTILISATION INITIALE
Exposition nationale suisse de 1939, la « Landi »
MATÉRIAUX
Bois, formica (revêtement de cuisine), métalINNOVATION
Tourne en dérision la rigueur du fonctionnalismeUTILISATION INITIALE
Edition limitée
MATÉRIAU
Bois de frêneINNOVATION
Précurseur du style moderniste, 16 ans avant le BauhausUTILISATION INITIALE
Maison Hill House près de Glasgow
MATÉRIAU
Fonte d’aluminiumINNOVATION
Forme composée de facettes planes comme celles d’un ballon de footUTILISATION INITIALE
Commercialisée par Magis
MATÉRIAU
Bois contreplaquéINNOVATION
Utilisation d’une technique inventée par les Eames pour fabriquer des attelles durant la Seconde Guerre mondialeUTILISATION INITIALE
Concours du MoMA
MATÉRIAU
Planches de pinINNOVATION
Chaise assemblée par l’utilisateur; pour Enzo Mari, le rôle du designer est d’en-courager l’autoconstructionUTILISATION INITIALE
Commercialisée par Artek
MATÉRIAU
Quatre planches de boisINNOVATION
Porte-à-faux, grâce aux pièces de renforcement insérées dans les anglesUTILISATION INITIALE
Maison Schröder aux Pays-Bas
MATÉRIAU
Morceaux de bois collés et cloués à la main INNOVATION
Technique de constructioninspirée des favelas brésiliens ; chaque chaise est uniqueUTILISATION INITIALE
Commercialisée par Edra
MATÉRIAU X
Bois de frêne et pailleINNOVATION
Style artisanal à contre-courant du modernisme de l’époqueUTILISATION INITIALE
Châlet à Méribel en France
MATÉRIAUX
Acier, paille, hêtreINNOVATION
Porte-à-faux, grâce aux tubes d’acier (inspirés d’un cadre de vélo)UTILISATION INITIALE
Commercialisé par Thonet
MATÉRIAUX
Tapis de convoyeurs d'usine et support en acierINNOVATION
Application d’un produit industriel pour une pièce « baroque »UTILISATION INITIALE
Edition limitée
MATÉRIAUX
Epicéa, hêtreINNOVATION
Style rigoureux caractéris-tique du fonctionnalisme suisseUTILISATION INITIALE
École supérieure de design d’Ulm en Allemagne
MATÉRIAU
Aujourd’hui polypropylène (plastique de pare-chocs)INNOVATION
Première chaise en plastique commercialisée en masseUTILISATION INITIALE
Collaboration avec Cartell
MATÉRIAU
CartonINNOVATION
Invention d’un assembage robuste de carton ondulé colléUTILISATION INITIALE
Echec commercial, trop chère
MATÉRIAUX
Tôle d’acier, bois contreplaquéINNOVATION
Larges pieds arrières soutiennent l’assise, même si l’utilisateur se pencheUTILISATION INITIALE
Concours pour la cité universitaire de Nancy
MATÉRIAUX
Bois avec placage en acajou, acier, cuirINNOVATION
Le troisième pied n’encombre pas l’espace au sol pour les nettoyeursUTILISATION INITIALE
Café Costes de Paris
MATÉRIAU
Bois contreplaqué mouléINNOVATION
Amincissement au niveau du dossier qui facilite l’industrialisationUTILISATION INITIALE
Cantine du groupe danois Novo Nordisk
MATÉRIAU
Aujourd’hui polypropylène (plastique de pare-chocs)INNOVATION
Porte-à-faux moulé en un seul blocUTILISATION INITIALE
Collaboration avec Vitra
Nº14 1859 MICHAEL THONET ALLEMAGNE
FAVELA 2003FERNANDO ET HUMBERTO CAMPANA BRÉSIL
CHAIR ONE 2004KONSTANTIN GRCIC ALLEMAGNE
WOGG 50 2011JÖRG BONER SUISSE
SOLID C2 2004PATRICK JOUIN FRANCE
PRETZEL 1952GEORGE NELSON USA
POSTMUNDUS 2012MARTINO GAMPER ITALIE
ANT 1952ARNE JACOBSEN DANEMARK
WIGGLE SIDE 1972FRANK GEHRY USA
LOOP LOOP 1994RON ARAD ISRAËL
1860–1930 ARTS AND CRAFTS
1920–1940 ART DÉCO
1920–.. . MODERNISME . . . MODERNISME
1890–1910 ART NOUVEAU
1917–1931 DE STIJL
1953–1968 ÉCOLE D’ULM 1980–1988 MEMPHIS 2000–.. . IMPRESSION 3D
1960–.. . MINIMALISME
1970–.. . POSTMODERNISME 1919–1933 BAUHAUS
1930 2010197019001860 1950 19901940 19801910 19601920 2000
LANDI 1939HANS CORAY SUISSE
ZIG ZAG 1932GERRIT RIETVELD PAYS-BAS
COSTES 1982PHILIPPE STARCK FRANCE
LCW 1945CHARLES & RAY EAMES USA
UNIVERSAL 1965 JOE COLOMBO ITALIE
CESCA S32 1928MARCEL BREUER HONGRIE
SEGGIOLINA 1980ETTORE SOTTSASS ITALIE
MÉRIBEL 1948CHARLOTTE PERRIAND FRANCE
PANTON 1967 VERNER PANTON DANEMARK
STANDARD 1950JEAN PROUVÉ FRANCE
SEDIA 1 1974ENZO MARI ITALIE
HILL HOUSE 1903CHARLES R. MACKINTOSH ÉCOSSE
1859 Nº14 1903 HILL HOUSE 1950STANDARD
1952 ANT ET PRETZEL
1972 WIGGLESIDE
2004 CHAIR ONEET SOLID C2
2011 WOGG 50
2012 POSTMUNDUS
1939 LANDI
1932 ZIG ZAG
1928 CESCA S32
1965 TRIC ET UNIVERSAL
1945 LCW
1948 MÉRIBEL
1954 ULMERHOCKER
2003 FAVELA
TRIC 1965ACHILLE ET PIER GIACOMO CASTIGLIONI ITALIE
ULMER HOCKER 1954 MAX BILL SUISSE
D’UNE FORME À L’AUTRESÉLECTION DE SIÈGES QUI ONT MARQUÉ L'HISTOIRE DU DESIGN AU XXE SIÈCLE
1974 SEDIA 1
1982 COSTES
1980 SEGGIOLINA
1994 LOOP LOOP
1967 PANTON
BRÉSIL
ÉCOSSE
PAYS-BAS
HONGRIE
ISRAËL
ALLEMAGNE
DANEMARK
SUISSE
USA
FRANCE
ITALIE
SUPERPOSITION DES CHAISES
LA
Dee 36 Dee 37
Fast forward Season 51 2 3
4 5 6
7 8 9
Presentation of Design Friends’ SEASON 5 PROGRAMME featuring:
1, rue de l’Aciérie
FRIDAY 05.07.2013EXIT 07 STARTS AT18H30
ORIGINALITY
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PERSONALITY
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5
1
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5Sign PaintersScreening
10.01.2014
Sissel TolaasScent Design
16.10.2013
Mirko BorscheEditorial Design
26.02.2014
Klaus-Peter SiemssenLight Design
23.04.2014
Bruce DuckworthPackaging Design
04.06.2014
Postcard Project3rd Series
Kick-OffSeason 6
04.07.2014
Christophe PilletProduct Design
27.11.2013
Kick-OffSeason 5
05.07.2013
Dee 38 Dee 39
Besides announcing the programme for the upcoming season, we awardedthe winners of the “Playful D” post-card competition and we exhibited the “L”-stamp series. And, Silvano Vidale entrusted the presidency of Design Friends to Nadine Clemens.
Kick-OffSeason 5
Presentation of Design Friends’ SEASON 5 PROGRAMME featuring:
1, rue de l’Aciérie
FRIDAY 05.07.2013EXIT 07 STARTS AT18H30
ORIGINALITY
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Event: Kick-Off Season 5 Date: July 05, 2013Location: CarréRotondesAudience: 82DJ set: J + EPicture report: Antonello Di Pinto
Dee 40 Dee 41
AAL + DLM Developed by HAY
Available through the following HAY dealer:firstfloor • Centre Commercial Laangwiss 2 • Rue Nicolas Glesener • L-6131 Junglinster • LUXEMBOURG • T. 26 78 28 88 • [email protected] • www.firstfloor.lu
Megs_Soft_DEE.indd 1 26/06/2013 14:39:54
in Belval / Square Mile - Southlane Tower III
Southlane Tower III combines the highest architectural standards with an excellent payback and a long lasting return on investment.
The Belval district is destined for growth, and set to become a thriving centre of business, re-search and commerce. Its appeal as a hub for shopping, work, education and leisure increases with every completed develop-ment project. Whether it is for your own use or as a strategic investment, Southlane Tower III is the ideal way to take advantage of the upward trend in this ener-getic, and pulsating new city.
www.southlane.luT +352 27 44 27
Dee 42 Dee 43
T 26 47 76 livin.lu
HIGHLIGHTS IN REAL ESTATE
Specialized in selling or renting outstandingarchitecture – discover the difference at livin.lu
we are going from there to here
Thanks to Design Friends for inspiring us.
Dee 44 Dee 45
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www.binsfeld.lu
design & content strategy by binsfeld
GOLD AWArD
category B2c tourism
GOLD AWArD
category cover of the year
SILVEr AWArD
category Printing & innovation
In corporate publishing,xcellence makes the difference.
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C
M
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CM
MJ
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N
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WHAT ARE YOU DOING???
Think like a publisher? Then start being one. We can help you create your magazine, your book, your video, your newsletter, your website or your mobile application. We’ll help you find the medium and the message.
Corporate communication is not easy. And holding hands above your head doesn’t help. Good content does: providing readers with guidance and assistance, inspiration and entertaining stories. Good content is the only way to make consumers love you.
Invest in Content Marketing.
Thomas SchoosContent Strategist29 66 18 - [email protected]
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Thanks
Catalogue Layout Christophe Peiffer, Nicolas Felten, Mik Muhlen, Claudia Eustergerling, Joanna Grodecki
Catalogue Writers and Editors
Merel Kokhuis, Mark Penfold, Sven Ehmann, Duncan Roberts
PhotographyJessica Theis, Antonello Di Pinto, Jan Henrion
CollaborationPoste Luxembourg, Boomerang, Exit07, D’Co
SchoolsLycée technique des Arts et Métiers, Lycée classique Echternach, Lycée Classique Diekirch, Lycée Aline Mayrisch
DeejaysHerr Erdmann, J+E
WebsiteDesign Bureau / Laurent Daubach, Viktor Dick
Published by Design Friends
Art DirectorSilvano Vidale
EditorsNadine ClemensMike KoedingerDuncan Roberts
Quotes’ collectorAnabel Witry
Cover photographyJulien Becker
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PrinterImprimerie Faber
Design Friends founded in 2009
Board Season 4
Silvano Vidale (President)Nadine Clemens (Vice-president)Anabel Witry (Secretary)Heike Fries (Treasurer)Mike Koedinger (Board member)Guido Kröger (Board member)Pit Kuffer (Board member)Stéphanie Rollin (Board member)
Board Season 5
Nadine Clemens (President)Mike Koedinger (Vice-president)Anabel Witry (Secretary)Guido Kröger (Treasurer)
Visit www.designfriends.lu or join us on Facebook.
Cover PaperBVS mat white, 300 gr
Contributorsfor this issueIt’s simply not possible to publish a magazine without the help of many. A big round of applause for this issue’s most talented contributors.
Julien BeckerCover-photo contribution Partner at Skill Lab. Photographer and Director. Loves light and shadows.
SarahMacriCover-photo contribution Sarah’s a well perform- ing basketball player who works at Maison Moderne as a publishing assistant. She’s the “body” on Dee’s cover.
MikMuhlenIllustration contribution Mik is a Luxembourg based independant illustrator and designer who works under the moniker of “omniscient being”. In his free time he likes to draw things that look vaguely mystical made out of skulls, animals, tentacles, or a combination of the above.
silllab.net
omniscientbeing.com
JessicaTheisEvent-report contribution I’m a full-time freelance photographer, working under the name of jess – photography.As I work alone, every client deals with me personally in a close collaborative way. I like Andy Warhol’s quote “I never read. I just look at pictures.”
Season 4
JanHanrionEvent-report contribution Graphiste de profession et photographe par passion. Voilà comment résumer le parcours de Jan. Membre de Design Friends, mais aussi photographe lors de événements, il a su capter les moments forts des conférences proposées au cours de cette année.
StinaFischIllustration contribution Stina is an illustrator living and working in Luxembourg after graduating from Akademie van Schone Kun-sten Antwerpen. She has contributed to newspapers, magazines and books. She is currently exploring DIY printing techniques. She is always working on her ink lines.
jess.luhanrion.fr
stinafisch.com
AntonelloDi PintoEvent-report contribution Passionné par la photogra-phie depuis plusieurs an-nées, Antonello a pris part à l’aventure Design Friends en tant que photographe pour cette saison.Son travail permettra de garder un souvenir impé-rissable des événements qui animent chaque édition.
OnlabN.BourquinInfographic contribution The Swiss graphic design agency onlab – based in Berlin, Germany – works on commissioned, col-laborative as well as self initiated design projects. The focus of the commis-sioned work lies in editorial design, infograph-ics and visual communica-tion projects.
antonello.lu
onlab.chonlabsummerschool.com
nicolasbourquin.com
Casino Luxembourg – Forum d’art contemporain c/o Design Friends asbl, B.P. 345, L-2013 Luxembourg
Dee 50 Dee 51
Gold Members
Brodd FraukeCarvalho Jean-PaulChenal EricClemens NadineConrot ValérieD’Alimonte ValerioDickes IsabelleDoro MauroEustergerling ClaudiaFabeck TatianaFeinen MischFisch StinaFlammang ClaireGlas JanGrodecki JoannaHoffmann PatrickKieffer AnneKirsch SylvainKoedinger MikeMeyers StephMouriamé ArnaudMunoz MandelaPeiffer ChristopheRichiuso DavidRollin StéphanieSeligson JanSteffen FrankSteffen MaxThiry ChristianVidale SilvanoWeber FrankWirtz PatrickWollesen Kirsten
Payment
DF needs your supportOur programme is entirely financed by our members’ fees and our partners’ support How can you help?
We’re shaping the events. But it’s you who make it really happen and give it the final touch. Thank you!
Members support Design Friends’ activities with their membership. Student Members: People registered in college or university courses (upon presentation of student registration as proof). Students pay 50% of the regular membership.Gold Members pay 100 € – it’s not a VIP-thing, they are just ready to spend some extra money to help more programme to be done.
Partners and Service PartnersPartners are companies or institutions willing to support our activities and associate their brand with ours. Obviously they are important to us. Contact board members for information.
Pay at events or make a bank transfer to: IBAN LU15 1111 2587 7778 0000. Please mention: “Membership 2013/2014” and add your e-mail address in the message.
Members
Categories Student Member Regular Member Gold Member
Price 15€ 30€ ≥ 100€Period All season All season All season
Catalogue
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* Not at conferences. Only at special events.
Donators
Categories Donator
Price 250€Period All season
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* Not at conferences. Only at special events.
Donators are companies or institutions that want to support Design Friends without being a sponsor. They are not members, but donators. Their money helps us to programme events.
We gather people who love design.
We produce lectures, workshops
and exhibitions.
We publish catalogues and books.
We stimulate design thinking
in Luxembourg and abroad.
